119 Best Creative Writing Exercises for Authors in 2026

Close your eyes and write down four adjectives at random. Now write down three nouns. Now write down two verbs. Now write down one adverb. Now open your eyes. Your challenge is to write a 500-word short story based off of these ten words.

When writing emotion, it's easy to become stuck on how to express what the point-of-view character is experiencing. An exercise to try is to pull from your own memory if you feel comfortable doing so. Sit back in your chair, take a few calming breaths, and think back to a time where you experienced this same emotion. Carefully draw up the memory, thinking about the situation, the location, the people involved. Remember the sights, sounds, smells, textures, tastes.Now, pay attention to your body. Are you relaxed, or tense? Are your muscles tight? Is it easy to breathe, or do you feel restricted? Is your posture curling up, an attempt to hide, or are you twitchy all over and want to leap out of the chair? Make as many notes as you can, and when you go to write, use what you collected to give life to the character's experience.

Write about the hero of your story going on the most mundane errand you can think of. Rely solely on the character to make the story interesting.

"It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains." So began Seth Grahame-Smith's book, Pride and Prejudice and Zombies, which (you guessed it) re-imagined Jane Austen's Pride and Prejudice in a world with zombies. Sometimes one big twist is all it takes to get you thinking about a story in a different way. How would the introduction of zombies shake things up in your world? How would it affect the relationships between your characters? How would it change priorities? Which parts of your world would stay the same, and which parts would be different? Detail this in a short story of 1,000-2,000 words.

If you have 5 minutes, prep for your outlining by making a list of lists. This could include:

• 5 possible endings for your book
• 5 twists
• 5 possible subplots
• 5 ways the subplots could tie into the main plot
• 5 ways the character could grow
• 5 surprising things that we could learn about a character
• 5 ways to add some unexpected elements to the book (humor, suspense, sadness, fear)
• 5 ways to describe the main setting/another setting

A stranger walks into the general store and buys a hammer, a hatchet, some rope, and an apple. What does he do with them?

"There is a charm about the forbidden that makes it unspeakably desirable" _ Mark Twain. Your character is doing something someone else has forbidden. Someone else discovers. Will there be a confrontation? Or will the discoverer be so uncomfortable that (s)he will ignore or throw hints instead? This is a great scene to practice tension between two characters as well as the internal thoughts of one of the characters.

The next time you're about to write a long passage of dialogue, show it from the perspective of a stranger watching your characters from afar. The stranger cannot hear what is being said; he can only observe their behaviors, appearances, and actions. You'd be surprised how much you can deduce about two people from just their body language.

Your protagonist's name is called. They approach the stool, where an old and tattered hat lies. They put on the hat. They will next hear one of four words called out: Ravenclaw, Gryffindor, Slytherin, or Hufflepuff. Which one is it? Write down the reasons detailing why.

Write a scene where your character is speaking to a complete stranger. Immediately after, write a scene where your character is speaking to a loved one. Notice how their behavior changes.