The clock tower did not chime midnight; it groaned. A gear had slipped three days ago, and the village of Oakhaven simply let the time drag, leaving the hours to tangle into one long, grey twilight.
Below the library, down where the foundations sank into black river-clay, Phorkys worked.
He moved his arm away from the small cellar window. Three hundred years ago, the midday sun had left a trail of white, rigid limestone figures along the Mediterranean goat tracks—shapes that never crawled back to their villages. His aunt Medusa had carried that same heavy, involuntary power, a biological trait that the town guards later mistook for a desire to murder. There was no malice in the stone; it was simply what happened when their lineage met a mortal eye. Here in the north, the mist came first. The sky over the marsh was already dull before it hit the ground, keeping the lanes empty and the eyes of the draymen fixed on their horses' ears. He had traded the salt-bleached rocks of the coast for this basement, where the only things left to look at were already dead: sheepskin, calf-parchment, and the cold grease of old glue.
He adjusted his goggles with two thickened, copper-scaled fingers. They were heavy things, built from three layers of smoked glass salvaged from an iron foundry, held together with coarse cobbler’s thread and strips of oiled pigskin. Through them, everything blurred. A candle flame became a dull, yellow smudge; a human face was reduced to a pale turnip. In the dark of the cellar, his eyes remained inert. The old affliction required two things to strike a living heart: naked light, and a direct, locking gaze.
Above his brow, a dry clicking rose from his scalp.
Three small, green-mottled vipers coiled tightly around his left horn, their cold bellies pressing against his pulse point. Another stretched its neck toward the table, its fork-tongue flickering out to lick a stray drop of elderberry ink from the cedar wood. They did not hiss; they simply knotted themselves closer together as the draft under the door grew sharper.
Maeve sat on a crate of uncatalogued estate rolls, her boots swinging six inches above the dirt. Her fingernails were permanently rimmed with black iron-gall extract. Two winters ago, when the lime pits took her father, she had followed the sound of a heavy, whistling breath through a loose floorboard in the history aisle. She hadn't run back to the stairs. She had only looked at the vast, grey-green shoulders, then at the ledger held between two heavy claws, and asked if the name Talbot was written in the old leather.
"They brought three more crates of quicklime before the rain started," Maeve said. She was paring a quill with a small, nicked bone-knife, her strokes jagged and angry. "Garrick Thorne hauled them up from the tannery. He told the carter the floorboards under the history aisle are soft enough to sink a thumb into."
Phorkys didn't lift his head. He used a flat piece of whalebone to smooth out the crumpled corner of a fourteenth-century register—the parish death records from the year the black boils came. His hand, vast enough to crush a man’s skull like a dried gourd, trembled as it pressed the vellum. "The lime absorbs the air’s water. The paper stays dry."
"They aren't pouring it for the paper, Phorkys." She dropped the knife; it stuck straight up in the dirt between her feet. "Thorne spent the afternoon at the tavern. He told the smith that the sour well and the wool-rot in the lower sheds follow your breath. He says you're drawing the grease out of the land."
A snake near Phorkys’s temple stiffened, its small chin lifting as it caught a vibration from the floorboards above. The whole nest began to turn, dry scales rubbing against scales with a sound like dead leaves scraping across stones.
"There are four hundred names in this book, Maeve," Phorkys murmured. His voice came through the wide nasal vents of his snout—a dry, breathy whistle like a dying forge. "People who died in the ditches behind the abbey. If the rot takes the vellum, the world forgets they ever had bread or teeth."
The door above didn't creak; it blew inward, the rusty latch tearing out of the rotten pine with a sharp tink.
Garrick Thorne stepped into the cellar, bringing the stench of his own tanning vats—dog-dung and old urine used to soften calfskins. He didn't shout. He had the grey, grease-filmed skin of a man who worked ten hours a day in the brine pits and treated every broken cartwheel as an unpaid debt. He held a long, two-pronged iron gaff, the tips filed white-sharp. Behind him, Mistress Clout held an oil lantern high, her lace collar trembling against her throat.
"The child first," Thorne said. He kept his eyes fixed on the empty space six inches to the left of Phorkys's hip. "Maeve. Get out of the pit. Your aunt’s waiting by the gate with a switch."
Maeve didn't move toward the stairs. She stood up on the crate, her small shoulders bunched under her greasy shawl. "The well was already bad in June, Mr. Thorne! Before Phorkys even took the plague books!"
"Move, girl," Thorne repeated. He took two steps into the room, his heavy wooden-soled clogs sucking at the wet clay of the floor. "The dray-horse is dead in the ditch. The wool in the north barn is black moss. It’s the lizard’s grease. It’s coming up through the stones."
