Et Tu

Drama Fiction Historical Fiction

This story contains themes or mentions of physical violence, gore, or abuse.

Written in response to: "Write a story in which a character is betrayed by someone they trusted." as part of Two's a Crowd with Kirsiah Depp.

The tremor began in the tip of his index finger, which pressed dangerously hard against the starched tablecloth. Beneath the spotless white linen, his nail left a pale crescent mark.

The man at the head of the table did not notice.

The room seemed to move with his slow, deep breathing. He sat leaning forward, his heavy laughter vibrating through the solid oak of the dining table. With a casual, intimate gesture, the older man reached across the silver platters and placed the tenderest slice of meat onto the younger man's plate. Exactly as he had done twenty years earlier, when the boy, a gaunt orphan, had sat at his abundant table for the very first time.

"Eat," the deep voice said, warm with an effortless, almost suffocating fatherliness. "You've been too much in your own head lately, my boy. You carry the fate of the Republic on your shoulders as though you bear it alone. The Senate is a pit of snakes, I know that, but tonight you're home."

The young man swallowed with difficulty. His throat felt as dry as sandpaper. He forced his hand toward his crystal goblet, but the stem struck audibly against the gold signet ring on his finger. A tiny, glassy chime that sliced through the silence between them.

The older man stopped with his silver fork halfway to his mouth. His generous smile faded like a dying candle. Sharp eyes fixed themselves on the young man. He set down his knife—not forcefully, but with a slow, deliberate precision that made the younger man stiffen. The metal gleamed coldly in the flickering lamplight.

"Your hand is trembling," the mentor observed, in the same gentle, warning tone he used years ago before sending his legions into the line of fire. His gaze traveled from the trembling wine in the goblet upward to the younger man's taut cheekbones.

It was the gaze of a commander who noticed a subtle shift in the wind, a ripple in the grass that betrayed the nearness of an enemy. A gaze that had, over the years, read thousands of men, that smelled lies before they were spoken, and yet now lingered upon the face he knew best and loved most deeply. "You've been avoiding my eyes all evening. What are you hiding behind that frown?"

The hairs on the back of the young man's neck rose. Cold sweat trickled slowly down his spine like an icy stream. Beneath the heavy folds of his robe, the iron hidden in his inner pocket burned against his ribs like a glowing coal. The knife felt clumsy and heavy, as though it had been forged from lead and wished to drag him toward the earth. Beneath the table, his fingers gripped the fine fabric of his tunic so tightly that the seam threatened to tear.

Tell him.

The voice in the back of his mind sounded suddenly wild, childish, desperate.

Throw the steel onto the marble. Confess. He will curse. He will rage. But he will forgive you. He always forgives you.

The memory of the secret gathering in the shadow of the city wall only hours earlier suddenly felt like a filthy, cheap lie. The sworn oaths of the conspirators—freedom, tyranny, the restoration of the Senate—melted away before the tangible warmth of this room. Here, the air smelled of sincerity. There, it had smelled of urine, fear, and sweat.

"There is..." he managed at last, forcing out the words. "There is deep unrest among the people." He forced his jaw to relax and lifted his eyes to the gray, knowing gaze of the man who had taught him to hunt, to speak, to rule. "People are talking in the lower districts. They're afraid of what will be decided tomorrow when you cross the threshold of the theater. Power is becoming concentrated, Father.And the people are like a horse startled by its own shadow."

The older man leaned back slowly in his heavy chair upholstered in purple. The suspicion did not leave his face; it merely settled deeper into the lines of his brow. He drummed two fingers against the wooden armrest—a slow, monotonous rhythm the younger man recognized as the unmistakable prelude to a military judgment. The shadows shifted shape, stretching themselves across the room as though trying to capture the growing atmosphere of distrust.

"People are always afraid of change," the mentor said. His voice was colder now, flatter, as though calculating the emotional distance between them. "They pray for peace, yet spit upon the man who builds the walls that protect them. But you are not ordinary people. You are my right hand. My blood, in every way except the official name. So I will ask you once more: why does my own son look at me as though he sees an assassin standing in the shadows?"

