I touched the frostbitten cheek of the corpse in the alley, ignoring the rain sliding down my neck. She shouldn't be this warm.
The sleet had turned the ground into a gray mirror, and the security light above the restaurant's back door flickered with the desperate rhythm of a dying heart. The air reeked of fish sauce and copper, rotting vegetables and blood. My breath fogged in front of me, visible proof that I was still among the living. Hers didn't. Yet her skin held warmth that had no business being there, hours after death in weather cold enough to freeze tears before they hit the ground.
I pressed my palm flat against her cheek. She was young, late twenties, with dark hair plastered to her forehead by the freezing rain. Pretty, in the way corpses sometimes are before decay settles in and steals everything human from their faces. Her eyes were open, staring up at nothing, and someone had positioned her arms at her sides with care. Too neat for a random death. Too deliberate.
The whisper started the moment my skin met hers.
It wasn't words, not at first. The sound bypassed my ears entirely and went straight into the marrow of my bones, into the old scar across my throat that ached whenever death came calling. The language was older than speech, older than writing, older than the human need to communicate. I recognized it the way you recognize your mother's voice calling you home.
My mother used to murmur in this tongue when she thought I was sleeping.
"Tell me you're not doing what I think you're doing."
Sara's voice cut through the whispers, a lifeline thrown into dark water. I pulled my hand away from the dead woman's face, but the sound continued at the edge of my hearing, patient and hungry.
"Depends on what you think I'm doing." I stood, my knees cracking in protest. The cold had gotten into my joints, settled there with proprietary familiarity.
"Something that'll give me paperwork nightmares for a month." Sara Chen stood at the mouth of the alley, her hand resting on the butt of her service weapon. Force of habit. The dead weren't her jurisdiction, not really, but she kept coming back anyway.
Because of you, something whispered. Not the corpse this time. My own treacherous mind.
"This isn't a normal murder." I moved toward her, away from the body, though the distance did nothing to quiet the voice in my head. "She's not quite dead."
Sara's eyebrows drew together. "Her heart stopped six hours ago, Marcus. The ME confirmed it."
"Her heart stopped. That's not the same thing." I glanced back at the woman in the alley, at her open eyes reflecting the stuttering light. "She's still dying. She's been dying for hours. And whatever killed her wants me to watch."
We walked to Sara's car, the sleet hardening into snow that fell too fast, too thick for early December. The weather service had no explanation for the cold snap that had seized the city three weeks ago and refused to let go. I had explanations, but none anyone wanted to hear.
"Third one this week," Sara said. She pulled her coat tighter, her breath coming in short, visible bursts. "Same signature. No visible cause of death, no defensive wounds, found in random locations across the city. All of them running warm. The brass is starting to ask questions I can't answer."
"Three bodies. Three days." The pattern clicked into place with the inevitability of a lock tumbling open. "Who's counting?"
"I was hoping you could tell me." She stopped beside her car, one hand on the door handle, her knuckles white with cold or tension or both. "The weather's been wrong since this started. Animals leaving the city. Dogs howling at nothing. Tell me it's coincidence."
I couldn't tell her that. I wouldn't lie to her face, even when the truth was something she'd refuse to believe.
"Someone's performing a ritual. Old magic, the kind that leaves marks on the world." I watched her expression tighten, watched her jaw set in that stubborn line I knew too well. "They need thirteen sacrifices to complete it. We're running out of time."
Thirteen sacrifices. Twelve to open the doors, one to hold them wide.
The knowledge rose unbidden, drawn from the whispers or from something deeper, something my mother had buried in me before she vanished. I shoved it down, but it left a residue, oily and cold.
Sara stopped walking. Under the streetlight, her face looked carved from amber, all planes and shadows. She smelled like coffee and gun oil and something floral she'd deny wearing if I asked. The tension between us stretched taut, a wire waiting to snap.
"Are you okay?"
