Book Cover Gallery

Sam Black Shadow

Paul Berry

Designed by Paul P.

Available to hire

"I have fond memories of the Herbert Van Thal (yes, that was his real name) 'Horror Stories' anthologies from the 60s. I loved the 'horror' font and the scary imagery that stood out from a bookshelf, and I was hoping that with the design for Paul Berry's Sam Black Shadow, I could achieve something equally impactful."

Distorted Perception

Jonathan R. Snowling

Designed by Richard L.

Available to hire

When Love Lasts

O.L. Obonna

Designed by Vanessa M.

Available to hire

"This cover leans into the emotion of a love that once felt certain and now feels fragile. The couple turned away from us captures distance, memory, and unresolved feelings, while the city backdrop grounds the story in real life rather than fantasy. The soft colours and flowing title keep it romantic, but slightly wistful, reflecting a marriage tested by betrayal, the pull of the past, and the possibility of a second chance."

The Fool and the Sparrow

Dana Fox

Designed by Natalia J.

Available to hire

"The cover reimagines The Fool tarot card composition through a contemporary lens. Framed like a tarot card, the design contrasts a light background with a red nebula cutting through the night sky, hinting at danger and the romance in the story. The male figure and sparrow reflect the story’s duality, blending mysticism and intrigue into the composition."

The Truth About Unspeakable Things

Emily A. Myers

Designed by Vanessa M.

Available to hire

"This cover leans into secrecy and danger. The closed blue door suggests things hidden, things locked away, while the glimpse inside hints at intimacy, vulnerability, and risk. It mirrors Emma’s story of trying to rebuild after violence, caught between wanting safety and being pulled back into something dark. The contrast between beauty and threat reflects a journey where love, fear, and survival exist side by side, and where the truth comes at a cost."

5B

Carolyn Collier

Designed by Margarita C.

Available to hire

Decedes Dream

M.J. O'Farrell

Designed by Stephanie H.

Available to hire

"The cover for Decede’s dream aims to show the struggle between good and evil which is the underlying theme of the book. The author requested certain characters to be present on the cover, I have decided to depict these in motion to reflect the fast pace of this action packed epic fantasy for young adult readers. The title is a nod to the particles created by the swords which play an important role in the story."

The Consortium Rising

B.A. Chapman

Designed by Nejc P.

Available to hire

"As the second volume of The Consortium series, the goal was to maintain a cohesive aesthetic while elevating the original concept. Each installment stands alone with a distinct visual story, yet remains unmistakably unified. Strong reds, deep blacks, and striking imagery create immediate tension, placing the reader on edge before they open the book—resulting in a series that feels deliberate and boldly connected."

The Seeker of Nothing

Kabir Munjal

Designed by Richard L.

Available to hire

Save the Queen City

Kaitlyn Vincie

Designed by Vanessa M.

Available to hire

"This cover is designed to feel like a playing card, clean, bold, and a little deceptive. The symmetry and framed layout hint at rules, risk, and chance, echoing a story where everyone has something to hide. The glamorous surface reflects Nikki’s media world, while the city in the lenses suggests danger hiding in plain sight, reinforcing the idea that in this game, you never know who is holding the winning card."

Highest Price

Joshua Bayard

Designed by Alejandro C.

Available to hire

"Inspired by the timeless image of a knight confronting a giant—echoing Don Quixote—this illustration captures the epic clash in a bold, contemporary way. I chose the peak dramatic moment, the instant of collision, for maximum impact. Strong movement and a balanced palette give the cover a timeless, epic quality while helping it stand out in today’s market. It remains one of my strongest pieces in the genre."

Surrender

Lee Schneider

Designed by Paul P.

Available to hire

"When I was first approached by Lee Schneider to design Surrender, book one in his futuristic Utopia Trilogy series, we both agreed that it shouldn't look anything like a sci-fi novel. The resulting cover designs (including books two and three – Resist and Liberation), which feature a recurring dystopian eye motif and stylised landscapes, are all realised in bright, distinctly non-sci-fi colours."

A Dedication

John Zaiss

Designed by Vanessa M.

