Book Cover Gallery

Sunken

S. J. Bultman

Designed by Clint English

Available to hire

The Strifebound: Evensong

Louis Burnell

Designed by Adam F.

Available to hire

Fill the Sky

Nancy Gifford Humphreys

Designed by Christina M.

Available to hire

"Fill The Sky is a story about the magic children experience on Christmas Eve. For the cover, I drew inspiration from vintage Christmas books, with their bright, saturated blues and chunky serif titles. I incorporated golden elements into the title that could be replaced with foil stamping in post-production. Books from the 1980s and 1990s often have a timeless, soft, magical quality that invites readers into the story, and my intention was to recreate that feeling."

The Young Lords

Franco Flores

Designed by Alexander N.

Available to hire

Folkston

Brian Livingston

Designed by Caitlin B. A.

Available to hire

"This book is the author's second, and we aimed to maintain a kinship between the two covers without suggesting a series. The flat opaque color references vintage book covers, particularly inspired by the original Tolkien The Hobbit design. There is a compositional emphasis on the town, which is a key focal point of the book. The author also wanted a nighttime color scheme to mirror the book's darker narrative."

Crimson Copper Bluebird

J. P. Tynan

Designed by Rachel K.

Available to hire

The Bones of My Ghosts

Owen Calongne

Designed by Zuza M.

Available to hire

Space Station

K. R. Gadeken

Designed by Alexander N.

Available to hire

Wonder

Gary Waddell

Designed by Giorgia C.

Available to hire

The Courtyard

Alexa Morris & Benjamin Parket

Designed by Barış Ş.

Available to hire

Freddie and Iris

Gemma Stringer

Designed by Zuchal R.

Available to hire

"Gemma wanted readers to feel the countryside before opening the book. The aerial perspective grounds the story in its countryside setting, while the vibrant palette reflects its spirit. The front-to-back cover—characters apart, then together—was the detail that brought it all."

The Violet Crow

Michael Sheldon

Designed by Svitlana S.

Available to hire

“The cover grew directly from the story. The client’s photo of two crows gave us the starting point, while the Quaker meeting house became the heart of the mystery inside the crow. I kept the rough illustrated style to preserve the book’s wit and character. I love projects like this, where every visual choice has a reason and the final cover feels truly specific to the book.”

Joey Learns Not to Bite

Danielle Slusarski

Designed by Vaughan D.

Available to hire

"At its heart, this story is about kindness and friendship. Rather than show Joey biting, the author and I chose to focus on the positive moment when the characters come together to share a toy. Bright colors capture the joyful mood, while the typeface is easy to read against the simple blue background. For children’s books, I always choose a font with an open “a” rather than a double-storey form, matching how children first learn to write the letter."

Pink Elephants

Meghan Bellamy

Designed by Alexander N.

Available to hire

How the Rhino Lost His Horn

Jack Rathmell

Designed by Ed S.

Available to hire

The Pattern Shop

Mariah Friend

Designed by Peter S.

Available to hire

“While the novel’s title refers to the factory where the protagonist’s grandfather makes industrial molds, the “pattern” also refers to a molded butterfly he makes for her, which she carries through life. More broadly, it evokes the patterns our lives create and from which we must sometimes break free. Given this theme, I enlarged a butterfly by French painter and entomologist Adolphe Philippe Millot until it approaches abstraction, filling the cover while leaving room for the title.”

Crocodile Island

Nyco Rudolph

Designed by Nyco R.

Available to hire

"The goal with my cover design for Crocodile Island was to try to match the author’s audacious and bombastic manuscript. The illustration itself, featuring a crocodile/bat/goat monster, as well as thr striking colour palette, and font choice, are meant to convey to the reader at first glance that they’re in for a wild ride when they pick up this book."

Ascent of the Ironborn

Sara Lubratt

Designed by My Lan K.

Available to hire

A Patriarchy of Pricks

Rubik Roy

Designed by Barış Ş.

Available to hire

Never Replaced

Joshua Brecht

Designed by Lee C.

Available to hire

"This cover aims to visualise the central premise of the book: that in the age of AI our most irreplaceable asset is our individuality. With the grid of identical fingerprints representing the cultural homogenisation that's being accelerated by AI, broken by the single vibrant fingerprint of an individual."

Jaded by Folly

Daniel Tiernan

Designed by Alexander N.

Available to hire

"This is a collection of short stories and vignettes about work, religion and life. The main illustration captures a story about an employee who, on quitting their job, steals a bottle of whiskey from their employer's office. It felt like an obvious choice to use the whiskey label as the title font. We chose a blue theme because the previous two books we worked on together were red, then yellow. Perhaps the next one will be green."

Operation: Odyssey

Sean Corbin

Designed by JOSE F.

