Forty Minutes

Drama Fiction

Written in response to: "Write about someone whose time is running out." as part of The Big Break with London Writers Centre.

The waiting room had a clock with no second hand. Xander had been staring at it long enough to develop opinions about that: a deliberate kindness, maybe, or the cruelest design choice in the building. Right now, 2:45, it felt cruel. The minute hand hadn’t moved in what felt like a week.

Forty minutes until visiting hours ended. Forty minutes until his father, three floors up, drifted back into the sedated half-sleep that passed for rest these days, and the window — the actual, literal, hospital-policy window — closed until tomorrow. Except there might not be a tomorrow, not one where his father was lucid enough to understand a sentence longer than "are you in pain" or "do you want water," and everyone in scrubs had stopped pretending otherwise around hour three of this visit.

Xander had driven four hours to get here. He’d rehearsed the conversation in the car so many times the words had gone slippery, run together, lost their edges. Dad, I need to tell you something. Dad, there’s something I never told you. Dad, the reason I stopped coming home…

He hadn’t said any of it yet. He’d been in the room for an hour and twenty minutes and he’d talked about the Phillies, and the weather, and whether the nurse with the bad knee had had her surgery yet, and his father had nodded along with the loose, agreeable nodding of a man on enough morphine to make agreement easy and disagreement impossible, and somewhere in there Xander had run out of small talk and excused himself to the waiting room with the thin excuse of getting coffee, and the coffee was sitting untouched and cold on the plastic armrest, and the clock said 2:46 now, which meant he’d burned a full minute doing nothing but watching it not move.

His phone buzzed. A text from his sister, Renee, three states away, unable to get a flight until tomorrow, unable to do anything except send the same message she’d sent four times already: "Did you tell him yet."

He typed “not yet” and then deleted it and typed nothing.

• • •

The thing Xander had never told his father was not, by any reasonable accounting, a small thing. It also wasn’t the thing his father would have guessed, which was probably the only reason it had stayed buried for six years. People look for the lies they expect. His father had spent six years assuming Xander’s distance was about money, or pride, or some low-grade friction that would wear itself smooth eventually. He’d never once guessed the actual reason.

Six years ago, Xander had been engaged. Three weeks before the wedding, his father had said something at a family dinner: not cruel, not even really aimed at anyone, just a comment, the kind of thing a man says without weighing it, about how he’d always pictured “a real wedding, you know, with a priest, none of this making it up as you go” and Xander had sat at that table and said nothing. He kept saying nothing for three more weeks, until the wedding happened two hundred miles away, with nobody from his side of the family there at all, because Xander had told them it got postponed. Then he’d told them it got postponed again. Eventually the postponements stopped requiring explanation, because everyone had quietly stopped asking.

Six years. A whole marriage’s worth of years, conducted in a city four hours from his father’s town, full of holidays spent making excuses, full of a person his father hardly knew, who Xander had described, exactly once, in a moment of weakness, as “a friend I live with.” His father had said “good, good, that’s smart, save money,” and Xander had let the sentence stand, because correcting it felt, at the time, like defusing a bomb he didn’t trust himself to defuse cleanly.

He’d told himself, for six years, that there would be time. That was the lie underneath the lie, not just the omission about Marcus, but the deeper omission, the one where Xander let himself believe that patience was a strategy, that waiting for the right moment was different from waiting for the moment to become impossible, that six years was somehow not a decision but an absence of one.

It had taken a stroke, eleven days ago, and a prognosis delivered in the flattened, careful language of doctors who’ve learned not to promise things, to make the actual shape of the lie visible: there was no more time being saved up. There never had been. There had only been time being spent, and you don’t notice a balance falling until the moment it comes due all at once.

• • •

At 2:51, a nurse Xander didn’t recognize came through the double doors and said his father’s name, and for one entire second his stomach dropped through the floor before she added, almost apologetically, “He’s asking for you. He says you went for coffee twenty minutes ago and you’re either lost or you fell in.”

Xander laughed, a short ugly sound that surprised him. “Tell him I’m coming.”