Mistress Clout didn't look at the shelves. With the heavy brass tip of her umbrella, she struck the edge of the worktable. A shallow earthenware dish filled with Phorkys’s freshly brewed indigo ink—oak galls and iron filings—tipped sideways. The black-blue liquor rushed across the open fourteenth-century register, filling the ancient crevices of the paper, swallowing the lines of text in a thick, featureless mud.
Phorkys lunged across the table. His massive, copper-scaled arm plunged into the lantern light, his claw reaching for the bottom of the page before the blue stain could take the remaining names.
His rough, silt-colored skin touched Mistress Clout’s wrist.
She shrieked—not from a blow, but from the sudden, well-water cold of him—and dropped the lantern.
Thorne swung the iron gaff high to drive the weight back into the darker corner of the cellar. The iron prong didn't pierce the thick scales of Phorkys’s neck, but the curved hook caught the leather strap of his goggles behind his ear.
With a dry snap, the old pigskin gave way. The heavy frames flew sideways, striking the stone pillar and shattering the three layers of smoked glass into a dozen grey shards.
"Phorkys! Don't look!" Maeve threw herself forward, her hands clawing at his woollen tunic, trying to drag his great head down into her apron.
But the light was already there.
The dropped lantern had rolled against the ink-stone, its wick sputtering in a pool of spilled oil, throwing a white glare straight up into the vaulted ceiling. For two hundred years, Phorkys’s eyes had known only the grey soot of the dark. The sudden brightness made his yellow, slit-pupil eyes contract instantly.
To spare them, he wrenched his head sideways, forcing his gaze away from Thorne’s face, away from Clout’s wide eyes, throwing his blind stare into the empty room.
He looked at the white-washed stone pillar three feet in front of him. The lime-wash had been rubbed smooth by years of passing crates, polished into a pale, cloudy mirror. And there, in the brilliant, flickering glare of the oil fire, he saw his own shadow—and met his own uncovered eyes.
The snakes on his head went mad. Blinded by the firelight, they whipped forward in a tangled knot, their small jaws agape, their lidless eyes catching the reflection of their own sisters in the wet surface of the indigo ink that still pooled on the table.
The grey didn't fall on him like a spell; it grew out of him.
A dull, clicking sound like frost spreading across a windowpane started at the base of his snakes. The vibrant copper-green of his scales faded, turning the color of river silt, then dry mortar, then the dead limestone of the southern cliffs.
"No, no, no—" Maeve grabbed his huge, three-clawed left hand—the hand that was still reaching for the ruined ledger—and tried to pull it back into the shadow of her own body.
The grey crept down his wrist, hardening the skin, locking his long fingers into a permanent, rigid curve around the air. Her own fingers left pink streaks in the dust of his skin before the surface turned to solid granite.
"Phorkys—listen to me!" she beat her small, ink-stained fists against his forearm, but her knuckles made the same sound as hitting the church wall. "I'll find the books from the south. The ones about your sisters. I'll find how they did it. I won't leave you down here. I promise you, I'll bring the light back out of you!"
Thorne didn't look back. He grabbed Mistress Clout by her torn sleeve and dragged her up the splintered stairs, his clogs clattering against the oak. "Leave it," he muttered into the dark. "The thing’s choked itself. It’s nothing but mortar now."
They brought the three crates of quicklime and four barrels of river sand. By the next evening, the cellar door was gone, replaced by a flat wall of grey brick that smelled of wet cement.
A month later, the frost came early, splitting the stones in the lane.
The library above was quiet now, the floorboards cold under Mistress Clout’s new rugs. Maeve went around the back, where the wood-store met the coal chute. She had spent three nights loosening the iron grate with an old file until it slid out of the stone without a sound.
She let herself down into the black, landing on her knees in the cold dirt.
The cellar had no shape now. Without the candle, it was just a thick weight that sat on her chest. She didn't light her tallow match. She didn't want to see the brick wall.
She crawled on her hands and knees until her knuckles struck the rough, fluted limestone of his pedestal. She climbed onto the crate of estate rolls and reached up, her fingers searching through the absolute dark until she found his hand.
It was freezing now. The stone had lost the heat of the transformation. The serpents on his head were stiff, granite loops that didn't click when she touched them.
She leaned her forehead against his stone knee. Her tears ran down the rough granite scales and dripped into the dirt between her feet.
"The well is still sour, Phorkys," she whispered into the dark, her breath rising in a small white cloud she couldn't see. "And Thorne's sheep died of the rot anyway. They're saying now that the curse is in the churchyard. They're going to dig up the old graves tomorrow."
