The Last Thing That Still Works

Adventure Fiction Suspense

Written in response to: "Center your story around the last person who still knows how something is done." as part of Ancient Futures with Erin Young.

My hand is no longer a hand.

It is bone and blood and something that won’t obey me.

Daisy didn’t run.

She bolted, threw me hard enough that the sky disappeared, and I waited for the second impact—the one that finishes you. But she stayed. Trembling. Breathing as if the world had ended again.

And then her hoof came down.

Nine hundred pounds.

There is a sound a body makes when it stops being whole. I heard it before I felt it.

Now the pain pulses behind my eyes, turning the skyline into shadows that move when I don’t. My fingers are wrong. Bent where they shouldn’t be, split open enough that I can see what’s left of them trying to exist.

The dirt drank the blood as it spilled.

I cradle what’s left of my hand to my chest like proximity to my heart might convince it to stay mine. It doesn’t. It throbs. Swells. It forgets me.

They say there’s a woman who can still set a bone.

I don’t know if she’s real.

We used to say a lot of things before the fires, before people started disappearing in ways that didn’t leave bodies behind. Most of those stories died with the people who told them.

But hers didn’t.

If she isn’t real, I won’t keep this hand. If I don’t keep this hand, I won’t keep much else.

So I walk.

Each step grinds gravel into the soles of my feet, a rhythm that keeps me upright when the rest of me wants to fold. The horizon flickers, smoke or mountains, I can’t tell anymore, and the pain in my skull fills in whatever the world fails to provide.

I pass what used to be a building. Its center is blown open so completely that I can see the mountains through its ribs. People died there. Enough that no one bothers counting anymore. The ones who didn’t die slowly, learning how to keep each other alive with nothing.

With less than nothing.

Desperation makes things negotiable.

I press my ruined hand tighter against my chest and keep moving. The makeshift bandage shifts as I walk, and I can feel what’s inside it moving in ways it shouldn’t.

Somewhere ahead of me, real or imagined, is the last person who knows how to put a body back together.

I just have to reach her before mine decides it’s done trying.

Doctors are stories now. Not the kind you believe. The kind you repeat because no one remembers anything else.

But her story remained.

Not because she saved everyone.

Because she didn’t.

They say she can touch a break and know if it will heal wrong before the body even tries.

They say she doesn’t waste time on ones that won’t.

They say if she helps you, you don’t come back the same.

I don’t know which part is true.

I don’t need all of it to be.

I don’t know where I’m going. Only that staying means losing my hand.

Losing my hand means losing anything that comes after it.

I keep walking.

Barefoot, because I can’t tie anything. Because I can’t hold reins. Because everything that once made survival manageable now requires two hands.

The ground shifts beneath me, gravel giving way to patches of grass, and for a moment, the pain in my feet softens. Relief comes in pieces now. Small enough that you don’t trust it when it happens.

The sky hangs low and colorless. The kind of sky that never promises anything.

I’ve told her story before. Around fires, when the night stretched too long, and people needed something to believe in more than they needed it to be true.

A woman somewhere past the smoke.

A woman who remembers how bodies go back together.

Not like before.

But enough.

I never needed to believe it.

Not until now.

My fingers twitch against my chest, a movement that feels more like memory than control. The pain sharpens, then dulls, then disappears just long enough to make me wonder if that’s worse.

I don’t look at it again.

Looking doesn’t change anything.

Ahead of me, the land stretches out in uneven lines, broken structures, and open space stitched together into something that used to be a world.

Somewhere inside it is a woman who may not exist.

But she is the only thing I have left to walk toward.

And I am not done trying.

I reach the top of a grassy hill and see it.

A cabin.

Not a story. Not smoke. Not something my mind made to keep me moving.

Real.

My legs almost give out before I make it down the hill.

The door opens before I can knock.

She’s older than I expected. Not mythical. Not glowing. Just a woman who looks like she’s been asked to do too much for too long.