Not professionally. The question lived in her eyes, in the careful distance she maintained, in the way she held her body angled slightly away from mine. Three years ago, I knew what her hair felt like spread across my pillow. Three years ago, I saw how she was going to die, and I hadn't touched her since. She never asked why I pulled away. I never offered an explanation.
Some things are kinder left unspoken.
"I'm fine."
"You're a terrible liar."
"I'm an excellent liar. You're too good a detective." I turned back toward the alley, the snow crunching under my boots. "I need to hear more. Before they move her."
Sara caught my arm. Her grip was firm through my coat sleeve, and even with the layers between us, my ability stirred, reaching toward her the way a plant reaches toward light. I held it back. I always held it back with her.
"Marcus." Her voice stopped me at the corner. "Be careful."
"I'm always careful."
"You're never careful. That's the problem."
She wasn't wrong. Careful people didn't walk toward the dead. Careful people didn't let the dying whisper their secrets into ears that shouldn't be able to hear. Careful people stayed on the living side of the line I'd crossed the day I fell through the ice.
I walked back to the alley anyway.
The ME still hadn't arrived. Budget cuts, backlog, the usual excuses that let the dead wait while the living sorted out their bureaucracy. I knelt beside the woman again, studying her face in the flickering light. She had laugh lines at the corners of her eyes and a small scar on her chin, the kind you get falling off a bike as a child.
She had a name. A life. Someone is missing her right now.
I pulled off my gloves. My hands were pale, the veins standing out in blue-green tributaries, my nails carrying the permanent tinge of someone who'd spent too long in the cold. The ritual my mother taught me came back with muscle memory: three slow breaths, a mental image of roots sinking into stone, the whispered words that anchored me to my own body. Then I pressed my palms to either side of her face and let myself fall.
The whispers became a roar.
The tunnel smells like wet stone and something sweeter, older. Incense and decay. Candles flickering in alcoves carved from living rock. A voice saying "you are the twelfth door" and hands that are gentle as they press me down against cold stone. The cold starts in my chest and blooms outward, ice crystals forming in my blood, my lungs seizing, my heart stuttering. I think of my mother, her laugh, the way she sang while she cooked. Then I can't remember having a mother. Then I can't remember my own name. Then I can't remember—
I pulled back, gasping, but the death hadn't finished with me yet. Elena's final moments clung to me, desperate and demanding, refusing to release their grip. Her terror mixed with determination, her rage at dying before she could finish what she'd started. Through the chaos of her dying, another voice emerged. Hers. Elena Vasquez, graduate student, researcher of dead things and dying gods.
The Thorne chapel. Beneath. Thirteen doors, twelve opened. One night left. The name—
The connection shattered. I fell backward, my hands numb, my lips bloodless. White edged my vision, and for a moment I couldn't remember my own name. I'd given too much of myself to the contact, the boundary between the living and dead worn thin as tissue paper.
But I'd gotten what I needed.
The face from Elena's memory surfaced in my mind. Aldric Thorne. Old money, older blood, on the boards of half the city's charities. I'd met him once, at my mother's funeral. A funeral with no body, because she'd never been found.
He'd touched my hand in the receiving line and said, "Your mother understood sacrifice."
I thought it was something people said at funerals.
The snow fell harder, and in the distance, something howled. Not an animal. Not the wind. Something that had been hungry for a very long time.
The Thorne family chapel crouched at the edge of their ancestral cemetery, all Gothic stone and stained glass that told the wrong stories. The windows showed figures that were almost human, almost holy, their eyes too numerous, their smiles too wide. The founding families, frozen in glass, watching over the graves of their descendants with expressions that promised nothing good.
The iron gate screamed when I pushed through it. The cemetery stretched before me, headstones jutting from the snow in crooked rows, and the silence was absolute. No wind. No night birds. No distant traffic. The world held its breath.
The chapel door was unlocked. They were expecting me.
Of course they are. They've been waiting twenty years.
