No rain or lightning had fallen that day, yet a storm of a different nature had already passed through the village.
Father Nicolai lit a beeswax candle, and the small flame pushed back the darkness. Broken faces of saints emerged from the dancing light. Glass crunched beneath his feet, each step echoing beneath the arched mosaic dome, before returning to him alone. His tears tasted bitter and ran hot like wax to his beard.
He lifted the golden censer, filled with burning charcoal and frankincense, and swung it gently, as priests do. Twelve small bells hung from its chains, ringing bright and joyful with each measured swing, while the incense climbed toward the dome, thinning into the darkness above.
Father Nicolai began to hum. Slowly his voice rose and the dome gave it back to him doubled, tripled—
“Have mercy, O Lord, in Thy great mercy…” His voice caught. He steadied himself.
“Forgive them, for they know not what they do. In Your great mercy, have mercy, O Lord.”
Icons lay shattered on the floor. The iconostasis had been torn apart, its holy images ripped from their places. Glass littered the nave. The cross lay snapped in half. Graffiti had already made its mark on walls that had been untouched for centuries.
Behind him, footsteps.
“You know it’s the truth…” Galina’s voice carried. “And yet you’re so convinced you understand it. You and your traditions…the opiate of the masses.”
She threw down a bale of hay, bound with twine. It landed where the altar rail had been.
“It’ll keep dry in here,” she said. A few of the guards chuckled.
Nicolai turned. For a moment, he saw her as that little girl he knew—the one who scraped her knees on these very steps, whose father had once beaten her, and whose sister she so greatly resembled.
The bells of the golden censer fell silent in his hand.
“Moscow is far, Nicolai… but God… He is even further,” Galina said. The guards with guns moved forward.
Nicolai flicked his wrist, and the censer bells sounded out brightly once again throughout the temple. He began to sing the same psalms.
For a moment, no one moved. Even the guards seemed momentarily unsure what to do.
Then boots crunched on the glass. Rifles, raised and leveled.
“You come to me with guns? What… am I leading a rebellion?” Father Nicolai asked, searching the eyes of each one.
“On your knees, donkey!” the guard yelled, driving the butt of his rifle into Nicolai’s stomach.
Father Nicolai fell to his knees at once and grimaced. The guard pressed the rifle to his temple.
“Well?”
Every eye turned to Galina.
“Bullet or Siberia?” the guard asked. His fist dug into the back of Nicolai’s hair. Silence filled the church.
Galina took a step back, unable to look at him.
**
Many years before, different bells rattled. In a little store sitting on a dusty square, laughter filled the room. The bell announced Lubov, dust and all. She was too timid even to open the door properly, searching for work—anything to help. Olya, the wife of the store owner, snarled at the sight of her. “She is a registered whore,” she said to her daughter in a pointed whisper meant to carry clearly to Lubov’s ears. “Has the yellow card to prove it.”
She was a slim girl of sixteen whose father was a violent drunk, and whose mother had recently passed away from tuberculosis. She had been the only one taking care of her three-year-old sister, barely managing a meal a day.
The bell of the old wooden door again rattled as Father Nicolai walked in. He walked over to a small stand, looking at a few vegetables that were beginning to sprout, flies circling. This was the section only those who had nothing looked at.
“Father, bless me,” Olya said, bowing her head.
“May God bless,” Father Nicolai replied, making the sign of the cross over her.
He smiled and asked, “Three loaves, three apples, and that daily catch… the one from the pond.”
Olya was delighted. “Trinity, yes, that—it’s the right number,” she said, pleased, her fingers adjusting her abacus.
“Something sweet also, Olya… what do you have?”
“These are nice—sugar-coated cookies… yes, quite nice. I will give you a few extra,” Olya said.
“Oh—and that sack of potatoes too. Yes, I feel I need that as well. Along with some onions. I think I am hungry.” Father said with a warm smile. Olya looked surprised, and the abacus slid to the exact price, its wooden beads clicking into place. His wife had passed away a few years ago—children grown and left the village. Olya wondered, silently, who he could possibly be feeding.
