The Candlelit Soul

Horror Historical Fiction

This story contains themes or mentions of physical violence, gore, or abuse.

Written in response to: "Write a story about a fear that turns out to be justified — or entirely imagined." as part of What Keeps You Up at Night.

Rodia placed a cup of warm tonic before her, then measured a small spoonful of bromide powder into it and stirred. He watched the liquid swirl clockwise, until it dissolved completely.

“This tonic will numb the dread and loosen your tongue.”

The candle between them began to dwindle while the last of the evening light crept through the dusty window, mingling with the candle’s soft orange glow. Together, the two lights barely held back the shadows gathering in the barren wooden room. There they sat around an old table.

“I can’t…” she said, shaking her head, fighting back the disgust of conjuring up the memory. Her eyelids were swollen from days of weeping since that morning, and still, the tears sat ready behind her eyes. Her hands trembled as she seemed unsure where to put them.

Rodia slipped two fingers into his waistcoat pocket and drew out his silver pocket watch.

“It will take two minutes before you start to feel it. Close your eyes, and when I tell you to begin, tell me what you see,” Rodia said gently.

A worn leather satchel lay open on the wooden table, filled with charcoal and pencils. Beside it lay a blank sheet of paper. Rodia watched her swallow air, trying to steady the involuntary heaving of her shoulders.

At the top of the page, he wrote:

October 29, 1894

Village of Verkhnyaya Kolva

Summoned by the Administration of Krasnokamsk.

Rodia glanced at his pocket watch. “Two minutes have passed.”

“Sveta… my charcoal and pencils will capture your every word. Just close your eyes. Let your mind walk back to that moment, everything you see, hear, feel. No detail is unimportant.”

He studied her face; the slight sway of her head told him the mixture had taken hold. Her hands, restless moments ago, were now still, gripping the table.

“And his face,” Rodia said softly. “I know that will be the hardest part. Look hard. Look deep.” Her face went pale. Her eyes seemed to say that too much was being asked of her. She breathed in, then out.

“Close your eyes, Sveta…” Rodia reminded her.

Silence settled over the room. The only sounds were the wind outside and the old wooden izba shifting as if it were still settling into the earth.

“My first question is the easiest: what was the address where this took place?”

“45B Gogolov,” Sveta whispered.

“Walk me through the day,” he said.

“It was early morning…” Sveta said. “The light had just climbed over the earth. I was walking my normal route, going home. I had two buckets of water on my koromyslo, drawn from the well along the road.”

Rodia sat listening, his hands still, his pencil poised above the paper.

“The ground…was wet with morning dew. The hem of my dress became soaked on the grass…” She stopped. “This is nonsense. What am I saying?” She wiped tears that had involuntarily made its way down her cheek.

Rodia handed her a white handkerchief, and said “Here... take a little more tonic, if you need it.”

“No… I am okay, my head feels light.” She sighed.

Steadying herself with her arms on her chair, she continued, “The sky burned orange. We always said a red morning sky was a bad omen. I walked into the house. It was quiet. I thought nothing of it. I poured the water into the barrels and hung the yoke outside. The quiet was unnatural… Come to think of it, I had never once heard the floorboards, but that morning they announced my every step.

“The hair on my arms began to stand. I could feel something… wrong. A presence that wasn’t right.”

She clutched her chest for a moment hugging herself tightly.

“The hallway was dark, just the morning glow. And in the corner of my eye, in my brother’s room, I saw a man.”

Rodia’s pencil touched the page.

“His hair was matted. A tangle of gray and brown… mostly brown. Curled and wild, as if he had worn a cap for too long.”

Rodia’s fingers began to move, the charcoal whispering across the page.

“Stay at this moment,” he said. “Keep it still as a day… see it as you would a portrait.”

“There was a nervous excitement about him, as if he wasn’t moving but shaking all over. His lips were moving, saying something yet nothing at all. His face was pale and gaunt, his eyes blue, with eyelashes ladies like us would only dream of—his one redeeming feature.”

She shook her head in disappointment, as if tasting something bitter.

“There is something I left out….”

“What? What did you leave out?” Rodia asked.

Her face showed her revulsion.

“He was on all fours.”

Rodia looked up, saying, “On all fours?”