Above her, through two feet of oak and stone, came the dull, rhythmic thud of the librarian's boots, walking the empty aisles, looking for anything too damp to save. Looking for things to give to the fire.
Maeve tucked her hands into her sleeves, pressed her cheek against the cold limestone, and began to recite the names from the fourteenth-century ledger, one by one, into the silence.
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I was already feeling sorry for Phorkys long before things went wrong, but that ending really got to me. There's something especially cruel about a creature who has spent centuries protecting the memories of forgotten people being condemned and forgotten himself. And Maeve returning to recite those names in the darkness was such a beautiful, heartbreaking touch.
Honestly, I was trying to keep up which kept me scrutinizing every word. I also loved how you made his terrifying appearance almost irrelevant to who he actually was. The real ugliness belonged to the people who couldn't see past it. A wonderfully atmospheric story, and one that stayed with me after the final line. Very well done!
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Thank you so much! I may have been a little unkind to poor Phorkys, but at least Maeve refused to abandon him. I'm especially happy the story stayed with you after the final line. That's a lovely thing for a writer to hear. And thank you for reading so closely. I promise I wasn't deliberately trying to make you work overtime! 😉
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Love to read your stories and try to dig out the "Easter Eggs". This time around you transmuted Perseus shield into a polished wall and wove Medusa's father, Phorkys, in as the protagonist. Clever, indeed. The prose, as always, spot on along with just enough heart-string tug to make an obviously monstrous character both relatable and pitiable. Maeve not only provided an empathetic friend for Phorkys, but gave the story a route to closure. Bravo! -M
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Ah, M, I see you're still hunting Easter eggs! 😄 I had fun playing with the mythology, particularly turning the protective reflection into the very thing that destroys Phorkys. And I rather like the idea that the supposed monster is the only one concerned with preserving human lives, even if only their names remain. Thanks for reading so attentively. I'll have to hide the next clues a little better! 😉
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I think this is a strong story. The dark atmosphere, the descriptions, and the relationship between Phorkys and Maeve all work well. I like how Phorkys looks like this terrifying monster, but he's gentle and cares more about preserving old books and people's memories than hurting anyone. The villagers are the ones acting because they're afraid of something they don't understand. The ending is my favorite part. Maeve going back into the cellar and reciting the names from the ledger is heartbreaking because Phorkys spent so much time trying to make sure those people weren't forgotten. Even though she can't save him, she's still carrying on what mattered to him. I think the story is well written and has a lot of emotion behind it. I wouldn't change the ending or the main idea at all. What makes the story stand out to me is that Phorkys isn't the monster. The people who are so quick to judge and destroy him are.
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Thank you, Rebecca! Coming from someone who reads with such a keen eye, that means a lot. I think poor Phorkys would have been quite surprised to discover how many people understood him better than his own villagers did. And I'm glad Maeve's final gesture resonated with you. Sometimes the smallest act of loyalty is all that's left. Always a pleasure to have you reading my work!
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I really enjoyed the atmosphere and setting. Oakhaven was such a mysterious place, full of history. The details you included, like the shadowy cellar or the quiet library, created a vivid sense of mood.
Phorkys was a lovely creature. You did an excellent job of balancing his mythical qualities with very human vulnerability and dignity. Despite the villagers' fear and misunderstanding, Phorkys’s dedication to preserving the village’s history and his gentle interactions with Maeve revealed his depth and kindness. I also liked how his relationship with Maeve provided a powerful contrast to the villagers' fear and suspicion.
The ending was really powerful. The image of Phorkys, now petrified yet still present in some way, left a sense of unresolved sorrow but also hope. Maeve’s return to the cellar and her recitation of the names from the old ledger were heartbreaking, showing the deep bond she shared with Phorkys and her unwavering devotion to saving him.
Great work, as always, Marjolein! I was really happy to see another story from you. ❤️
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Veronica, your comment really touched me. ❤️ I'm especially glad you saw Phorkys's dignity beneath his rather intimidating appearance. He never wanted to frighten or hurt anyone, and the cruel irony is that his attempt to protect Thorne and Clout is precisely what destroys him.
I loved that you picked up on the hope in the ending, too. Maeve cannot bring him back, at least not yet, but by reciting those names, she's continuing the very work that mattered most to him. That little act of loyalty means everything.
And it's genuinely lovely to have you reading my stories again. Thank you for being here. ❤️
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You're welcome. Always count me in for reading your stories. ❤️
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Marjolein, down with another wonderful, though-provoking story! The beginning really hooked me, and this whole concept: blending that real-world horror with this timeless myth, I loved thinking about that throughout this story.