Available to hire

"The intention was to make it feel warm and human. We wanted a sense of care, connection, and quiet support, something that reflects healing and growth without being heavy. The open setting feels hopeful, and the figures together suggest guidance and trust. The soft light and gentle typography were chosen to keep it approachable and emotionally comforting."

Specks of Dust

Will Duncan

Designed by Heather V.

Available to hire

Teach the Children to Pray

Rebecca Harwick

Designed by Heather V.

Available to hire

Where the Sabiá Bird Sings

TG Hardy

Designed by Nuno M.

Available to hire

“The cover for this coming-of-age novel set in Rio de Janeiro uses a stylized, modernist language to evoke memory, music, and place rather than literal storytelling. Geometric shapes suggest the city’s mountains and coastline, while floating notes and a warm sun introduce rhythm, alluding to the ‘sabiá’ of the title. A restrained palette — sand, deep green, coral, blue — echoes tropical light, and the typography balances playfulness with a literary tone and nostalgia.”

The Runaways

Adrian Bourdy

Designed by Jonathan H.

Available to hire

"The Runaways was my second project with Adrian. It’s a novella set in the same expansive science-fiction universe as his debut, The Redemptress. My goal was to use a similar design language while still giving the book its own character. To achieve this, I used the same typographic treatment but changed the perspective to align with the more personal story described in the book."

Each of Us

Sarah Allison

Designed by Aline B.

Available to hire

“For Each of Us, I wanted the cover to feel like a joyful circle of friendship. The girls are seen from above, holding hands and inviting the reader into their shared world. Whimsical botanicals and vibrant colors add an extra touch of sweetness, while their expressive faces keep the tone playful and warm. The composition reflects the story’s message: different backgrounds, one strong bond.”

Nell of Lostwellyn

Katherine Potter

Designed by Zuza M.

Available to hire

Like a Normal Person

Julie Fontes

Designed by Zuza M.

Available to hire

Every Saint a Sinner

Pearl Solas

Designed by Owen G.

Available to hire

Level Up Your Life

Lisa Drukman

Designed by Vanessa M.

Available to hire

"This cover leans into the author’s presence and credibility. Having her on the front makes the book feel personal and reassuring, like guidance coming from someone who has lived it. The confident pose and bright colour reflect the book’s message around growth, clarity, and building a joyful, intentional life in a practical, approachable way."

Pawns of Salistya

H J Bogue

Designed by Joshua G.

Available to hire

"This cover shows my craft at its best: meticulous notes from the manuscript shaped every detail. The green flames and lime eyes reflect the protagonist’s unique power; her teal dress symbolizes the union of her birth kingdom and marriage kingdom. But the knife reveals she is no passive queen: she is an assassin meant to kill her husband, the king. The exposed back, sharp type, crown, and dark circle hint at spicy romantasy, royal stakes, and new-moon magic."

The Blackbird Conspiracy

Ted Bolerjack

Designed by Nick V.

Available to hire

Two Infinite Things

R.M. Zubairi

Designed by Caitlin B. A.

Available to hire

"For the first book in the series, the author felt it was important to represent a narrative element on the cover, so we chose the hand holding a mouse. This engaging and peculiar imagery paired with a deep night sky created a magical, mysterious tone that reflects this unique book's crossover genre of YA sci-fi, magical realism, thriller and drama."

Ying

Nate Ferreira

Designed by Dali W.

Available to hire

"For Ying, I created a luminous painted world inspired by the landscapes of Yunnan and Guizhou, using vibrant colours and traditional mica pigments. For the cover, I wanted to capture a young girl’s wonder, quiet determination, and bond with the sacred animal of the snowy mountain. I also hand-designed the typography, drawing inspiration from the visual rhythm of Tibetan script. "

Pink Trumpets

Irvin Ventura

Designed by Felix D.

Available to hire

"The book traces the author’s Salvadoran family’s journey to America through interviews and anecdotes. An initial illustration of El Salvador’s national tree, the maquilíshuat, evolved into genealogical family portraits with the tree at the center. The wallpaper background echoes the author’s roots: a toile de jouy reimagined with Salvadoran scenes—xuc dancers, pupusa stands, and the torogoz—layering culture into a domestic setting."

