Meant to Be

Drama Fiction Speculative

Written in response to: "Write about someone who’s granted one wish. What do they wish for?" as part of Everyday Enchantment with Lynn D. Jung.

‘I wish people meant what they say.’

I say this because my brother has just promised our mother he will visit on Sunday, and he won’t. Bram hasn’t visited our mother on a Sunday in fourteen months, though he has promised to on eleven separate occasions; I know the number because Mum marks his visits on the kitchen calendar before they happen. BRAM — LUNCH is written this Sunday in blue ink, beneath a small drawing of a chicken.

“You don’t know that,” she says. I tell her I absolutely do.

“He might come,” she says. I tell her he won’t. She looks at the chicken for a while, then says she’ll get a small one.

This is how Bram’s promises work. He makes them; Mum shops for them; I dispose of the evidence.

The woman sitting opposite us clears her throat, and until that moment I had genuinely forgotten she was there. Her name is Celia Mertens, and according to the card she gave me twenty minutes ago, she works for the Department of Exceptional Statistical Events.

She has spent those twenty minutes explaining why three laboratories, two insurance companies and an algorithm belonging to the Belgian National Lottery have concluded that I am temporarily capable of influencing probability — not enough to fly or cure cancer or make Bram less of an arsehole by force, but apparently enough for one limited preferential adjustment.

I had assumed she was selling insurance. Mum offered her tea; she declined it and offered me a wish instead.

“You should formulate carefully,” she says.

“I just did.”

“I assumed that was conversational.”

“It wasn’t. That’s my wish.”

Celia studies me the way people study a stain they can’t quite place. Mum studies me too. When I ask what, Mum says nothing; she’d just thought I might wish for something useful. Like her hip, it turns out, though she’d told me only that morning her hip was fine. Celia raises one finger and informs us, gently, that the adjustment cannot compel sincerity, alter thoughts or emotions or free will, or determine what a speaker means — it can only favour circumstances in which a voluntarily expressed statement remains consistent with the speaker’s intended meaning.

I tell her that’s perfect.

She tells me it really isn’t.

I ask where I sign.

Nothing happens. No thunder, no flickering lights. The kettle clicks off behind me. Bram’s name remains on Sunday. When I ask if it worked, Celia says that depends on whether the registration was accepted. I ask if she doesn’t know. She says they monitor outcomes, not causes. There’s a department for causes, apparently.

She hands me her card and leaves. Mum watches her go through the window, calling her a strange woman, as if she hadn’t been the one to let her in because she had identification — the same way she once let a man clean her gutters because he arrived with a ladder. He did do a lovely job, she reminds me.

My phone rings. Bram. I answer on speaker. He’s just calling to say Sunday might be difficult — Anke’s parents are coming; he’d forgotten. Mum closes her eyes while I ask how he managed to forget in the twenty minutes since he promised her lunch. He says he’ll make it up to her. From the kitchen comes a small, entirely unsupernatural sound: Mum opening the fridge. Then Bram says he’ll come tonight instead. Something in his voice has changed. I remind him he hates driving after work, has the kids, lives ninety kilometres away. He says he knows. He’s coming anyway.

He arrives at seven forty-three with both children asleep in the back of the car. I enjoy this more than I should.

For the first week I enjoy almost everything. My manager tells me he’ll look at my proposal that afternoon and sends comments at 4:52. The plumber promises between eight and ten and appears at 9:12. Jonas ends a call with “See you soon” and rings back twelve minutes later to negotiate what soon means.

We settle, gratefully, on Wednesday. People begin to grow careful around me. Bram stops saying definitely. My manager develops a fondness for possibly. Mum, who has always understood the danger of language better than the rest of us, changes almost nothing.

Then she falls. It happens on a Thursday morning while I am at work.

By the time I reach the hospital she is awake, furious about the state of her hair, waiting for a scan. Bram is already there, which I hadn’t expected. She called him first, he says, because I panic. I deny this. He reminds me I reorganised her spice rack the day Dad had his biopsy. I point out there was oregano from 2009 in there and Mum doesn’t even cook. He smiles. For ten minutes we are children again, sitting outside a room where an adult decides what happens next.

The doctor tells us Mum has fractured her pelvis. No surgery probably, but rehabilitation with recovery that will take time — how much time, hard to say, which means, apparently, exactly that.

I dislike him immediately.