I loved how much detail you paid attention to in this story, and it was like watching a play; it was that vivid! And you know I'm a real sucker for details like that 😅
That ending really made me sit and think, Maeve's character in general was just so fascinating, and I loved the bit about reciting names. This was nice and eerie, just the way I like it!
Great job, Marjolein! It's great to read one of yours again 💛
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Thank you, Hazel! 💛 I deliberately stepped away from my usual minimalist approach this time, so I'm glad the atmosphere worked for you. I wanted the real horror to come from the villagers rather than the mythical creature. And Maeve? I think she understood something the adults never would. Lovely to hear from you again! ❤️
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Wonderful world building in this piece. Real world horror and mystery mixed with the modern take of a very old myth. Great characters, everyone feels real even those we only spend a short time with.
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Thanks Andrew,
Always good to hear from you!
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Wow. Loved your descriptions of these people or whatever. Had to read this twice but that’s me.
I was in that place as a bystander watching the drama unfold.
Great piece of dark writing. My thoughts move on. Did Maeve bring him back or is P still stone?
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For now, he remains petrified. All because he wanted to spare Thorne and Clout. He comes from Medusa’s bloodline but wanted to escape his family’s curse. That’s why he retreated to the cellars beneath the library to restore old documents. Without light, the curse has no power. And it only affects the person or creature he looks directly at.
Because he deliberately looked away from the humans, he caught sight of his own reflection in a polished pillar. And so the inevitable happened.
Perhaps I should make some of this a little clearer in the story, without spelling everything out.
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Thank you my brain did not join up the dots.
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Every week you never fail to come up with such creative, well written stories! This one is so in depth and brilliant for the prompt- Medusa’s dad? How do you do this!! And the snake references are right up my alley this week! Hehehe! 😂
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Thank you! Although I did skip the last two weeks because neither prompt sparked a story I was happy with.
So the ideas don't always come on demand! 😄 I had a lot of fun digging into Greek mythology for this one, though. And yes, the snakes seem to be following us around this week! 🐍😂
Tiny correction: Medusa was his aunt. 🤗
Your words mean a lot. 💛
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So sorry - I had read somewhere that he was Medusa's father - this is what I read - "In Greek mythology, Medusa was one of the three Gorgons, who were daughters of the sea god Phorcys and the sea goddess Ceto. The other two Gorgons were Stheno and Euryale." But who knows what is correct with Greek Mythology. Everyone seemed related to everyone else.😱 Your story is fabulous enough to stand alone without Medusa. x
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Oh Elizabeth, please don't apologize! You're absolutely right about the mythology. I gave my character the rather unfortunate name Phorkys, while making Medusa his aunt. So the confusion is entirely of my own making! 😂
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Phorkys... Phorcys... Sounded so familiar, and sure enough, you left a clue with the 'aunt' and his abilities. I love how you wove in Theogony/Greek mythology character silently trying to do his part to salvage the past, by honouring the ones lost in the plague centuries ago- all while facing modern (18th century-ish?) struggles. Incredible world-building, drama, sacrifice, and desperation... Phorkys was truly misunderstood, and only Maeve knew that he wasn't a monster or a scapegoat for the bad harvest/drought/disease. Oakhaven still suffered despite Thorne's attempts. The short-sightedness of a desperate man.
Always so relatable, grounded, human, so exciting (even when it's so tragic). Thank you for sharing, Marjolein!
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Akihiro, I had a feeling you might recognize the family resemblance! I had great fun borrowing from Greek mythology and giving Phorkys a rather different occupation. I'm delighted you picked up on those little clues. And yes, poor Oakhaven might have benefited from a little less superstition and a little more common sense. Thank you for such a thoughtful reading, and for always bringing your curiosity along!
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Loved it!!
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Marjolein, You just have to feel sorry for a monster in the cellar!😔 Phorkys's (Phorcys?)is just a way for Thorne and Clout to project their fear on a 'monster'. It was nice for Maeve to see past his appearance and recognize his purpose. The use of lime to dry up moisture in the papers and its use to cover up dead bodies is brilliant. The story is so creative using a monster to tell a moving story of historical empathy and human bigotry. Always, thank you for such a great read. 👍
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Thank you so much! I'm particularly pleased you noticed the double use of lime. I enjoyed weaving those little details into the story, although poor Phorkys probably wishes I'd chosen a kinder fate for him! And isn't it curious how quickly people can turn someone into a monster when they need somebody to blame? I'm glad Maeve gave him at least one person who understood. Lovely to hear your thoughts!
