Meant to Be

Drama Fiction Speculative

Written in response to: "Write about someone who’s granted one wish. What do they wish for?" as part of Everyday Enchantment with Lynn D. Jung.

‘I wish people meant what they say.’

I say this because my brother has just promised our mother he will visit on Sunday, and he won’t. Bram hasn’t visited our mother on a Sunday in fourteen months, though he has promised to on eleven separate occasions; I know the number because Mum marks his visits on the kitchen calendar before they happen. BRAM — LUNCH is written this Sunday in blue ink, beneath a small drawing of a chicken.

“You don’t know that,” she says. I tell her I absolutely do.

“He might come,” she says. I tell her he won’t. She looks at the chicken for a while, then says she’ll get a small one.

This is how Bram’s promises work. He makes them; Mum shops for them; I dispose of the evidence.

The woman sitting opposite us clears her throat, and until that moment I had genuinely forgotten she was there. Her name is Celia Mertens, and according to the card she gave me twenty minutes ago, she works for the Department of Exceptional Statistical Events.

She has spent those twenty minutes explaining why three laboratories, two insurance companies and an algorithm belonging to the Belgian National Lottery have concluded that I am temporarily capable of influencing probability — not enough to fly or cure cancer or make Bram less of an arsehole by force, but apparently enough for one limited preferential adjustment.

I had assumed she was selling insurance. Mum offered her tea; she declined it and offered me a wish instead.

“You should formulate carefully,” she says.

“I just did.”

“I assumed that was conversational.”

“It wasn’t. That’s my wish.”

Celia studies me the way people study a stain they can’t quite place. Mum studies me too. When I ask what, Mum says nothing; she’d just thought I might wish for something useful. Like her hip, it turns out, though she’d told me only that morning her hip was fine. Celia raises one finger and informs us, gently, that the adjustment cannot compel sincerity, alter thoughts or emotions or free will, or determine what a speaker means — it can only favour circumstances in which a voluntarily expressed statement remains consistent with the speaker’s intended meaning.

I tell her that’s perfect.

She tells me it really isn’t.

I ask where I sign.

Nothing happens. No thunder, no flickering lights. The kettle clicks off behind me. Bram’s name remains on Sunday. When I ask if it worked, Celia says that depends on whether the registration was accepted. I ask if she doesn’t know. She says they monitor outcomes, not causes. There’s a department for causes, apparently.

She hands me her card and leaves. Mum watches her go through the window, calling her a strange woman, as if she hadn’t been the one to let her in because she had identification — the same way she once let a man clean her gutters because he arrived with a ladder. He did do a lovely job, she reminds me.

My phone rings. Bram. I answer on speaker. He’s just calling to say Sunday might be difficult — Anke’s parents are coming; he’d forgotten. Mum closes her eyes while I ask how he managed to forget in the twenty minutes since he promised her lunch. He says he’ll make it up to her. From the kitchen comes a small, entirely unsupernatural sound: Mum opening the fridge. Then Bram says he’ll come tonight instead. Something in his voice has changed. I remind him he hates driving after work, has the kids, lives ninety kilometres away. He says he knows. He’s coming anyway.

He arrives at seven forty-three with both children asleep in the back of the car. I enjoy this more than I should.

For the first week I enjoy almost everything. My manager tells me he’ll look at my proposal that afternoon and sends comments at 4:52. The plumber promises between eight and ten and appears at 9:12. Jonas ends a call with “See you soon” and rings back twelve minutes later to negotiate what soon means.

We settle, gratefully, on Wednesday. People begin to grow careful around me. Bram stops saying definitely. My manager develops a fondness for possibly. Mum, who has always understood the danger of language better than the rest of us, changes almost nothing.

Then she falls. It happens on a Thursday morning while I am at work.

By the time I reach the hospital she is awake, furious about the state of her hair, waiting for a scan. Bram is already there, which I hadn’t expected. She called him first, he says, because I panic. I deny this. He reminds me I reorganised her spice rack the day Dad had his biopsy. I point out there was oregano from 2009 in there and Mum doesn’t even cook. He smiles. For ten minutes we are children again, sitting outside a room where an adult decides what happens next.

The doctor tells us Mum has fractured her pelvis. No surgery probably, but rehabilitation with recovery that will take time — how much time, hard to say, which means, apparently, exactly that.

I dislike him immediately.

