Some kids call this a landfill but I call it home.
In my dreams, it’s mostly green: grass dancing beneath the mountains of the Tien-Shan, each blade brushed by a crisp breeze. Laughter crossed the fields, though I couldn’t remember why, or whose it was. Somewhere nearby, a pen and paper waited in the grass, untouched.
Then the wind shifted, and everything smelled wrong. The green faded into something burning underneath it, each blade disappearing into a brief flicker of smoke. I told myself it was nothing. The ground then turned sour with the smell of rotting things, till the air tasted of something not right. I clawed for the book, fingers just brushing the paper...
“Sherzod… Sherzod…”
I held tight to the dream, already slipping under her voice.
“Sherzod! It’s time to get up, we have much to do…” Her voice soft yet commanding in a motherly sort of way, dishes rattling in the sink as she scraped last night’s pot in a rhythm that revealed her mood.
“Alright, alright… I am up,” I said lazily, laying there longer than I should, coughing due to the haze in the air. I could hear the tarps on our tent battering against the wind as I felt her eyes burrow into me. I sat up, grabbed my notebook, and jotted whatever came to mind.
“Sherzod, there is no time for that penciling, we need you out there… Books are for school, not for fields.”
I said nothing in reply, which I know was the most effective form of irritation.
She gave me that look.
“Mom… it is the last day of school, and a half-day even at that. I will have all summer… Just let me go today?”
“Fine… today. But we need you out there…” she said in a way that told me she agreed.
I took the long way, like always, a wide, looping detour to hide where I come from. If I took the direct road, people would see the smoke rising behind me. Yet I know how vain that is. The stench is already in my chest, my hair, my clothes. I don’t want them to know, though I think they do.
Some kids grow up in homes of concrete, wood, or brick: lush backyards, air crisp in their lungs. That is not my story. That is not my future. The burning mountain had risen the way mountains do, slowly, without permission.
I once saw a picture of Mordor in a book and thought: this is it.
From its smoldering depths, smoke seeps upward like steam from a pot, as if the ground itself were boiling. Beneath it all, methane, so they call it, rises through the waste, thick enough to choke the sky. Black. It burns my lungs.
My dad left about a year ago to find work. We have not heard from him since, though my mother thinks he started another family, since he stopped sending money home. Now it’s just me and my mother. Most mornings, my mom fights back tears over breakfast, tending the tandoor. She makes good naan.
Peering out of our makeshift home, we can see the mountain clearly. It begins a few hundred meters away. It’s not stone but accumulation, an abundance of waste the earth could no longer digest. Its skin is torn plastic and broken containers, the dull shine of things once new, cast aside, risen to heights no one intended. Only countless black birds circled above it.
I headed for the highway, books pressed to my side. I dreaded the last day of school, not the classes, but the season that followed. Summer meant the fields. We searched for metals, building materials, anything of value.
“Sherzod!” A loud, familiar voice from behind. I kept walking, hoping he’d get bored. No luck.
He stepped in front of me, two others flanking him, laughing. “You’re a tandoori oven reeking of burnt trash. Now I know where you live, and what do you have to say for yourself?” This had happened before at school, but never so close to home.
Azamat placed a hand on my shoulder, looked me in the eyes, and said, “For all intensive purposes, you live in a dump, stupid, don’t act surprised.”
I could not help myself. “It’s… intents, not intensive,” I said, the words already out before I'd thought them through. Then I decided to dig in. “Intents and purposes. So what were you saying to me? I found it hard to understand.”
The look on his face was worth the beating I received.
I had worse. Nothing but a busted-up lip. The hardest thing was my notebook of poems and stories. They trampled it and tossed it into the road. I was able to retrieve it, but it had been run over a few times.
Last day of school. It still beats being in the fields.
****
Summer vacation simply meant the fields of waste. I grabbed my notebook, its cover stitched back together, and headed toward my cousin Ruslan's tent just beyond ours. I jotted a few lines anyway, stealing one last moment before the day claimed me.
“Ruslan, come on, let’s go!” I yelled.
He came out groggy and annoyed, pickax in hand, and tossed one over to me.
“It’s too hot…” Ruslan whined. “And do you know if it’s a plastic day or a metal one?”