The silence that followed was so thin that the breathing of both men became audible. The gentle flicker of the oil lamps created a false sense of companionship.

The younger man felt nausea rise inside him, bitter bile scorching his throat. Every part of him screamed to stand, overturn the heavy table, fall to his knees, and kiss his mentor's feet. But as he drew breath to speak—to break—his eyes fell upon the gold ring on the older man's hand. The jewel caught the lamplight with a cool gleam. It was not merely a ring. It was the symbol of absolute, unstoppable power, power beyond the reach of any living soul. The man sitting before him might be loving within these walls, but beyond them he was slowly smothering the soul of their ancestors.

The man across from him might be a father tonight. Tomorrow morning, he would be a tyrant who believed himself the equal of gods.

The younger man relaxed his jaw with painful, almost mechanical effort. He forced his lips into a calm smile and lifted his crystal goblet. His hand was perfectly still now, frozen by the numbness of a decision finally made.

"I am simply concerned for your safety," he said, and his voice was now as soft and smooth as the finest silk. "Tomorrow is a great day for all of us. The Ides of March demand your full and undivided sharpness. Nothing less."

The mentor stared at him for three long, leaden seconds. The suspicion in his sharp eyes fought one final war against the deep-rooted, blind love he bore the young man. In the end, love won. As it always did. The rigid line of his broad shoulders eased. He sighed—a weary but genuine sound of relief—and reached once more for his own goblet.

"As long as you stand at my side," the older man said with a renewed, almost vulnerable smile, "I am invulnerable to any danger."

The crystal touched crystal with a clear, pure note that echoed through the silent dining room. It did not sound like a toast. It sounded like a funeral bell.

The morning air inside the Senate chamber hung heavy with the smell of unwashed togas and the cheap, acrid incense smoldering in the corners like a guilty conscience. The vast dome trapped the early heat. Beneath the feet of the hundreds gathered there, the marble felt damp.

The great man sat upon his chair as though he had always occupied it and always would. His broad hands rested flat upon the armrests, his gaze moving through the chamber with the calm assurance of someone unaccustomed to danger because danger had avoided him for so long.

Around him, senators gathered in small clusters, whispering, their eyes turning away too quickly whenever his gaze crossed theirs.

He noticed it.

He always noticed everything.

But he gave it the wrong name.

When the first man approached carrying a scroll of parchment—a petition, a request, nothing unusual—he rose halfway to receive it.

The first strike of steel was more shock than pain, a hard, blunt truth that sliced through the wool of his robe and left a streak of warmth along his shoulder.

He looked down.

His eyes registered the red upon the white of his toga as something that did not belong.

Then the chamber erupted.

He fought.

Not by choice, but because something older and deeper than choice took over—the body of a general that had stored twenty years of war inside its muscles and now acted without command.

He knocked hands aside.

He tore at robes.

He shoved away faces he recognized, faces he had fed, faces that had sat at his table and drunk his wine.

Each new cut registered as another name added to a list already too long.

The pain existed, but somewhere far away, like the distant thunder of a battle raging beyond a hill.

His gaze swept through the surging crowd.

He searched for one face.

Not for help.

Not anymore, though he did not yet know that.

But because something inside him, deeper than strategy and deeper than pride, refused to believe what his eyes were telling him.

Something demanded an explanation.

Something that, even now, was still a father.

Then the crowd parted.

Not dramatically.

Not like a curtain being drawn aside.

Simply—space where there had been none.

And within that space stood the young man.

His young man.

Standing with drawn steel in his hand, his face as pale and empty as the ashes of an extinguished fire.

The great man stopped moving.

Not because he surrendered.

Not because he accepted what was happening.

But because something inside him broke—something nameless, something he had never known he possessed until it was gone.

A supporting wall he had mistaken for stone itself.

For a foundation.

For the very ground beneath his feet.