He didn’t move for another four seconds. Four seconds, standing in a hospital corridor with cold coffee in his hand, doing the math he’d been avoiding doing in the car for four hours: thirty-six minutes left, give or take, before visiting hours ended and the nurses started their gentle, immovable insistence that families needed to let patients rest. Thirty-six minutes to either say the actual sentence or not say it, and if he didn’t say it now, the next opportunity wasn’t tomorrow, because tomorrow assumed a tomorrow, and nobody in this building was assuming that anymore except possibly his father, doped enough to still believe in tomorrows the way a child believes in them, on faith, without evidence.

He walked back into the room.

• • •

His father looked smaller than he had an hour ago, which Xander knew wasn’t medically possible in that timeframe, knew was a trick of light and fear and the particular cruelty of hospital gowns, designed by someone who’d apparently never considered that the people wearing them needed to look, at minimum, like themselves.

“You really did fall in,” his father said, voice thinner than it used to be but still carrying the dry needle of his usual humor. “Should’ve sent a search party.”

“Sorry. Got a call.” Xander sat back down in the plastic chair, close enough now that he could see the tremor in his father’s left hand, the one the stroke had taken the most from. “Dad, I need to… ”

“Renee call you?” his father interrupted, eyes already drifting half-shut. “Tell her not to rush the flight. I’m not going anywhere tonight. Apparently I’m too stubborn to die on a Tuesday.” A thin laugh, more breath than sound.

“Dad.” Xander heard his own voice crack on the single syllable and hated it, hated that after six years of careful, practiced sentences, what came out now was raw and unrehearsed. “I need to tell you something, and I need you to actually hear it, not just nod along because you’re tired.”

His father’s eyes opened a little wider. Something in Xander’s tone had landed differently than the small talk had. “Okay,” he said, slower now, more present. “Okay. I’m listening.”

And here was the moment Xander had rehearsed four hundred times in the car, the moment where, in every version he’d practiced, the words came out smooth and brave and the right size. Instead what came out was smaller, and stranger, and truer than any version he’d rehearsed:

“I’m not friends with Marcus. I’m married to him. Have been for almost six years. The wedding I told you got postponed, it didn’t get postponed. It happened. Without you there, because I didn’t tell you the truth about who I was marrying, and then I kept not telling you, for six years, because I was scared of exactly this: of you looking at me the way you’re looking at me right now.”

The room went very quiet. Somewhere down the hall, a cart wheel squeaked against linoleum. Xander realized he was gripping the edge of the mattress so hard his knuckles had gone white, and he made himself let go, made himself sit there in the silence and let his father’s face do whatever it was going to do without flinching away from watching it.

His father didn’t say anything for eleven full seconds. Xander counted them. Counting was the only thing his body had left to do.

“Marcus,” his father said finally, like he was testing the shape of the name in his mouth, turning it over for the first time as something other than an abstraction. “The friend who came to Christmas. Two years ago. Brought the bourbon.”

“Yeah.”

“That Marcus.”

“That Marcus.”

Another silence, shorter this time. “I liked him,” his father said, and something in his voice had gone strange, not soft exactly, but uncertain in a way Xander had never heard from him, a man who didn’t do uncertain, who’d spent thirty-one years on a factory floor where uncertain got your hand caught in something. “I remember thinking, that’s a good one, that friend of Xander’s. Real easy to talk to.” His eyes, wet now, found Xander’s. “Why didn’t you tell me? Not… not the wedding. I mean before that. Years before that. When did you even know?”

“Since I was about fourteen,” Xander said, and the honesty of it surprised him, the way it kept coming now that the dam had actually broken, instead of stopping at the one confession he’d rehearsed. “I knew when I was fourteen, and I didn’t say anything for twenty years, because I watched the way you talked about Uncle Pete’s son, and I did the math, and the math told me to wait.”

His father closed his eyes, and for one terrible second Xander thought he’d lost him to the morphine, lost the moment to a body that simply couldn’t hold attention any longer no matter how badly its owner wanted it to. But then his father spoke, eyes still closed, voice barely above a whisper.