“Metal,” I said. “Should burn our hands up really good. But the pay is better.”
The ground sank beneath our feet, a sludge of unknown substances mingled with earth. We waded through more than a kilometer of discarded things. The sun was ruthless. By lunch our throats were scorched with thirst, our eyes stung with smoke, our bodies slick with the grease of everything around us. In a torn plastic bag, half-buried, I found a book of short stories and poems, worn, but whole. I’d gathered a small collection of these over the years. I checked around before slipping it into the bag on my back.
The city had cut our water off days ago. No shade in sight. Mothers, fathers, uncles, cousins, grandparents, all of us out here “harvesting” whatever we could find. Thousands of us, spread across the landfill. I pulled out my notebook and started writing anyway.
Ruslan glanced over, annoyed. “What good thing could you be writing out here?”
“Nothing,” I said, closing it before he could see.
Later, walking back through the sludge, my vision blurred. I think I’d have gone down if Ruslan hadn’t caught me. Nearby, Sultan — a neighbor — saw the state I was in and pressed watermelon into my hands, water too. He never said much. It was part of why people listened when he did.
****
My notebook of stories filled up slowly as summer finally loosened its grip. I took the people around me, neighbors, cousins, strangers on the landfill, and placed them in a world that wasn’t burning. School had started again, and I was relieved to be anywhere but the fields. Ruslan and I were lying on the tushok, its fabric stained black from the coal that seeped out of the heater we’d built from scrap.
“Ruslan! Ruslan!” A little voice came running toward him. Nargiza tripped, stumbling to the ground, face red, eyes swollen with tears. “Papa. It’s Papa,” was all she could say between sobs that shook her whole body.
We both jumped up. I grabbed Nargiza and held her as the cold air slapped us in the face the moment we stepped outside.
Ruslan’s father, Timur, could be heard in the distance, drunk again. He spent the summer building a shack to replace their tent, but the bottle had stopped him from ever finishing it.
Inside, he stood holding a window, hammer in hand, swaying as he tried in vain to install it. A nail slipped from his fingers and disappeared into the snow already gathering on the floor. The wind tore through the half-built wall behind him. In the corner, Ruslan’s mother sat sobbing, her arms wrapped around herself.
“Papa, please…” Ruslan said with caution, knowing the capriciousness of his inflamed temperament.
“It goes like this, son… You place it here, on this edge, you see? Grab me that nail,” Timur demanded, his voice too loud for the small space.
“Here,” Ruslan said. “How about you instruct me… papa… and I secure it in?”
For a moment, Timur went still. I thought — we all thought — he might actually hand it over.
Then he looked at his son, waved his hand, and muttered, “Foo…you know nothing!” He growled.
He swayed, caught himself against the frame, and lifted the hammer again. The first strike missed the nail and found the glass instead. We could hear the glass shatter, pieces falling on the floor.
Still he hammered. Frame splintering, wood shrieking against wood, until the window was nailed in crooked, gaping, and glassless.
“Ungrateful,” he screamed, and walked out into the snow without his coat. Screaming at the world and everything around him.
No one went after him. He would be back in the morning.
Ruslan’s mother hadn’t moved from the corner the entire time. Now she finally did, crossing the room, to place blankets and clothes over it.
Neighbors started showing up from the commotion. No one asked what happened. They already knew. They helped us clean the glass from the floor, tarp off the hole where a window should have been. I watched the busy hands make that little shack whole again.
I laid my pen down, looking out at the shattered glass. I felt something deep, unsure of what I’d just witnessed. The haze painted the horizon, smoke blurring the line between decay and air, the same way I felt inside.
I sat there a while, listening to the wind batter the tarp above us. No one had gone after Timur, even though the room was full of people helping. Even his own family. I do not blame him. I’d rather not see him again, honestly.
I was outside before I decided to be.
The snow was coming down fast and visibility was very unclear. I decided to walk a little distance to just sooth my thoughts. There he was in the distance, passed out in the cold, on the frozen landfill floor, was Timur. “Ruslan!” I yelled, though I wasn’t sure yet that he could hear me, and it had already been about an hour and his hands looked like they were blackened from frostbite.
He was heavier than I expected, or I was weaker than I thought. Dragging him felt like dragging something already gone. I pulled him as far as a tent I didn’t recognize. I didn’t care who lived there. I only needed a door between him and the cold.
