Book Cover Gallery

The Rules We Live By

Destyn Land

Designed by Vanessa M.

Available to hire ⏺

"I wanted the cover to be striking and thought-provoking. The bold, crossed-out title symbolises breaking free from societal expectations and embracing personal freedom. Birds taking flight, superimposed on the crossed-out text, reinforce the theme of liberation. The minimalist design—with its stark black background and clean typography—creates a powerful visual that invites readers to explore the book's journey of self-discovery and growth."

The Premed Paradox

Amit Pandey

Designed by Andy M.

Available to hire ⏺

"The cover design captures the complex emotions that many young physicians experience at the beginning of their medical journey—hope, fear, and excitement—while stepping into the unknown. This visual representation makes the book relatable and engaging for its readers. Unlike traditional medical textbooks that typically use photographs, this cover features a surrealist-style illustration, highlighting the book's distinctive approach."

How Not To Kill a Spy

John Fullerton

Designed by Driss C.

Available to hire ⏺

"The book tells a story of death and mystery. Initially meant to associate lettering and illustration, the design evolved toward a more minimalistic and impactful approach. The angular and rough letters of the title contrast with the curves of the blood puddle, foreshadowing the tension to come. The colours are reminiscent of old polars, while vibrant enough to fit with modern trends."

The Dark Side of the Mirror

Christopher Murphy

Designed by Leah J.

Available to hire ⏺

"This portrait-led cover draws readers’ focus to the main character, with shattered glass hinting that all may not be as it seems while subtly reinforcing the novel's title. We used a familiar thriller-style typography and color palette, combined with full-bleed portrait photography to make it eye-catching and unique. The shattered glass overlay, extending across the spine and back cover, acts as the cover’s main catalyst, distorting the character's eye and elements of the typography."

Hidden in Frosted Flames

Jaymie Voogl

Designed by Madli S.

Available to hire ⏺

Frankenstein

Mary Shelley (New illustrated edition)

Designed by Alejandro C.

Available to hire ⏺

"Frankenstein is an enduring icon that has been reimagined countless times, though the creature's true appearance often remains ambiguous. My challenge was to faithfully capture Mary Shelley’s original vision. For the slipcase design, I imagined a scientific sketch—a conceptual blueprint of the creature's face, as if drawn by Victor himself. This creates a striking contrast: the slipcase shows the creature in its 'draft' phase, while the book cover depicts it fully realized, in flesh and blood."

Search for Complete

Stephen G Hardy

Designed by Ryan M.

Available to hire ⏺

"The classical framed art reflects the book's timeless exploration of love and relationships, inspired by the Aristophanes Myth on the Origin of Love. To blend originality with current trends, I added rich, moody foliage in the background, focusing on the classical portraits. The right frame, featuring a female figure within a crescent moon, captures the ethereal themes, while the left portrait represents the main character. This unconventional romance cover suits a story that defies the genre."

Wu Lou

by Xinhua Lu (Author), Capella Cao (Translator)

Designed by Richard L.

Available to hire ⏺

"The book opens with a haunting scene in a secluded Cambodian jungle temple in the early 1970s. Tutu, a young woman, finds her fiancé, a Khmer Rouge officer, crushed beneath a Buddha statue, setting Wu Lou, the temple’s master monk, on a path of exile. The cover reflects this era and setting, with a "never-ending redness" of trees, leaves, and petals evoking beauty and bloodshed. Tutu is featured prominently but tightly cropped, with a subtle Cambodian landscape and temple in the foreground."

Half a Cup of Sand And Sky

Nadine Bjursten

Designed by Richard L.

Available to hire ⏺

"Finalist for the PEN/Bellwether Prize, the book portrays one woman's search for love and belonging amid political turmoil. Bjursten immerses readers in a life, nation, and era with lasting impact. For this layered story, I aimed to depict the protagonist as a strong, visionary woman without resorting to visual clichés or a literal photo. The solution was a silhouetted collage incorporating fragments of the title and story... sand, sky, sea, rose gardens, Persian heritage, and literature."

Junior Year Bites

Annie Lisenby

Designed by Driss C.

Available to hire ⏺

"This book is a YA story where the protagonist must adapt to her new vampire life. The quirky story and characters inspired a cover featuring the protagonist as a bridge between her vampire friends on the left and her human social circle on the right. A pink palette and bright yellow title signal it as YA at first glance. To incorporate elements the author requested, like a teacup, squirrel, and paintbrushes, I included them within the protagonist's outfit, foreshadowing events in the book."

Second Pocket First

Gregory Grosvenor

Designed by Raúl L.

Available to hire ⏺

for love I will

C.D. Sterling

Designed by Diego S.

Available to hire ⏺

The Lumberjills: Stronger Together

Joanna Foat

Designed by Richard L.