“I said something about Pete’s kid. Once. Stupid thing, prob’ly. Don’t even remember what.” A long breath. “And you built six years out of it.”

“I built twenty,” Xander said. “The six is just the part where I had something specific to hide.”

His father opened his eyes. There were tears in them now, openly, the kind of unguarded crying Xander had seen from him maybe twice in his entire life: once at his own mother’s funeral, once at a hospital bed very much like this one, decades ago, for a different relative, a different ending. “Twenty years,” his father repeated, like the number itself was the wound, separate from anything Xander had actually said. “I took twenty years away from you with one stupid comment I don’t even remember making, and you let me. You let me keep being a man who said that, instead of giving me twenty years to be a different one.”

It wasn’t the response Xander had braced for. He’d braced for anger, or silence, or the particular hospital-bed forgiveness that costs nothing because it’s extracted under duress and forgotten by morning, if there was a morning. He hadn’t braced for his father claiming the blame as a kind of grief of his own: not absolution exactly, but something stranger: regret running in both directions at once, his father mourning the lost twenty years right alongside him, instead of simply granting Xander permission to stop mourning them alone.

“You should’ve met him properly,” his father said. “Really met him. As what he is.”

“You will,” Xander said, and the lie of it sat heavy in his mouth even as he said it.

His father almost smiled. “Forty minutes,” he murmured, eyes drifting again, sleep pulling at him in earnest now. “You used your whole forty minutes on that.”

“Wasn’t planning on needing all of them.”

“Good thing you had ’em,” his father said, words slurring now, the morphine reclaiming its hold. “Wouldn’t have wanted you running out before you got to the part that mattered.”

Xander laughed, wet, sudden, more like a cough, and that was the part that undid him, not the confession, not the crying, this stupid joke about timing from a man who could barely hold his eyes open.

His father’s eyes were closed again. Xander thought that was it, thought the morphine had finally won, and started to gather himself to stand. Then, without opening his eyes, his father said, perfectly clearly, in a completely different register than anything that had come before it:

“Did you turn the porch light off. At my house. Before you drove down.”

Xander stopped, halfway out of the chair. “What?”

“The porch light. It eats the bill if you leave it.” His father’s brow furrowed, genuinely bothered, the way he used to get bothered about a dripping tap or a car left running. “I don’t want to come home to a dead battery on top of everything else.”

“I… yeah. Yeah, I turned it off.” He hadn’t. He had no memory of the porch light at all. He’d left his house four hours ago in a fog thick enough that he genuinely could not have said which doors he’d locked.

“Good,” his father said, already drifting again, the urgency gone from his voice as fast as it had arrived, replaced by something closer to satisfaction. “Don’t need that on top of everything else.”

He didn’t open his eyes again. The tremor in his left hand stilled as the rest of him surrendered to the sedation, and whatever version of him had just spent eleven seconds in devastated silence over twenty stolen years was, apparently, already somewhere else, worrying about a light switch in an empty house two hundred miles from a husband he’d never properly met.

The nurse appeared in the doorway at 3:24. “I really do need you to wrap up,” she said, not unkindly.

Xander stood there a moment, looking at his father’s slack, sleeping face, trying to decide which of the last ten minutes had been the real one, the grief, or the porch light, and arriving nowhere, because there wasn’t an answer that resolved it, only a man who apparently contained both at once, in no particular order, with no priority given to the one that mattered more.

He told Renee it went fine.

He drove home with the radio off, replaying the porch light four separate times before he let himself think about the rest of it, and somewhere past the county line it occurred to him that he still didn’t actually know if he’d locked the front door.

Posted Jun 21, 2026
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19 likes 25 comments

Danielle Lyon
03:58 Jun 25, 2026

Well, I haven't submitted yet. Is it too late to change prompt categories? Not sure I want to share with you this week. (Just kidding! I always want to share!)

Obviously, nailed the prompt. Time, measured in seconds, minutes, hours, years, decades, runs the narrative of this story. There's tension in the elapsing of the present day and the already elapsed past. Loved how different durations of time had different weight in impact, but also characterization. Dad makes off the cuff comments (probably took less than 20 seconds to deliver) and Xander stews for 20 years. Xander finally comes out after his father's deadline is looming, and Dad, once again, launches into acceptance mode in mere fraction of time.