The pallet door collapsed as I fell inside with him. An old woman sat in the corner. One look was enough. She reached into a small tin and pulled out a slab of sheep fat, rubbing it into his hands.
“I can smell him, son,” she said. “Is he your father?”
“No. My cousin’s,” I said. “We need to get him to a hospital.”
She let out an involuntary chuckle, as if I’d said something foolish. “Ambulances don’t come to this part of the city. You know that. We’re off the grid.” She paused, studying his face. “Timur. Yes. I recognize him. Poor soul — he isn’t even registered here.”
The weight of it settled in her expression before it reached mine.
“The only clinic that takes the unregistered,” she said quietly, “they don’t heal. They amputate. Even when it isn’t needed.”
I felt sick. “Then what do we do?” I asked, my voice breaking.
“We keep him here,” she said. “We decide in the morning. He can stay here, and you can call me Nadia.”
I ran to get Ruslan.
****
Nargiza was only five. She stood outside her shack holding a plastic bag up to the wind, letting it billow like a kite. The rattling sound seemed to hold her — she just watched it sway and twist in the wind. Tear tracks still clung to her cheeks. She had no idea her father was fighting for his life only a few steps away. I didn’t have the heart to tell her.
I pulled Ruslan and his mother aside and whispered the situation. She gave a small nod, more blessing than permission, and we left to tend to him.
Timur lay on the floor, his eyes beginning to flutter open, his face twisting as pain tore through him. His body shuddered, small convulsions rippling beneath his skin.
“There are no good options,” Nadia said quietly. “Let’s see how he responds. Maybe he’ll get some color back in his hands. If not, we’ll need to find a car.”
We sat by her coal heater, listening to it crackle while Timur whispered to things we could not see.
I reached for my notebook, feeling as though the pencil in my hand carried the weight of the world. There was nowhere left to take him. So I wrote him somewhere else.
Bottles of broken dreams,
drunk till their veins turn green.
He walks the world upright,
breathing dust, his only birthright.
Trash of another man’s greed
has become his only mead.
He wanders on, hollowed out,
drawn tighter than a noose,
a soul the world cut loose.
Let your hands remember goodness.
Let them remember love.
And let there be a field for you yet.
I hadn’t even finished the last line when Nadia’s voice cut through the quiet. “He feels very hot,” she said. “We can’t keep him here.” The look on her face told us what we needed to do.
Ruslan and I grabbed our coats and ran the 3.5 kilometers to the nearest highway. Only a few cars passed at that hour. We waved down every set of headlights we saw. After a long while, an old black Zhiguli rattled to a stop, the whole frame shaking like it might fall apart before it ever came to rest.
“We have money, sir,” Ruslan said, breathless. “We just need you to come with us.”
We explained the situation, the urgency, and he studied us for a long moment. “Keep the money,” he said. “Just show me where to go and I will take you. You have all suffered enough.”
At the clinic, it took hours to finish the paperwork and pay what they called a fee. They amputated both his hands. He stayed there a few days, then took the bus home alone.
He didn’t speak on the walk back from the bus stop. I saw it on his face, the way he kept looking down at his arms. A man who built things with his hands had just understood there would be no more building.
****
In the days that followed, life felt heavy. Outside, I could hear Nargiza and her friend giggling as they swung a broken mop‑head against a mattress. She had been so worried, cried every time she saw her papa. I don’t know what made me ask, but the words came anyway. “Would you like to hear a story?”
Nargiza’s eyes lit up, hungry for any distraction at all. “Yes — you have one?”
Dozens, actually. I’d been hiding them for months: pages and pages, written when no one was watching. I already knew which one she’d love.
We walked to the outdoor kitchen. So I began: a girl and her horse, riding the lush green steppes with wind in her hair, who outran every wild beast that crossed her path. Villages knew she was near before they ever saw her — by the thunder of hooves, by the dust her tireless stallion kicked into the sky. A legend, she was. And her name, can you guess?
“Nargiza,” I whispered.