Mum looks tiny under the blanket. She tells me she’s ruined Sunday, on account of the chicken, free-range. Bram laughs; I don’t. I tell her to forget the bloody chicken. She looks at me, frightened. Because I need her to stop looking that way, I take her hand and tell her that whatever happens, I’ll stay with her.

The room goes very quiet. Not actually quiet — a machine keeps beeping, a trolley goes past, Bram is opening a packet of biscuits — but I hear the sentence after I’ve said it. So does he. His hand stops inside the packet. “Elise,” he says. I ask what. He only looks at me. I say oh, for God’s sake. Mum frowns and asks what; I tell her nothing, though she says you said — and I tell her I know what I said.

The first test comes that evening. A nurse tells me visiting hours ended twenty minutes ago; I kiss Mum and start for the door. At that exact moment the fire alarm goes off. Nobody panics, apparently this happens often. Eight minutes later, the alarm stops. I try again. Mum is sick. I stay. At half past eleven, once she’s finally asleep, I pick up my coat. The woman in the next bed goes into cardiac arrest. I stay while the room fills with people. At six minutes past one they move Mum to a small observation room because the other patient’s family needs privacy. There is a recliner beside the bed. I say, for fuck’s sake. The nurse smiles and tells me I can sleep there if I like.

I call Celia. She answers on the fourth ring and asks if I know what time it is. I say I said something. She says that happens. When I tell her what — that I’d stay with my mother whatever happens — there is a silence, then, “Ah,” and I hate how much information is contained in that syllable. I want to clarify. She tells me you can’t retroactively clarify a registered semantic event: I registered everything the moment I made the adjustment; she gave me the terms — a link, eighty-four pages — and what matters now is what I actually meant when I said it. I look at Mum, asleep, mouth slightly open, and tell Celia I meant I wouldn’t abandon her. Then you’re fine, she says. I can’t leave the hospital, I tell her. Have you tried? Three times. Then apparently, she says, you meant something more literal. Probability doesn’t parse grammar, Elise. It preserves intention.

And I don’t answer, because I know. I meant: I will be the one who stays. Not Bram. Me. The dependable one, the one who remembers medication and appointments and whether there’s milk in the fridge. The good daughter.

Mum comes home twelve days later. So do I — not to my own home, to hers. Every attempt to resume my life fails with a statistical creativity I begin, despite myself, to admire. The first morning I try to leave for work, the home-care nurse gets food poisoning. The next day the walker loses a wheel. On Friday I make it all the way to the office before Mum calls to say she smells gas. There is no leak, but there is a dead mouse behind the fridge; an electrician finds a melted socket while looking for the smell. Celia, when I call her, sounds pleased. I tell her I see an elderly woman with a dead mouse; she tells me she’s documenting.

Bram offers to take over for the weekend and arrives Friday evening with a suitcase. By 8:15 his daughter has a fever; by 8:40 his wife has called; by 9:03 he’s gone. He stands in the doorway looking genuinely ashamed, saying he tried. I tell him I know — and that’s the worst part. Before the wish I could have blamed him. Now I know exactly when he means something. It turns out he means almost everything. He simply doesn’t always manage it. The distinction, I’m learning, is enormous.

Weeks pass. Mum improves. I don’t. My manager stops pretending the remote work is temporary. Friends stop asking after I cancel a fourth time. Jonas — whom I’ve been seeing for six months and have carefully avoided making any promises to — starts coming to Mum’s house every Wednesday. One night he finds me crying in the utility room, because it’s the only room with a lock. You can’t keep doing this, he says. I know. Then stop. I can’t. You literally can.

No — literally is the problem. So I tell him everything: the department, Celia, the wish, Bram, the hospital, the sentence. He listens without interrupting. When I finish, he tells me it’s the stupidest wish he’s ever heard. I thank him. He asks whether I could genuinely have asked for anything. Within limits, I say. That’s an insane amount of power to hand an annoyed person, he says. I agree. He sits on the washing machine and asks what happens if my mother dies. Don’t, I tell him. You said whatever happens, he says. Stop. He does, because he means to.

The next morning I call Celia and ask her exactly that. This time she doesn’t pretend not to understand. We don’t know, she says. Has this happened before? Not precisely. What does the model predict? A continuing preference for circumstances consistent with your intended statement. In English, I say. You intended not to leave her, she says. My stomach turns. Mum would be dead. I ask what circumstances would keep me with a dead person. Celia goes quiet in a way that tells me she knows and doesn’t want to say. I imagine funerals cancelled by administrative error, coffins delayed, crematoriums closed, death certificates misplaced — a universe bending itself around my determination to remain the daughter who stays. Fix it, I tell her. I can’t. Then find someone who can.

