Painted Rust

Drama Historical Fiction

This story contains themes or mentions of physical violence, gore, or abuse.

Written in response to: "Start or end your story with a character overhearing (or spreading) a rumor." as part of Two Sides to Every Story with Emily Martin.

By his thirtieth morning in the camp, Victor no longer remembered waking. One month had already stretched into a lifetime, and his body still ached from the previous day’s logging. The morning bell wailed through the endless boreal forest, hundreds of men climbed from their plank bunks, and the next thing Victor knew, gray slop was splashing into the bottom of his crusted metal bowl; striking with a wet sound that turned his stomach. He couldn’t even remember leaving the barracks.

He no longer tried to guess what it was, or why it moved at times on its own. A prisoner shoved past him, knocking him hard against the shoulder, seized a bowl, and moved quickly toward the fields. Someone whispered behind Victor:

“That one walks with the devil.”

Victor did not turn.

“Yes… there are cult markings, all across his back. He will smile as a friend while the knife enters your back.”

The words meant little to Victor other than useful intelligence. Every man in the camp seemed to carry a different whisper; this man seemed to carry more than most.

Then came the second bell; the one that summoned the men into the forest for work. A steady stream of bodies began moving toward the assigned meeting spot, where the guards gathered for roll call.

Victor closed his eyes, and swallowed the slime as quickly as he could and hurried to his designated spot, and that was when a heavy hand blindsided him. He could feel the firm grip closing around the back of his neck.

A guard’s voice hissed into his ear. “Come… someone needs to see you.”

The grip steered Victor toward an old, beaten-down warehouse, where the guard loosened his hold and tossed him onto the floor in front of a man. Victor’s heart raced in his chest. Grimacing, he stood and looked with dread at the man who walked with the devil.

“Painted rust…” Sergei said, staring into a blackened metal cup he had set over the flame to warm.

Victor stood sweating, trying to capture enough oxygen with each short breath, yet the more air he pulled in, the less he seemed to hold onto.

“This one steeped through the night,” Sergei said, nodding toward the mug on the stool beside him. “I’m about to make another batch.”

He took a small bag of Georgian black tea leaves and emptied its contents into a tin cup — one that looked as if it had survived every five-year plan the Soviet Union had ever conceived. It was stained black from years of cooking. Chifir, they called it. The prison drug of choice.

Sergei brewed the leaves until they gave up all their essence, the liquid turning the color of soot, thick and bitter enough to strip the moisture from anyone’s mouth.

“Burns a hole straight through your nervous system,” Sergei said, setting a mug on the stool between them. Steam curled violently upward from the cup.

Sergei’s eyes seemed lit with fire as he stared into the flame, then he smiled. “They gave me three new boxes. Some stranger came by, wanted to build a metal playground for the school.” He rested his calloused, welder’s hands on the wooden stool, his shirt hanging open to reveal a history of ink across both arms.

Victor knew enough to recognize prison ink. It all meant something; each mark telling its own story. On his hands: the years served, and from rumor, even the number of men who’d crossed him and never lived to try again.

“I… um…” Victor tried to say something, hating his own clumsiness. One thing was clear to him already: he disliked this man, and wanted no part of whatever plan was coming.

Sergei, unbothered by the silence, broke it himself. “I came in one way… and now, I’m a lot like this.” He handed the blistering mug to Victor. Too frightened to refuse it, Victor sipped until it burned the inside of his mouth, blistering his lips and fingers, the bitterness souring his tongue, before he finally set it aside. He could already feel the caffeine turning into a pulse beneath his skin.

“What’s your name?” Sergei asked, looking away.

“Victor…” This time, he felt he’d said something intelligible.

“I have no interest in killing the old man. He brightens my day — every day, actually,” Sergei said, his face betraying no hidden limits to what he might do. He struck a match against the flint and lit a rolled cigarette, staring hard at Victor as smoke rose between them. Silence settled over the room. Anger flared in Victor at being made to stand here at all.

“I know the man… Dyadya Mikhail, we call him,” Victor said, hating himself again for trying to sound helpful, though it seemed to brighten Sergei’s mood all the more.

“Oh, that old goat.” Sergei seemed to savor some private thought. “What are you in for?”