Mum looks tiny under the blanket. She tells me she’s ruined Sunday, on account of the chicken, free-range. Bram laughs; I don’t. I tell her to forget the bloody chicken. She looks at me, frightened. Because I need her to stop looking that way, I take her hand and tell her that whatever happens, I’ll stay with her.

The room goes very quiet. Not actually quiet — a machine keeps beeping, a trolley goes past, Bram is opening a packet of biscuits — but I hear the sentence after I’ve said it. So does he. His hand stops inside the packet. “Elise,” he says. I ask what. He only looks at me. I say oh, for God’s sake. Mum frowns and asks what; I tell her nothing, though she says you said — and I tell her I know what I said.

The first test comes that evening. A nurse tells me visiting hours ended twenty minutes ago; I kiss Mum and start for the door. At that exact moment the fire alarm goes off. Nobody panics, apparently this happens often. Eight minutes later, the alarm stops. I try again. Mum is sick. I stay. At half past eleven, once she’s finally asleep, I pick up my coat. The woman in the next bed goes into cardiac arrest. I stay while the room fills with people. At six minutes past one they move Mum to a small observation room because the other patient’s family needs privacy. There is a recliner beside the bed. I say, for fuck’s sake. The nurse smiles and tells me I can sleep there if I like.

I call Celia. She answers on the fourth ring and asks if I know what time it is. I say I said something. She says that happens. When I tell her what — that I’d stay with my mother whatever happens — there is a silence, then, “Ah,” and I hate how much information is contained in that syllable. I want to clarify. She tells me you can’t retroactively clarify a registered semantic event: I registered everything the moment I made the adjustment; she gave me the terms — a link, eighty-four pages — and what matters now is what I actually meant when I said it. I look at Mum, asleep, mouth slightly open, and tell Celia I meant I wouldn’t abandon her. Then you’re fine, she says. I can’t leave the hospital, I tell her. Have you tried? Three times. Then apparently, she says, you meant something more literal. Probability doesn’t parse grammar, Elise. It preserves intention.

And I don’t answer, because I know. I meant: I will be the one who stays. Not Bram. Me. The dependable one, the one who remembers medication and appointments and whether there’s milk in the fridge. The good daughter.

Mum comes home twelve days later. So do I — not to my own home, to hers. Every attempt to resume my life fails with a statistical creativity I begin, despite myself, to admire. The first morning I try to leave for work, the home-care nurse gets food poisoning. The next day the walker loses a wheel. On Friday I make it all the way to the office before Mum calls to say she smells gas. There is no leak, but there is a dead mouse behind the fridge; an electrician finds a melted socket while looking for the smell. Celia, when I call her, sounds pleased. I tell her I see an elderly woman with a dead mouse; she tells me she’s documenting.

Bram offers to take over for the weekend and arrives Friday evening with a suitcase. By 8:15 his daughter has a fever; by 8:40 his wife has called; by 9:03 he’s gone. He stands in the doorway looking genuinely ashamed, saying he tried. I tell him I know — and that’s the worst part. Before the wish I could have blamed him. Now I know exactly when he means something. It turns out he means almost everything. He simply doesn’t always manage it. The distinction, I’m learning, is enormous.

Weeks pass. Mum improves. I don’t. My manager stops pretending the remote work is temporary. Friends stop asking after I cancel a fourth time. Jonas — whom I’ve been seeing for six months and have carefully avoided making any promises to — starts coming to Mum’s house every Wednesday. One night he finds me crying in the utility room, because it’s the only room with a lock. You can’t keep doing this, he says. I know. Then stop. I can’t. You literally can.

No — literally is the problem. So I tell him everything: the department, Celia, the wish, Bram, the hospital, the sentence. He listens without interrupting. When I finish, he tells me it’s the stupidest wish he’s ever heard. I thank him. He asks whether I could genuinely have asked for anything. Within limits, I say. That’s an insane amount of power to hand an annoyed person, he says. I agree. He sits on the washing machine and asks what happens if my mother dies. Don’t, I tell him. You said whatever happens, he says. Stop. He does, because he means to.

The next morning I call Celia and ask her exactly that. This time she doesn’t pretend not to understand. We don’t know, she says. Has this happened before? Not precisely. What does the model predict? A continuing preference for circumstances consistent with your intended statement. In English, I say. You intended not to leave her, she says. My stomach turns. Mum would be dead. I ask what circumstances would keep me with a dead person. Celia goes quiet in a way that tells me she knows and doesn’t want to say. I imagine funerals cancelled by administrative error, coffins delayed, crematoriums closed, death certificates misplaced — a universe bending itself around my determination to remain the daughter who stays. Fix it, I tell her. I can’t. Then find someone who can.

