Little Boy

Drama Fiction Historical Fiction

This story contains sensitive content

Written in response to: "Set your story in/on a car, plane, or train." as part of Gone in a Flash.

Content note: This story depicts the aftermath of the atomic bombing of Hiroshima, including severe injuries and civilian casualties.

Hiroshima, Japan — August 6, 1945 — Late Morning

The girl’s shadow still wore a ribbon.

It was burned into the stone steps as if she had stepped out of herself and left the outline behind—head tilted, arm half-raised, frozen mid-greeting. Not a silhouette in charcoal. Not a stain. A shadow that had become permanent.

Aiko forced herself to look at it.

“Don’t,” Dr. Morita said, quiet enough to feel like a confession. “You’ll start giving her a name.”

Aiko did not answer. Names were already stacking behind her teeth like prayers she didn’t believe in anymore.

The city around them wasn’t a city. It was a paused sentence. Walls split open. Roof beams lay like broken ribs. A tram had folded into itself, the metal bowed as if it had briefly remembered it was once ore in the ground. The air tasted of dust and something sweet that made her stomach turn.

People moved without urgency now—not because they were calm, but because speed belonged to the world before the light.

Aiko tightened her grip on the canvas stretcher she had turned into a supply tray. Gauze. Boiled cloth. Strips torn from curtains. Anything that could be pressed against damage and pretend to help. She had once carried painted landscapes on stretchers like this, careful not to smudge the sky. Now she carried cloth meant for bodies she could barely bring herself to see.

A boy sat against a scorched wall nearby. His eyebrows were gone. His mouth was slightly open, as if the last thing he’d been about to say had been taken mid-syllable. He wasn’t crying. He wasn’t screaming. He looked… betrayed.

She crouched anyway.

“Drink,” she said, holding out her tin.

He did not lift his hands.

Behind him, on the wall, another shadow. Broader. A man in a cap. A line at the mouth that might have been a cigarette, or might have been nothing but the imagination trying to protect itself. Two figures preserved by light like insects in amber.

Aiko stood too fast, dizzy with rage at the physics of it. Rage at the idea that the universe could do this and remain mathematically correct.

“River,” Dr. Morita said. “The ones who can still walk.”

The ones who could still walk.

She followed him past bodies arranged in rows—not for dignity, but because the human brain still tried to create order when the universe refused it. A man lay with his face turned away as if embarrassed. A woman’s kimono was half gone. A child clutched a lunch box so tightly his fingers had left dents.

Aiko swallowed the urge to stop.

Stopping meant looking. Looking meant breaking.

Hiroshima, Japan — August 6, 1945 — Midday

The riverbank was crowded with bodies lowered into water in the hope that water still meant mercy. People slid into it slowly, as if stepping into memory. Some sat with their feet submerged, whispering the names of people who weren’t there. Some stood and stared at their own arms, watching skin loosen as though it belonged to someone else.

Aiko pressed cloth to a woman’s shoulder. Skin shifted under her fingers with a sickening softness.

The woman did not scream. She simply said, “My daughter was late for school.”

Aiko paused. “How old?”

“Twelve,” the woman whispered, and then, after a beat that was too long, she added, “She wore a ribbon.”

Aiko’s throat tightened like a fist closing.

“What time is it?” the woman asked.

Aiko did not answer.

She knew exactly what time it had been.

The woman’s eyes searched Aiko’s face with a terrible politeness. “Is she… did she—?”

Aiko looked away and lied with her whole body. “We’re looking,” she said. “We’re looking everywhere.”

The lie slid into the air like a blade.

Dr. Morita called her. “Aiko.”

She moved.

Hiroshima, Japan — August 6, 1945 — 08:15

The sky had been clean.

Aiko had been thinking about whether she had time to stop for tea before her shift. She had decided she did. She had even felt mildly pleased with herself for being practical about it. The kind of small, stupid self-satisfaction that belonged to people who believed the day would continue to be a day.

The siren earlier had been routine, almost bored. People had learned the difference between threat and habit. They had learned which alarms were real and which were only the city practicing fear.

Aiko was halfway across the street when the air changed.

There was no warning sound.

There was light.

Not brightness. Not sunlight. Not fire, even.

A white that erased edges.