I can't quite put my finger on it textually, so maybe it's just an impression, but I get the sense of a loss-before-a-loss moment. Xander's anticipating the loss of his father, and his father is anticipating the loss of his life, but that seems to deflate when they realize the loss of not having "known" each other (or Marcus) fully for such a long time.

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Marjolein Greebe
12:36 Jun 25, 2026

Thank you so much.

I especially love your observation about the "loss-before-a-loss." I hadn't consciously put it into those words, but I think you've captured exactly what I was trying to explore. Sometimes the greatest grief begins long before we actually lose someone.

Also... don't you dare switch prompts. 😉 I was looking forward to reading your story.

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Sarah Luster
14:50 Jun 23, 2026

This is a beautiful story Marjolein. The imagery is so well crafted that it carries you from place to place. I am sure this is a story so many people can relate too that a comment twenty years ago shaped the future of a relationship. This was a raw exploration and I loved it!

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Marjolein Greebe
14:54 Jun 23, 2026

Thank you so much for your kind words. 💛

If you like the story, please give a 👍🏼 as well. Xander will be delighted. 🙏🏼

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Aaron Luke
10:47 Jun 23, 2026

Lovely story Marjolein,
It's funny how we always think that the biggest of things that worry us are nothing to our elders o just parents in general. What Xavier harboured was deep felt and rooted secret that even when revealed to masses as of now will still be deemed wrong and abnormal. Yet what disturbs his father the most is the porchlight. For me, instead of the porchlight, what hit me the most was how understanding he came to be. Especially with how Xander held it for twenty years and waited for the right moment and then how his father remained silent and finally let out what he truly wanted to say. It's very touching how that was well laid out. Thank you for the story Marjolein.

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Marjolein Greebe
11:11 Jun 23, 2026

Thank you. 😊 Xander spent twenty years preparing for that conversation. His father spent about thirty seconds deciding what actually mattered. I'm glad that moment worked for you.

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Aaron Luke
12:03 Jun 23, 2026

Yeah, it was so well done.
No pressure... but is there a reason you haven't commented on 'Navigator Archives'?

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Marjolein Greebe
12:13 Jun 23, 2026

Have a little patience my friend. (kidding) It will follow. 🤗

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Marjolein Greebe
12:23 Jun 23, 2026

I even named a main character after you in one of my stories. How could I ever forget you?

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Aaron Luke
16:04 Jun 23, 2026

🤭Oh my, forgive my impatience

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17:58 Jun 22, 2026

A touching story!

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Marjolein Greebe
01:48 Jun 23, 2026

Tnx!

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Alexis Araneta
17:16 Jun 22, 2026

Marjolein, this is stunning, as usual. I love the build-up to the confession, about how one stray comment triggered 20 years of hiding. But then, you also have that hit of reality with the porch light. Of course, incredible use of imagery too. Lovely work!

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Marjolein Greebe
01:56 Jun 23, 2026

Hi Alexis, thanks! 💛

While writing it, I was mainly focused on Xander's secret. The porch light seems to have hijacked a surprising amount of the attention 😉, which just goes to show that once a story is out in the world, it starts taking on a life of its own. 😇

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The Old Izbushka
13:38 Jun 22, 2026

I agree with Andrew “Just rip my heart out and throw it on the floor why don’t you.” It’s striking how we each read stories through our own emotional lenses. For me, it was the porch light that hit hardest. My father‑in‑law passed away recently, and the last thing he said to me before I left the room was to check a filter. That it had been bothering him… despite everything else that was dragging him under. This story captures that fragility of time with our loved ones so beautifully. A moving story!

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Marjolein Greebe
02:00 Jun 23, 2026

Thank you so much,

I spent most of the story worrying about Xander's secret, and meanwhile the porch light quietly stole the spotlight. 😊

Your story about your father-in-law genuinely moved me. It's remarkable how those small, practical last words often stay with us the longest. I'm very sorry for your loss.