“Yes, he was crawling across the floor like an animal. His fingers were thin and dirty, his palms black with something. I didn’t understand what he was doing… the blood…”

She closed her eyes tighter, shaking her head as if hating the memory. They sat in silence as her head swayed back and forth.

“Then I saw the flies.”

Rodia’s pencil paused.

“They were everywhere. On the floor. Dead. Hundreds of them. Buzzing even towards me. And he was picking them up.”

She placed her hands over her mouth, then held one hand up, as if picking something invisible off the table.

“One at a time.”

“What was he doing with them?” Rodia asked.

Sveta mimed what she was about to reveal, then faintly whispered.

“He was… he was eating them.”

The charcoal snapped in Rodia’s fingers and he looked up astonished.

“He would pick up a dead fly between his fingers, put it in his mouth, chew it… then reach for another. There was an unsavory smell of unwashed skin. His beard gave him a truly feral appearance, as if he had walked straight out of Preobrazhenskaya Psychiatric Hospital.” Her eyes remained closed, her face grimacing at the memory.

“Describe the beard,” Rodia said glad to be back on track.

The pencil scratched against the paper.

“It was long around his chin, wavy and black with some gray. But there was something unwholesome about it. Patchy. Like wild weeds in places, then balding to nothing but sallow skin in others.”

“Hold still,” Rodia said. “Look into that face… what did you see?”

“In his hands… a knife. Something was dripping from it…”

Her shoulders began to shake again.

“Don’t look at the knife,” Rodia said quietly. “Move your eyes from it. Go directly to his face. Only his face. Tell me what his eyes were like.”

“They were angry, with a laughter of mockery within them. No mercy. I saw more humanity in feral cats. Also… seemed like a web of red lines were around his blue eyes.” She adjusted her head-scarf, and one leg started bouncing with nervous energy.

“They were not symmetrical… one larger than the other, sitting slightly lower, as though his face had been pulled crooked. His forehead was broad, deeply lined, making his eyes look sunken. His nose was thin, nothing defining. And his lips kept moving…”

She opened her eyes. “But now he was speaking.”

The tallow candle almost died. Rodia immediately reached into his satchel, took out several more candles, and lit them one by one, placing them around the table. The room brightened with that orange glow. Sveta closed her eyes again, moving her head back and forth slowly, in deep thought, still under the influence of the tonic.

“Now,” he said, returning his pencil to the page. “Tell me what he said.”

“Not really talk… I misspoke… he began to sing, at first,” Sveta said, looking as if she were about to open her eyes.

“Keep your eyes shut,” Rodia reminded her.

Her closed eyes clamped even tighter. Her face twisted into a scowl.

“He was singing in riddles.”

“Singing?” Rodia asked, unintentionally.

“Yes… It rhymed—something about catching spirits and flies and the taste of earth.”

Her lips trembled and she began to hum the tune.

“I began to back away when he smiled… flies buzzed around me.”

Rodia looked up from his portrait as sweat began to bead on his forehead, and for the first time his palms felt wet as he started shading again with charcoal.

“His face—back to that, please,” Rodia asked.

“His face was shrunken… as if his bones were trying to push through his skin... the look you get from starvation… I’d seen that look before. And one mole on the bottom lip.” She pointed where it was on her face.

“His teeth were mostly rotten or missing, making his lips sag a bit… but I started to back away down the hall. My brother… he was not moving. On the floor, face down.”

"My brother..." Her voice cracked. "My sweet younger brother..." She whispered... "was born in that very room."

Her shoulders began to heave once again, and she rocked back and forth slowly on the chair with her hands covering her face.

Rodia looked up and discerned that her emotions were beginning to rise hotter than the tonic. She removed her hands, then opened her eyes and looked directly at him.

“He sang a familiar tune, of all things… Not correctly, but over and over… ‘Take pity, oh my dear soul, on this young lad’s dear shoulder.’ And then he stood up. He had a knife in his hand.”

“What then?” Rodia asked.

“I ran.”

Rodia kept drawing, asking a few more questions as she supplied details about the man’s face and build. After what could have been an hour, he finally stopped.

“I am done. Can you tell me if this is him?” It was already almost dark, so Rodia positioned the candles to illuminate the paper.

Sveta jumped up and held her mouth as if in horror. “You make their souls appear as they truly are on paper… That… that is him.”

Rodia, taking her reaction as confirmation, said, “You confirm this? Look at his face carefully. Anything missing? Think hard.”