“I have no idea… except I may have written things I shouldn’t have, in a letter to our magistrate,” Victor said, knowing the answer would surprise no one in these parts of the forest.

“I’m a welder. Who are you?”

“I taught history.”

Sergei smiled.

“You can go…but take this. The next few weeks, I’ll need your help. Do this for me, and I’ll help you when the time comes. Fail me…” He let the sentence hang. “You’ve heard what manner of man I am.” He handed Victor a small, jagged piece of metal, then a letter, then a piece of bread.

“Give these to the old man,” Sergei said, in a way that made clear Victor’s life meant nothing to him at all.

**

Mosquitoes and sweat clung to everyone’s bodies like maggots on rotten flesh. Victor tried to get sight of him. The humidity soaked his body, and he had a hard time locating him through the forest. One man was already tied to a stump, shirt off, pants gone, while the mosquitoes drank him dry. Another day of logging, building a brighter future for all, they said. And then there he saw the frail old man; a shovel in his hand, two guards watching.

“Dig, as your life depends on it,” one guard said. “Once you’re done with that hole, take the same dirt and fill it back in.” This was his four hundred and fiftieth day doing this exact same thing, each hole dug in a consecutive line beside the last.

“Break isn’t for an hour,” the guard reminded him.

The old man’s hands trembled as he continued to dig, the same two guards circling him as if he would run to the woods to escape.

The thousands around him carried tools outdated and dull, yet the quota was unreasonable: the trees that needed felling, the bark that needed stripping. Endless days of the far north, where the sun never set, as they toiled until 11 p.m. The chifir had long since worn its effects on Victor. He kept his eye on the old man as best he could.

Sweat burned his eyes as he tried to get near the old man. Finally he had his chance. One guard had to pee, while the lazy one wanted to bum a cigarette. He walked as quickly as he could, thankful for a little wind caressing his legs with coolness. He dropped the letter, bread, and knife in front of the old man and kept walking. With one purposeful movement, the old man leaned down as he had all day and picked it up, no one the wiser. Then he reached over and placed a wrapped-up object in Victor’s hands along with a little note.

Victor dared not explore the contents of the letter or the little object. At the end of the day, before the blast of the prison bells, exhausted, he found Sergei and slipped the contents to him. Just a small nod was all he received in return.

***

For over two weeks, every few days, this was the arrangement between them. Letters. Small packages. Sometimes dried fish. His only payment so far had been a steady supply of chifir.

The next delivery came wrapped in cloth, heavy and oddly cold against Victor’s palm when Sergei pressed it into his hand.

“Same as before,” Sergei said.

Victor waited for more, for instructions, or warnings, but Sergei had already turned back to the flame of his tea, as if Victor were no longer in the room.

“You can go,” Sergei said, with what seemed like indifference.

Victor carried it through the forest, in the palm of his hand. It didn’t rattle or smell of anything he recognized. By the time he reached the old man, Victor was frustrated by the myriad of possible explanations: a weapon, stolen medicine, or treason?

That night, Victor tossed and turned, his hips aching against the hard wooden planks. Men around him were either snoring or groaning under the white-night of the northern sky. The heat had made their sweaty bodies stick to the wood that supported them. There Victor lay, his mind trying to wander far from the man next to him, who smelled of both sweat and sickness.

I did not ask for this. Fear began darkening the corners of his imagination. If I stop, will he kill me? What if he does help me when I most need it? He turned onto his side, then his back, then his side again, chasing an answer that never came. Somewhere in the space between exhaustion and dawn, a colder thought slipped in, one he didn’t remember inviting. What if I kill him? It sat with him until morning.

****

The outhouses were far too few with the new arrivals. In the winter the ground beneath becomes a stalagmite of fecal matter, and in the summer transforms into a moving organism that slithers. Sergei stood out front, as if waiting. Victor hurried, placing their regular exchange into Sergei’s blood-soaked hand. He felt a wave of nausea roll through him between the smell and the sight.

“Tomorrow, give this to the old man.” It was a few salt-dried fish. “Do not forget who you are working for… as the idiot who unfortunately left a stain on my hands a moment ago. If curious, or have questions, take a look at outhouse number…” Sergei glanced over to see which outhouse, and continued, “six…” He wiped his hands on a cloth he pulled out of his pocket, then turned around and walked off.