There is, it turns out, one procedure. Celia arrives that afternoon with a grey folder marked FORM 22-C — VOLUNTARY SUSPENSION OF SEMANTIC INTEGRITY, and I laugh for almost a minute before asking whether it makes me a liar. Legally, no, she says. Metaphysically? We don’t use that term. What term do you use? Non-binding speaker. That’s worse. She explains that the wish can be neutralised if I permanently exempt myself from it — everyone else’s sincere statements will go on receiving their quiet favour, mine won’t, ever. My promises will have no adjustment behind them, no invisible correction, just words, the way everyone else’s have always been. There’s another condition, of course. To suspend it, I have to first deliberately break the statement that created the conflict. I have to leave Mum. She still needs me, I say. Yes. For how long? Long enough that leaving is true, which strikes me as spectacularly vague, though apparently they’ve appealed the wording.

Through the kitchen doorway I can see Mum at the table doing a crossword, Bram beside her. He’s started coming every Tuesday and Saturday now, not because he has to. I know because he’s stopped promising and simply arrives instead. I can’t, I tell Celia. Then don’t, she says, closing the folder. It annoys me, mostly because she means it.

The next morning I pack a bag. Mum watches from the hallway and asks where I’m going. Home. For how long? I don’t know. She nods, no accusation, no fear, which somehow makes it worse. I tell her Bram’s coming at ten, the nurse has my number, her tablets are in the blue container, don’t use the stairs. If anything happens — I stop there. She smiles and says, if anything happens, something happens. I hate this philosophy of hers. I pick up the bag. At the front door my hand won’t turn the key — not physically, nothing supernatural holding it. I simply don’t want to. Then I understand: the universe was never trapping me. It was agreeing with me. Every missed nurse, every broken walker, every convenient emergency had given me exactly what I wanted: proof that I was necessary.

Behind me Mum says my name, and when I turn she says one word — go — so I do.

Nothing happens. No alarm, no phone call, no collapsing ceiling. I walk to my car. It starts. At the end of the street I begin laughing, then crying, then laughing again, which is dangerous while driving, so I pull over. Celia is waiting outside my flat when I get there. I tell her that people like her are creepy. She calls it an occupational requirement, holds out the folder, and I sign Form 22-C on the bonnet of my car. That’s it? That’s it. How will I know? You won’t.

That evening Bram calls to say Mum’s fine, they had dinner, he fixed the cupboard under the sink, which wasn’t broken, he admits, though it’s now significantly less broken than it was. I smile. He says he’ll call me tomorrow, then goes quiet, and we both wait. Do you mean that, I ask. Yes. Okay.

He doesn’t call the next day. At 11:47 p.m. I notice, and for a few seconds I am furious, and then I start laughing.

Two weeks later I visit Mum. There’s a chicken in the oven and Bram is supposed to come. At one o’clock he isn’t there. At quarter past, Mum carves the chicken anyway. At twenty-three minutes past, the doorbell rings, and Bram stands outside soaked from the rain, holding flowers from a petrol station, apologising for the traffic. Mum lets him in. Nobody asks whether he meant to be late.

After lunch I wash the dishes while he dries. Same time next week? he says. Maybe, I tell him. He looks at me. Maybe? I say yes. It is the first promise I’ve made in months. And for once, the universe has the good sense to mind its own business.

Posted Aug 17, 2026
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56 likes 81 comments

Aaron Luke
August 19, 2026 14:18

Hey Marjolein,
I loved the prose you made for the story. Instead of many streams of dialogue, we just find it within the fabric of the story and go along with it. I loved the essence of that wish, the ability to influence probability, that was an interesting take and it made so many bad things turn out good. Such as Bram's visits and the fact that Her mum actually survived. And yet that weight still burdened her since at the end of the day, she's only human. That is what stuck with me the most. I really liked how strong this was, and Like I said, the prose was very strong. Thank you for writing this.

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Marjolein Greebe
August 22, 2026 00:58

I’m really glad this one worked for you, and I especially loved that you noticed the way the dialogue sits inside the prose. You picked up exactly what I was trying to do there. And yes — that’s the heart of it for me too: the wish can fix outcomes, shift probabilities, even save people, but Elise is still only human. Thank you for reading it so closely.