She glanced once again at the portrait. “Yes, that is him. His soul is tethered to that paper.” Sveta looked away, covering her eyes.

“Sign this portrait with your name—it’s for the magistrate. I will need to talk to one other who might have been a witness to this event, your neighbor.”

“Yes, babushka Maria. 52A Gogolov Street.” Sveta wiped at her eyes. “She lives alone, since her husband passed. She might have seen something.”

He handed her the pencil, and Sveta looked at the picture, then turned her face away as she signed it. Rodia placed the paper into his satchel.

“It will take two weeks. You will be contacted if we learn anything. I am sorry for your loss.” Rodia bowed politely, and before he departed, he stopped at the doorframe and glanced back at Sveta. She was staring at the candles with a blank expression on her face.

He had drawn the faces of murderers, people who had done things far worse than what Sveta was describing, but something in her voice, the tremble and inflection, the fear within her, made his own stomach churn. He wondered what this work was slowly making of him.

“Do you need help getting home?”

“No…” Sveta said absently. Then she turned toward him. “Do you believe in demons?”

Rodia studied her for a moment. Her blue eyes still looked soft in the orange glow of the candlelight.

“I am inclined to, at times, based on what I have seen in my work. Sometimes… it’s just insanity.”

He reached for the door, then stopped.

“Is there anything else you wish to tell me, ma’am?”

"Just to see that portrait one more time." Sveta clutched a cross around her neck and then turned back to looking at the candle.

"To make sure... indeed it is him."

Rodia hesitated, then placed it on the table once more.

Sveta didn't reach for it right away. She only looked, much longer than she had the first time, her eyes drifting slowly over the face as if discerning something written beneath the charcoal. She traced her finger along the portrait's face. Then, gradually, her eyebrows drew upward into a V, and she began to sway, as if she'd had more tonic.

"Are you all right?" Rodia asked. "Let me walk you home tonight."

Rodia watched her as she pushed the portrait toward him.

"You want to hear what he sang?"

"If it would make you feel better..."

Six little flies came riding on the Eastern wind,

Six little mouths opened wide,

The swine ran squealing toward the big blue sea,

And something little swam inside of me.

She looked up at Rodia, fighting back something, a struggle showing on her face.

"I told you about the silence, the presence, the flies..." She closed her eyes once again, grimacing.

He looked at the table. The candlelight made the drawn figure seem almost to move. He told himself it was only the flame. Her face had gone terribly still and stern.

"I forgot to mention—they flew inside of me as well."

He stood in silence, the sound of the evening wind hitting the izba.

"What do you mean, Sveta?" Rodia asked.

She didn't answer. She stood, taking her head-scarf off and placing it on the table. Her long black hair frizzed around her face.

Rodia stepped back. She began to hum the same tune as before, then blew out the candles, one by one.

Posted Sep 11, 2026
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71 likes 99 comments

Keith Grant
September 14, 2026 14:20

The period setting and Rodia reconstructing a killer’s face through Sveta’s drug-assisted memory gives the story an immediately distinctive identity, and the gradual progression from unsettling details to the man crawling around eating dead flies was wonderfully creepy. The strongest part for me was the ending, though. “I forgot to mention—they flew inside of me as well” completely changes the meaning of everything Sveta has been doing, and having her hum the song while extinguishing the candles one by one is a fantastic final image. Creepy as hell without explaining away what’s happening. So good!

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The Old Izbushka
September 15, 2026 00:57

I’m so glad the period setting worked and thrilled to hear the ending landed for you... I sent many other versions through the digital shredder before settling on this one! Thanks for the thoughtful read and comment!

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The Old Izbushka
September 11, 2026 20:02

This story is a standalone tale featuring Rodia, the portraitist first introduced in my story "The Candlelit Sketch." You don't need to have read the first story to follow this one.

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Theresa Queen
September 15, 2026 18:19

Very creepy. I really like the protagonist as the sketch artist. Glad to see him in another piece. It’s an engaging construct. He could definitely carry longer works. The tone and mood evoke the gothic horror of Stoker/ Stevenson with overtones of Dostoevsky. I also love an ambiguous ending. Well done.