The next day, Nargiza brought two cousins. The day after, three more came, sitting cross-legged on the dusty ground before I’d even arrived. Each one wanted a turn inside a story of their own, and I gave it to them: a name slipped into a sentence, Aigul who tamed the wind, Ibek who conquered the dragon. By the end of the week I couldn’t fit them all inside — they spilled past the tarp, some standing just to hear over the others’ heads. I had no idea how it had started.
My mother even laid two new notebooks by my mattress. She'd started coming, when she could.
One day Sultan came by, smiling. He looked at the children spilling past the tarp, then at me, and nodded once, like he’d settled something in his own mind.
“You should do this properly,” he said. “Not just whenever you happen to come by. There’s an abandoned house not far from here. Make it into something.”
I felt the stories that lived inside me finally given the breath of life.
"Yes," I said, and for the first time, I let myself believe it.
Timur came one evening, weeks later. He didn’t speak. He sat near the back, sleeves hanging loose over where his hands used to be. Nargiza didn’t notice him at first, too busy waiting for the part where the older girl caught a golden eagle. When she did, she walked over and laid her head on his shoulder. Timur could only smile.
He came back the next week, and the one after that. He couldn’t hammer anymore, or hold a nail, but he could carry books in a sack slung over his shoulder, and he did, gathering whatever the landfill hadn’t burned, hauling them to the house Sultan gave us. We turned it into something like a library. Every evening, just after the light went, our kids traveled to places they’d never heard of — laughter, giggling, a whole lot of fidgeting — while the mountain and the ground burned on, same as always, black smoke still curling up to the heavens.
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** This story is fiction, though it draws loosely on the people and circumstances I encountered while building friendships and working on community development projects within a landfill community. It’s offered in the hope of honoring lives too often overlooked.
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Thank you for sharing this story. It feels so real, these kids have seen and experienced so much despite their young age. I love the idea that stories provided some sort of relief for them.
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Children in these communities truly have lived through more than most people can imagine at their age. I could share so many other moments, but the word count barely let me squeeze this one in. Yet even in all that harshness, they still found ways to laugh, play, and find joy. Thanks for reading and for your comment!
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The 'burning mountain' leaves a profound impression; it is an atmospheric and powerful symbol of decay that feels terrifyingly real. After all, there are so many children across India and developing countries who live exactly like this, giving the impression that this is a story about all those little heroes whom no one is there to see. The boy with his pencil and notebook is a symbol of all wounded empaths who, through the heart of their pen, pour out their pain and hope for a better tomorrow.
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Thank you so much for this incredibly thoughtful reflection. When I was helping out at the landfill, I saw people “saving” discarded books, giving them a second life. Those small acts stayed with me, and they shaped the library moment in the story. I’m grateful the atmosphere and symbolism resonated with you, and that Sherzod’s pencil and notebook felt like something larger than his circumstances!! They are little heroes! Your reflection means a great deal.
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I felt like I was reading an excerpt from a novel. The atmosphere is beautiful and vibrant. I took a seat among the group of cousins and was mesmerized by your storytelling. Keep up the good work.
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Wow, thank you!! I really appreciate your warm comments. I’m so glad the story pulled you in and that you felt like one of the cousins, mesmerized and sitting right there in the circle :) I can’t think of a higher compliment than that.
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A fine story and the way with which the author built up curiosity by the childrens' condition and actions. Their miserable situation and how they remained together, helping each other to overcome problems.
Sherzod's notebook, mentioned at the beginning, and how its importance developed through the story, is a clever way of holding everything together.
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Thank you so much for taking the time to read and share your reflections. I truly appreciate the way you highlighted the children’s bond and how they supported one another, it’s encouraging to hear that came through for you. Your insight about Sherzod’s notebook being the heart of the story is spot‑on; it was the hopeful thread running through everything. Thank you for the encouragement.
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This story is a sensory buffet! You did an incredible job with all the imagery and sensations in this piece. I felt, heard, smelled, tasted, everything. Everything was vivid and beautifully done.
I love the transformation of Timur and the mother. I especially love the makeshift library and story hour. It’s heartbreaking and hopeful all at once.
The interaction with the bully was nicely done. It flowed well into the next scene with another bully and showcased your MCs heart so well.
I love that this is in honor of those communities. What a beautiful way to bring light to something so overlooked. You did a great job. I loved reading this.