For a fraction of a second she saw her own shadow leap forward on the pavement—perfect, sharp, intimate—as if her body had briefly been honest about what it was: an object in a universe of force.

Then everything became pressure.

The world folded.

Aiko remembered heat not as warmth but as a hand shoving her down. The street buckled. Glass did not shatter; it moved, like it was liquid and had decided to become wind.

She heard nothing for a moment, and in that moment she thought: So this is death. Quiet.

Then sound returned in pieces. A crack. A roar. The thin, distant crying of someone who couldn’t find their own voice.

When she woke, the sky was the wrong color.

Tinian Island, Mariana Islands — August 6, 1945 — Pre-Dawn

The heat before sunrise was thick and damp.

Paul stood beside the silver B-29 Superfortress and watched the crew move around it in practiced silence. He recognized the choreography of men who pretended routine could make a moral decision smaller.

The nose carried a painted girl, smiling, her name written in looping letters. Cheerfulness weaponized.

Paul hated the painting. He hated the idea that someone could give this machine a flirt and call it personality.

“You ready?” a voice asked.

Paul didn’t look over. “Define ready.”

A mechanic walked past and said, too softly to be official, “Little Boy,” as if naming it made it less monstrous, as if a joke could keep the mind from collapsing.

No one laughed.

They didn’t use the word bomb. They called it the package. They called it the device. They called it a solution.

Paul had seen it once, briefly. Cylindrical. Almost modest. It did not look like the end of anything. It looked like something that belonged in a warehouse.

A colonel approached with a clipboard.

“Target confirmed,” he said. “Primary. Weather clear.”

Paul’s mouth went dry. “Time?”

“0815,” the colonel replied, crisp, satisfied with precision.

Precision was the language of people who didn’t have to picture the ground.

A crewman—Charlie—lit a cigarette and immediately crushed it under his boot as if ashamed of needing anything.

“You believe it’ll end it?” Charlie asked quietly.

Paul stared at the horizon. “That’s the idea.”

Charlie studied him. “That’s not what I asked.”

Paul climbed the ladder without answering.

Inside the cockpit, metal and dials. No room for moral vocabulary. No room for imagining a ribbon on a girl’s hair.

As the engines started, Paul felt a strange, petty anger: This machine is louder than my conscience.

They took off just after dawn.

The island fell away beneath them like something innocent.

Los Alamos, New Mexico — Spring 1945

In a temporary barracks weeks earlier, Lennard sat on his bunk with a sheet of paper in his lap.

He did not know how to address it.

Dear Mother felt dishonest, because he was writing from a place where honesty was a liability.

He folded the page, unfolded it, folded it again. His hands were steady. That was the worst part.

A knock.

“Dr. Weiss?” The chaplain stepped inside without waiting, as if boundaries didn’t matter anymore.

Lennard leaned back. “If this is about salvation, I’m short on it.”

The chaplain’s expression was calm, almost tender, and that tenderness made Lennard’s skin crawl. Tenderness implied there was still a place for it.

“It’s about conscience,” the chaplain said.

Lennard let out a laugh that had no humor in it. “Conscience is a luxury. We are trying to end a war.”

“And you believe this will do that?” the chaplain asked.

Lennard’s eyes sharpened. “I believe fewer American boys will die.”

“And the others?” the chaplain asked, soft as a scalpel.

Lennard’s silence stretched. In the distance, someone coughed. Somewhere outside, a truck engine started. The world kept moving forward, indifferent to philosophy.

“We didn’t invent war,” Lennard said finally.

“No,” the chaplain replied. “But you are inventing something new.”

Lennard exhaled hard through his nose. “If we don’t build it, they will.”

“That sentence,” the chaplain said softly, “has excused more than it has prevented.”

Lennard looked away, jaw tight. “So what do you want? For me to quit? For me to refuse and make myself clean?”

“I want you to remember,” the chaplain said. “If you insist on building hell, don’t pretend you’re making heaven.”

Lennard swallowed. The words hit him not because they were clever, but because they were simple. It’s always the simple ones that win.

He never finished the letter.

He didn’t sleep.

Trinity Test Site, New Mexico — July 16, 1945 — 05:29

In the New Mexico desert, months before that, the first test had split the horizon open.