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Andrew Putnick
13:06 Jun 22, 2026

Just rip my heart out and throw in on the floor why don’t you? Incredibly well done. Sensitive to the subject matter and flowing dialogue. You don’t over dump in the prose and when you do give some exposition you let it play out naturally in the dialogue without seeming forced. Big man baby tears over here. Great story

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Marjolein Greebe
10:09 Jun 23, 2026

That first sentence should probably come with a warning label. 😄
Thank you for the kind words!

Reply

06:17 Jun 22, 2026

The way you captured the complexities of family relationships and the tension of unsaid truths was remarkable. The characters felt real, and the dialogue was natural and emotionally powerful.
I especially loved how you handled the dad’s reaction to Xander’s secret. His initial silence, the mixture of humor and vulnerability, and the subtle ways he shows his care were deeply authentic. The complexity of his emotions—confusion, concern, and ultimately acceptance—made the scene very powerful.
The pacing and tension were just right, allowing the story’s themes of forgiveness, regret, and connection to unfold smoothly. The ending was moving and powerful. I liked how you ended the story with an everyday concern about the porch light—it added a beautiful sense of continuity amid such an emotional moment. Great work!

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Marjolein Greebe
10:10 Jun 23, 2026

Thank you! Poor Xander spent forty years carrying a secret, only to be upstaged by a porch light. 😄 I'm glad both the family dynamics and the ending resonated with you.

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11:08 Jun 23, 2026

You're welcome. Exactly. The porch light stole the spotlight. Sometimes we worry about things that end up mattering less than we think.

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Rebecca Lewis
22:03 Jun 25, 2026

I think this is strong. The biggest thing it has going for it is that it trusts the characters instead of forcing the emotion. The confession isn't the climax — the father's response is — and that's what makes it stick with me. The countdown with the clock and visiting hours works well. Every time the time comes up, it raises the tension without feeling like the story is reminding you to be stressed. The opening with the clock having no second hand is also a great detail because it tells you where Xander's head is. I also like that the conflict isn't just "will his dad accept him?" It's about whether Xander waited so long that the answer almost doesn't matter anymore. That feels more original and more painful. The father's reaction is my favorite part. I expected anger, denial, or maybe easy forgiveness because he's dying. Instead, he starts grieving the years they lost, and that feels much more human. The line about Xander building twenty years out of one comment lands. I think this is the kind of story that sticks with you because it doesn't try to force a perfect ending. The last image — with Xander still thinking about the porch light and then wondering if he locked his own front door — is a nice way of showing that life doesn't become neat just because the important conversation happened. It feels honest.

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Akihiro Moroto
18:14 Jun 25, 2026

So many words unsaid, so many memories unshared... Not having a safe, trustworthy home to be your authentic self is so torturous. It broke me when Xander's father murmured, "I took twenty years away from you-". So powerful. So painful. So real. You always bring out the human factor through a magnified kaleidoscope, Marjolein. It's so beautiful.

Another aspect that you have highlighted was how many of us would change topics to something more carefree and superficial, -over some deeper, more challenging ones. Xander's trepidation to reveal his true self to his father, and how he made countless small talk to delay and deflect... Mirrors his own father, redirecting the real talk to something he thinks he's in more control of= Porch light. It's heartbreaking how being vulnerable has become so difficult in many family dynamics, and forcing one another to have fight, flight, freeze, or forget responses. Despite it all, I find it remarkable that your story still shines the beauty in even the most difficult of times. Thank you for sharing this inspiring story!

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Alex Merola
23:52 Jun 23, 2026

Such a touching, skillfully paced examination of the chasm that can exist between truth and perception within a family. A brilliant narrative of a 'lie beneath a lie', the marriage and deeper omission withholding the identity. Thanks so much for another great read.

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Marjolein Greebe
09:37 Jun 24, 2026

Thank you! I'm glad this one resonated with you. If you happen to have a spare reading slot at some point,My story Non-I is sitting quietly in the corner trying not to look needy. 😄

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