Victor walked over to the outhouse. Why do I even need to see this? Arguing out loud to himself, he walked over to the wooden stall and placed his hand on the latch.

Victor did not know what pushed him, but he opened the door and saw nothing. He walked in and looked down, and there he was, face up, lying on the ground that slithered. Victor ran out and lost what little gruel he’d had that morning for breakfast.

*****

The next morning, Victor met Sergei again in the warehouse. He watched him brew another batch of chifir, the steam twisting upward, vanishing into the cobwebbed rafters above. Victor set the latest letter and package on the table without a word. He turned to leave. Sergei barely seemed to register he’d been there at all, which angered Victor more than he expected.

Hazy yellow light filtered through the dust-caked windows of the warehouse. Victor took a small, sharp rod from a pile of broken farm machinery and stood just outside, in the corner, where he had a clear view of Sergei’s movements. The rod felt strangely reassuring in his hand.

He watched him open the package. Read the letter.

Sergei glanced left, then right, before walking out toward a field where rusted farm equipment had gone to rot, swallowed by grass. A single stunted tree blocked most of the view. Sergei knelt, then dropped to something closer to a crawl, and disappeared into the grass. A moment later, the grass stopped moving entirely, as if he’d vanished.

Victor gripped the rod and moved closer, palms slick with sweat, a deep unease building until it made him feel sick. He wasn’t sure anymore what he wanted — only that something in him needed to know. Have I lost my mind? Is this some hidden tunnel? He dropped to his hands and knees and crawled through the grass, until he saw it: a cylindrical concrete structure a few meters ahead.

There was Sergei.

Grinning like a child. Talking to someone.

Victor’s grip tightened on the rod. I could end this myself, right now. He crept closer, the face from the outhouse pressed into his mind.

Sergei pulled a piece of his own dinner from his coat, along with some fish.

Then he saw her.

She walked toward Sergei, her tail sliding gently along his jaw, and purred as she rubbed her face against his nose.

“You’re eating again,” Sergei said, with a softness Victor had never heard him use.

“That old man’s a magician with creatures like you.”

“Kittik,” he murmured. “Kittik…” Small voices cried out from somewhere behind him, stirred by their mother’s voice.

He gathered the kittens into his arms, one after another, and held them there as they wandered in circles and played across his lap.

Victor stood frozen, rod still in hand, palms sweating until the metal grew slippery against his skin. The whispered words from the ration line returned to him.

That one walks with the devil.

He’ll smile as a friend while the knife enters your back.

Several of the kittens climbed over Sergei’s tattooed arms, and he scratched each one gently beneath their chins. The iron rod slipped from his hand and disappeared into the grass. Victor no longer knew which of the two men the rumors had been describing. As he eased backward, his boot nudged an empty bottle. It rolled across the concrete with a hollow clatter until silence.

Sergei moved before the bottle completed its roll.

He gently set the kittens on the ground.

And a jagged prison-made knife appeared in his hand.

Posted Jul 29, 2026
Share:

You must sign up or log in to submit a comment.

53 likes 76 comments

August 06, 2026 08:21

Well now Iz....getting to this one late because your stories are always so dense and epic I need to make sure I have enough time to devote to immersing myself in them. I don't know how you do it. Really, every one of your stories is like a mini novel or novella at least. Always with such deep themes and high emotional stakes. I love how much you include and its something I like to do in my stories as well. Here again you have a great character in Victor, a deadly set-up and locations, a great threat in Sergei, a big mystery, tension, high stakes, a surprising twist and an open ending. Just fantastic work.

Reply

The Old Izbushka
August 06, 2026 12:16

Really appreciate you taking the time to read and comment!! Hearing you describe the story as dense and epic is encouraging, because I do tend to pack a lot into these shorter pieces. Maybe I try to stuff too much in sometimes. :) I know it’s not a light read, so I’m grateful you devoted the time to it. I’ve got a few prison stories dancing around in my head that I’ll eventually get to, so your feedback gives me extra motivation. Thank you also for letting me know the character and themes came through that’s always my hope. I truly enjoy your stories and admire the craft you bring to them. I’m learning so much here, and I feel honored that you took the time to read mine. Thanks again for the encouragement.