There is, it turns out, one procedure. Celia arrives that afternoon with a grey folder marked FORM 22-C — VOLUNTARY SUSPENSION OF SEMANTIC INTEGRITY, and I laugh for almost a minute before asking whether it makes me a liar. Legally, no, she says. Metaphysically? We don’t use that term. What term do you use? Non-binding speaker. That’s worse. She explains that the wish can be neutralised if I permanently exempt myself from it — everyone else’s sincere statements will go on receiving their quiet favour, mine won’t, ever. My promises will have no adjustment behind them, no invisible correction, just words, the way everyone else’s have always been. There’s another condition, of course. To suspend it, I have to first deliberately break the statement that created the conflict. I have to leave Mum. She still needs me, I say. Yes. For how long? Long enough that leaving is true, which strikes me as spectacularly vague, though apparently they’ve appealed the wording.

Through the kitchen doorway I can see Mum at the table doing a crossword, Bram beside her. He’s started coming every Tuesday and Saturday now, not because he has to. I know because he’s stopped promising and simply arrives instead. I can’t, I tell Celia. Then don’t, she says, closing the folder. It annoys me, mostly because she means it.

The next morning I pack a bag. Mum watches from the hallway and asks where I’m going. Home. For how long? I don’t know. She nods, no accusation, no fear, which somehow makes it worse. I tell her Bram’s coming at ten, the nurse has my number, her tablets are in the blue container, don’t use the stairs. If anything happens — I stop there. She smiles and says, if anything happens, something happens. I hate this philosophy of hers. I pick up the bag. At the front door my hand won’t turn the key — not physically, nothing supernatural holding it. I simply don’t want to. Then I understand: the universe was never trapping me. It was agreeing with me. Every missed nurse, every broken walker, every convenient emergency had given me exactly what I wanted: proof that I was necessary.

Behind me Mum says my name, and when I turn she says one word — go — so I do.

Nothing happens. No alarm, no phone call, no collapsing ceiling. I walk to my car. It starts. At the end of the street I begin laughing, then crying, then laughing again, which is dangerous while driving, so I pull over. Celia is waiting outside my flat when I get there. I tell her that people like her are creepy. She calls it an occupational requirement, holds out the folder, and I sign Form 22-C on the bonnet of my car. That’s it? That’s it. How will I know? You won’t.

That evening Bram calls to say Mum’s fine, they had dinner, he fixed the cupboard under the sink, which wasn’t broken, he admits, though it’s now significantly less broken than it was. I smile. He says he’ll call me tomorrow, then goes quiet, and we both wait. Do you mean that, I ask. Yes. Okay.

He doesn’t call the next day. At 11:47 p.m. I notice, and for a few seconds I am furious, and then I start laughing.

Two weeks later I visit Mum. There’s a chicken in the oven and Bram is supposed to come. At one o’clock he isn’t there. At quarter past, Mum carves the chicken anyway. At twenty-three minutes past, the doorbell rings, and Bram stands outside soaked from the rain, holding flowers from a petrol station, apologising for the traffic. Mum lets him in. Nobody asks whether he meant to be late.

After lunch I wash the dishes while he dries. Same time next week? he says. Maybe, I tell him. He looks at me. Maybe? I say yes. It is the first promise I’ve made in months. And for once, the universe has the good sense to mind its own business.

Posted Aug 17, 2026
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55 likes 81 comments

Jim LaFleur
August 23, 2026 10:10

That moment she realizes the universe is just agreeing with her. . . quietly devastating.

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Marjolein Greebe
August 27, 2026 22:41

Thank you as always Jim

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Richard Fahy
August 19, 2026 19:05

What fun! You've written another very enjoyable, thought-provoking story.
All of us here are (presumably) writers, and therefore have a heightened awareness that words matter; or, maybe more accurately, that INTENTIONS matter, and the expression of those intentions is through words. You've captured this beautifully.
As a sort of meta observation, your last few stories seem to involve being trapped in some way. Here (in Meant to Be), the character cleverly wriggles out of the trap, which allowed me to end with a smile on my face. Not sure what that thought is worth...
Thanks again for this, thoroughly enjoyable!