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Marjolein, you have such a rare gift for finding the most aching, tender magic in the dark. Great work, as always.
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Thank you! I'm always happy to read your comments.
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What a cruel irony: a creature capable of turning others to stone becomes the victim of his own reflection. Yet what stayed with me most was Phorkys’s determination to preserve the names of people long forgotten. That makes the final scene especially heartbreaking. Maeve reciting those names beside his petrified body is a beautiful, quiet act of defiance. The villagers may have destroyed their monster, but they’ve lost the only one who cared enough to remember.
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Thank you!
There's another layer to Phorkys's tragedy: his decision to live in darkness, hidden away from humanity, is perhaps his greatest act of love. Without light, and without meeting another person's eyes, he can spare them his unwanted curse. Even at the very end, he deliberately looks away from Thorne and Clout to protect them. And that final act of mercy brings his gaze to his own reflection. The curse he spent his life shielding others from becomes his own fate. The misunderstood monster is petrified forever, precisely because he refuses to turn anyone else to stone. Thank you very much for your thoughtfull read!
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I really like your take on this prompt! This story is sure to replace that Mona Lisa' painting!
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That's so sweet of you! Thank you for reading and taking the time to leave such a lovely comment. ❤️
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You're welcome❤️
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Fascinating story. So well told, it has made me want to dip back into Greek mythology. I enjoyed reading it. So much to think about here. To say the last, appearances are deceptive, yet humans make that mistake over and over again. Poor Phorkys — truly misunderstood. Is it possible to escape the past? And yet loyalty knows no bounds. What a poignant ending. Well done.
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Thank you, Helen! I love that Phorkys has tempted you back into Greek mythology! 😄 Your question about escaping the past is an interesting one. Phorkys cannot escape his curse, but he can choose what to do with it. And Maeve, in her own quiet way, refuses to let him become another forgotten name.
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Yes, there’s so much to think about here.
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This is the type of writing I hope to one day be able to do. I love the concept of telling the story of Medusa's father. So unique! Of course, the atmospheric feel and this multilayered narrative of horror and sadness just are stunning. Brilliant work!
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What a lovely compliment! Thank you so much. I'm especially happy you enjoyed the atmosphere, as it's quite a departure from my usual minimalist style. It took some time and effort, but no guts, no glory! 😄 You've put a big smile on my face!
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Wow, this story thrives in so many aspects, I had to read it twice to truly comprehend it. I love how you describe Phorkys. The misunderstood monster is truly embedded in him. But at the same time, there are other characters, which are way more questionable. Maeve was a truly lovely one and I enjoyed reading about these two.
Still, the best thing about this story is how well you set the atmosphere. I felt like I was there, on the brink of the cellar, reciting names of the book. Your descriptions were perfect and made exactly this possible. So we'll done
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Hi David! Your comment about the atmosphere is by far the most rewarding part for me. As a writer who usually leans towards minimalism, I had to make a conscious effort to focus more on worldbuilding and atmosphere this time. So you've put a big smile on my face! Thank you so much!
And could you give the story a like as well? I sometimes forget to do that myself when I'm so absorbed in writing a comment on someone else's story. 😄
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You are right. I forgot the like. But of course this story deserves one :) i find writing atmosphere difficult myself and probably this is the reason it was so striking for me
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Another wonderful story, Marjolein!
Phorkys is definitely a misnderstood Gorgon! I love your descriptions of the landmarks and the processes. I love that Phorkys is the one trying to preserve the memories of the people and that little Maeve sees his heart and true intentions and returns to continue his work.
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Thank you for reading! I'm glad you picked up on Phorkys's determination to preserve those forgotten lives. I rather like the irony that the creature everyone fears is the one who cares enough to remember them. And I couldn't leave poor Phorkys entirely alone in that cellar, so Maeve had to find her way back to him.
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Marjolein, this is lovely, as we've come to expect from you. Your "eye" for imagery is on full display again. Your similes are as spot-on as always.
Fear of what we don't understand, fear of the "other," fear of "different," is as old as the human species. You've captured it beautifully here.
At the risk of being either too obvious, or preachy, or both, we can absolutely see this fear every day, now amplified by mass/social media: "they" are the problem, "they" are the source of our ills, "they" must be avoided or, better yet, eliminated.
On a silly, personal note, I have to remember not to name one of my own ridiculous characters Phorkys: sadly, that's already taken.
Bravo, as always!
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This story is such a great rewrite of ancient mythology. It is a dark theme, but it also has such deep sadness woven through it. It is easy to picture your scenes because the writing is so outstanding. I hope this does well.
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