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The Old Izbushka
September 15, 2026 21:25

Wow :). Stoker, Stevenson, and Dostoevsky are exactly the kind of company I hope this story keeps. I know for sure Dostoevsky lives inside my head when I write .. I can’t help it. :) Rodia is quickly becoming a favorite of mine to write as well. This is actually his second appearance; his character is also found in my 'The Candlelit Sketch,' and it would be a lot of fun to build something much larger around him and that time period one day. Thanks for that encouragement. And I’m really glad the ambiguity at the end worked. :).

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Natasha Born
September 14, 2026 05:44

Chilling story and great tension! Loved her descriptions of the monster on all-fours! The flies were terrifying as well! You created a great, spooky atmosphere with this piece and the dialogue was very effective. Amazing work!

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The Old Izbushka
September 14, 2026 12:18

Thanks!! Glad you liked the story and the atmosphere!! Really appreciate the read and the comment :).

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Richard Fahy
September 13, 2026 03:45

This was wonderfully atmospheric, and wonderfully unsettling (in a good way). I thought the image of this wretched creature crawling around eating flies was the most unsettling part...until I got to Sveta humming the tune and blowing out the candles. Very nice!

Here's a question under the heading "I don't know much of anything about the world:" did you invent that little song, or is it some sort of old folk (or folk-type) song?
Thanks so much for this! Very entertaining.

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The Old Izbushka
September 13, 2026 11:58

Hi Richard!! I’m really glad you liked this story! This one went through some major revisions, so I’m relieved it finally landed. The song the man sings at first is actually based on a real Russian folk tune from the 1860s-- Korobushka-- the same melody that later inspired the Tetris theme. The original line, “Пожалей, душа‑зазнобушка, молодецкого плеча,” translates literally to “Take pity, my sweet beloved soul, on this young man’s shoulder.” I changed it a bit for the story, but decided (just now) to use the literal translation because it becomes so strange and unsettling in this context. The other song, the one about the flies, is completely made up. Thanks for the encouraging words!!!

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Jonathan Page
September 12, 2026 22:10

Great story! I like the thematic element of using the sketch or portrait to ground the telling of the tale. The reader is unsure what exactly is going on and doesn't know what happened and is pulled in but gradually realizes that the narrator is part of law enforcement--a sketch artist helping to try and catch a killer. Sveta seems to believe he is summoning or trying to catch the man's soul. A couple of thoughts. We don't have much context on the relationship between brother and sister, which would deepen the loss. Also, to me, the most interesting character is Sveta, but I don't know much about his motivations and what he is trying to do here. Part of the allure is the awesome wording and the way you paint the mystery. A wild thought I had while reading was maybe she is dead and he is summoning her to tell about her killer and has some kind of supernatural ability to contact the dead to identify the murderer. But without any supernatural element involved, I think what you have now is two very compelling characters, a provoking narrative that resolves a mystery slowly through skillful narration and a measured revelation. Awesome story!

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The Old Izbushka
September 13, 2026 11:06

Thank you so much for taking the time to read this and for such a thoughtful response!! I’m really glad the slow‑reveal worked for you. I hoped that intrigue would draw people into their world instead of front-loading an exposition of it!! Thanks for confirming my choice
This is actually the second story I’ve written featuring Rodia. The first, The Candlelit Sketch, establishes his character a bit more fully... so if you’re ever interested, I’d love to hear your thoughts on that one too. This piece stands alone, but they share the same world.

I completely agree with you about Sveta; she’s the character I find most compelling here, and you’re right that the sibling relationship deserves more weight. I think I’ll add something specific about what her brother meant to her. Good thing I still have time to do so! I really appreciate the avice love the feedback. :).

Your “wild thought” about a supernatural ability to contact the dead is interesting. I’ve actually always imagined Rodia’s gift for capturing a likeness as almost supernatural. Another thought I had was .... Sveta thinks she is describing the man who entered the house. But she is actually describing the entity that will enter her.

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Nathan J. Quinn
September 24, 2026 13:43

My favorite thing about this is the dialogue between the characters. Not many excel in this area. When I forget I am reading a story and feel as if I am sitting beside Rodia, peeking at the drawing as he draws it while I listen in on the conversation, it is truly remarkable. In many ways, I feel like I'm a fly on the wall (pun intended). Also , this piece reminded me of Stephen King's short story The Boogeyman. Very creepy. Great work!

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The Old Izbushka
September 24, 2026 16:28

Thank you so, so much for your incredibly kind words! I was hoping the story would feel that way to readers, so your feedback truly means a lot and has been a real encouragement to me. I have not read The Boggeyman, but will now check it out!!