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August 19, 2026 06:16

I really liked the wish that people meant what they say, and you explored it beautifully in the story. You highlighted how complicated communication and intention can be, and how, even with the best intentions, people sometimes make promises they can’t keep or say things they wish were true. The way the wish went wrong was clever and original. At first, it seemed that having people truly mean what they say would make life simpler and relationships stronger. But as the story unfolded, you skillfully revealed the unexpected consequences—how sincerity can become a burden and how well-meant promises can turn into obligations.
I also enjoyed the family dynamic. I appreciated how you portrayed the complexities of being the “reliable one” in a family, and the mix of love, frustration, and expectation that comes with that role. The subtle tensions, small gestures, and even the humor in their exchanges made their relationships feel real. I also liked how you showed that Bram wasn’t just careless or mean, but despite his struggles, he genuinely meant many of the things he said. By depicting Bram’s good intentions alongside his inability to follow through, you captured the complexity of family relationships and the gap that can exist between wanting to be there for someone and actually being able to.
The ending was especially satisfying and meaningful. By letting go of the wish and returning to the uncertainty of ordinary promises, you captured the beauty and vulnerability of real human connection. Excellent work, as always!

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Marjolein Greebe
August 22, 2026 02:27

Thank you, Veronika — I loved reading this because you followed the story all the way past the mechanics of the wish and into the part that interested me most while writing it: what Elise gradually learns about herself.

At some point, the supernatural problem became almost secondary to me. The universe is doing exactly what she asked of it, which leaves her with the much less convenient possibility that some of the pressure she feels isn’t being imposed on her at all. She has built a large part of her identity around being the one who copes, fixes, remembers, shows up and carries the extra weight. Once the wish starts removing everyone else’s excuses, that role becomes much harder for her to justify — and also much harder to surrender.

That was also why I didn’t want the story to end with a neat moral or a magical punishment. Elise hasn’t suddenly solved herself, Bram hasn’t transformed into a different person, and ordinary life hasn’t become fair. She has simply gained a little more room to question the rules she has been living by. Hence the final “Maybe.” 😊

Thank you for giving the story such a careful read. Comments like yours are a joy because they make me look back at my own characters from a slightly different angle.

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August 24, 2026 05:00

You're welcome, Marjolein. You handled it well.

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The Old Izbushka
August 18, 2026 17:36

I had a huge smile at the “probability-adjusting wish” acting as this strange kind of agent in the background. At first glance, it’s a wish that many people would wholeheartedly agree with. What really stood out to me is how you took it much, much deeper, pushing it all the way to its logical conclusion. I loved how the story shows that Elise ultimately cannot go on living under the weight of that wish!! The ending leaves a lot to ponder, especially about the difference between what we mean... what we promise, and what we can actually do. I think... we all are better off living with a little human messiness and uncertainty in life. Great work, as always!! Amazing how you can give us such wonderful stories week after week!!

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Marjolein Greebe
August 18, 2026 18:55

Thank you, Iz — I especially love your point about human messiness and uncertainty, because that’s really where the wish starts turning against itself. And “week after week” makes the process sound rather more effortless than it is. 😄 What eventually gets posted has usually survived several versions and quite a few ideas that went straight into the digital shredder. I’m very glad this one survived.

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The Old Izbushka
August 18, 2026 20:22

Oh, I didn’t mean effortless :) I can only imagine the work you put in it. I meant that you’re amazingly consistent at putting one out every week, and always at such a high level. Also, it’s comforting to know you have a “digital shredder” :)

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Marjolein Greebe
August 18, 2026 20:33

😅🤗 By the way, did you notice the current number one in the rankings? Quite an entrance for a first story. I just left a little “welcome to Reedsy” comment.

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The Old Izbushka
August 18, 2026 21:22

Yes! I did see him a few hours ago, and since my last look he’s gathered more than twenty + in just that short span. That was nice for you to give welcome. Seems he has a lot if not all first time users commenting. :).

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Marjolein Greebe
August 18, 2026 21:30

All comments are from reader accounts, except mine. 😅

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Helen A Howard
August 18, 2026 14:07

So many will be able to relate to the separate heartaches and strain of stretched family bonds. An unfair exchange of energy as one appears to give more than another and resentment grows. Things never turn out quite how we imagine-even when we get what we wish for. Isn’t that strange?
I like the bit about the chicken.
Do people ever really get what they deserve? Perhaps, but rarely as often or when they need it
A strong premise to this one. A wish granted by bureaucracy is an interesting concept. Clever story that lingers after reading. Well done.