Lubov was standing at the edge of the store, seemingly forgotten. She tried to step out, except that the bell would announce her movement, so she stood frozen.
“Daughter, can you help me with this bag of potatoes?” he said, glancing over in her direction.
“Yes… Father,” Lubov said hesitantly.
The bell rattled as they exited the store. Olya shouted out, “Father Nicolai! You forgot your change.”
He turned. “Ah—yes, I am indeed getting older.” He chuckled to himself. “You keep it, maybe, give it to someone in need, mm, what do you say?”
Olya bowed slightly, and the door bell rattled their departure.
Lubov was confused, why did he ask me for help? She thought about the time when he had stood in front of a man being whipped. The magistrate, in a drunken rage, had this peasant’s shirt off and was beating him until his skin split wide, swinging in rage. Father stood in front of the man, our neighbor, and even took hits to the face.
That was one thing she recalled about him in the village.
“Where do you live?” Father asked.
Lubov hesitated, a little confused.
He understood her confusion, “I need to know where to drop this food off.”
She was taken aback. She had heard his kindness before, but hearing of it was not the same as receiving it.
“Would you be willing to work around the church?” Father Nicolai asked. “We need someone to regularly clean and do general upkeep around the building. I would pay weekly. Stay as often as you like, and bring your little sister. What’s her name?”
“Galina,” she said, and continued, “She is only three.”
“When your father is inflamed by drink, you and your sister are welcome to stay at our izba, beside the church,” Father Nicolai said, looking over at Lubov. “But first—do you find any of this acceptable? Take your time to decide.”
“Yes, it is more than good… How can I—” Lubov said.
“Do not thank me. God sees. And you’re safe. I’ll see to it you will no longer need that yellow card. I will make sure of it.”
Lubov’s eyes were glazed with tears.
***
Years had passed since that bell first rattled Lubov into the shop. It was also now the month before Father Nicolai would light a single candle in the desecrated sanctuary.
The insects still vibrated feverishly in the summer heat fog, the way they always had. Sunlight danced off the leaves above him. Birds called out at improper hours, as if morning had only just arrived—white nights, they called it, when the white bark of the birches seemed to glow under a light that never fully left the sky. It was three in the morning, and yet it looked like noon.
Father Nicolai had just blessed a birth and prayed for the family. He was deep in thought, humming to himself, as he typically did with psalms. The words rose and fell with his footsteps.
“Oi…. Oi ….. Oi.” He could hear not far from the path. There was a man, leg severed deeply, laying against a tree, fighting off the bugs that were trying to get to the blood—his face looked pale.
Father knelt down, looking at Galina’s dad in the eyes. Fyodor had left them not long after Lubov took the job. He came back, much aged, and now the most active member of the Komsomol.
“Ah, you… out of anyone who could have first seen me…” Fyodor said, in a way that was more embarrassed than angry. “If I were you… I would turn my back, Father. My death will give your kind a few more days,” he said, looking away from Nicolai’s eyes.
Nicolai always carried in his satchel basic care. “Son, I have no ill-will against you, it is all in His great mercy… I will bandage this up, otherwise you will bleed out. I would not want Galina to mourn you…” Nicolai said as his hands got to work.
“Do you even know what I wrote in those petitions?” Fyodor asked, almost angrily.
“Yes,” Nicolai said, glancing up, his hands red with the man’s blood.
Fyodor nodded and continued, “Nicolai… your registration is already abolished,” he said, searching Nicolai’s face for something. “You are committing treason every day.”
“Yes, yes… I am fully aware,” Nicolai said calmly. “I have been informed with two official letters.”
“I guess they do read my letters.” Fyodor smiled at the irony, looking weak from blood loss.
“Lubov…” Father Nicolai said, looking at him directly, “your daughter breathed her last a few years back. I sat right next to her. I prayed, and she prayed with tears for you,” Nicolai said as he finished bandaging the wound.
Father Nicolai then reached over, placing his arm around his shoulder, helping Fyodor stand, using his body as support.
“Oi!!” Fyodor yelped and swore.
“Hold here,” Nicolai said, placing Fyodor’s arm around his shoulder. “Let’s get you home.”
