Vera had been cataloging the death of things for eleven years.
She never used that word in her reports. She wrote things like photosynthetic decline, premature senescence, biosphere instability, or vegetation regime shift—language that kept the data at a distance, language her colleagues and her funding committee in Novosibirsk required. But in the field, alone in the Siberian taiga with her instruments and her notebooks, she allowed herself the accurate word.
Death.
Her babushka had called this forest Lesovik’s country. The spirit of the taiga.
Don’t wander past the second creek, Verochka. He’ll turn you around until you forget which way is home.
Vera had been seven years old and completely certain her grandmother was right. She had spent thirty years replacing that certainty with empirical data.
Yet this October, it all felt wrong.
She arrived at a research station outside Verkhoyansk—overnight train, four hours by truck along crude, barely navigable trails—already running through seasonal baselines in her head. Then she trudged on foot to the threshold of the forest with her pack and equipment. The dark coniferous canopy stretched endlessly northward. The pine resin and that deep familiar earthiness greeted her before she stepped beneath it. Her pace slowed.
For a moment she was simply—small, and home.
She remembered the fragrant aroma of bagulnik blooms in the shaded hollows beneath the spruces—those low, sprawling stems she had first learned by smell, at nine. They were gone now. A year ago she had written it down and recorded the loss.
Then she looked up and saw the birches.
Not the color—birches in October were already surrendering their yellow, already going skeletal and bare. That was expected. What was unusual was the particular quality of their white. The bark had always been luminous, the reason old Siberian stories called them the bones of the earth. But this was different. This white had lost something—like dead skin withering on bone.
The deviation resisted classification.
She photographed them. Noted the date, the light conditions, the temperature.
She wrote in her notebook: Bark coloration—anomalous pallor. Possible fungal involvement. Investigate.
She knelt to the earth, watching.
The animals were wrong too. Not absent—just behaving outside their normal instinctual patterns. The Siberian jay, which should have been making its southern migration, flew in tight formations between the canopy and forest floor. The boreal owl’s hooting echoed through the trees—one hollow call, then another answering. There was agitation, as if a threat lingered nearby.
Vera exhaled.
She wrote: Unusual behavioral clustering in fauna. Note for follow-up.
She set up her instruments at the first monitoring station. The soil probes went in easily—the ground not yet frozen at depth, which was itself an anomaly for this date. She ran her standard measurement of volatile organic compounds—the chemical language trees use to communicate stress, which she could read the way a doctor reads a fever chart.
The VOC readings came back elevated. She glanced at the soil probe display.
“7.8 degrees Celsius,” she said aloud. “A few degrees off.”
And the air smelled different.
She stood very still. Closed her eyes and breathed through her nose the way her dedushka Vadim had taught her—don’t sniff, Verachka, just receive. Let the forest tell you what it knows.
She had been perhaps nine years old the first time he brought her here. She remembered thinking the taiga was not a place but a presence—something breathing, watching, full of pathos. Not a closed system of predictable causes but something open, alive at its very center in a way that had nothing to do with biology. Vadim had never discouraged that feeling.
She remembered his hands—bark-rough, warmer than the chilled air, smelling of woodsmoke—folding around hers.
Science will give you the how, milaya. But the forest will give you the why. Now the why was pressing through the soil beneath her boots.
She smelled the cold air.
Juniper.
Pine.
The green depth of the taiga.
Mineral soil.
A full, layered harmony of scent.
And beneath it, something else.
Faint. Threaded through the mist.
Like melted snow. Dead leaf. And then—nothing she could name. Something moved at the edge of hearing. Not wind. Not animal.
Her instruments hadn’t measured it.
She wrote: Something is off. Can’t locate it in the data.
Then, smaller: The forest feels awake—yet sick.
She stared at the words for a long moment before closing the notebook, unsure whether to cross them out.
She was tired, she told herself. Eleven years of watching ecosystems fail could make anyone start hearing things.
She made camp as the light failed. The birches stood around her in the dark—very white, very still.
The tent, set a short distance away, offered only a thin barrier, and she felt exposed. All night there were sounds—cracks, shifts, movements she could not place.
She woke intermittently through the night, drifting back to the days in her babushka’s village. In a half-dream, she felt it again—the koromyslo across her own small shoulders, the buckets too heavy, her grandmother’s hands steadying the yoke without taking it from her. Two buckets hanging level, her body the hinge between them. “You take only what you can carry back,” her babushka had said. “The rest belongs to the ground.”
*****
In the morning, she set out early for the soil probe sites, unwilling to leave anything to chance.