Inside, the air was colder than outside, which shouldn't have been possible. The pews were covered in a thin layer of frost, and the altar gleamed with ice crystals that caught the moonlight filtering through those terrible windows. My footsteps echoed like heartbeats in the empty space.
Behind the altar, I found the trapdoor. The cold rising from below was absolute, the kind of cold that existed in the spaces between stars, in the pause between one heartbeat and the absence of the next. My scar throbbed, the old language humming through the damaged tissue.
Every instinct said run.
Every instinct had said run for twenty-seven years, ever since I came back from a frozen lake changed into something that wasn't quite a boy anymore.
I went down anyway.
The tunnel opened into a circular chamber carved from stone so old it predated the city above. Twelve figures stood in alcoves around the walls, and every one of them was a corpse that refused to stop dying. They whispered in unison, the same words Elena had spoken, the language of Kol'thraxis.
I walked among them. A homeless man with frost in his beard. A jogger still in her running shoes. A teenager clutching a phone that would never ring again. Elena's place stood empty, the twelfth door waiting for her body.
The whispers pressed against my skin, tangible as fingers, and the frost on the walls moved in patterns that made my eyes water and my stomach clench. The cold tasted of metal and salt, blood and ash.
"Marcus Vane."
Aldric Thorne emerged from the darkness. He wore ritual robes, but they looked tailored, expensive. Even in madness, he had taste. His smile was gentle, almost kind.
"Your mother said you'd come eventually."
"My mother's dead."
"No." He spread his hands, encompassing the chamber, the corpses, the hungry dark pressing in from every side. "She's the thirteenth door. She's been waiting for you."
The words hit me in the chest, a physical blow. I staggered, and Thorne's smile widened.
"She gave herself to the ritual willingly, you see. Became the final vessel. But she wasn't quite ready. Her love for you kept a piece of her tethered to this world." He stepped closer, and the cold deepened around him, bending toward him the way flowers bend toward the sun. "We need you to sever that connection. Let go of her. Release her memory. And when Kol'thraxis wakes, you'll feel nothing. Not cold. Not grief. Not the weight of every death you've ever touched."
Nothing forever.
The offer wrapped around me, seductive as a lover's whisper. An end to the pain. An end to seeing death in every face, feeling it in every touch. An end to being the thing that came back wrong from a frozen lake and never quite found its way home.
For a moment, my mother's voice joined the chorus. It's okay to stop fighting, baby. It's okay to rest.
For a moment, I wanted it.
But Elena's voice was there too. Her last message, incomplete: The name—
The binding doesn't work by taking names. It works by giving them. The god can only consume what is surrendered willingly.
Understanding flooded through me, cold and clarifying. My mother hadn't given her name. She'd given her love for me. The one thing she couldn't let go of, even at the end. The one thing that kept her bound to this world, waiting.
And that meant I still had it.
And that meant it could be taken back.
"You want nothing?" I stepped forward, reaching out not with my body but with my ability, touching all twelve corpses at once, taking their deaths into myself. The pain was extraordinary, a symphony of endings playing through my nervous system. A heart attack. A drowning. A slow fade from hypothermia. I felt them all, carried them all, refused to let them become nothing. "I'll give you nothing."
I spoke my mother's name. Her full name, the one she used in her practice, the one with power. Katherine Elizabeth Vane. I spoke my own. Marcus Daniel Vane. I claimed them both, each syllable a declaration of war against the hungry dark.
"I give you everything these people wanted to live for. Every hope. Every love. Every moment they were denied."
The god recoiled. Kol'thraxis had expected surrender. It didn't want this, couldn't consume this. Grief and rage and the desperate human need to survive weren't nourishment. They were poison. I fed it the opposite of oblivion: the desperate desire to be.
The chamber shook. The frost shattered, falling from the walls in sheets. The whispers turned to screams, not of victory but of starvation. The twelve corpses collapsed, finally, truly dead. The walls cracked, and somewhere above, stone groaned and gave way.