Available to hire

"The cover seeks to evoke a tone of adventure and action, drawing references from Ancient Greek Art and mixing them with elements of modern science fiction. In this way, the illustration together with the typography enhances this blend of such different worlds and eras that coexist in a marvelous story."

Contemplations

Gustavo Alonso Montalvo

Designed by Raúl L.

Available to hire

"The challenge of this cover was how to represent in a conceptual way the content of the book. It brought together poems in English, Spanish, French, and German, including a fifteen-piece series based on Francisco de Goya’s “Pinturas Negras” alongside thought pieces, a narrative excerpt, and a journalistic article. After many tryouts in different directions I ended up with this illustration of some pieces stacking in a non-stable balance where all of them hold the others."

Summer of Spam

Jon Hart

Designed by Barış Ş.

Available to hire

Dr. Paging Solomon

Lauria D. Kerr

Designed by Colleen C.

Available to hire

“The world of Dr. Solomon, is much like our own—except Lauria has given our canine friends a voice, and the world is made richer for it. A source of levity and comfort in Lauria’s own life in her long years of dealing with a chronic illness, Solomon anchors the pale, washed out clinical background of the hospital with his warm, deep earthy tones.”

Farewell, New York

Tianshi Suo

Designed by Nvard Y.

Available to hire

"For Tianshi Suo’s debut novel, the cover is built around the one object Vicky carries with her to New York: her late father’s ocean-blue notebook of unpublished poetry. By opening the notebook into the city skyline, the design connects his private creative world with a city shaped by ambition, possibility, and moral danger. The small figure and restrained composition add a sense of vulnerability and unease as she tries to protect both his legacy and her own identity."

Dojo Ryan

Matthew Dillon

Designed by Alexander N.

Available to hire

"Although this novel is about wrestling, we wanted to avoid any obvious aesthetic references to wrestling and instead opted for an abstract expressionist illustration. The illustration needed to capture movement and thoughtfulness."

Death in the Time of Suburbia

Alessandra Jacobs

Designed by Alexander N.

Available to hire

"This cover illustrates the psychological space occupied by the main protagonist who longs to escape what she feels is the prison of suburbia. The story deals with social disharmony and the dissolution of national identity revolving around an car accident set to the backdrop of mundane suburban life. The bust used for the illustration is from a sculpture called 'America' made in 1854 by Hiram Powers."

No Safe Harbor

J. Dale Dillard

Designed by Danna Mathias S.

Available to hire

"The cover reflects the novel's desert/borderland setting through a winding highway illuminated by brake lights - aiming to suggest urgency, pursuit, the need to keep moving. We kept the title bold and clean for high legibility at thumbnail size. The realism of the night landscape supports the story's cinematic atmosphere and exploration of crime and failed systems."

Tiny Home Terror

Kathleen Lynn

Designed by Logan M.

Available to hire

License to Life

Tacuma Stanfield

Designed by Milica S.

Available to hire

Goblins: The Sword and the Serpent

Abbey Hunt

Designed by Marta D.

Available to hire

"The goal of this cover design was to bring to mind old, medieval chronicles - since one of the main characters is a chronicler. This effect was achieved by using a leather-like background texture, a richly decorated border, and a warm, gold illustration showcasing the heroic deeds of the goblins. Each detail used on the cover is reflected in the actual story - from the goblin knight's armour, to the spikes on the serpent's head."

Hidden Filters

George Winney, PhD

Designed by Matthew M.

Available to hire

A Letter to My Exes

Roberto Giannicola

Designed by Alan H.

Available to hire

"For Roberto, the cover needed to feel disarming and inviting, treating writing to one’s exes with finesse and care—never intrusion, arrogance, dismissal, or confrontation. After exploring images of fragility and resilience, I found the central metaphor: a delicate feather balanced against a heavy stone. The stone carries the weight of experience; the feather expresses the care, vulnerability, and grace that can emerge from it. Restrained typography and color let this quiet paradox do the work."

The Brand Reckoning

Kurt Bartolich

Designed by Caerus K.

Available to hire

"The book's title does so much of the messaging work that it had to be the central focus. The typography-oriented design and bright blues gave that title the central focus, and the subtitle layout next to it fit perfectly to make it clear exactly what the book is about."

Marked by Time

Philip Robertson

Designed by Tim B.

Available to hire

Neither Fear Ye Their Fear

Stephen Dethloff

Designed by Rannia M.

Available to hire

"The cover captures a dark, ominous atmosphere through a stylized silhouette of the Assyrian Lamassu, framed in a geometric composition. By layering raw, high-contrast block-print typography over a textured red motif, the design creates an urgent, expressive aesthetic that communicates tension while remaining striking at any scale."

Dark Fragments

Nicole Palermo