Overnight alerts blinked on her satellite relay—monitoring stations in the Yukon and northern Finland reporting anomalous thermal readings. She marked them for later. The taiga was enough.
11.4 degrees Celsius.
The mycorrhizal network must be sick. Something moving through it that had no name in the literature.
At the next site, it rose again.
13.5 degrees Celsius.
"Has to be a malfunction," she said. "Or local contamination." She wrote it down as a possibility. She recalibrated as she moved. Condensation in housing seals, sensor drift—routine failure modes. Her hands followed procedure without thought. Her jaw ached. She had been clenching it for an hour without noticing.
The values held.
Across kilometers, across independent instruments.
14.5 degrees Celsius.
She stopped trying to disprove it. She had wanted it to be equipment failure.
Geothermal activity—absent.
Methane combustion—inconsistent with air readings.
Atmospheric inversion—unsupported.
Equipment failure—statistically impossible across systems.
She wrote:
Coordinated thermal and mycorrhizal response detected across sampling network. No identifiable external trigger.
*****
The creek widened into a thermokarst slump, its edges collapsing where permafrost had given way. A birch leaned into the void, roots exposed above the water.
A movement in the branches made her pause.
In the crook of its branches, a vole had nested—woven grasses tucked into split bark. Tree-nesting was rare at this latitude, rarer still this close to open water.
She opened her notebook: A displacement, then. Something below has made the ground unreliable.
She verified her equipment. The compass needle held north. The GPS signal was strong, the coordinates resolving cleanly.
She turned away from the creek and walked north—back toward the second monitoring station.
The ground felt ordinary beneath her boots—frozen moss, the occasional crack of ice-skinned puddles. She kept her eyes on the compass. North.
The creek sound faded behind her. She trudged forward.
Then—too soon—water again. Ahead.
She slowed without deciding to. The creek curved, she told herself. Waterways curved.
She walked on.
And then the light—falling through a specific gap in the canopy in a way she recognized. She had stood in that light before. Recently.
The cracked birch leaned over the creek. The vole sat unmoved in the crook of the branch, watching her with small dark eyes as if it had been expecting her return.
The data was not inconsistent.
The outcome was.
She checked the compass. North.
She checked the GPS. Coordinates consistent. Correct.
There was no next step in the protocol.
Exhausted from explanations, she stopped. Her grandmother's voice surfaced without warning: He will turn you around until you forget which way is home.
Her dedushka had once told her that the taiga asks only one thing of you: that you stop pretending you are separate from it. She had spent her career arguing, implicitly, that she was. She was suddenly very tired of the argument.
She knelt and placed her palm flat against the moss, fingers spread into the softness. The surface was cold in the way of things that never fully warm—compacted, waterlogged, the chill of seasons layered one upon another pressing up from below.
Then it moved. Not toward her. Through her.
The system knew it was dying.
Not as data.
Not as projection.
As fact.
She felt her training reach for language and find nothing. The instruments behind her continued their hourly task. She was aware of both worlds simultaneously... and then only one.
And beneath that: why.
Human presence did not register as hatred. It registered as pattern. Another ring within the system. Extraction without return.
The understanding was not accusatory. It was precise.
Resource pathways shifted.
Carbon allocation changed.
Growth paused everywhere at once.
This was not collapse.
It was labor.
Travail.
It had known this was coming the way roots know drought—not as warning but as signal, arriving through chemistry rather than thought.
She did not see images. She felt relationships.
Roots trading sugars in the dark.
Fungi relaying signals older than any alphabet Vera had ever learned.
Leaves dimming themselves so others could drink the light.
Trees adjusting chemistry for winters yet to come.
A great exchange, rising into fever.
And beneath it all, a patience so long it had outlasted every name humans had given it.
Heat passed through her arm, spread through her chest and thighs—burning beyond comfort, beyond name, until it stopped being heat at all. The horror came then—not fear, not panic. Vast. Ancient.
Moving through her like a current that had been building for centuries. The grief came without boundary—she could not locate whether it began in her chest or rose from the ground beneath her knees, whether it was hers at all or simply what the system felt, moving through the nearest available conductor.
The forest did not need permission or belief. It would act according to its own logic, which included her only incidentally.
The forest went silent.
She waited.
Nothing declared itself.
Something occupied the space before her. Don't wander past the second creek, Verochka.
Not fully a body. Not absence.
The smell came first—wet earth and cold sap—then potent decay: the deep, necessary rot from which forests are born.
Eyes old as frost-dark soil passed through her awareness. Hair of needle and twig. A beard tangled with root and lichen. Ruin where leaves should be—dead limbs hanging in place of green. The air around him held heat without flame, the deep warmth of matter changing beneath the soil.