Thorne tried to run. The tunnel collapsed on him. I didn't watch.
My mother appeared before me, or the thing she'd become. For a moment, she looked like herself. Brown hair streaked with gray. Tired eyes that had seen too much. She was smiling.
"You always were too stubborn."
"I learned from you."
"I know." The light behind her grew brighter, warmer. "I'm sorry."
"I know."
She dissolved into light, and the cold inside my chest, the cold that had lived there since I was seven years old, finally, finally broke.
Dawn painted the sky in shades of rose and gold as I climbed from the ruins of the chapel. The snow had stopped. The air was still cold, but it was a normal cold. A winter cold. A cold that wouldn't kill you if you dressed warm enough and kept moving.
Sara was waiting by her car, having followed when I didn't answer my phone. Her face was pale, her eyes red-rimmed, but she didn't ask questions. She draped her coat around my shoulders and guided me toward the passenger door.
I looked at her profile in the early light. I still saw her death. Everyone's death. A car accident, twenty-three years from now, quick and painless. I'd carry that knowledge forever.
But for the first time in three years, I took her hand anyway.
"I'm cold," I said.
"I know."
"I'm always cold."
"I know that too."
She didn't let go.
Neither did I.
The sun rose over a city that would never know how close it had come to an eternal winter, and somewhere beneath the snow, twelve people finally rested. My mother's voice was silent in my head, but the warmth she'd left behind remained, a small flame against the dark.
It was enough.
It would have to be enough.
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I'd love to see this expanded.
The grounded relationship between the detectives was excellent, studded with sparkling banter. The introduction of the suspended corpse set the tone immediately, and showcased the power and impersonal cruelty of the enemy. Very clever choice the have resignation under the yoke of fate disrupted by unexpected revelation, and that in turn leaving room for innovative tactics. The mother haunting the narrative was skillfully woven to put her in the forefront of our minds without ruining her entrance.
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"I like the way you work it
No diggity!"
- Blackstreet (https://www.youtube.com/watch?v=3KL9mRus19o)
Hey yo, Mary, just chill for a second dude. You ever heard of the term "running up the score"? For fuck sake, UNCLE! I'm tapping out here. You win.
I love when you do horror. You're good at everything but I love when you do horror. This line was killer: "The cold rising from below was absolute, the kind of cold that existed in the spaces between stars, in the pause between one heartbeat and the absence of the next. My scar throbbed, the old language humming through the damaged tissue."
You are so good. This was some seriously Lovecraftian stuff, with a dark nod to the tradition of the Eldritch Gods. Your father was Arthur Machen and your mother was Mary Shelley, right? Did I finally figure out your lineage? Don't lie. I will know. [Finger pointed at you in accusatory fashion.]
Love you and hope you and yours are well. Happiest of holidays to all a y'all. Play on, Player! Hey yo, hey yo, hey yo...
Sorry. I'm sorry. I have that Blackstreet video on a constant loop tonight. I don't really know why but it just brings me so much joy. I wish those guys could follow me around all day and rock that jam and it could become the soundtrack to my life. That would be sick. I want the cool dancing girls and Dre too. I just want that to be my world. Maybe not so practical at the grocery store or the library but I bet I could kill any job interview. I wouldn't say shit. I would just wear my hat and shades and stare at the interviewer in a semi-threatening manner and nod to the beat until I was eventually offered the job. Then I would decline and give the dude the finger and we would all just dance out of there and go to the club. Like I said, it would be sick.
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that whole opening scene is propulsive! so compelling and such a breath of life in your characters, woah.
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I did not know what to expect when I started reading this but I absolutely loved every part of this story right up until the end. You have a wonderful way of describing how character's feel - which makes them feel like real people to me. That drew me right in. And then the elements of horror felt so new-not like anything I've read in a while!
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No words to describe this winner. You are an amazing writer.
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