Reply

August 06, 2026 19:08

I feel im guilty of putting too much in my stories as well. Maybe thats why we don't win the judges over..winning stories always seem to have very simple straightforward idea, ie, child bonding with distant parent or dealing with heartache. I tried to be a bit smaller scale this week but don't think it worked!

Reply

The Old Izbushka
August 06, 2026 19:38

I think your story was genuinely great and has a very strong chance this week… though I won’t say too much because I don’t want to jinx anything. So leaving it there :)

And I don’t think you put too much into it at all this week. For mine, honestly, I could have left the chifir and some of the prison details out and it wouldn’t have changed the core of the story. I ended up emphasizing the prison atmosphere a bit more than the actual plot. Your right, the winning stories lately are exactly what you described, they take one idea and run with it really well. I think yours did that beautifully this week with the decorations. Killer idea ... literally :)

Reply

David Sweet
August 07, 2026 12:44

I think they are well balanced. You can feel Victor's desperation when he visits the outhouse. He realizes just how dire his situation has become. Like I said in my original comment, it's all so palpable. Derrick is correct. I sometimes don't understand why these stories, so carefully crafted, don't end up in the winners column but in the honorable mentions of the stories of the week. I am always amazed and envious of your talent.

Reply

The Old Izbushka
August 07, 2026 14:05

I’m glad Victor’s desperation came through, that outhouse scene was meant to capture the weight of his hopeless situation. And thank you for your reflections on the contest. I’m honored you think my stories could belong in the winners column. As much as I’d love to win one day, I’ve come to accept it’s okay if I never do. Some stories I’ve submitted felt strong, yet ended in disappointment but now I simply enjoy creating something that brings readers into places they’ve never been. It may be a few weeks before my next one.

I love your stories, David, and I still think back on Thirst often... it was absolutely epic, as many of your other works are too.

Reply

Scott Speck
August 01, 2026 14:35

Fantastic imagery... Full-on sensory involvement with all the descriptions of the savage environment! Sergei is a complex character indeed, and the moment with the kittens was an amazing twist, greatly complexi-fying his character. Great storytelling!

Reply

The Old Izbushka
August 01, 2026 15:47

Appreciate it, Scott! I’m glad the prison‑gulag atmosphere came across vividly, and it means a lot that you connected with the layered nature of our comrade Sergei. Thank you for taking the time to read and comment!! :)

Reply

Marjolein Greebe
July 30, 2026 12:49

The contrast between Sergei’s brutal reputation and his tenderness towards the kittens is the strongest part of the story. It complicates Victor’s judgement without making Sergei feel harmless, and the knife appearing in the final moment preserves that ambiguity nicely.

Reply

The Old Izbushka
July 30, 2026 16:30

Thanks! The kittens really are the most character revealing part of the story. I nearly left it there in my first draft, but for some reason I added the other later. I’m glad the story worked for you! Still wavering between kitten… or knife. :)

Reply

July 30, 2026 05:52

I really enjoyed the setting and the atmosphere you created around the prison camp. You captured not only the physical harshness of the environment, such as the endless cold, the monotony of labor, and the ever-present sense of surveillance and fear, but also the emotional impact it had on the characters.
The characters were great; both Victor and Sergei were complex, and their interactions kept me engaged and guessing. Their relationship was layered with tension, uncertainty, and unspoken fears, making every exchange feel charged with meaning. You did a great job capturing the complexities of trust and suspicion in such a difficult environment.
The inclusion of the kittens was a beautiful touch that added emotional depth and contrast to the harshness of the gulag setting. Great work!

Reply

The Old Izbushka
July 30, 2026 11:59

Thank you! I’m glad the atmosphere of the camp came through, and I’m especially happy you found Victor and Sergei engaging , their relationship was meant to carry that tension of trust and suspicion, so it’s encouraging to hear it resonated. Was hoping to make it somewhat unpredictable. And yes, even in harsh places, small things like kittens can be loved!! Glad you liked the story!!

Reply

July 31, 2026 09:41

You're welcome.

Reply

Jim LaFleur
July 29, 2026 16:40

I went from bracing for a shank to having my heart melted by those kittens, only to be thrown right back into high alert. That contrast was brilliant. Loved every second of this!