And now it was gone.

And he stood upon nothing.

The pain of the wounds vanished.

The chaos vanished.

The voices, the shouting, the clash of metal—they sank away like water disappearing into sand, leaving nothing behind.

He looked at the hand holding the knife.

The knuckles were white.

Bloodless.

Like the imprint of a fingernail pressed into a starched tablecloth.

He knew that hand.

He had held it on a cold evening years ago, when a boy who had nothing and knew no one had sat at his table for the first time and did not know how to hold his utensils.

He had guided that hand.

He had waited for it to stop trembling.

Now it trembled again.

That was it.

Not the steel.

Not the broken oaths.

Not the accumulated betrayals that had led them here.

Only this:

The hand still trembled.

The boy he had made still existed somewhere behind that empty face.

And he was shaking because of what he was doing.

There was no anger in the dying man's gaze.

No outrage.

No royal pride struggling to rise one final time.

Only this:

A sorrow so deep and so quiet that it had drowned every other emotion.

Nothing remained except that fathomless, nameless grief filling his eyes as he looked upon the face he knew best.

The night before, at the table, the young man had said:

I am simply concerned for your safety.

And he had believed him.

He had believed him because he had wanted to believe him.

Because love often chooses the evidence that confirms what it wants to believe.

With a slow movement that felt almost sacred, he gathered the heavy folds of his bloodstained robe and drew the fabric over his head.

The world disappeared.

The chamber disappeared.

The faces disappeared.

Only this remained:

The darkness of his own robe.

The sharp scent of iron and marble.

And the certainty—so absolute, so terrible—that the hand which had killed him was still trembling.

His voice broke at the edge of hearing.

"Et tu..."

Posted Jun 03, 2026
Share:

You must sign up or log in to submit a comment.

54 likes 72 comments

07:44 Jun 11, 2026

Very immersive story, mostly towards the end, as the attack unfolds and we somehow start to feel what the old man feels. I liked the tempo used with the short phrases, as if he were breathing each of them with difficulty, in some kind of slow motion. Good work!

Reply

Marjolein Greebe
10:54 Jun 11, 2026

Thank you!

I'm glad the pacing worked for you.
I wanted the reader to experience the moment alongside him, one breath at a time.

Reply

10:18 Jun 04, 2026

This was spellbinding! The ending is well-known but you cast a different light and drew me into the tension as if it had never been told before. Cesar’s profound grief at his betrayal is heartbreaking and makes him human, not a marble statue from the history books.
Masterful storytelling!

Reply

Marjolein Greebe
12:10 Jun 04, 2026

Thank you so much.

I wanted the story to be about the betrayal of a father, not the death of a ruler, so I'm delighted that resonated with you.

Reply

Jim LaFleur
10:12 Jun 04, 2026

You took one of the most famous moments in human history and somehow made it feel like a quiet, devastating family tragedy. Absolutely haunting and beautiful work.

Reply

Marjolein Greebe
12:18 Jun 04, 2026

Thank you, Jim, as always.

I had a hard time with this week's contest, even though betrayal offers so many fascinating angles to explore. Yesterday, I was actually about to skip it when I started thinking about that almost absurdly well-known moment between Caesar and Brutus.

I felt the urge to strip away the history and politics and approach it purely from an emotional perspective. I'm glad the family tragedy at its core came through.

Reply

Alexis Araneta
07:20 Jun 04, 2026

It's always a delight to read your stories, and this is no exception. I love how you took an oft-discussed historical event and brought out the human element to it: how a father could be betrayed by his own son. The emotional core of this is very strong. Beautiful work!