Fyodor grimaced as they neared his home. Upon opening the door, they saw Galina. She quickly made room on the bed for him to lie down. Once he was settled, he looked up at Father Nicolai.
“You know the storm that is coming?” Fyodor asked.
“Yes,” Father Nicolai said.
“I know the good you have done for my children, I can’t deny that.” Fyodor’s voice caught.
“Christ asks this of us,” Father said.
“You and your illusions… you stubborn goat!” Fyodor said, shaking his head. He leaned forward, face animated in something unclear. “They will not take you—on my word, Siberia will not be your future… All you have to do is recant these silly superstitions. Say it now to me.”
Father Nicolai smiled. “He has done me no wrong in all my sixty-three years. How, then, could I deny the One… my King who saved me?”
Fyodor shook his head. “You could carve a wooden stake on your own head, Nicolai. You hard-headed… kind fool!”
Father Nicolai turned to Galina—no longer the small girl who once sat on the church steps, but a young woman now, her eyes fixed on him, unflinching. Father Nicolai could feel her confusion. “I will let you rest. It’s good to see you, Galina.” He stood, moving toward the door.
“I’ve counted the winters, Father.” Her voice stopped him. “How many girls in this village never learned their letters. How many mothers buried children the landlord cared nothing for. I never doubted your sincerity. Charity fed one child at a time, while a hundred more went without. We are going to feed all of them!”
Nicolai said nothing for a long moment. “That is a good thing you have in your heart, and I know you will follow it. I hope that will be the truth. History will one day judge if they fulfill such promises,” he said, searching her face.
“You will see,” she said sharply. “The Party will help—not the God who let my mother die coughing blood into her hands.”
He nodded slowly, as though he had expected this answer and grieved it all the same. “I wept at her passing. Please, take care of one another,” he said, and stepped out into the pale light of the white night.
****
Weeks had passed since Father Nicolai was taken away. The storm had already found other villages. His church remained empty.
She had cleaned every room except his. Officials from the city were arriving in a few days, and she was preparing Father Nicolai’s home to serve as both their office and lodging.
Her mind felt elsewhere—the thud of his body hitting the ground. The rattle of the chains as they snapped around his wrists. Siberia. It was what she kept hearing in her mind. Her words had created that for him. Repeated again and again.
Having gone through most of his things, she recalled a floorboard she had once seen him lift. Kneeling, she pried it up and found a small locked box. She took an old chisel, set it against the brass padlock, and struck it with the head of an ax. On the third blow the staple snapped, and the lock clattered across the floor.
As soon as she opened it, she saw a portrait drawing of Nicolai and his wife. She had never met her, but had heard only good things from the village. She reached in and sifted further.
A yellow ticket. Why would Father Nicolai have something of this nature? What could it mean?
She turned it over, confused, and let her eyes move across it slowly. The name written there was her sister’s—Lubov’s full name, her birthday, her home address.
Galina sat down, thoughts raging. Her beautiful, selfless sister… what could have made her do such a thing?
The date of annulment was the same date Lubov had started working for Father Nicolai.
Galina sat there for a long moment as horror hit her, wave upon wave. Her sister had done this. Or had been forced into it.
Her hands rose to cover her mouth, struggling to gasp air. Her father had been a useless drunk at the time. That would mean—she did this for me. And Father Nicolai—he was the one who freed her from it.
The memory of that morning rose again, unbidden.
They had walked Father Nicolai through the entire village, stripped of his priestly attire, hands tied behind his back, a guard at each side. People came out to look. Most said nothing. A few yelled insults at the guards, and someone wrote down the names of those who reacted. Galina was glad his back was turned.
She set the yellow ticket down, carefully, unable to shake her feelings.
A single folded sheet of cream-colored paper sat in the middle of the box. She opened it. It was his handwriting:
In the event the Lord calls me from this life, I leave my earthly possessions as follows:
To Lubov, a daughter to me, I leave my potato field, the garden behind the izba, my cow, and all household goods necessary for her care. The home was my father’s. The church allowed me to keep it in his name. Upon my death, it will become hers.