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Thank you so much for this very warm feedback! I’m so glad the imagery worked and that you felt engaged. I love how you highlighted Timur’s and the mother’s transformation, the makeshift library, and the story hour as both heartbreaking and hopeful. I had been a little worried the bully interaction might feel too stereotypical, so it’s encouraging to hear it flowed well. My hope was that this piece would honor the lives of these overlooked communities.Thank you again for the encouragement!
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I think you did an incredible job of honoring them!
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Thank you!! Oh, and if you get a chance, can you like the stories, help them travel further :)
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The truth can only touch people through story. You have touched me deeply. Sally Ryhanen
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Thank you, Sally! The smoke of that burning mountain still lingers in my heart every day, and I’m grateful this story truly spoke to you.
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This is quite epic, heartbreaking but hopeful and a bittersweet ending,the kids can escape into fantasy worlds but the real world is always right there waiting.
Really dont understand why this didn't win or at least get short listed. I struggle to understand the criteria sometimes!
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Thank you! Your comment is very encouraging. Exactly as you said: the kids could escape into fantasy worlds for a while, but reality was always waiting just outside. That was the literary dagger I hoped to place, and you caught it. It mirrors my own experience... every time I walked away from the landfill, I carried a tension in my heart that was equal parts hope and hopelessness.
As for your words about the contest, I’ve wondered the same myself. It’s hard to understand the criteria, but hearing that you felt this piece could have won or at least been shortlisted is greatly encouraging. Honestly, I think I could post dozens more and never get close, so I truly appreciate your very meaningful feedback. :)
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Tha burning mountain of trash - what a grim world to live in. And all the people - you breathed life into them, made me care about their suffering, their future. A very moving story about a storyteller growing up there, sharing his amazing stories for all who listened!
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Thank you so much!! Really appreciate your thoughtful read and insight into the story :)
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It is a wonderfully touching story! I especially enjoyed the villagers' solidarity in the face of such despair, and the reminder of how words can heal both spirit and mind.
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Thanks! Really glad the story reached you and for taking the time to read.
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This was such a beautifully written and deeply moving story! The contrast between the harsh reality of the landfill and the hope he creates through storytelling was incredibly powerful. I especially loved how the ending showed that even in the bleakest places, stories can build something meaningful. A heartbreaking yet uplifting read!
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Thank you so much!! I’m truly happy you felt the story was uplifting. I wanted hope to shine brighter than the harsh reality, without ever erasing the weight of their hardships. That balance mattered deeply to me. Thank you again for taking the time to share your reflections!!
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Love how you drew on a real life experience! Gives it that depth of reality, and yet the stories our main character tells gives it a nice fairytale touch, too. Love the ending. I think Timur found some peace.
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Thank you! That blend you mentioned, the real‑world and the fairytale, is exactly what I hoped would come through. I think Timur found a measure of peace too, or at least the beginning of it.
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This is an extremely powerful story. The imagery, the way you describe the scents and physical sensations, I felt as though I were right there with Sherzod. Thank you for this! I know I’ll be thinking about it for some time.
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Thank you so much! I’m really glad Sherzod’s world felt real to you. His world has been living inside me for a long time.. I just finally decided to put a little of it on “paper.” If you get a moment, giving the story a like, it helps it travel farther. I appreciate you reading it :). Look forward to your next story!
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It was my first time reading one of your stories. Your writing is enjoyable and descriptive. It resonates with me because I lived in Africa for most of my life and witnessed how rubbish became treasure for many people.
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Thank you so much for sharing this! I’m glad the story resonated, especially given your own time in Africa and seeing similar realities firsthand. Most of my life was in the former Soviet Union, and this particular landfill was in Central Asia. I’ve seen communities like this on several continents, where discarded things become treasure in the right hands. That resourcefulness , the ability to create meaning, usefulness, even shelter out of what the world throws away has always stayed with me. Thank you again for your thoughtful read and comment.
And if you have a moment to give the story a like, it helps it travel a little farther. :).
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Wow. The opening and final images
are particularly rich and haunting.
Surreal and hopeful at the beginning,
"...grass dancing beneath the mountains...",
and then the end, "while the mountain
and the ground burned on, same as always,
black smoke still curling up to the heavens.",
like a prayer of thanks for survival in
the bleakest of circumstances.