Lennard stood behind dark goggles while the blast bloomed upward into a rising column of dust and fire. The world turned into a demonstration. Men cheered as if the universe had just applauded them back.

Someone whispered, “My God.”

Another man laughed.

The general clapped Lennard on the shoulder. “History,” he said, grinning. “You did it.”

Lennard felt the heat reach him seconds later, late and intimate.

History, he thought, should not feel like a hand on your face.

He wanted to say: This is not victory. This is a door.

But the cheering was too loud, and he had already learned that doubt made you look ungrateful.

Over Hiroshima, Japan — August 6, 1945 — 08:15

Back over Japan, the sky was clear.

Paul watched the target appear beneath them—a delta of rivers, a bridge like a spine. He had seen it on maps. A tidy image. Now it was real, and the realness made his mouth taste metallic.

“No heavy cloud cover,” Charlie said.

“Steady,” Paul replied.

The bomb bay doors opened.

There is a moment when metal releases weight and the body feels lighter. Paul felt it in his bones, as if his own ribs had been unburdened. The plane climbed slightly, relieved.

He counted.

Forty-three seconds.

They banked hard to avoid the blast.

Paul did not look back at first, because looking back would mean admitting he had done something that required witnessing.

Charlie looked.

“Jesus—” Charlie said, and the word came out like a plea, not an exclamation.

White.

Even from miles away, the flash swallowed the horizon.

Paul felt the shockwave hit the plane like a fist.

For a second, everything in the cockpit went quiet—not because sound disappeared, but because the mind refused to register it.

“Impact confirmed,” someone said, too quickly, as if the sentence could be filed and forgotten.

Paul forced himself to turn.

A column was rising. Expanding. A shape that looked like an idea given form.

He did not see people. He saw geometry.

He told himself that was mercy.

On the ground, Aiko crawled toward a collapsed doorway.

A child lay beneath a beam. Alive. Eyes open.

She pulled until her shoulders screamed.

The child blinked slowly. “Is it over?” he asked.

Aiko nodded before she knew whether that was true. Sometimes the body lies to keep the soul from leaving.

Dr. Morita moved among the injured like a man walking through water. He didn’t bark orders. He didn’t offer comfort. He simply kept making decisions, one after another, as if deciding was the only thing separating him from madness.

“Aiko,” he said, and she looked up.

His face was gray with dust, but his eyes were lucid. Too lucid.

“I had a daughter,” he said suddenly, not looking at her.

Aiko froze.

“She left for school at eight,” he added.

Aiko’s breath caught in her throat like a swallowed cry.

“She wore a ribbon,” he said.

Aiko looked toward the stone steps without meaning to.

The shadow mid-wave.

The ribbon in stone.

Something in her chest tightened into anger so pure it felt clean.

The river filled.

Skin loosened.

People wandered with burns that didn’t look like burns at first, until they did.

Someone asked, “What weapon does this?” and no one had a word that felt big enough.

All they had were comparisons. Sun. Lightning. Judgment.

Back on the island, the plane landed hours later.

Men waited with cameras.

Paul climbed down slowly, legs heavy, as if gravity had increased.

“How was it?” a voice called, bright with hunger for a clean story.

Paul stared past them.

“Bright,” he said.

The word tasted wrong.

It tasted like Lennard’s future. Like headlines. Like necessity.

In the following days, newspapers would speak of decisive force. Of saving lives. Of ending suffering by accelerating it.

Lennard read those words and folded the paper in half.

He walked outside and stared at the ordinary sky.

Somewhere, he knew, shadows had hardened into permanence.

He imagined a girl mid-wave, fixed forever in the flash.

He closed his eyes and saw the desert bloom again, the horizon split open, men cheering.

Then he saw the river.

He didn’t know Aiko existed.

But he knew someone like her did.

Hiroshima, Japan — August 6, 1945 — Evening

Aiko returned to the stone steps at dusk.

The ribbon-shadow had not faded.

She crouched beside it. Her knees ached. Her throat burned. Her eyes felt too dry, as if crying would be wasteful.

“Who were you?” she whispered.

Behind her, Dr. Morita sat heavily, careful not to overlap the shadow, as if even that would be a violation.

“They will say it was necessary,” he said.