A Hole Where My Heart Should Be

Michele Leembruggen

Scorching Summit

E.M. Langston

Designed by My Lan K.

Available to hire

"This cover shows the two main characters against an autumnal background. I wanted to show their dynamic through pose and expression. They are back-to-back, showing how they start as enemies but eyeing each other to add romantic interest. The book has some level of spice, which is hinted at by how the MMC is holding the hose."

It Could Have Been Murder

E.D. Rich

Designed by Alex D.

Available to hire

"The cover captures the fragile boundary between imagination and consequence. The river of blood flowing from the title suggests that ideas themselves carry consequences, shifting from controlled theory to real danger. The figures moving through the scene evoke anonymity, strategy, and an encroaching threat, reflecting a story driven by tension, moral ambiguity, and the unsettling moment when control begins to slip."

DragonRider

S. Rodman

Designed by Alexandra P.

Available to hire

“The design highlights the electrifying bond between dragon and rider, conveying both majesty and movement, while also hinting at the story’s romantic undertones through the bare-chested character and the drifting flower petals. Dramatic lighting, rich colors, and a character-led composition draw the viewer’s eye, while the bold, clean typography ensures clarity at thumbnail size and reinforces the fantasy tone.”

Bleeding Hues

Leigh Parsons

Designed by Raúl L.

Available to hire

"Leigh’s book is a collection of introspective poems. It weaves a narrative that dives into the depths of our beautiful interior design, exploring somber orange, hopeful yellow, jubilant pink, insecure purple, and lost blue, filled with quiet, contemplative moments. The cover reflects all that in a dragonfly broken into pieces where all colours subtly come out in contrasting emotions."

Rethinking Resilience

Tissa Richards

Designed by Alan H.

Available to hire

"Designing business book covers often means resisting clichés and literal ideas. That can be hard for authors to let go of—but when it works, you get a cover like this. The circular graphics suggest tension and cohesion, paired with bold typography and a confident palette. The cover works on multiple levels: instantly legible as an icon at thumbnail size, yet flexible as a visual metaphor, hinting at the book’s ideas without over-explaining."

Chasing the Bangkok Dragon

K. E. Karl

Designed by Matthew R.

Available to hire

Call For Fire

J.L. Hancock

Designed by Patrick K.

Available to hire

"The author is a former Special Operations Force member, so accuracy mattered, especially in how the character and gear were portrayed. I asked a lot of questions and worked closely with the author. I used big typography to create enough room inside the type to use as a mask. And by having images inside, behind, and in front of the type, I was able to create a sense of depth and interest to the viewers.”

Erase Me

Jacob Markcrow

Designed by Alex D.

Available to hire

"Portraying the protagonists within their phone screens immediately communicates key themes of the novel: internet culture and its impact on identity, intimacy, and modern relationships. The subtle emotion and subtext in each character’s face also tell their own quiet stories and draw the reader in. The cover’s uniqueness comes from its illustration style and aesthetic, with an unusual colour scheme that suits the blend of dark themes, dark humour, and intimacy."

The Parts We Play

Honi Olmedo

Designed by Driss C.

Available to hire

"The Parts We Play is an introspective and coming-of-age story, focusing on the relationship between Reagan and Asher. To reflect the depth of their journey, the composition had to feel both peaceful and dynamic. The low perspective, coupled with the large space left to the brush title and the cloudy sky achieves this "greater than" feeling. The colours are complementary, and create a clear divide between the van, the ground, and the sky."

Whalers

Kyle Farnworth

Designed by Victoria H.

Available to hire

"The tone of this cover needed to feel oppressive and isolating in its colour palette, to match the accusations the protagonist is faced with after a schoolgirl goes missing. Throughout the story, he often feels like he’s drowning, plus the book is set in a small whaling town, and so the image of waves also felt really important, as did a harpoon, targeted at the protagonist's car in place of a whale. "