Reply

Marjolein Greebe
19:53 Jun 04, 2026

Thank you so much.
The historical event itself is fascinating, but what interested me most was the relationship beneath it. I wanted to explore the moment not as the assassination of a ruler, but as the betrayal of a father by someone he loved and trusted.
I'm delighted that resonated with you

Reply

06:58 Jun 04, 2026

I really enjoyed the atmosphere and the way you built emotional tension through subtle gestures and vivid details (such as a trembling hand or a forced smile). The relationship between the father and son felt deeply layered, and the themes of loyalty and betrayal were handled with real sensitivity. I also liked how you captured the love, trust, suspicion, and internal conflict leading up to the decisive moment. The writing style and poetic language elevated the narrative, making the emotional moments hit harder. Really engaging reading! Excellent work!

Reply

Marjolein Greebe
19:55 Jun 04, 2026

Thank you so much.
I deliberately tried to focus on the relationship and the emotional conflict behind the history, so I'm delighted that came through.
I really appreciate your thoughtful comment

Reply

13:54 Jun 05, 2026

You're welcome. You did it well.

Reply

23:44 Jun 03, 2026

I've read this moment many times before, but what struck me here is that you didn't write about a political assassination.

You wrote about a father realizing, one heartbeat too late, that the son he trusted has already chosen someone else.

The image of the hand he once taught to hold utensils becoming the hand that kills him is devastating.

A familiar historical moment, yet it felt unexpectedly intimate. That's not easy to pull off.

Reply

Marjolein Greebe
19:59 Jun 04, 2026

Thank you.
Since betrayal was the prompt, I found myself less interested in the assassination than in the betrayal behind it. I wanted to focus on the moment a trusted son becomes something else in his father's eyes.
I'm delighted that resonated with you

Reply

The Old Izbushka
21:19 Jun 03, 2026

First—you took one of history’s most familiar moments, one I’ve read and re‑read for years, and transformed it into something remarkably intimate. The psychological layering makes the final betrayal feel newly devastating. The emotional clarity, the tension, and the father‑son dynamic give the ending real force. Your writing is both vivid and haunting. I think I’ll forever carry this new version of that historical moment with me. Great work!!

Reply

Marjolein Greebe
23:01 Jun 03, 2026

Well, for someone who has read and reread this story for years, your comment that you'll carry my version of it with you is a compliment that means more to me than you'll ever know.

Thank you for reading, liking and for taking the time to leave such a thoughtful comment.

Reply

Marjolein Greebe
12:29 Jun 16, 2026

Thank you!
I'm glad you liked it

Reply

Gravia Dsouza
11:22 Jun 16, 2026

AWESOME! The ending really got me!

Reply

Eric Manske
13:44 Jun 14, 2026

Well done, again, of course. You show the tension from the beginning without letting it get out of control. The change in the tone as awareness dawns upon Julius is masterful. Such a great read of a pivotal point in history.

Reply

Marjolein Greebe
22:05 Jun 15, 2026

Thank you!

I'm especially glad the gradual realization worked for you. We all know how the story ends; the challenge was making Julius discover it one step at a time.

Thanks for reading.

Reply

C.B. Tannon
15:35 Jun 12, 2026

I really enjoyed how the story unfurls. How a story is told can matter more than what is being told, and this is a great example of that. The writing has to be excellent, and it is here. Almost every line was evocative in some way. Well done.

Reply

Marjolein Greebe
12:35 Jun 16, 2026

Thank you very much.
I'm flattered.

Reply

Aaron Luke
12:03 Jun 12, 2026

This was such an amazing story Marjolein. What stands out the most is the relationship between the both of them. The man saved the boy and from there acknowledged him as his father. He is caring and he understands how much his father has done and yet all the flaws that lay beneath, just like he said, "The man across him might be a father tonight. Tomorrow morning, he would be a tyrant who believed to be equal to gods." It echoes how much the son is reluctant to do this. And then the father who earnestly trusts him from the day he saved him and how he claims that he wants to believe him. Despite how troubled he was with the line, "I am simply concerned for your safety", he believes that he cannot be betrayed and that of all the people, he could count on him. A perfect retelling of the history itself.
A point to note, I'm not sure whether you did this deliberately but I liked it, "The crystal touched crystal with a clear..." I felt that line specifically showed that the son made up his mind and was crystal clear that he would go through with the assassination.
Thank you so much for creating such a beautiful piece.