Aiko touched the edge of the shadow without crossing it. The stone was warm, stubbornly alive.

“Then let them remember her,” Aiko replied.

Dr. Morita’s breath hitched. “They will remember the light,” he said.

Aiko’s mouth twisted. “No,” she said. “They’ll remember the story they tell themselves about the light.”

She stood, lifting her canvas stretcher again, because people were still breathing and that mattered more than philosophy.

As she walked away, she didn’t look back.

But the shadow stayed.

Pinned to stone.

A greeting no one could return.

And somewhere, on an island far away, men would try to live inside the word necessary without choking on it.

They would fail.

Not loudly.

Not dramatically.

The light that had passed through the sky did not disappear.

It stayed.

In stone.

In skin.

In the men who released it.

And in the space between the word necessary and the word right.

Posted Mar 08, 2026
Share:

You must sign up or log in to submit a comment.

23 likes 45 comments

Rebecca Lewis
17:49 Mar 09, 2026

This is strong. The way you move between Hiroshima, the bomber crew, and the scientists works well. It shows the whole chain of the event - the people who made the weapon, the people who dropped it, and the people who suffered from it. That structure makes the story feel bigger without losing the emotional focus. The opening line is good.

“The girl’s shadow still wore a ribbon.”

That pulls the reader in. It’s simple, visual, and disturbing in the right way. And the line after it -

“You’ll start giving her a name.”

-that hits hard without being dramatic. It sets the tone well. Your descriptions are also one of the strongest parts of the piece. Lines like-

“The city around them wasn’t a city. It was a paused sentence.”

and

“People moved without urgency now - not because they were calm, but because speed belonged to the world before the light.”

Those are effective. They paint a clear picture without feeling like you’re trying too hard. The ending works well. I like that you didn’t try to give a clear moral answer. Ending on the tension between “necessary” and “right” fits the topic and feels honest. The piece is very compelling. The imagery is strong, the structure works, and the emotional tone is controlled without becoming melodramatic.

Reply

Marjolein Greebe
10:00 Mar 10, 2026

Thank you for such a careful reading. The shifting perspectives were meant to reveal the chain of decisions behind the event and the consequences that followed, so it’s meaningful to see that come through in your reading. And I appreciate you highlighting those lines — it means a lot that they stayed with you.

Reply

Rebecca Hurst
11:52 Mar 09, 2026

You have produced another remarkable story set in the ever present past. There is nothing I can say that others haven't, Marjolein, except to say that this is a really strong suit for you. The sentiments themselves are, of course, nothing new, but the prose, the imagery and the unique suitability to the prompt make this the stand out story of the week.

Reply

Marjolein Greebe
10:01 Mar 10, 2026

Thank you for the generous words. Writing about moments from the “ever-present past,” as you put it, always feels like a way of trying to look at familiar history from a slightly different human angle. I appreciate you taking the time to read and comment.

Reply

Jo Freitag
03:43 Mar 09, 2026

That was heartbreaking, beautifully written. I appreciated your contrast of the details such as the shadow of the girl with the ribbon with the massive scale of the destruction and your description of the way language was being used in an attempt to separate the actions from conscience and morality.

Reply

Marjolein Greebe
10:26 Mar 09, 2026

Thank you for such a thoughtful comment. I’m glad that contrast came through — the small human details against the immense scale of destruction. And the way language can sometimes create distance from conscience was very much on my mind while writing.

Reply

Hazel Swiger
17:39 Mar 08, 2026

Marjolein- this story was impeccable. Absolutely stunning. The way you wrote every character's voices- Dr. Morita, Akio, Lennard- they were all crafted beautifully. That ending was really strong, as well. It was very emotionally resonant, and some of the lines made me tear up a little bit. The small detail about her going to school at 8, wearing a ribbon- your attention to those things were very important and definitely paid off in the end. Wonderful job, Marjolein! You should be proud!

Reply

Marjolein Greebe
17:49 Mar 08, 2026

Thank you, Hazel. I’m especially glad the small details stayed with you — the ribbon was one of those images that carried the whole story for me.

Reply

Reedsy | Default — Editors with Marker | 2024-05

Bring your publishing dreams to life

The world's best editors, designers, and marketers are on Reedsy. Come meet them.