194 Best Fiction Writing Classes in 2026

Free in-person workshop in Cincinnati, led by Intisar Khanani. Saturday 7 November 2026, 1:00-2:30pm at the Symmes Township Branch Library. Aimed squarely at writers for whom detailed outlines and emotional beat maps make things worse: how to develop a story idea before drafting, and drafting methods that keep a plot propulsive without a plan to follow. Useful counterweight to the outline-first advice most craft classes assume. Genuinely free: no ticket, no card.

Free in-person workshop in Cincinnati, led by Intisar Khanani. Saturday 19 September 2026, 1:00-2:30pm at the Cheviot Branch Library. Despite the title this is adult craft instruction on character construction: first the forms strength takes beyond the obvious - compassion, mercy, persistence - then Gail Carriger’s heroine’s journey, a plot shape built on community and networks of allies rather than the lone hero of the traditional monomyth. Khanani is a fantasy novelist (Thorn, The Sunbolt Chronicles) and the library’s writer-in-residence. Genuinely free: no ticket, no card.

In-person novel workshop in Houston, $800, taught by Miah Arnold. Fortnightly Wednesday evenings from 30 September 2026 through 13 January 2027, 6:00-8:00pm at the Woodland Heights studio. Capped at four to five writers, and the entry condition is real: you need a complete or near-complete draft, because the whole manuscript gets read. Half of each session is discussion and prompts, half is workshop.

In-person course in Seattle, $390 (early-bird $351), taught by Alma Garcia. Six Thursday evenings, 1 October to 5 November 2026, 7:10-9:10pm at Hugo House, 1634 11th Ave. Capped at 15 seats. The introductory tier of the fiction sequence, covering the basic machinery - character, scene, point of view - for writers without prior workshop experience.

In-person course in Portland, $360, taught by Michelle Kicherer. Six Tuesday evenings, 13 October to 17 November 2026, 6:00-8:00pm at Literary Arts, 716 SE Grand Ave. Reverse-engineers the first pages of published short stories and creative nonfiction: what a strong opening is actually doing, and why a reader keeps going. Useful across both fiction and nonfiction rather than genre-bound.

In-person course in San Francisco, $450, taught by Nick Mamatas. Six weekly afternoon sessions, 12 September to 24 October 2026, 2:00-4:30pm. Structural rather than inspirational: where a story should actually start, the difference between action and plot, and how to tell ending a scene from merely stopping it. Mamatas is an award-winning novelist and anthologist who also acquires fiction as an editor, and teaches from that side of the desk.

In-person flash fiction course in San Francisco, $195 (early-bird $181), taught by Andy Touhy. Two Saturday afternoons, 21 November and 5 December 2026, 2:00-5:00pm at 2042 Balboa St. A compressed two-session format concentrated on the very short story - how a complete narrative arc works at flash length.

In-person course in San Francisco, $360 (early-bird $334), taught by Steve Mitchel. Five Tuesday evenings, 29 September to 27 October 2026, 6:30-9:00pm at 2042 Balboa St. An introductory fiction class built around openings - how a story establishes voice, situation and momentum in its first pages. No previous workshop experience assumed.

Generative online workshop exploring fiction in a “re-visioning” approach. Uses readings and writing to move participants “into new poems” (described on the page), guided by poets William Stafford, Matsuo Basho, Kobayashi Issa, Jane Kenyon, Harryette Mullen, and Marie Howe. Held on Zoom with a set weekly schedule during the workshop term.

Participants will analyze various forms of children's literature, from picture books to YA novels. The workshop includes writing a story draft, notes on revision, and learning 10 specific writing techniques for engaging young readers.

Covers query letter format, writing techniques, personalized feedback, and insights on pitching to agents. Includes assignments to practice skills.

This four-week online workshop focuses on exploring how writers of the global diaspora use science fiction to re-imagine borders, belonging, and home. It includes discussions, writing exercises, and craft analysis.