Reply

The Old Izbushka
July 29, 2026 20:51

Thank you so much!! Glad that contrat at the end worked for you Even kittens in a gulag can melt hearts :).

Reply

Rebecca Lewis
July 29, 2026 16:16

I think this is one of your stronger chapters. The biggest thing it has going for it is the atmosphere. The camp feels oppressive from the first paragraph, and you do a good job showing how Victor is losing pieces of himself. The opening line about him no longer remembering waking is excellent. It tells the reader this place has broken his sense of time and routine. Sergei continues to be the standout character. He never feels like a cliché prison boss. He's calm, unpredictable, and dangerous without reminding the reader that he's dangerous. His dialogue has confidence, and I like that he says more than he needs to. The reveal with the kittens works because it doesn't erase everything we've seen before — it just adds another layer to him. He's still capable of violence, but now we see that he's also capable of genuine tenderness. That makes him far more interesting. The mystery surrounding the letters is also working well. I kept wanting to know what Sergei and the old man were exchanging, which gives the chapter a strong sense of momentum. Victor isn't driving the plot yet, but his curiosity becomes the reader's curiosity, and that keeps things moving. The ending is my favorite part of the chapter. Victor reaches the point where he considers killing Sergei, only to discover him sitting on the ground feeding kittens. That shifts the reader's perception without feeling manipulative. Then the bottle rolls, Sergei switches back into survival mode, and the prison knife appears. That's a great final image because it reminds us that nothing about Sergei has changed — we've just learned there's more to him than the rumors suggested. I think this is a solid chapter.

Reply

The Old Izbushka
July 29, 2026 21:12

Thank you so much for such an incredibly thoughtful and detailed response! I’m always a little nervous when I release a story into the wild, so it means a lot to hear you consider this one of my stronger chapters. I really did put a lot of emphasis on the camp, and I know my tendency/weakness as a writer is to circle back and describe things in two different ways—especially when it comes to worldbuilding. I wanted the gulag to feel suffocating from the very first line, so it’s encouraging to know that atmosphere came through.

I’m also grateful for your comments on Sergei!! My biggest fear was that he might slip into caricature, so hearing that he felt layered rather than stereotypical is a huge relief. His dialogue and the moment with the kittens were meant to complicate him without softening the danger he represents, and I’m glad that balance worked for you.

Your feedback is especially encouraging because you’re seeing the story exactly as I hoped it would come across. That makes me feel like the choices I made are landing.. Thank you again!

Reply

David Poslad
August 13, 2026 07:23

I really liked the tension you could feel between Sergei and Victor. Sergei's aura was so interesting to observe throughout the story, not being sure what would happen next. Also, you did great describing Victor's bodily reactions to fear, so vividly, it felt real. Great story

Reply

The Old Izbushka
August 13, 2026 12:27

Thanks so much!! Appreciate your thoughtfull read and comments!

Reply

Melanie Crowe
August 10, 2026 16:43

Even the hardest men have their soft spots. I love it. Wonderful twist.

Reply

The Old Izbushka
August 10, 2026 17:26

Yes!! He truly loved his little kittens :).

Reply

Eliza Stroud
August 09, 2026 13:14

Wow, I loved this story so much! The imagery and atmosphere were so intense and really set the scene, and I really enjoyed the gradual shift in how Victor sees Sergei. The rumours make you expect the worst from him, making the twist unexpected and effective. I also liked how the chifir and mysterious deliveries keep the tension building throughout. Ending with Sergei drawing the knife is a great cliffhanger! It leaves the reveal feeling satisfying while still making you want to know what happens next. A fantastic work yet again!

Reply

The Old Izbushka
August 09, 2026 15:54

Thank you so much!! I’m really glad the atmosphere pulled you in and that Victor’s shifting view of Sergei felt natural. Hearing that the rumours, the chifir, and those strange deliveries kept the tension alive is incredibly encouraging. And I’m delighted the ending landed for you. :) Who would not like kittens? Poor Victor.... Your thoughtful feedback means a lot!!

Reply

Helen A Howard
August 09, 2026 11:59

Brilliant writing. The tension did not let up for an instant. The characters stand out. In a cruel setting, everything is ambiguous, no one is trustworthy, and in any given moment life hangs in the balance. The kittens act as a great contrast to Sergei’s hardened, time-worn personality revealing a surprisingly soft side which turns our perception of him on its head. Great story.