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Michael Breton
September 23, 2026 14:05

First off, thanks for the like on "Bip". An oldie but a goodie. After reading a number of your stories now I'm forced to say it's a shame you're writing for Reedsy. Your tales have so much more to say than what you have to truncate to 3,000 words. I could see a novel described with words like "sweeping" and "grand". -M

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The Old Izbushka
September 23, 2026 17:26

Thank you so much for your kind words about my writing. I'm honored to be among so many great writers, including yourself.I would love to write a novel one day; the challenge is deciding which idea is the one I want to run with!

Oh, and Bip! Yes, he sure did put a smile on my face, and I really needed the laugh. I thoroughly enjoyed his story. :)

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Red Herring
September 23, 2026 13:04

This was super, plot paced well with the dwindling of the candle until the final extinguishment. I’m Russian myself and loved the premise, reminded me of the frank brutality of village folk tales paired with cinematography of Hereditary. I could really imagine the primordial darkness surrounding the izba creeping in. Отлично!

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The Old Izbushka
September 23, 2026 14:35

Спасибо огромное!! I was really trying to capture that feeling of the old village folk tales, and I’m glad you liked the pacing!! And I’ll have to check out Hereditary... I actually haven’t seen it myself! I love that you could imagine the darkness surrounding the izba creeping in. That was exactly the kind of atmosphere I was hoping to create. Спасибо ещё раз! :)

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Red Herring
September 23, 2026 20:32

Конечно, сказка меня очень увлекла! I recommend you watch it; left the light on while sleeping for 2 months after. Looking forward to reading more of your stuff! -Надия

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J Mira
September 22, 2026 18:50

I was so glad to see Rodia again. There is something fascinating about the way his drawings turn testimony into something almost physical, as if memory could be pulled into the room and made dangerous. This one felt darker than The Candlelit Sketch to me, especially once the portrait stopped being just a likeness and started feeling like a threshold.

Beautifully eerie work here

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The Old Izbushka
September 22, 2026 19:22

Really appreciate you remembering my other story with Rodia! This one is definitely darker, but I had a lot of fun pulling readers into that little candlelit room and breadcrumbing the mystery through only what Sveta reveals. He does pull memory out and give it shape on the canvas!! The idea of the portrait becoming a threshold is a fascinating way of putting it, and definitely fits the atmosphere I was aiming for! Thanks so much for the warm comment and the like!! It really means a lot.

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Libby Ewoldt
September 20, 2026 05:36

So creepy! That ending sent goosebumps down my arms! If I was Rodia, the moment she started blowing out candles I'd be like... seeya never, and I'd get the aces out of there. lol What a great story. I had to look up a few period mentions like koromyslo, which was a treat and kept me grounded in the world! The prose was beautiful and chilling and the song was terrifying. I love reading your stories. They never disappoint! :)

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The Old Izbushka
September 20, 2026 11:49

Hahaha! Rodia probably should have taken that as his cue to leave!! Thank you for looking up the koromyslo, too! I debated whether to include it, but in the end I decided to leave it as-is because it felt authentic to the rural setting and culture. I’m thrilled you enjoyed the song! And honestly, if I were Rodia, I think I would have run too the moment she started blowing out those candles one by one. Appreciate your read and warm comment!

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Marjolein Greebe
September 20, 2026 04:27

What I loved most here was the collision between bureaucracy and horror. Dates, addresses, signatures, a portrait for the magistrate — everything is being handled so methodically while something increasingly impossible seems to be sitting right there at the table with them. That contrast made the whole thing feel even more sinister to me.

And Rodia repeatedly dragging the conversation back to the face was such a good touch. He’s trying to impose order on something that clearly doesn’t want to stay inside ordinary categories. By the time the candles start going out, the interview feels less like evidence-gathering and more like he has accidentally completed some kind of invitation. Very creepy in the best way.

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The Old Izbushka
September 20, 2026 17:58

Oh!! Two comments from you in one week. :). Thank you so much for taking the time to read my stories. I really appreciate the encouragement and thoughtful feedback. I wanted the portrait and Rodia’s methodical process to ground the story, so I’m really glad that aspect shone through for you! :)

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Marjolein Greebe
September 20, 2026 18:28

Yesss… hahaha. I’m clearly not at my sharpest this week. I even managed to write a comment for Story A and post it under Story B without noticing. Thankfully, the writer had a sense of humor. 😄

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The Old Izbushka
September 20, 2026 18:49

We all have weeks like that!! I enjoyed your comment regardless. :).