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Marjolein Greebe
August 22, 2026 02:07

That meta observation may be worth more than you think. I hadn’t consciously noticed the “trapped” thread running through the recent stories, but now that you’ve pointed it out, I can’t unsee it. And I like your distinction between words and intentions — the trouble here is that the universe seems far less interested in phrasing than humans are. I’m glad Elise wriggling free earned the story a smile rather than another existential bruise.

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Andrew Putnick
August 28, 2026 20:33

So bittersweet. A super clever and whimsical take on the “be careful what you wish for” story. Loved it!

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Marjolein Greebe
August 28, 2026 21:09

Thank you, Andrew. It just goes to show that not every wish turns out quite the way one might have hoped. 🙄

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Andrew Putnick
August 28, 2026 21:37

Quite welcome. The department would be lovely fodder for a loosely connected short story compilation. Through honestly a compilation of different authors giving their own take on it could lead to so many exciting stories.

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J Mira
August 28, 2026 16:20

I really enjoyed this, Marjolein. The premise is such a clever one — a wish that keeps turning back on the person who made it — and I loved the way you wrapped the magic in all that wonderfully bureaucratic language and procedure. The escalation with Elise trying to live up to her own words is both funny and increasingly revealing, especially once the story shifts from “the universe is trapping me” to what she may actually be asking of herself. And that final maybe is a lovely way to close the loop: small, funny, and much more meaningful by the time we get there.

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Marjolein Greebe
August 28, 2026 21:18

Thank you. Poor “maybe” had to do an unreasonable amount of heavy lifting by the end, but at least it finally got Elise out of her own terms and conditions.

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Alla A
August 28, 2026 05:55

Hello Marjolein!
What a great, unusual story! There are so many themes intertwining here. You portrayed the relationship within the family very accurately. I almost saw myself in some scenes :)
But I also want to mention your exceptional, bold, edgy style of writing which I really enjoyed. Thank you!

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Marjolein Greebe
August 28, 2026 08:44

Thank you so much Alla,
Your kind words mean a lot to me.

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Natasha Born
August 28, 2026 02:04

As someone who’s obsessed with being on time and others being on time, this like to me.i liked bram and how he isn’t a bad guy, but can’t always follow through on his promises. Good stuff!

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Marjolein Greebe
August 28, 2026 03:25

Haha, then Bram must have been especially painful for you to read. I’m glad you liked that he isn’t simply “the bad guy” — I wanted his problem to be that he genuinely means what he says in the moment, even when reality later proves him wrong. Thanks for reading!

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Kate Winchester
August 27, 2026 23:52

This is very creative and very thought provoking. I laughed when Celia was introduced with the way the mother just let her in.

While I like changing things up, I too got a little confused at the dialogue. I was able to figure it out though.

Overall, I enjoyed your story. I like that you wrote about a wish that was different as opposed to a million dollars or something.

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Rebecca Lewis
August 27, 2026 15:13

I liked this. The whole idea is clever, but it doesn’t feel like it’s clever just for the sake of it. The wish ends up saying something about Elise and her family, which is what made it work for me. The opening is one of my favourite parts. The bit with Bram promising to come, Mum buying the chicken, and Elise saying, “He makes them; Mum shops for them; I dispose of the evidence” tells you everything you need to know about their family straight away. It’s funny, but it also sets up why Elise makes the wish in the first place. I also liked Celia and the whole Department of Exceptional Statistical Events thing. Treating something ridiculous like boring government paperwork makes it much funnier. Lines like “There’s a department for causes, apparently” and the FORM 22-C stuff were great. The story gets much more interesting once Elise says, “Whatever happens, I’ll stay with her.” You know that she’s messed up when Bram stops with his hand in the biscuit packet. From there, the wish stops being funny in the same way and starts becoming unsettling. The best part for me was the realization that the universe wasn’t trapping Elise, it was giving her what she wanted. She wants to be the dependable one, the good daughter, the person everyone needs. So every disaster proves that she has to stay. That made the whole thing feel like it was about more than just a worded wish. I liked what you did with Bram too. At the beginning he seems like someone who just says things and doesn’t mean them, but then Elise realizes that he does mean most of what he says. He just doesn’t always manage to do it. I think that’s the most important idea in the story, because it changes what Elise wished for. I’d keep the ending. Bram still being late is perfect because the lesson isn’t that everyone becomes reliable. It’s that Elise accepts that people can mean something and still not manage it. And her saying “Maybe” at the end works well because earlier everyone starts using words like “maybe” to protect themselves, but now she’s using it because it’s the truth. The last line is great too. I wouldn’t add another twist after it. It feels like the right place to stop.