Reply

The Old Izbushka
August 09, 2026 15:53

Thank you so much!! I’m grateful the story’s tension and the setting worked. Also, glad that Sergei’s gentler side came across well. Really appreciate your feedback!

Reply

Andrew Putnick
August 08, 2026 18:16

As always you drop me right into a new world and make me comfortable because the characters are so real. The tension here is like a tightrope walk. The violence eluded to but not dramatized, making it that much more palpable. Fantastic story!

Reply

The Old Izbushka
August 08, 2026 20:47

I’m so glad the story worked for you, and that the tension felt like a tightrope walk! I’m not one for vivid violence, so I hoped just eluding to it would be enough to carry the weight. Happt it worked! Thank you for such a thoughtful read and comment and I’ll be sure to check out your new story soon. :).

Reply

David Sweet
August 07, 2026 12:33

Everything in this story is amazingly palpable with sensory imagery. You have done it again, my friend. I found myself wishing that such a place never existed, then I remember how you collect stories. It is terrifying that men such as Sergei exist. It reminds me that I live in such an insulated world and that a person such as Victor could be in such a hell for a simple letter. The world is changing, and I pray we never devolve into this. Thanks for sharing another great one. I always look forward to them.

Reply

The Old Izbushka
August 07, 2026 13:42

Thank you so much for taking the time to comment!! I wish these places had never existed, and I pray we never devolve into anything like that again. All for a so‑called ‘brighter future,’ poor Victor, a history teacher, was thrown into forced labor like countless others. Though fictional, he represents millions.

As mentioned, I once lived in the far north, where prisons and prisoners outnumbered everyone else. By then the gulag was no longer a thing, but the prisons remained brutal, and I heard terrible stories. I’m not sure how widespread it was, but one ex‑prisoner described how men were often stripped of clothing and left to the mosquitoes. In the north, they swarm, and they are thirsty.

Still, I wove myself into this tale :) In Russian villages of the late ’90s and early 2000s, it was common in rural areas to contract the prison for work. I was the one who ordered a playground set for a school. In the beginning of the story, Sergai talks about this. Anyways, I went to the prison to pay, and they told me that if I wanted the job done well, I should give the welder an incentive.... black tea leaves, for the chifir. I gave him three boxes of Georgian tea.

And Sergai? He’s based on the man I met at that welding warehouse!! His appearance was absolutely frightening, with a devil tattoo on his arm. His friend had a Trinity tattoo I wanted to include but decided not to in this story. I was glad to leave that place as quickly as I came escorted by prison guards of course but I was able to talk with many of those men while living in this village some who had been in the system for twenty years or more.

Sorry for the long response, but this story was created with these images in my mind. Thank you for reading!!! Glad I could share the background to it :)

Reply

David Sweet
August 07, 2026 14:10

Don't be sorry! I am always fascinated with the details behind the story. We can't help but put pieces of ourselves into them; I believe it adds a layer of authenticity that many stories lack because they are produced from some fictional whole cloth. I am always glad to interact with you and to receive insights that help me further understand the inner-workings of the mind behind the story!

Reply

The Old Izbushka
August 07, 2026 15:45

I’m so glad you appreciate the inner workings! Sharing the background of my stories is a joy!

Reply

The Old Izbushka
August 06, 2026 15:22

I lived in a small village in the far north that was once surrounded by prisons like these. This is a fictional story, but some of the descriptions of the hardships are drawn from real testimonies. Thanks so much for reading!

Reply

Aaron Luke
August 06, 2026 12:30

Wow T.O.I.
I could feel the emotion within this, how the twist came in wonderfully and how confused Victor was in the end, unsure whether what he should do is really worth it. I loved how you made Sergei to be this cruel and impossible villain and then the compassion he shows towards the kittens reveals his true nature. This was nice and I loved how you evoked it all. Thank you for writing this.

Reply

The Old Izbushka
August 06, 2026 12:46

Thank you Aaron!! Your comment is very encouraging!! If I were Victor, I’d have been just as confused in that moment too. I’m glad the twist and the emotions came through. Appreciate your feedback and look forward to your next story.