So powerful, very well-done. 🫶
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Thank you so much for the thoughtful read and comment, I really appreciate it. Those burning mountains still live in my mind with a kind of painful vividness, and I’m grateful that atmosphere came through for you. It means a lot that the story resonated in that way.
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This brought me to tears—the books full of stories rising like a phoenix from the ashes of such terrible suffering. I couldn’t take my eyes away from the page (screen) for an instant.
So gut wrenching yet so beautiful! Thank you for this incredible journey!
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I’m grateful this story moved you in that way. Hearing that it kept your eyes on the page the whole way through means a great deal :) Thank you again for such a thoughtful read and comment!
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As always a brilliant and poignant tale told through the people. Great full characters, people that come off of the page and suck you into the story.
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Thank you so much!! Really appreciate you reading and your feedback.
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I felt as if I lived there and walked the smoky garbage mountain, as if I had traded my carefree childhood summer for a nightmare. Yet hope and compassion shine despite tragedy and a destitute reality. Great story!!
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Thank you so much for this very thoughtful reflection!! I’m glad the atmosphere felt immersive enough that you could almost walk those smoky slopes yourself; that was exactly my hope. That hardship can be a nightmare yet hope is what I also wanted to capture: a place where childhood is stolen by circumstance, yet compassion and imagination still manage to shine through. Truly grateful you took the time to read and share your thoughts. And if you’re able to give the story a like, it helps it travel a little farther. :).
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This is such a moving and beautifully human story. Wonderful job!
I loved how you showed imagination, dignity, community, and hope in a place marked by hardship and poverty. Turning that abandoned house into something like a library, really struck me.
In a funny and meaningful coincidence, I had just been working on a community library project for my day job moments before reading this piece, so that part especially resonated with me. Really thoughtful work.
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Thank you for such kind feedback, I really appreciate it, and it’s incredibly encouraging. When I was helping out at the landfill, I noticed a few people would “save” books they found, giving them a second life. That small act stayed with me, so the library moment in the story was especially meaningful to write. It makes me smile that it connected with you too, a what a coincidence! That is very meaningful work and I wish you the very best in that.
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Your story is real craft from the first line, "Some kids call this landfill, but I call it home." The powerful images carry throughout. In the midst of off-the-grid and unregistered poverty, and a fight-for-life tragedy, there is a hope with a notebook and a purpose for a poem. A poem! Sherzod finding his voice. Timur was unable to build, but carried books was one of the most tender moments and one of hope I'd read in a long time. Nargiza immediately saw herself as the hero in a story. Even the minor characters had their place in your world-building, the man who shared watermelon and said little, so was noticed when he spoke. The woman in the tent who helped. The mother whose neighbors did, too. There were so many images that carried the entire weight of what you built from that first line to the end. Great job!
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Thank you so much for such a thoughtful read and comment!!! I hoped the story would show how even in the harshest, most forgotten places, people still carry tenderness, imagination, and that spark of genius you see in Sherzod. I’m grateful the world‑building resonated.. I was drawing from my time serving in these contexts, so much of it came naturally. At times I can still smell the burnt rubber in my mind’s eye. Truly appreciate you taking the time to share your thoughts; it’s deeply encouraging. It really is. And if you have a moment, giving the story a like helps it travel a little farther. 🙂
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This story was written with so much heart and tenderness, even in the middle of such harsh circumstances. The characters and their connections felt real. I really love how Sherzod's stories became a light for everyone around him. This was touching, and so very well told :) Wonderful work!
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Thank you so much!! I really appreciate your encouraging words. I’m glad the story came across with heart and tenderness despite the harsh reality surrounding it. And I’m especially happy that Sherzod’s stories felt like a light in the middle of everything
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Wow. This was an outstanding piece to read. Thank you for writing this and sharing it with the community. I had an easy time reading the flow of your narrative and the characters were easy to imagine and keep track of. I also admire how you set up the situation without having to bluntly explain it. Again, smooth narrative. Well done!
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Thank you for your very encouraging words!! I’m really glad the narrative flowed easily for you and that the characters felt real. That’s a huge encouragement for me. I wanted the world to feel real and lived‑in without being overly heavy-handed about it. Thanks again for reading.
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