119 Best Creative Writing Exercises for Authors in 2026

As a visual reference, select a box that has dimensions under 12X12 inches. Tape the box closed. Set the box in front of you. Write a story or poem based on what is inside the box.

It's impossible not to put some of yourself and your own life into your writing. But when you're writing about characters who you don't share much in common with, it can be tricky to authentically capture their "voice" and point of view. To develop this skill, fill out this character profile and base it on yourself. Then fill out a second one and make it as different from your own as possible.

Dialogue isn't exclusive: characters may say the same things, but mean something entirely different in the context of the scene. Pick one of the below famous lines from literature and film. Then start a scene by having a character say it. Develop the scene that follows in 500-600 words and see where it takes your characters.

• "Frankly, my dear, I don't give a damn.
• "I'm gonna make him an offer he can't refuse."
• "Made it, Ma! Top of the world!"
• "You're gonna need a bigger boat."
• "Oh, don't let's ask for the moon. We have the stars."

We've all read about the grey autumn day, the crisp spring morning, the dewey summer evening. Flex your descriptive muscles by spending some time writing about your surroundings. Look for new, interesting, evocative ways to explain the world around you. For instance, instead of writing, "a breeze blew in through the open window, try, "papers fluttered in the gust that swept in through the window, throwing dust into the air like confetti."

I recommend starting this exercise with a travel magazine packed with lots of interesting photos. Select an image that appeals to you. Now, write a short scene from the viewpoint of a character who has just arrived at this location and is seeing it for the first time. Describe the setting through the character's eyes, paying particular attention to the mood that this image evokes in you. Evoke this mood in your readers through the reactions of the character - look for sensory images!Now, write a second scene, with the same or a different character - and evoke just the OPPOSITE mood. If your castle seemed tranquil and romantic, set a scene in which the mood is menacing or sorrowful. If the image of that tropical beach made you feel relaxed and happy, create a scene in which, instead, it is causing your character to feel angry or anxious. Again, look for sensory details and impressions that will convince your reader and evoke that same mood through your words - regardless of what mood the picture alone might have evoked!

Keep asking your characters why. Here's an example:

• Why are you grumpy? I have a hangover.
• Why do you have a hangover? My friend was in a bad accident and I thought he might die?
• Why did you think he might die? His girlfriend lied to me about how serious the accident was.
• Why did she lie about that? She's jealous of our relationship.
• Why? I think she's insecure and has trust issues.

Do you see how much that question will dig into a character?

Make a list of the things that make you feel guilty about your writing. (For example: "I haven't written in 10 days even though I could have made the time.") Call yourself out. Then, go through each point and write a goal or accomplishment to challenge that guilt. (For example: "I have already written more than I did last month", or "I will set aside 30 minutes to write today.")

How do you start a story - or get a story back on track? If you're feeling lost or blocked, try templating to get your plot on course.Here's what to do: bullet point your initiating incident, your rising action, your crisis, and your resolution for both your main plot and subplots. Make a table to see events running parallel, remembering subplots exist to enhance, complicate _ ultimately, compliment _ your main action. Listing like this highlights any irrelevancies, keeping your tale on track, and makes all you write intertwined and significant to your protagonist's journey. Plan out using this framework as your reference.

You are talking to a blind man who asks you to describe the color of the sky. Write down what you would tell this man without once using the word "blue" in your explanation.

If you're feeling stuck or intimidated about how to start writing, take five minutes before you jump into your writing project to pen a love letter (or hate letter) to the blank page in front of you. It's surprising where words - any words - will lead you once you put them down.