She knew him.
Not as a thought, not as a belief—as recognition. The way a memory lives in the body before the mind can place it. The same pattern mirrored in the trees, in the ground beneath her boots.
Lesovik did not look at her with anger. He looked at her the way the forest looks at everything: with patience. The patience pressed inward, past surface and habit, until her certainty of being separate began to loosen.
She was carbon. She was nitrogen. A temporary arrangement of elements that had belonged to this ground before her birth and would return to it after. He had watched her grandmother. He would watch whatever came after Vera.
Time moved differently in that gaze—the way it moves in geology, in ice cores, in the rings of trees too old to count.
She felt seven years old again, holding Vadim’s hand, sensing the life of the taiga without needing to name it.
Her training surfaced instinctively, classifying what her body already knew.
Not vengeance.
Nourishment.
Matter returning to system.
Then release.
The pressure lifted. Sound returned in fragments: the soft chirr of instruments going about their work, the rasp of her own breath.
She was on the ground—gasping.
She looked at her right hand. The palm that had touched the moss was bruised—bluish-purple, spreading across the lines of her hand as if tattooed by the roots themselves. The bruise pulsed once, like a signal passing through soil. She had spent thirty years learning to read signals. She understood this one. Whatever had touched her would not be unlearned. The mark of Lesovik lay within her, indifferent to who she had been.
The notebook lay open beside her. She did not remember opening it. She did not remember the pen in her hand.
She had written:
System-wide response observed without local cause.
Lower on the page was another word. Cramped in the margin. Crossed out once. Written again.
Lesovik—He has come.
She did not cross it out.
She circled it along with this: A biosphere that had begun to decide.
Before she rose, she reached into her pack and took out what remained of her morning bread. She set it at the edge of the moss where her hand had been. She did not think about why. She knew it was correct—something returned.
Her babushka had warned her once, long ago.
“If we ever break the agreement,” her grandmother had said, hands deep in bread dough, steam rising from tea as snow bent the trees outside, “the forest will answer.”
Vera had smiled. She was learning systems. Causes. Effects.
Her grandmother had sighed. “You will be trained not to believe. Your science will not allow it. But mark my words—it will not come as a thought. It will not argue. It will not explain.”
She had looked up then, eyes steady.
“It will burn you with a feeling.”
You must sign up or log in to submit a comment.
Your writing got me longing for a forest walk in the morning, out of my comfort zone that I call home, barricaded by iron ore walls of every house in Australia, into and under the dome of Eucalyptus trees. What a beautifully curated flow of sentences! I am inspired by you. Thanks and greetings from NSW, Aus
Reply
Thank you for the glowing and wonderful review of the story. It means a lot. I’d hoped the piece might spark a little “forest hunger,” so hearing that it stirred something in you genuinely made me smile.
It saddens me too how many places around the world are leveling their woods in the name of progress. All the more reason to cherish the pockets of wildness we still have. I hope you get that morning walk under the eucalyptus canopy…there’s nothing quite like that scent and that light.
Thanks again for sharing this with me. It truly brightened my day.
Reply
This was wonderfully written and so, so immersive. I felt like I was there in the forest with all of the sights, sounds, smells and feelings. Vera is a very interesting character. I loved your use of the prompt and the way that you tied the myth to science. A super fun read!
Reply
Thank you, I really appreciate that—especially the immersion comment. That was exactly what I was hoping to achieve. I’ve walked these forests and wanted the reader to feel as though they were inside them. I also appreciate that you noticed the myth/science integration. I didn’t want them to contradict each other—just her science not accounting for one missing equation.
Reply
Spooky and a lot of fun. Russian X-files lol. Everything feels lived in which is hard to do in a short time and essential to convey the tone it seems like you were going for.
Reply
I really appreciate this! “Russian X-files” made me laugh, but I think you nailed the tone I was aiming for. I was trying to make the world feel like it existed before the story started, so I’m glad that came through. Thanks for taking the time to ready my story!
Reply
No problem. I would definitely think about using this character for something more, I’m not telling you anything new by saying how many great spooky and relatively unknown mythologies there are in the Russo/Serb history. You could do for that area what the Witcher did for Poland.
Reply
Great story! Beautifully written.
Reply
Thanks!!
Reply
I felt like I stepped in the forest with you. Great job.
Reply
That was my hope. Thanks!!
Reply
Their is so much about nature that is better understood through myth than science. The time scale and structure of flora is incomprehensible to us fauna. we examine the detail on a single tree, and miss that we are surrounded by a forest.
Thanks!
Thanks!
Reply
Thank you for your great observations—I really appreciate your engagement with the story!! I hope the story encourages a way of seeing nature as something relational rather than extractive.