Reply

Kylie Powell
August 06, 2026 03:34

Holy cow, I thoroughly enjoyed reading this!
From the jump, the imagery was wickedly vivid and visceral, which really helped set the tone for Victor's growing unease. You did a great job building tension up until the very end. The twist with the kittens was so tender amidst such a brutal environment, that it threw me entirely in Sergei's favor when Victor kicked the bottle. Man's gotta protect his kittens and his reputation XD
Amazing job!

Reply

The Old Izbushka
August 06, 2026 11:19

wow, thank you so much for taking the time to read and leave such a thoughtful comment. I really appreciate it. The gulag was such a brutal, degrading place, and I wanted to capture that ongoing pressure. Poor Victor, just a history teacher, caught in that spiral! You’re absolutely right... man’s gotta protect his kittens and his reputation!! Your encouragement means a lot, and I’m grateful for your kind words!

Reply

Alexis B.
August 06, 2026 01:08

What captured me was the imagery and use of rust and how it is a resemblance to Sergei. Rust only appears after metal is exposed to the elements and although it may have changed how it looks on the outside, the item itself remains the same. It is a beautiful reflection of the contrasting parts of Sergei who was also weathered by the elements so to speak. Very much enjoyed reading your writing piece and look forward to reading more!

Reply

The Old Izbushka
August 06, 2026 01:59

You're actually the first person to dig into the title this closely, and honestly, you articulated exactly what I was thinking about with “Painted Rust.” The idea that paint can change the surface but not what's underneath was exactly the tension I hoped the title would hold. So much of the Soviet Union, in a way, was painted rust and I think you really saw that idea in Sergei. It means a lot to know you saw that layer in the story! Thank you so much!!

Reply

Alex Merola
August 05, 2026 23:44

Details like the "gray slop," the "moving organism that slithers" in the outhouse, and the oppressive humidity with mosquitoes "like maggots on rotten flesh" vividly capture the grueling realities of a forced-labor camp. I love how the narrative cleverly plays on prison-camp tropes and rumors. Victor’s internal transformation was well written for psychological tension in the story. Once again, you brought Cultural Authenticity to the story: Incorporating elements unique to the Soviet Gulag system. I did feel there was a bit too much exposition, such as Sergei explaining the chifir instead of showing. Thanks again for a great interesting read.

Reply

The Old Izbushka
August 06, 2026 01:03

Thank you Alex for pointing out the parts of the story that stood out to you. I once lived in a village in Russia surrounded by prisons, and much of what I wrote came from listening to ex‑prisoners describe conditions there and seeing the facilities from the outside shaped the atmosphere I tried to capture. It’s a whole backstory I’d like to share one day as creative nonfiction. You’re right that showing rather than explaining would heighten things and I’ll keep that in mind. I was probably a bit overzealous in wanting to include that particular cultural detail. Great observation. I’m grateful you read so closely and engaged with the piece. Your perspective is truly valuable to me.

Reply

August 05, 2026 13:53

A very intense read. I thought maybe they were Siberian Tiger kittens in the Gulag woods. Great storytelling, characters really came to life. Poor Victor. I could go for a cup of Chifir right about now. Thank you Ishbushka.

Reply

The Old Izbushka
August 05, 2026 15:34

Thank you so much! I love that you thought they might be Siberian tiger kittens… I never considered that, but I can definitely see how the setting could lead you there! Poor Victor… so many like him were thrown into horrific conditions back then. And as for the chifir… it tastes horrible, but it really does keep you awake! :)

Reply

Anna Soldenhoff
August 03, 2026 12:17

This story reminds us that survival wears many masks. The quiet reveal of Sergei's hidden tenderness is a gut-punch, not because it's shocking, but because it's achingly human. Amazing story.

Reply

The Old Izbushka
August 03, 2026 15:29

Thank you for reading and for sharing such a thoughtful reflection. That truly was the gut‑punch of the story... how survival can drive even a history teacher to contemplate what he would never dare to think. And the survival mask of Sergai reveals something achingly human and tender. Thank you again for reading and commenting .

Reply

August 02, 2026 05:02

Prison Gulag setting indeed. A compelling and atmospheric story. And Sergei is a cat person. Who would have guessed. Your story is an experience.