Available to hire ⏺

"This novel draws inspiration from the heroic true stories of the Women’s Timber Corps, a branch of the Women’s Land Army in the UK during WWII. Image research was challenging, but finding a great reenactment photo with playful, optimistic women’s gaits felt perfect. It captures camaraderie and warmth, true to the book’s spirit, while contrasting with the harder visual of crossed axes. The Union Jack takes center stage, adding a pop of color and almost becoming a character itself."

Transference

Ian Patterson

Designed by Barış Ş.

Available to hire ⏺

"This cover captures the story’s layered narrative, blending illness and the human body with interdimensional travel. Symbolic elements—halls, doors, paths, and a watching eye—evoke the narrator’s presence and themes of surveillance. With a magical realist, maximalist aesthetic, the design reflects the story’s fusion of medical, spiritual, and speculative elements, setting it apart within the dystopian and cyberpunk genres."

The Day Lemmy Loved Johnny The Most

Stephen Mellor

Designed by Dominic F.

Available to hire ⏺

"I had great fun designing The Day Lemmy Loved Johnny the Most. This cover uses bold typography to highlight the strong prose within the story. Mixing colors and typefaces keeps it modern while retaining a classic literary feel. Stephen wanted a clean, graphic approach, so I experimented with typography to form the story’s tree. In the end, the bold type-only approach won out, with the tree motif featured on the back and spine."

Hank's Purpose: His Journey To Become A Therapy Dog

J. P. D.

Designed by Anastasiya H.

Available to hire ⏺

"The cover reflects the main theme. The child in the wheelchair and Hank’s gentle expression highlight care and connection, conveying therapy and friendship. I created a warm, friendly atmosphere with bright, soft colors popular in children’s books. The large, endearing image of Hank aligns with market preferences, while expressive character emotions evoke warmth and affection. A paw print replacing the letter “O” adds a playful, memorable touch that hints at the book’s theme."

The Curse of Mene

Madeline Hickey

Designed by Madli S.

Available to hire ⏺

Cairo

Kolton Lane

Designed by Ryan M.

Available to hire ⏺

"Here I aimed to capture themes of self-exploration and freedom. The silhouette looking upward reflects the author's personal journey, while the embedded cityscape shows how Cairo becomes part of his identity. I balanced originality with modern trends by using vibrant gradients for an ethereal feel, layering the city's urban lights within the figure for uniqueness. The design is intended to feel both intimate and expansive, inviting readers into the transformative journey within the book."

A Court at Costantinople

Anthony Earth

Designed by Heather V.

Available to hire ⏺

Daughters of a Winter Night

Doug Belair

Designed by Elias P.

Available to hire ⏺

"The cover's main element is a silver tile crafted by the author's version of Elves or Guardians, protectors of the weave of Time, represented by an hourglass. We opted for a classic look over the typical illustrated characters of modern fantasy, blending elvish, nature-inspired imagery with hints of the story's characters. My work often combines illustration and hand-drawn typography. Here while the silver tile catches the eye, the hand-lettered title and author’s name capture the book's tone."

Even George

Carolyn Cockburn

Designed by Vaughan D.

Available to hire ⏺

The Posthumous Memoirs Of Bras Cubas

Joaquim Maria Machado de Assis (Author), Américo Lucena Lage (Translator)

Designed by Euan M.

Available to hire ⏺

"The brief called for a “mix of dark, moody tones with occasional bursts of vivid colour, reflecting the novel’s shifts between somber reflection and satirical wit”. This contrast also helps to gives the cover a sense of depth—I almost see the type (which is based on hand-painted letters from Brazil, where the novel is set) as being painted onto a window, behind which lies the illustration."

Henry Button and The Haunted Matinée

Liam Auden Brant

Designed by Driss C.

Available to hire ⏺

"The main challenge with Haunted Matinée was evoking the feel of old black-and-white movies while keeping a colorful design for middle-grade readers. Bright red and yellow elements balance the main blue. Since Henry Button is a series, I designed the title as a standalone for continuity across volumes, adding familiarity and timelessness. The design includes many details and easter eggs, like the diamond-shaped illustration, which hints at the glamour of Old Hollywood."

Tumbleweed The Fairy Without Wings

Mary Natale

Designed by Julianna L.

Available to hire ⏺

How to Be Happy

Lee Crutchley

Designed by Lee C.

Available to hire ⏺

"The book has a down-to-earth, approachable tone and simple content, so I kept the cover straightforward in layout and color. Hand-drawn lettering adds a human touch, matching its unique approach as a creative workbook on depression and happiness. The two colors, black and white, emphasize that this isn’t just another self-help book, with white text for typical advice and black for added realism and humanity."

From These Broken Pieces

Katie Hauck Ministries

Designed by Christian R.

Available to hire ⏺

"Broken Pieces is a collection of stories about healing from trauma through the power of Jesus. The central image of a reassembled stained glass heart conveys this theme. Aimed at those who have been incarcerated or are in rehab, we used a grittier font and bold colors to attract the audience, avoiding the typical Christian self-help look. The bold colors and illustrated elements set the book apart from others in the genre, while still accurately reflecting its message."