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Marjolein Greebe
August 27, 2026 22:49

Rebecca, this is such a perceptive reading. You picked up exactly why Bram mattered to me: the distinction between not meaning what you say and genuinely meaning it but sometimes failing to deliver is really the hinge of the story. I’m especially glad you mentioned that moment with his hand in the biscuit packet, because that’s where I wanted the tone to quietly tip from absurd to unsettling.

And your reading of the final “Maybe” is spot on. Earlier, everyone starts qualifying their promises out of fear; by the end Elise can finally use the word without treating uncertainty as a moral failure. I also agree about the ending — once Bram is still late, but the world no longer needs correcting for it, there really isn’t another twist required. Thank you for reading it this closely.

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Jo Freitag
August 26, 2026 23:53

I love the distinction between words spoken and actual intention — like the definition of literally!
And I love the way consequences unfold after the wish is stated.

I am late getting to reading and I missed last week’s prompt as I am in the process of moving. I do hope to write this week. And fear not Little Plump Jo will not be moving out of Cloudbank Cabin.
I do appreciate your visits and comments very much!

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Marjolein Greebe
August 27, 2026 09:05

I am looking reading your stories next week!

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Erian Lin Grant
August 26, 2026 23:07

Dear Marjolein.
I really liked the unusual angle of this story. The magic feels almost statistical rather than supernatural, which makes the whole idea especially interesting.
I also appreciated the kind conclusion: in the end, so much of what we do seems connected to our need to feel useful, needed, or important to someone. And even when people don’t fully mean what they say, there may still be some positive intention behind their words.
A thoughtful and warm story. Thank you!

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Marjolein Greebe
August 27, 2026 23:09

Thank you. I really like your description of the magic as “almost statistical rather than supernatural.” And I especially liked your last point. That distinction between what people say, what they actually mean, and whether they ultimately manage to live up to it is what interested me most in this story. It’s such a small difference on paper, but in practice it can change how you judge someone completely.

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John Rutherford
August 25, 2026 08:07

Another masterpiece!

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Marjolein Greebe
August 26, 2026 11:57

Thank you, John.
It’s been a while — good to see you back!
I’ll read your newest story very soon.

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August 24, 2026 03:31

Marjolein, what can I say that hasn't already been said. Loved the prose and dialogue. I know that family. Know them well. I loved how your protagonist tells the story quotes being unnecessary as if in conversation with herself. We don't know her name but I noticed Brams wife's name is the good Dutch name of Anke. Show but don't tell. Thanks Marjolein and the universe.

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Marjolein Greebe
August 26, 2026 12:31

Hi Antonino,
Thank you, as always, for reading, commenting and liking.
Her name is Elise, by the way — she forced me to mention her name into the story. 🙂

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David Poslad
August 23, 2026 18:44

I love how you turned the magical "You have one wish" trope into a bureaucratic scenery. Even calling Celia weird only gets the response that it's occupational requirement.
The whole story arc was so cool. I like how you used an everyday example of how much words matter, so it felt highly relatable. In the end I almost thought that now that Bram's promise seemed to be a lie, everything is fine now, but it turns out that now the situation has changed to good.

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Marjolein Greebe
August 26, 2026 12:35

Thank you! I’m glad the bureaucracy worked for you — Celia would probably insist that being considered weird is simply part of the job description. And I especially liked that the ending briefly made you think Bram’s apparent lie had solved everything before the situation shifted again. Thanks for such a thoughtful read.

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Alex Merola
August 23, 2026 16:47

The idea—that a bureaucratic government agency grants a "preferential adjustment" where the universe bends to ensure spoken words match a speaker's true internal intent—is so original. Your story brilliantly captures complex sibling rivalries, maternal martyrdom, and the quiet burdens of caretaking. Lines like “I had assumed she was selling insurance. Mum offered her tea; she declined it and offered me a wish instead” are good 'dark comedy' moments for the story. Loved the story. Thanks for another great read.

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Marjolein Greebe
August 23, 2026 17:06

Always happy to receive your comments, and grateful that you took the time to read, like, and comment on my latest story!!!!! Thank you so much.