Reply

Marjolein Greebe
12:43 Jun 16, 2026

Thank you Aaron. You've really put a lot of time in your extensive and thoughtful comment. That means more to me than you could imagine.

I'm delighted you picked up on the "crystal touched crystal."

We will keep in touch.

Reply

11:05 Jun 12, 2026

I knew how this story would end before I started reading, yet somehow I found myself hoping it wouldn't. What stayed with me most was the relationship between the two men. For a while I almost forgot about the assassination itself because I became invested in their bond. And that final detail of the trembling hand was heartbreaking. In the end, it wasn't Caesar's death that hit hardest, but the realization that both men still cared for each other right up until the final moment. A moving take on one of history's most famous betrayals.

Reply

Marjolein Greebe
12:44 Jun 16, 2026

Thank you so much.

That is exactly what I hoped for—that readers would become invested in the relationship and almost forget where the story was heading, despite already knowing the outcome.

I'm delighted the ending resonated with you.

Reply

Elizabeth Rich
15:44 Jun 11, 2026

This is truly amazing. I loved every bit of this story. You have created something incredibly special. THANK YOU.

Reply

Marjolein Greebe
15:50 Jun 11, 2026

Thank you for kind words Elizabeth.
It means a lot to me.

Reply

Bryan Sanders
10:06 Jun 11, 2026

The pacing is lovely. We feel the story unfolding in our chest-- then our heart takes over. Empathy, anger, then fear arrive. We feel for both the protagonist and the antagonist, and ask till the end —which is which.

Reply

Marjolein Greebe
10:46 Jun 11, 2026

Dear Bryan,

That's beautifully put.
Your comment means a lot to me.

Thank you so much.

Reply

Eliza Stroud
18:53 Jun 10, 2026

This was amazing! I loved how you created such depth to the characters through their relationship, and especially the detail of the trembling hand. I felt so immersed. You nailed the prompt perfectly.

Reply

Marjolein Greebe
07:23 Jun 11, 2026

Thank you for your kind words Eliza.

Reply

James Brandt
19:46 Jun 09, 2026

I absolutely loved this story. It kept my attention throughout as I could envision it in my mind as I was reading, especially the ending. Great work!!!

Reply

Marjolein Greebe
16:56 Jun 10, 2026

Thank you James for your kind words.

Reply

Stephanie Eggers
16:39 Jun 09, 2026

You couldn't have nailed the brief better. Gosh, the end... impactful, effective.

Reply

Marjolein Greebe
16:50 Jun 09, 2026

Thank you!

Reply

Andrew Putnick
04:07 Jun 09, 2026

Amazing. The beauty of the story is you don’t have to understand the historical context to get something from it. And if you are a history nerd it makes it even more rewarding. You slip in just enough of the classic tropes to anchor the world but you’re telling a completely different story in it. This fits the prompt so well because we often associate history with names like Caesar and forget the thousands of people who actually did the work. I did not care one bit about the leader of Rome, I wanted to know all about that young man with that knife in his hand.

Reply

Marjolein Greebe
09:54 Jun 09, 2026

Thank you so much.

I think you've put your finger on exactly what drew me to this story. We all know Caesar's name, but I found myself wondering about the young man holding the knife.

I'm delighted the emotional side of the story resonated with you. Thank you for reading so carefully.

Reply

MG Arnaiz
02:03 Jun 09, 2026

At first I didn’t connect the story, I just though it was about the father and the son and I found it so compelling and devastating. Very immersive!

Reply

Marjolein Greebe
10:15 Jun 09, 2026

Thank you so much.

I intentionally left most of the historical details in the background because I wanted the emotional story to come first.

So the fact that you initially read it as a story about a father and a son is a wonderful compliment.

Reply

RBE | Illustrated Short Stories | 2024-06

Bring your short stories to life

Fuse character, story, and conflict with tools in Reedsy Studio. All for free.