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Melanie Crowe
September 19, 2026 01:10

A little bit of horror, a hint of the paranormal perhaps. Lots of tension and a great build. Well done as always. And I echo that Rodia is a fabulous character. So much to work with there! I hope he makes it out of this installment unscathed.

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The Old Izbushka
September 19, 2026 02:00

Thank you so much!! I have not written much in the horror genre so this was a fun exercise! I'm glad the tension and build worked for you. And yes, Rodia may have to come out of retirement one of these days for another little adventure. :)
Thanks again for the kind words and encouragement!

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John K Adams
September 18, 2026 23:34

I admit I don't have a huge appetite for creepy horror stories. I haven't read a ton of them.
If they are all written as effectively as this, I'm a fan.
You tell it so simply, step by step, and as it progresses, it gets darker and darker. Of course, you save the creepiest for the last, that the flies flew into her too.
What comes next is something I don't want in my head when I awaken at 3am.
You are a master, Iz.

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The Old Izbushka
September 18, 2026 23:46

I’m actually not a huge fan of creepy horror stories either, and I definitely shy away from gore. If I include those kinds of details, I try to do it sparingly and let atmosphere carry most of the weight. I actually had a lot of fun writing this one because I love writing Rodia and exploring his work as a portraitist. And... I think I’d gladly take Nick from your story over what Sveta saw in mine at 3 a.m. any day. :). Thanks for reading and the encouraging comment!

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Louise Chambers
September 18, 2026 11:03

“I forgot to mention—they flew inside of me as well." ‘Just this one line made me shiver! You really do have a lyrical way of telling stories. As you read each line, you anticipate what comes next with your heart in your mouth! And you never disappoint! My great-grandmother was a Romany Gypsy and told the most amazing stories that were passed down through generations. Unfortunately she could not read or write so there are no records of them. Thank you for always sharing such wonderful stories with us.

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The Old Izbushka
September 18, 2026 13:27

Thank you so much, and I'm glad that line worked for you! I'm sure your great-grandmother had all kinds of wonderful tales, and I think some of the best stories are the ones that were never written down. The fact that my story brought that memory back for you is truly an honor. If it managed to capture even a fraction of the feeling those stories gave you, I couldn't ask for a higher compliment!!

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Louise Chambers
September 18, 2026 15:37

You are more than welcome.

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Andrew Putnick
September 18, 2026 02:07

I’m all in for спецагент Rodia. Can’t wait for the series!

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The Old Izbushka
September 18, 2026 22:58

Yes!! Секретные материалы

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Dr. Josh Valk
September 17, 2026 17:07

Very interesting. I especially like the line “You make their souls appear as they truly are on paper… That… that is him.” However, I have always wanted to travel throughout Eastern Europe, especially Russia. And now the longing for that trip is even stronger.

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The Old Izbushka
September 17, 2026 18:29

Thank you so much for liking the story! I actually lived a majority of my life in that part of the world, and most of my stories are set there or in Central Asia, so I’m especially glad this one sparked that interest in traveling there. I hope you get the chance to make that trip someday!
And I really like that you picked up on the line about the souls appearing on paper. One possible interpretation I had in mind is that the soul she described wasn’t actually the murderer at all, but rather the spirit that inspired the act. I’ll leave it up to the reader to decide what they think was really happening. :) Love your work also!!! I am amazed how you can get four stories out!! All of them are just fantastic!!

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Dr. Josh Valk
September 17, 2026 21:19

I wanted to take my wife on the Russian river cruise then this war broke out. And I like that interpretation! I tell people that same thing all the time...I will leave it up to my readers to make the interpretation! Thank you so much! I have not worked full-time in several months. It has been a series of awful events...and writing pushes that all away so I write more than 80 hours per week. I have released three short story collections, and am about to release my fourth, and I go deep into all the circumstances I have dealt with and how writing helps in each of the forewords. What area did you grow up in?