Should she depart this life before me, or decline this inheritance, I leave these things to Galina…
My books of prayer and my liturgical vestments shall remain the property of the church.
May the Lord have mercy on us all.
Father Nicolai — signed and notarized.
Galina was stunned by this revelation. She looked at the little box, unable to steady her breathing. Her mind slipped back to the platform once again.
The train arrived somewhere behind her eyes. She could hear it. The guards handed documents to the conductor, transferring the prisoner. He was sentenced to ten years’ hard labor—Omsk.
At the platform, he had turned to face her. She had seen it in his watery eyes—not sorrow for himself, but for her. How could that be?
“Moscow is far,” one guard had said in a mocking tone, pulling Nicolai up by the collar, “but where you’re going is even further!” He laughed at his own joke, nudging the man beside him.
“Not even God’s heard of that place,” the other had said, pulling on the back of his long hair.
Galina had tried to look away but couldn’t. Her eyes had not left Nicolai since the moment they dragged him from the church, and they did not leave him now.
Father Nicolai had turned and found her face. Blood dripping from his lip.
“Galina… daughter… when the day comes you cannot carry your sorrow alone, remember this—truth does not cease to be true because we turn from it. Silence never means His absence for—”
The guard’s fist had come across his jaw before the word finished leaving him. He was dragged onto the train. She trembled and watched until the train was nothing more than a speck in the distance.
She set the will back in the box and sobbed. Closing the lid carefully, she sat there staring at the wall where his icons of the Gospel story once hung. Empty now, stripped bare.
She placed the box in her bag, stood, and looked out the window. Low gray clouds drifted beyond the onion domes. The new red flag fluttered above the church while the great wooden doors swung open and shut in the wind. She reached for Father Nicolai’s small cross and slipped it into her pocket.
“Do you see?” he used to say. “The father runs before the son ever says a word. God is always the first to run toward us.”
The storm had passed through the village, but not all it found there could be uprooted.
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I wrote a response to your story, but I don't see it. I hope you can see it.
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I am humbled by this story. It's beautiful and heartbreaking. I was absorbed. Every detail is the right detail. Every bit you share is exactly the right size. The sorrow is so full and so inescapable. How magical it must have felt for you to be able to live inside of these characters and breathe life for them. They are alive in these moments, despite the pain and the empty promises. They are all still alive even as their fate is sealed. Wonderful work, my friend.
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Thank you, friend! I'm truly humbled by your words, and I especially love what you said about the characters being alive even in their sorrow. Yes, it was an experience to write this story because it is very close to me in so many ways. I wanted to breathe life into these characters and allow readers to feel the complexities of these times, not just the history, but the human experiences within it.Thank you for such a thoughtful comment! It really is encouraging!
Thank you for such a thoughtful read and for taking the time to share your beautiful comment. It truly means a great deal.
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Your writing speaks to me. Consistently. It pulls me in and never disappoints me. How do you write like this? The characters are all so human. And the conflict is so complex, but it's also so fleshed out. The prejudice carved into society is represented, as well as our capacity to love. It gave me chills. Great work. Have a lovely day.
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I am so glad this story pulled you in and did not disappoint, but even more so that my writing speaks to you.I could have no higher compliment!! :)
The conflict was incredibly complex, and I hoped to capture some of that storm within the story. Thank you so much for taking the time to share your thoughts. I truly appreciate it. I hope you have a wonderful day as well!!
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I could imagine every single description. You have managed through your artistic words to blur the line between fiction and reality. The story is touching, and the human capacity to both love, sacrifice on one hand, as father Nicolai did, and the human ego on the other hand, that can stifle that love, all these depictions create a feeling of heartfelt bitterness. The storm is but the torment inside the human mind. Thank you for this beautiful piece of art.
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Wow, thank you for such a thoughtful and beautiful reflection!! Historically, these were much more complex times than we could ever imagine. You captured in your comments both the external storms and the internal turmoil in such a thoughtful and insightful way.
Thank you again for taking the time to read and share your reflections!!
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I enjoyed it! I will read more of your stories. You are such a talented and prolific writer.