Her eyes don’t stay on my face. They drop immediately to gaze upon my hand.

She wrinkles her nose. Not in disgust. In recognition.

I lift it toward her anyway, my voice breaking. “Can you fix it?”

She doesn’t answer.

She takes my hand.

The pain detonates up my arm, sharp and absolute, and I fold around it, a sound leaving me that I don’t recognize as mine.

She doesn’t let go.

She unwraps the cloth slowly.

The air hits it.

I wish it hadn’t.

Bone. Splintered. Pushed through skin like something trying to escape.

She exhales.

A small shake of her head.

Not no. Assessment. “Inside,” she says.

I follow.

Everything in the cabin is simple. Wood. Tools. Nothing wasted.

She points to a bench. I sit.

She looks at my hand again, longer this time. Then—“I can set it.”

Relief hits too fast. Too sharp. Then—“It won’t come back.”

I shake my head. “I don’t need it to be the same.”

She looks at me then. Really looks. “That’s not what I said.”

My fingers twitch. Or try to. “You’ll keep it,” she says. “But you won’t use it the way you remember.”

That’s still something. That’s still, she reaches behind her and grabs a strip of wood and cloth. “Watch,” she says.

I blink. “What?”

Her grip tightens.

“Watch,” she repeats. “Or next time, you lose more than the hand.”

The pain comes before I can answer.

She pulls.

The world disappears.

A sound tears out of me, something animal, something that doesn’t belong to language. My body folds, fights, tries to pull away, but she holds me there, steady, unrelenting.

“Look at it,” she says.

“I can’t—”

“You will. Or you won’t survive this world.”

She forces my gaze down.

Bone shifts. Aligns. Or tries to.

I gag.

“Again,” she says.

“No—”

She pulls.

White explodes behind my eyes.

“Again,” she says, quieter now. Not cruel. Certain.

My vision blurs.

“Feel it,” she says. “Feel where it goes wrong. That’s how you know where to put it back.”

I don’t want this.

I don’t want to know this.

But my body is already learning.

Every movement. Every correction. Every wrong place that becomes right.

She binds it when she’s done. Tight. Precise.

I’m shaking. Not from pain.

From something else.

Something is settling into me.

“You came here to be fixed,” she says.

I nod.

“That’s not how this works anymore.”

She wipes her hands.

“There aren’t many of us left,” she says.

My chest tightens.

“What happens when you’re gone?”

She looks at me.

Then at my hand.

Then back at me.

“You tell me.”

And for the first time since the fall,

I don’t look away.

Posted May 08, 2026
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11 likes 5 comments

MV Brennan
14:28 May 09, 2026

Great job capturing the prompt in the piece of writing. Needing to find someone who k own how to set a broken bone what a good idea and then having the character realize that, comIng to know this knowledge will then fall to her. Good story.

Reply

Krystal Renee
16:18 May 09, 2026

Thank you so much!

Reply

Marjolein Greebe
11:07 May 13, 2026

The physicality of the pain in this story really lands. Some images were genuinely visceral without becoming excessive, and the healer sequence carried real tension.

The fragmented rhythm, repetition, and post-collapse atmosphere feel very rooted in a style that has become somehow recognizable. But the idea that survival depends on passing knowledge forward — not simply being saved — gave the story a stronger emotional core than atmosphere alone.

Overall, it was a joy to read. I'll keep an eye on your upcoming stories :=-)

PS: If do have 5 minutes, I'm curious about your thoughts on my story titled DIFFUSE.

Reply

M. E. Walker
17:32 May 11, 2026

Excellent descriptive and sensory detail. I'd like to know more about how she finds the doctor, how she decided where to search, even why the doctor is in that location. Well done.

Reply

Andrew Putnick
15:46 May 10, 2026

Great writing, you definitely capture the idea and you present it by presenting the emotion not the exposition.

Reply

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