I’ve already moved on to enjoying your #369 story. You were quite fast with this one.

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Ron Sewell
August 23, 2026 16:21

I enjoyed reading this. It made me smile because the story is so true in many ways. I have a daughter who promises to be here and never arrives or gets the wrong day. When her mother tells her to write it down, she tells us she has a great memory.

Great tale and well written.

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Marjolein Greebe
August 23, 2026 17:08

Your daughter sounds like exactly the sort of person D.O.E.S.E. was created for. Especially the “great memory” defence after getting the wrong day. I’m afraid Celia would have paperwork ready for her within minutes. Glad this one made you smile.

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Akihiro Moroto
August 23, 2026 02:10

I had a smile the entire time reading this delightful story. From the habitual promise-breaking brother, to D.O.E.S.E /Celia, the promise made, and the formality of Form 22-C to cancel the promise? So good! So much of life isn't in our control- and yet we try so hard with our willpower alone. Even promises; It only holds with the intention of the promisee. The black&white/oath keeping daughter eventually understands that life isn't as manageable (or fun) as she hoped it would be when making such a binding contract with the universe. I really enjoyed how she mellowed towards the end, where Bram was even surprised. Thank you for sharing, Marjolein!

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Marjolein Greebe
August 27, 2026 23:24

Thank you. I loved your point about how much of life remains outside our control, however hard we try to manage it through sheer willpower. Elise starts from such a black-and-white position that even language becomes something she wants to make enforceable. By the end, Bram hasn’t really changed at all — her way of judging him has. I’m glad you noticed his surprise at that too.

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Leo Greer
August 22, 2026 22:45

Interesting idea!

I did find the story difficult to follow, largely due to the lack of clear definition of the dialogue among the prose. Obviously, quotes aren't required, especially when paraphrasing a character. I.e. She told him she didn't know. However, when you have conversations in which characters have back-and-forth, this becomes difficult to follow.

My other note is that the initial premise does not seem grounded. To put it in a different way, you don't clearly establish the rules of your universe; what can and can't happen. For example, in Harry Potter, it is established that magic is real and Harry and others can use it. However, if we are reading Pride and Prejudice, and suddenly a character starts doing magic, then the rules of the world will be broken.

In this story it was extremely difficult for me to recognize and analyze the "rules" so to speak. Does your main character have a magical power? Why does she get this wish? Do other people get wishes? Obviously, there must be some kind of magic involved, but this is never recognized.

I would point to two very distinctive genre convention: in stories about wishes, there is always a granter of the wish (power, force, person, etc), it doesn't just vaguely happen. And second, there are always rules or conditions to the wish (which you seem to imply but don't define). These limitations are actually freedom, as they free your story from the innumerable plot holes and tendency to make a character seem dumb that plague the "I wish" genre.

Overall, I enjoyed the read, but it was definitely a little difficult at times, so I wanted to share some honest feedback. Keep on writing!

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Marjolein Greebe
August 22, 2026 22:53

Thank you for taking the time to give such detailed and honest feedback — I genuinely appreciate that.

I can see your point about the dialogue. The stripped-back presentation was a deliberate stylistic choice, but if it made the back-and-forth difficult to follow, that’s useful for me to know and something I’ll keep an eye on.

On the magic, I think we may simply differ a little in what we want from this kind of story. I deliberately didn’t want a clearly identified wish-granter or an upfront set of rules. I wanted something impossible to intrude into an otherwise ordinary world, with the reader discovering what the wish actually does through its consequences. The Department and its wonderfully bureaucratic Form 22-C were my way of suggesting that this sort of thing *does* have rules and a system behind it — just one Elise, and therefore the reader, isn’t initially privy to.

So I don’t personally agree that a wish story always needs an explicit granter or clearly stated conditions; sometimes the uncertainty is part of what interests me. But there’s an important difference between deliberate uncertainty and a reader simply struggling to follow what’s happening, and your reaction is useful to me for exactly that reason.

Thanks again for reading it so carefully and for being candid about what didn’t work for you.

Keep on commenting!

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Louise Chambers
August 23, 2026 21:48

I always have your profile description in my head when I write now…’I say little because I trust my readers’ (I think thats correct) I think thats brilliant!

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Marjolein Greebe
August 23, 2026 23:51

You really put a big smile on my face. And yes, it actually is brilliant in many cases. But I can’t take the credit for it — it’s basically one of the oldest writing principles around: show, don’t tell.