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We had the chance to spend a couple of days touring St. Petersburg a few years ago, including the Church on the Spilled Blood. The vivid description of Father Nicolai in his benediction brought in back as real as could be. Through a storm, indeed.
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St. Petersburg is a very interesting place to visit, and glad you had that opportunity to go to the Church on Spilled Blood. I have been there myself, and share that memory. Thank you for reading the story and commenting!
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Your story excels at using physical objects and sensory details-"the censer and bells, the crunching of glass, light vs darkness, the yellow card (a ticket of shame). The philosophical clash ("Charity fed one child... We are going to feed all of them!"). Brilliant story. Thanks again for a great read.
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Thanks Alex!! I appreciate your taking the time to comment and read! Glad the physical and sensory details worked!
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Okay, you made me cry a little.
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Sorry :) But glad the story moved you all the same. Thanks for sharing and reading!
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The yellow ticket reveal hit like the Sonya Marmeladova moment in Crime and Punishment — the “fallen” woman turning out to be the one who was actually sacrificing herself in love, and the “shameful” document being evidence of grace rather than sin. Nicolai reads like a yurodivy too, the holy fool archetype Dostoevsky loved — refusing to defend himself, refusing to recant, singing while they drag him away. And Fyodor calling him a “stubborn goat” and “kind fool” almost seems to be naming that tradition outright. Beautifully controlled piece — the nonlinear structure earns its payoff instead of just being clever for its own sake. Thank you for sharing this, I really enjoyed this story.
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I appreciate your comment more than you can know. I am quite the fool for Dostoevsky’s work, and his influence on my writing is impossible to hide. Your observation about the nonlinear structure meant a great deal to me... I wrestled with how to shape this piece, and chose to layer it for emotional impact rather than dramatic suspense. Perhaps it could be argued the wrong choice. I’m glad you appreciated the structure.
You’re right about the Sonya Marmeladova parallel, though it was also a reality so sadly common at that time... one of the myriad reasons people were drawn to revolution. Galina embodied that rebellion against the old order. I’ve spent much of my life on this side of the world, walked through more than a hundred broken-down churches—remnants of that stor and listened to stories of priests who were arrested. Many of those memories now belong to voices long gone, but I hoped to carry their spirit into Nicolai. I wanted him to stand not only as a character, but as an archetype of those countless martyrs, drawn in the way Russian literature so loves to remember them.
As for the yurodivy... I have to be honest, I didn't set out to write him that way. But it doesn't surprise me that it came through; it feels like the kind of thing that surfaces naturally once you've spent enough time with this tradition, whether you're reaching for it consciously or not. I'm glad it read that way to you.
I hope my rambling made sense. :) Thank you again for such an incredibly insightful comment — it means more than I can say!! And if you have a chance to like the story, it helps it travel further.
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I really like Dostoevsky myself. I was at his grave in St. Petersburg in 1998. If you have time maybe you could read my knots and dead road stories here on reedsy. They are about the gulag and I wrote them from photos in a tattoo book called zone that I bought in Berlin in 1994. Your insight on pieces would help a lot since I am only working from photos and not lived experience. I look forward to reading all your pieces on here now. Thank you for sharing them!
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Thank you for sharing this, especially about visiting Dostoevsky’s grave and the history of St. Petersburg. That sounds awesome!! I’ll be sure to check out those stories, as I’ve long been interested in the gulag myself. I once visited Perm‑36 when it was still a museum, before it was closed, and that experience has stayed with me. Also, the further north you traveled you could find a lot of ghost-towns and at times abandoned prisons.
The prison tattoos have always fascinated me too, so it feels like we share a very specific interest. I’ve often thought about writing something on this subject as well, though I haven’t yet gotten around to it. I heard of that book and need to check it out!
Life in the village, back in the day, was shaped by the presence of prisons—one maximum security and three others surrounding us. If you needed welding, plumbing, or electrical work, you’d contact the prison, and prisoners would be hired to do the job. It was simply how things were done. I even contracted them once to build a playground set for a school, and during that season I visited the prisons a dozen or more times. Always wanted to make some fictional story about some of the characters I met.