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Marjolein Greebe
August 18, 2026 19:17

“I like the bit about the chicken” may be my favourite response to the whole existential mess. 😄 And I think your question about whether people ever really get what they deserve sits right at the heart of it — the wish tries to impose fairness on something far too human to behave fairly. Thank you for such a thoughtful read.

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Hazel Swiger
August 17, 2026 23:41

Marjolein-
Let me just start off by saying I have never read something more relatable in this case: "One night he finds me crying in the utility room, because it’s the only room with a lock. You can’t keep doing this, he says. I know. Then stop. I can’t. You literally can.
No — literally is the problem."
Ugh, I wish more people thought like this. This is my response to some things, and this situation is so gut-wrenching because it's just that relatable. By far my favorite section of the story.
Anyways - I loved the way you wrote both Elise and Bram's character, and the 'good daughter' bit spoke to me, as the oldest daughter, and I loved the concept of the whole thing as well, as Keith said, a wish backed by bureaucracy. Very fun indeed! Honestly, while some might back up Bram for his problems, he's pretty much all to blame.
I enjoyed how you didn't over-romanticize the reality of it all, and the weight that Elise was constantly feeling. I also really enjoyed the idea of Elise having if Bram carried out his promise the object of her having a good week. And that detail really carried on (the good/bad week) throughout the story, I liked that!
Awesome story, Marjolein! Nice to be reading yours again 💜

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Marjolein Greebe
August 18, 2026 19:25

Hazel! I’m so glad you’re back — I’ve really missed seeing you around here. 💜 And I love that *“No — literally is the problem”* was the bit that got you; that whole exchange came from a very real kind of frustration. The “good daughter” part is close to the bone too, so I’m glad that landed with you. And yes, poor Bram is not exactly getting acquitted in the court of public opinion here. 😄 Thank you for such a thoughtful comment — it genuinely made me happy to see your name pop up again.

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Keith Grant
August 17, 2026 22:13

I really enjoyed this. A wish backed by bureaucracy is such a fun premise, and the increasingly specific administrative language around something completely supernatural was thoroughly enjoyable. But underneath that, I loved where you took the idea—that meaning what we say and being able to keep our word aren’t necessarily the same thing. The realization that the universe wasn’t trapping Elise, it was agreeing with her, was especially good. Great story.

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Marjolein Greebe
August 21, 2026 23:39

Apparently the universe is less genie, more compliance department. 😄 I’m glad the bureaucracy amused you, because I had far too much fun imagining magic insisting on proper wording and then enforcing exactly what Elise asked for rather than what she thought she meant. And yes — that distinction between intention and actual capacity is where the story became interesting to me too.

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Keith Grant
August 22, 2026 00:19

You were a big influence on my story, The Perfect Wish.

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Marjolein Greebe
August 22, 2026 01:29

In a positive way I hope. :-))
I’m genuinely curious to see what you did with the idea, though. I’ll definitely have a look at The Perfect Wish.

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Marjolein Greebe
August 23, 2026 17:29

Keith, comment appreciated. Like still missing. 👀

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Keith Grant
August 22, 2026 00:19

You were a big influence on my story, The Perfect Wish.

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Marty B
August 17, 2026 20:17

Be careful for what you wish for, you might get it!
I dont not want that power, too much can go wrong. I appreciate the family dynamic, and how each character had their own desires, often at cross purposes with each other.

Thanks!

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Marjolein Greebe
August 21, 2026 23:32

Exactly — on paper it sounds like a wonderfully useful power, right up until reality starts enforcing the fine print. 😄 I’m glad the family dynamics came through too; half the trouble is that everyone wants something perfectly reasonable, just not at the same time.

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August 17, 2026 16:38

The distinction between meaning something and actually managing to do it is what really made this work for me. Bram turning out not to be the careless promise-breaker Elise thought he was gives the wish a much more interesting consequence than simple magical comeuppance. And “the universe was never trapping me. It was agreeing with me” is a terrific pivot — suddenly the real problem isn’t language at all, but Elise’s need to be indispensable. Very clever, and that final “Maybe” lands perfectly.

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Marjolein Greebe
August 21, 2026 23:24

Thank you — I’m really glad that distinction came through. Bram becoming less guilty rather than more guilty was important to me; otherwise the wish would have been far too neat. And yes, Elise’s need to be indispensable is exactly where things start getting uncomfortable. I’m especially pleased that “Maybe” worked for you — I wanted the ending to leave just enough room for doubt.

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