The funny thing is that people often make it sound much harder than it is. Dialogue usually earns its place. So do lines you simply cannot remove without damaging the story. Everything else is worth questioning.

Whenever you explain what is happening, why a character feels a certain way, or how the reader should interpret a moment, you often slow the story down and take part of the experience away from them.

Try it once with one of your own stories: remove every sentence you possibly can without breaking it, and see what happens. Magic! :-))

And now I’m going to stop explaining this before I completely destroy my reputation for possessing mysterious writerly wisdom.

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Michael Breton
August 22, 2026 21:01

For a story with a fantasy/magic prompt I found the most poignant line of the entire tale (and there were many) when the narrator tells her mother Bram won’t be there so why bother getting a chicken and she, knowing in her brain that her daughter was right, but wanting to believe with all her heart her son would actually come this time, says, “I’ll buy a small one."
Enjoyed he read. -M

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Marjolein Greebe
August 22, 2026 21:09

I love what you found in that little chicken line — one of those moments where a reader makes you look at your own story slightly differently. 😄 And I rather like the idea that something as ordinary as buying a smaller chicken can carry that much hope underneath it. Thank you for such a thoughtful read, M. 💛

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Louise Chambers
August 22, 2026 17:40

Hi Marjolein, I think everything I wanted to say has already been said. It was such a fun read and the narrators voice was brilliant…lots of great dialogue in your usual sharp, observational and dark humored way…which I love of course. The one liners are superb… ‘Celia studies me the way people study a stain they can’t quite place’ I may use that next time someone gives me a strange look… :) also enjoyed the banter between you and Iz about the ‘Newboy!’

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Marjolein Greebe
August 22, 2026 18:06

Thank you! I’m very fond of that stain line myself, so please do borrow it next time someone looks at you suspiciously. 😄 And yes, the little Newgirl detour with Iz may have entertained me rather more than it should have — politely and honestly, I should add. Apparently even 53 readers can become supporting characters around here. 😅

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Louise Chambers
August 22, 2026 22:07

I was jesting with you…your banter was funny, a story there I think….I try and read as many stories as I can and always return a read if someone reads mine…seems to be good manners too. I read that promoting your stories through social media helps but I really don’t have the time to do that kind of stuff. I like the community spirit which is why I submit here. Just learning from you guys as I go I guess so keep up the great work Marjolein.

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Marjolein Greebe
August 27, 2026 22:44

Oh, I knew you were jesting — I was only jesting back. That’s half the fun of the community here. I’m much the same: I’d rather spend my time reading and talking to writers here than promoting stories all over social media. And I think we’re all learning from each other as we go; that’s probably the best part of it.

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Liza Mischel
August 22, 2026 14:13

I really enjoyed the bureaucratic absurdity of the Department of Exceptional Statistical Events and Form 22-C since it made the magical element seem entirely natural within the everyday world, in a way that made its effects all the more disturbing. The idea that the universe hadn't been trapping Elise but had in fact been agreeing with her was a really good emotional twist—all along her desire to be indispensable had been concealed within that wish. I also liked the way the chicken kept reappearing as a perfectly ordinary way of measuring promises, disappointment, and eventually forgiveness. Ending with "Maybe" was just right.

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Marjolein Greebe
August 22, 2026 15:33

Thank you! I loved your observation that the universe wasn’t trapping Elise at all — it was simply agreeing with her far too well. 😄 And I’m especially pleased you caught the chicken doing double duty as both running joke and rather unlikely emotional measuring stick. Poor chicken had a lot of responsibility. 🤭 I’m glad the final ‘Maybe’ worked for you too. 💛”

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Mariyam G
August 22, 2026 11:32

I really loved this story — it’s one of those pieces that starts off almost lightly, with the chicken on the calendar and Bram’s familiar flakiness, and then quietly turns into something much heavier without ever losing that dry humour.

My favourite part was the moment Elise realises “the universe was never trapping me. It was agreeing with me.”

That line hit hard. Up until then, I’d been reading all the mishaps — the broken walker, the sick nurse, the gas smell — as the wish spiralling out of control. But that shift, where she understands that the universe is only reflecting back her own need to be indispensable, made the whole story land differently. It’s such a sharp, honest observation about how responsibility can become part of your identity without you noticing.