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The Old Izbushka
September 22, 2026 01:32

Sorry... just saw your message!! That war broke a lot of plans for a lot of people. It’s sad you couldn’t go on the cruise as I think you would have really enjoyed it. My life has been ridiculously nomadic. In 2022, I was actually in Ukraine at the beginning of the war. Very crazy times. One of my stories is abotu that a little .

I’m sorry to hear about all the awful times you’ve been dealing with. Writing definitely helps me process things too. Though 80 hours a week sounds like it could reach burnout level pretty quickly! But as long as you enjoy it, I can understand why you keep going!! Some of my stories help me process... And I’ll definitely be reading your fourth collection! Is that going to be on Reedsy too?

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Dr. Josh Valk
September 22, 2026 20:01

I took a couple of days off but now the itch is back. I have a few that I have written before that have not fit a prompt yet but could work this week. And most of the upcoming collection are pulled from my submissions on here, although I am also including a couple novellas.

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The Old Izbushka
September 22, 2026 20:05

I have one story that is complete., like yours it's waiting for the right prompt :) Two in the making, but not sure where they are headed! Look forward to reading what you are working on!

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Danielle Lyon
September 17, 2026 02:29

AH we're back to the portrait artist! Thank you for the note, I spent most of the story wondering if it was the same character, but it was so captivating I didn't want to navigate away to confirm.

Masterful description and breadcrumbing, as always. From the initial description of the man, you get the idea that something is profoundly wrong. Just how wrong unfolds neatly and horrifically (if both those things can exist at the same time).

The twist at the end? Downright eerie. I'm particularly interested in the idea of flies as a vector for insanity/demonic behavior. It's a great textural detail: the sound, the crawly effect. I wonder is there some symbology behind flies that I'm not aware of?

Spooky and perfect for the onset of fall. Great work!

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The Old Izbushka
September 17, 2026 13:28

Glad you picked up on Rodia’s return and that you remembered him! I’ve really enjoyed developing stories around that time period, especially exploring Rodia’s craft as a portraitist.
I really appreciate your note about the “breadcrumbing.” It felt like a risk, but I wanted the reader to only know what Sveta reveals and her being drugged narrows the perspective even further. I’m glad the gradual reveal worked! As for the flies, in some folklore they’re seen as the souls of the dead, or if they appear buzzing in a home during winter, even a harbinger of death. I left that ambiguous here, though I’ve imagined a few more disturbing alternatives. Thank you for the thoughtful read and comment and felt this was perfect for the onset of fall.

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September 17, 2026 00:10

A very disturbing story, Rodia a sketch artist in the 19th century and an old time detective. I liked that Sveta asked the question to Rodia about demons, highlighting the distinction between evil and mental illness. The flies and the swine recalled when Jesus drove the demons into the pigs. The question you left unanswered is if Sveta will also be able to have her demons driven out as well. The crime witnessed so horrible I hope she is able.

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The Old Izbushka
September 17, 2026 12:06

You caught it! That was the moment when the nature of the conversation began to shift. Originally, I had a completely different ending, so it felt tough to give Sveta a darker fate. :(
And yes, I hope Sveta gets the care she needs! The ending really could lean many directions. Thanks for such a thoughtful read and comment!!

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September 14, 2026 05:12

I really enjoyed the atmosphere. The way you evoked the setting and mood with sensory details—such as the flickering candlelight, the creaking izba, and the oppressive quiet—was amazing. The gradual build-up of tension and the subtle, unsettling imagery were very well done. I liked how you created unease through quiet, carefully chosen details and the characters’ restrained emotions.
It’s also wonderful to see Rodia return as a character from your previous story. I liked his careful observation and gentle, methodical approach, and how he tried to understand and connect with Sveta, helping her process the trauma she had experienced.
The twist revealing that Sveta was infected too was chilling and effective. It was an original and clever take on the prompt. Great work!

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The Old Izbushka
September 14, 2026 19:24

I’m really happy this story worked for you! It’s always tempting to front‑load explanations, but this time I resisted and went for a slow reveal instead.. and Sveta being drugged made it even more so. It was also a lot of fun bringing Rodia “out of retirement,” since I’ve been wanting to write another story with him as a portraitist. Thank you for taking the time to give such a deep read!! Alwasys appreciate your comments.

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September 15, 2026 04:55

You're welcome. You handled it well.

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Ron Sewell
September 13, 2026 10:49

Like the scene setting, the man, woman and the drawing of a picture.

You write well and this scary tale reaches into the soul.