Much Too Vulgar

Viggy Par Hampton

Designed by Nuno M.

Available to hire ⏺

"This is the second cover I’ve designed for Viggy, following the style of her previous book, A Cold Night for Alligators. The rough, hand-drawn title contrasts with the deep red-orange background, adding urgency and rawness. The anatomical illustration beneath the text serves as a grotesque, eerie focal point, reinforcing the book's theme and complementing the distressed calligraphy. Together, these elements create a bold, eye-catching, and unsettling cover that mirrors the tone of the story."

The Little Blue Door

Francesca Catlow

Designed by Andrew D.

Available to hire ⏺

"As I discussed image options with Francesca, the idea of a close-up blue door quickly became the winning concept. Focusing on the door would make the cover stand out and establish a visual motif for future covers in the series—whether a door, window, or entrance, each featuring a zoomed-in arch."

Making Up Stories

Susan Myhre Hayes

Designed by Sarah L.

Available to hire ⏺

The Courage of Slackers

Daniel Tiernan

Designed by Alexander N.

Available to hire ⏺

"The cover features a fictional but typical Minneapolis dive bar, grounding the story in a distinct aesthetic while hinting at key plot elements. The 'Art Deco' style, common to Minneapolis bars, influenced both the cover design and the font. It worked well for a modern minimalist design: it's readabile at small scales while remaining interesting up close. Details like the main character, a lurking figure, broken glass, and a cat stalking a pigeon on the roof add suspenseful hints to the story."

WORM$

khari gordon

Designed by Barış Ş.

Available to hire ⏺

"The cover is directly inspired by the plot, aiming to capture the intense sense of action and adventure. It embraces an underground vibe, signalling to the audience that they’re in for a wild, unpredictable ride filled with eccentric twists. The bold typography and edgy illustration style were carefully chosen to reflect the chaotic energy of the story, letting readers know they’re about to dive into something thrilling and out of the ordinary."

The Day I Left

Michelle Yu

Designed by Barış Ş.

Available to hire ⏺

"The cover explores themes of transformation and progression with a distinctly feminine and empathetic touch. The aim was to convey these ideas through a sense of calm and serenity, illustrating the process of healing, personal growth and renewal."

Stable

Emily Swisher

Designed by Christian R.

Available to hire ⏺

"The photo (by Sinuhe Xavier) captures the atmosphere of the author's work with horses. I used colors, typography, and layout to firmly place the book in the memoir genre, drawing inspiration from memoirs in the fashion or cinema industries. This approach elevates the cover beyond the typical 'western' or 'country' categories, and conveys refined earthiness to match the story. The callout circle for the endorsement balances the negative space, adds visual interest, and a sense of authority."

Knot by Knot

Davis Moore

Designed by Christian R.

Available to hire ⏺

"The book explores how the good news of Jesus helps readers untangle the knots of sin and addiction. The hand, inspired by ancient Christian iconography, symbolizes God's hand, while the background texture comes from historic art archives. The colors and illustration are on-trend with Christian self-help books, but the ancient elements add uniqueness. I love incorporating Christian symbolism and artwork to connect modern readers to the rich history of the church and the timeless Gospel message."

The Countryside Orphanage

D.M. Narok

Designed by Joe M.

Available to hire ⏺

"The author wanted me to convey a complicated suspense/thriller story in a simple, elegant way — one that evoked a mood rather than telegraphed the plot line. That directive suited my style perfectly, because I tend to prefer captivating, moody images that draw the eye while offering subtle hints of what lies within. I feel like this has both a contemporary yet classic look; one that will look fresh ten years from now as it does today."

18

Megdad Zaatreh

Designed by Jason A.

Available to hire ⏺

"The novel is a mystery about good and evil, focusing on symmetry. A mysterious woman and two six-spotted moths are significant to the plot, so they had to be on the cover. To portray these themes I went with a high contrast color scheme in a vector art style, to give it a modern feel. The woman's obscured face and cutaway title effect are meant to convey there's much more going on under the surface in this story."

You'll See

Dr. Janine A Wilson

Designed by Rodney H.

Available to hire ⏺

"The cover design symbolizes the strength of family bonds, with the girls stepping into the world surrounded by positivity, confidence, and grace. They are encouraged to embrace their talents and appearance to achieve their aspirations. What stands out is the texture of the illustration, the color palette, and the typography, bringing the characters to life. Their height, hair, style, and setting combine to inspire their unique story."

A Good Day For A Hike

Jen Congdon

Designed by Michele T.

Available to hire ⏺

"For this cover, I chose a classic serif font that remained easy to read without overpowering the playful artwork. This clean, readable typography complements the joyful illustrations, achieving a harmonious balance between visual charm and timeless design. The result is a cover that feels both fresh and classic, appealing to young readers while maintaining a sophisticated, enduring look."