Reply

The Old Izbushka
August 02, 2026 11:45

Thanks for reading the story and for your encouraging feedback!

Reply

Jennifer Luckett
August 01, 2026 22:14

Very vivid and haunting, wow.
Great interpretation of the prompt,
with this man in such horrifying
conditions that you show.
This line, "A moment later,
the grass stopped moving entirely,
as if he’d vanished', stands out and
encapsulates how Sergei embodies
the "painted rust" he creates.
Such as terrifying as the transformation
that made him the half-man he is.
Very powerful stuff. 🙌

Reply

The Old Izbushka
August 02, 2026 01:09

Thank you so much!! Really appreciate your thoughtful read and how he embodies the "painted rust" he creates!

Reply

Danielle Lyon
August 01, 2026 21:07

Always, always with the poetic prose: "Steam curled violently upward" (I pick my seats in cafes based on the optimal light refraction to catch the patterns in the steam, so I felt this one!)

We've been seeing a lot of misunderstood villains, or stories that focus on villains in a lot of media and publishing today. I loved how this went a similar route; the big, scary, tattooed dude is threatening (and even killing!) people in order to care for a cat and kittens.

And the ENDING! Do we believe the rumor, or the conduct we just witnessed? What's Sergei up to? Captivating!

Reply

The Old Izbushka
August 02, 2026 02:04

Thank you so much! I’m glad you liked the steam curling upward :).

I especially love that you picked up on the tension between the rumors and Sergei’s actions. You’re right, there are a lot of stories about the misunderstood villain out there, and in my mind I was thinking about the rumors being the “paint” and Sergei’s behavior revealing the “rust” underneath.

I hoped to make it harder to predict what he was really up to. I think he was capable of great kindness and malice all at once. I think he could have seen Victor and simply patted him on the back or just as easily done something else entirely. :)

Reply

Richard Fahy
August 01, 2026 18:03

As always, you've painted a complete, and in this case, disturbing picture. It's all the more disturbing for being rooted in, if not a specific historical situation, a situation that must've been replicated countless times in many, many places where repression is the heartbreaking norm.
And, of course, the sharp turn near the end (in this case, "sharp turn" is spelled "kittens") delivered a breath of warmth, and another layer of chills: even the very, very evil can be kind in some specific ways.
Thanks again!

Reply

The Old Izbushka
August 02, 2026 01:56

This was a dark time, and I was hoping to really create that Gulag feel while also showing some of the characters within these camps. I once lived in a little village in the far north, where the prisons were at one time very harsh. I was drawing from that background and breathing it into this story. A really dark spot in history. Heard many stories you could say..

I loved your description of the kittens as the “sharp turn” that was exactly the kind of unsettling warmth I hoped to create. I think that contradiction, that someone can carry both kindness and cruelty within them, is what made Sergei so interesting to write. I think he was capable of great malice and compassion. Thanks again for reading. Your comment is very encouraging! :)

Reply

Ron Sewell
August 01, 2026 13:40

Your description of life in a prison/camp is well written. The task of collection and delivery made me read on to discover where the story went. Kittens -Knife?

I enjoyed the journey.

Reply

The Old Izbushka
August 01, 2026 15:42

Thanks!! Glad the collection and delivery kept you interested for the grand reveal :) Appreciate your comments.

Reply

Mariyam G
August 01, 2026 10:38

I really enjoyed this story — it pulled me in from the first line. The scene that stuck with me most was Victor watching Sergei disappear into the grass, only to find him gently feeding the mother cat and gathering her kittens. After everything we’d heard about him, that moment completely shifted the way I saw him. The harshness of the camp, the rumours, the fear — and then this softness. You wrote that contrast so beautifully. Loved the reveal in the end.

Reply

The Old Izbushka
August 01, 2026 11:41

Thank you for the encouragement!! I’m so glad the story pulled you in, and that the moment with Sergei and the kittens worked for you. People are complex, and I’m grateful the contrast came through, the harshness of camp life set against that sudden glimpse of tenderness. I truly appreciate your thoughtful response!!

Reply

Reedsy | Default — Editors with Marker | 2024-05

Bring your publishing dreams to life

The world's best editors, designers, and marketers are on Reedsy. Come meet them.