And yes, I saw clearly the tattoo culture is absolutely real. I had men walk up to me, showing their tattoos and explaining the meanings behind them. Those encounters left a strong impression.
I’ll look into your work in knots and dead roaads!
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A heart rending story of how life can change. It felt as if the storm was always waiting to break out and when it did it was remorseless. Actions speak so much louder than words and the priest shows his love through his actions. There is a sense of awakening. Great dignity against the opposing force of violence. A story of great depth and meaning.
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Such tragic and complex times! The storms of revolution were remorseless in many ways. Thank you for such a thoughtful read and comment.
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You and your traditions…the opiate of the masses.
I love that line. It applies to so many situations relevent today.
I see the Father as a true Martyr. A Marytr strongfast in his true belief, shown through compassion and deeds, that prove his conviction is true. He lived by, and possibly died frozen by, the Golden Rule.
Yet, I agree with Galina's fisrt notion. That is why the line struck such a cord.
Devastation, destruction and painful personal loss can drive one to lose faith, and possibly never regain it.
I was happy to see that the Father's proven to Galinia in the form of his wishes and the yellow card, It might just draw her back into the fold.
Very good read my friend.
Thank you
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I’m glad that line "the opiate of the masses" jumped out to you. It was a loose paraphrase of Karl Marx’s Communist Manifesto, the paradigm of the Party toward religion. Once enforced, it led to many, like Father Nicolai, becoming martyrs.
I truly appreciate how you saw the Father as a living example of the Golden Rule through compassion and deeds. Your take on Galina’s struggle moved me as well. She joined the Party for reasons even the Father commended, her desire to help people was genuine, and he never doubted her heart. You’re right: faith shaken by pain is such a human reality. Yet despite the suffering, the yellow card, something remained after that storm.
Thank you my friend for such a thoughtful read and comment. If you get a chance, pressing ‘like’ on the story helps it travel further.
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Anytime. I truly like your work. You paint a vivid scene.
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Thanks!!
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This is a screenplay. How I would love to see this played out! Trapped in your readers' imaginations, we can only weep inside our troubled hearts.
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Wow!! Thank you so much for the encouraging comment!!
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The part that strikes me the most is when Galina is arguing with Father Nicolai that what he's doing is useless, since the Party is going to feed all of the children. Like many before and after her, her focus on the ideal and intangible blinds her to the good that is currently being done.
As always, great story.
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Thank you for such a perceptive comment, and for taking the time to read! Galina’s belief in the Party’s ideals really does keep her from seeing the good Father Nicolai is trying to do. So many promises were made during that era.. so alluring, and grand, that it became easy for people to overlook what was right in front of them. I’m grateful you picked up on that tension. Thank you again.. I truly appreciate your comment!!!
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I like this. It is vivid, high concept and the Eastern perspective is unique and interesting. I do feel the major action is at the beginning rather than the end, and there is quite a bit of passive voice, but, my friend, you definitely are on the right path. Maybe we watch him brutalized getting on the train, realize she had a hand in it and then her role in the events and the error. I might have put her decision right before the train pulls away to make the juxtaposition more poignant. But Well done.
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Thank you so much for this thoughtful feedback and for giving advice!! I'm glad the imagery and Eastern Orthodox perspective resonated with you, and I really appreciate your close reading of the story's shape.
You're right that the energy curve is unconventional... that was a deliberate choice, though I know it doesn't land the same way for every reader. I played around with the structure of this story quite a bit, had it all in one continuous confrontation at one point, but then broke it up for varous reasons.
Your instinct about moving her decision right before the train pulls away is genuinely a very interesting alternate structure! That would make the ending hit very differently and could be make it even stronger. Great suggestion!
I'm really glad it feels like it's on the right path to you regardless. Thank you, and I'm very grateful for your thoughtful read and suggestions! That's how I can improve!! :)
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Ari, your words mean more than I can say! Whenever I release a story “into the wild,” there’s always a touch of nervousness, especially with one as close to me as this. My hope was simply that anyone reading might carry away something of that time period, and your response makes me feel that hope was met :) I’m grateful for your kindness and for the Like. I see you have a new story, and I look forward to reading it !!!
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