Reply
This was such a compelling and atmospheric piece. The way the story slowly builds from small, almost unnoticeable changes in the forest to something much larger and more unsettling was really well done. It created this constant sense that something was off, even before it was fully understood. I especially loved how you blended science with folklore—isn’t that where so many great stories live? Vera’s scientific mindset contrasted beautifully with the presence of Lesovik as this ancient system, and the moment where those two worlds overlap felt both eerie and inevitable. And dare I say, beautiful?
The imagery throughout was also striking—both the details of the scientific tools and the descriptions of the birches and the forest itself really stayed with me. Overall, a really immersive and thought-provoking story. Nicely done!
Reply
Thank you so much for the wonderful feedback. Wow—truly!! I feel really encouraged. I hoped the story would feel like a slow drift into something eerie and bigger than Vera could quite pin down, so it means a lot to hear the atmosphere and pacing worked for you. I wanted the taiga to be something you feel more than observe, and I’d worried the quieter build might come off too slow. I really love that space where science and folklore brush up against each other, so it means a lot that it stood out to you. That overlap is exactly where I wanted the story to live—Vera holding onto her training while something older and harder to quantify presses in. Hearing that the moment those two worlds meet felt eerie and inevitable (and even beautiful!) is incredibly encouraging!! Thanks!
Reply
Hello The Old Izbushka
I loved the way you literally followed the prompt to the letter.
I also like how you vividly described the thing about the taiga forest posing Vera to ask whether something is true or simple logic.
And don't get me started on the mythology. I adore mythology. And fun fact this is the first time I ma learning about this so I am really glad that I read this from you. I really appreciate this, thank you
Reply
Thank you for this! I’m so glad the prompt, the taiga details, and the mythology all landed for you. I’m very familiar with these forests, so describing them came naturally. It’s wonderful to hear this was your first encounter with this folklore. That was actually my hope—to open a window into a lesser‑known part of Slavic mythology. It makes me very happy to introduce you to Lesovnik (Leshy).
Reply
Slavic and Norse Mythology tend to be very broad at times but I'm glad I knew this small details that you have shared, Thank you for that.
Reply
This story was intense, exciting and wonderful. I really enjoyed it a lot. Thanks for reading one or some of mine and liking one of them. I have never gotten much traction going on Reedsy, and so I don't "hang out" on here very much anymore. But I plan to come back again before long and read some more of your work. Very nice.
Reply
Thanks so much for the encouragement! I’d love to see what you create next. Really appreciate the support.
Reply
Hi T.O.B,
Great story!
There’s something unsettling in how calmly this unfolds—the science stays intact while everything underneath it starts slipping. That tension works.
The Lesovik section doesn’t try to convince, it just is, and that makes it hit in a different way.
And that line—“A biosphere that had begun to decide.”
That one sticks.
Looking forward to your next story.
---MG
Reply
So glad this one worked for you!
The calm was a deliberate choice and honestly, a difficult one. I kept asking myself whether I was being too restrained, whether something louder and more visceral would serve the story better. Whether it would make people stop reading too early. But every time I went there in my head, it felt wrong. A violent or dramatic encounter would have made Lesovik a threat, and that's not what he is. In the original Slavic folklore he isn't a monster—he's the forest itself, indifferent and ancient. I wanted to honor that. The unsettling part is precisely that he isn't angry. Human presence registers to the forest as just another pattern—another ring within the system. That indifference is harder to sit with than rage.
That line—a biosphere that had begun to decide—was originally my ending note, but I pulled it back into the body of the story. Glad it still landed.
Thank you for reading so carefully. Matters more than you know. —— T.O.B.
Reply
I really love how you blended scientific observation with myth and folklore. This blend makes Vera’s struggle between logic and intuition both believable and moving. You handled the prompt beautifully.
I also enjoyed the story's tension, mystery, and atmosphere, and how you described the Siberian taiga with vivid sensory imagery, not just what Vera sees but what she smells, hears, and feels.
Excellent work as always!
Reply
Thank you so much! I am honored to be considered among your favorites here.
The sensory layering was actually the easiest part for me....I have walked these forests. The smells and the feeling of them live in my body, not just my memory. There's something about scent that bypasses the rational entirely, which felt right for a story about what we know before we can prove it.
The blend of science and myth was the heart of the challenge—and honestly the hardest part for me. I deleted my first draft entirely because the story had no soul. I had gone too rational, and the myth felt decorative rather than true. Glad the blend of science, myth and folklore comes through.
Your encouragement always means more than you know.
Reply
You're welcome. It's amazing. You did it well.
Reply