Well done. Thank you for sharing.

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The Old Izbushka
September 13, 2026 11:30

Thanks!! Really appreciate it!!

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Scott Speck
September 12, 2026 17:29

This is a dark tale that drew me in - every sound, every image... The technique of getting her to remember was fascinating. The scene with the "fly eating" was repulsive but oh so telling of his feral nature. The end left me with a question, and I'll let it just hang there, unanswered. The story has all the more impact that way. Great work!

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The Old Izbushka
September 12, 2026 18:27

Thanks, Scott!! I’m so happy this dark Siberian tale pulled you in. The fly-eating detail was repulsive for me too, and as the prompt “What keeps you up at night.” That one might just do it :)

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Helen A Howard
September 12, 2026 16:11

Oooooh. This was such an immersive story. I got completely drawn into its strangeness — in the best possible way. The singing is so haunting and I love the revealing through the portrait. Great storytelling.

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The Old Izbushka
September 12, 2026 16:23

I’m so glad the atmosphere worked for you! This one went through revision after revision while I tried to figure out the right ending. Thank you so much for taking the time to give it such a thoughtful read and comment it really means a lot. :)

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Helen A Howard
September 12, 2026 17:18

You are welcome. I always enjoy your stories. Also, I don’t think people realise how much goes into a story. We writers put our hearts and souls into them. Our stories express who we are.

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Rebecca Lewis
September 12, 2026 16:02

I think this scene works well the atmosphere. It has that cold, isolated, late-1800s Russian feeling to it, and the candlelight, the old wooden room, the wind outside, and Rodia sketching. It feels like the room is closing in on them. What I like most is how the horror builds. It doesn't start with the worst thing. We first get the strange silence in the house, the floorboards, the feeling that something is wrong, and then the man in the room. From there, every new detail makes him worse. He's on all fours, there are dead flies everywhere, he's eating them, there's blood on the knife, he's singing. Each detail takes the scene a little further without giving everything away at once. The fly-eating part is the strongest image in the scene. It's disgusting, but it's also strange enough that you remember it. I also like that Rodia keeps trying to bring Sveta back to the man's face because he's there to make a portrait. She's remembering something much bigger and more horrifying than just what the killer looked like. That gives the whole interview a purpose besides exposition. Rodia also works for me because he's calm without seeming fearless. At first he's professional and focused on his job, but little things start getting to him. The charcoal snapping, the sweat on his forehead, his palms getting wet — those details show that Sveta's story is starting to affect him even though he's trying not to show it. The ending is the best part for me. When Sveta asks to see the portrait again, I feel like something is wrong. Then the song comes back, followed by, "I forgot to mention — they flew inside of me as well." That's a great reveal because it changes what I thought the scene was about. Up until then, I think I'm reading an interview with the traumatized witness to something horrible. I'm wondering whether whatever happened in that house came back with her. Her taking off the headscarf, letting her hair fall around her face, humming the murderer's tune, and blowing out the candles one at a time is creepy without explaining too much. I would keep that ambiguity. I don't need to know yet whether she's possessed, drugged, traumatized, insane, or whether something supernatural has entered her. Not knowing is what makes the ending work. I think the scene has a strong identity. The forensic portrait angle mixed with Russian folk horror is what makes it interesting to me. It doesn't just feel like a murder investigation and it doesn't just feel like a supernatural horror scene. Rodia is trying to use observation and reason to capture a man's face on paper. Sveta is describing something that may not be explainable by reason at all. That's the part I'd lean into the most.

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The Old Izbushka
September 12, 2026 18:16

Wow!!! You really captured the very heart of what I was trying to do with this story.... the tension between Rodia’s rational observation and Sveta’s descent into something reason can never grasp. That was my favorite part to write, and I could easily keep exploring Rodia in more stories. I’m so grateful you pointed out where the focus needs to be highlighted: Sveta describing something beyond logic, while Rodia is trying to capture the man’s face on paper.
I truly appreciate the depth of your insight. This story is still evolving, but your comment helps me see more clearly the “soul” of it. Thank you, thank you, thank you!

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Judy Merrills
October 01, 2026 15:23

Very spooky and creepy - like the ending. Thank you.

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The Old Izbushka
October 01, 2026 18:25

Thanks!! Really appreciate it. :)

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RBE | Illustrated Short Stories | 2024-06

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