I also really liked how Bram was written. It would’ve been easy to make him the villain of the piece, but instead we get this much more uncomfortable truth: he does mean things, he just doesn’t always manage them. That distinction made the family dynamic feel painfully real.

And the ending was perfect. Elise stepping back into uncertainty with that “Maybe” felt like exactly the right amount of hope.

Really beautifully done.

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Marjolein Greebe
August 22, 2026 11:57

Sometimes a comment makes you see your own story a little differently, and yours just did that. You picked up exactly the things I hoped would land — and somehow articulated them better than I ever could. I’m a tiny bit envious of that. 🤭
Thank you so much for reading it this closely. This one genuinely means a lot to me.

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Kylie Powell
August 21, 2026 21:04

The concept of this is so fun! I love the ending, and that both Elise and Bram inched away from their extremes. Hers being the inability to show flexibility with intention and how she interperates the intentions of others-which in turn makes her militant and black & white- and his being the polar opposite, which is chronic flakiness and a levity with which he approaches commitment. I'll admit, I was worried that this was going to be a 'monkey's paw that ultimately leads to the wisher's doom' situation, and was very glad that it had a relatively happy ending. (AKA, I wish I could have read your story a few weeks ago after I watched Obsession and had nightmares because of how messed up the ending was lol.)

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Marjolein Greebe
August 22, 2026 01:41

Thank you so much for your thoughtful comment. I appreciate the time and effort you took to read it so closely.

I really like that you saw them as moving toward each other rather than one of them simply being proved right. Elise has to loosen her grip on certainty, while Bram has to treat promises as something heavier than good intentions. That balance mattered to me. And yes — I was very deliberately trying not to steer this into full monkey’s-paw misery. 😄 I’ll take “less traumatising than Obsession” as a win.

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Scott Speck
August 21, 2026 17:40

This story really got me thinking, including how "the road to hell is paved with good intentions". Promises made, or even intentions stated -- intentions that really matter to the person involved -- if they aren't followed through, they cause a perpetual cycle of hope and despair. Still, you managed to weave in a "universalist feel" with this tale, as you've done in so many of your other recent stories. Very interesting, enjoyable, and "told with an edge" that I think of as so distinctly you. Great work!

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Marjolein Greebe
August 22, 2026 01:46

The road to hell is paved with good intentions” is a wonderfully uncomfortable lens for this one, because nobody here is really lying — they just keep discovering that sincerity and follow-through are not the same currency. I also smiled at “told with an edge” being distinctly me. Apparently even my universes come with slightly sharpened corners. 😄 Thank you for such a perceptive read.

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Danielle Lyon
August 20, 2026 03:07

Marjolein. Are you... being funny? Why is "temporarily capable of influencing probability" the most hilarious and sensible explanation for wish-granting. It's giving me flashbacks to your story about the junior compliance officer's accidental bunny-eared heist.

I was absolutely vindicated when we got to this part, because that's the hook in being careful what you wish for: "Probability doesn’t parse grammar, Elise. It preserves intention."

The formatting of this dialogue style really gives this story it's slightly hysterical, absurdist flavor. There's plenty of snappy one-liners just dropped into gigantic verbal fencing sessions. Hilariously written, and a very Marjolein take on magic!

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Marjolein Greebe
August 22, 2026 01:52

Danielle, I’m choosing to take “Are you... being funny?” as a major milestone in my development. 😄 And I love that the probability line gave you bunny-eared-heist flashbacks — apparently bureaucracy has become my preferred delivery system for magic. You also caught exactly what I was trying to do with the dialogue: let everyone argue themselves into increasingly ridiculous corners while the universe sits there taking them completely literally. “A very Marjolein take on magic” may be my favourite diagnosis yet.

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Danielle Lyon
August 22, 2026 20:03

It absolutely should be a milestone in your development! You delivered on this story in a way that no one else can, which is exactly what we all should strive to do. Bravo!

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Elizabeth Hoban
August 19, 2026 16:30

This is great, as always! Clever premise, distinctive voice, humor, and escalating consequences - what more does a reader want in a prompted short story? Most importantly, the wish reveals something about the person who made it. That last part is what makes this feel like a story, not just a clever premise. Brilliant story, Marjolein.

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Marjolein Greebe
August 22, 2026 02:16

That distinction really pleases me — story rather than merely clever premise. The wish could have remained a neat little probability gimmick, but Elise turning out to be the more interesting problem was where it finally came alive for me. 😄 Thank you — I’m very glad that part landed.

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