119 Best Creative Writing Exercises for Authors in 2026

It is commonly known that a telephone directory might be the most boring text in the entire world. Here is your challenge: write a page of a telephone directory and figure out SOME way to make it interesting.

Select a scene that involves 2-3 characters. Write a paragraph from the point of one character. Now write the same interaction from another character's point of view. For example: your paragraph could involve the point of view of a convenience store clerk contrasted with a customer's point of view of the same incident.

Our subconscious minds combine items in unexpected, sometimes whimsical ways. Set a timer for twenty minutes and use at least three of these words in your draft. Write without stopping: a red scarf, windshield wiper, chrome, doily, blowtorch, spatula, CD-ROM, postage stamp, frittering, static cling, radio silence, kismet, calamity, heartburn, bandage.

Your protagonist's name is called. They approach the stool, where an old and tattered hat lies. They put on the hat. They will next hear one of four words called out: Ravenclaw, Gryffindor, Slytherin, or Hufflepuff. Which one is it? Write down the reasons detailing why.

Transplant your character into an entirely new location. It could be a new country, city, or continent. How do they react to the new surroundings?

In a "Choose Your Adventure" book, you are forced to make a decision at each and every plot point. The decisions you make will take you down diverging paths and dictate your eventual fate. Try this if you're stuck on a plot development detail in your story. Sketch out the two different paths that a character can experience from one plot point, depending on what action he or she chooses to take.

Who are the three most unlikely people your protagonist would have dinner with? Why? Write the scene.

Are you finding it difficult to get to know your fictional characters and/or differentiate them from yourself? Try this: Choose a character from your project and let her/him take a walk into a place you know well. Then describe this place from this character's perspective and ask yourself:

1. What does (or doesn't) s/he notice?
2. How does s/he feel about what she notices?What thoughts do the things s/he notices trigger in her/him? This can be memories, social critique, enjoyment or disgust etc.
3. How do your character's impressions of, and responses to, the place differ from yours?

Think of writer's block as a symptom, not a condition that can't be remedied. When we're stuck and can't get to our creative work, there's usually a reason - and therefore a way to move forward.If you're experiencing a block and can't seem to work on your novel, try the following:

1. Close your eyes, take a few deep breaths. Connect.
2. How do you feel?
3. Nervous because you're coming up on a tough scene?
4. Starting to wonder why you embarked on this project?
5. Bored with sticking to your thorough outline and not wanting to admit it?

Feel what you're feeling without attaching or rationalizing or arguing. Now, refocus on your breath. Imagine gentle snow or waves. When you're calm inside, grab a notebook and pen (computers can amplify pressure instead of opening room for free scribbling) and write without stopping for three minutes, starting with the prompt, "I'm not blocked becauseÄ" After that, go for another three minutes, using, "The path back to my writing looks likeÄ" Let yourself go. Let your hand tell you whatever you need to hear.

Write a short story of whatever topic you'd like, but make sure that somewhere in there, you include this line: "I can't believe that you stabbed me with a knitting needle."