119 Best Creative Writing Exercises for Authors in 2026

Dialogue isn't exclusive: characters may say the same things, but mean something entirely different in the context of the scene. Pick one of the below famous lines from literature and film. Then start a scene by having a character say it. Develop the scene that follows in 500-600 words and see where it takes your characters.

• "Frankly, my dear, I don't give a damn.
• "I'm gonna make him an offer he can't refuse."
• "Made it, Ma! Top of the world!"
• "You're gonna need a bigger boat."
• "Oh, don't let's ask for the moon. We have the stars."

A few well-chosen words can create a strong sense of place which adds a rich dimension to your story. It draws your reader right in, as if they were in the room with your characters.Choose one of the following places and describe it using ALL of your five senses (touch, taste, sight, smell, hearing). In fiction, you won't usually use all five, but limbering up your storytelling this way will help you show rather than tell the story:

1. A market in the South of France
2. A teenage bedroom
3. A pub
4. A hairdresser's salon
5. The souk in Marrakesh
6. A stately home
7. A garden

"It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains." So began Seth Grahame-Smith's book, Pride and Prejudice and Zombies, which (you guessed it) re-imagined Jane Austen's Pride and Prejudice in a world with zombies. Sometimes one big twist is all it takes to get you thinking about a story in a different way. How would the introduction of zombies shake things up in your world? How would it affect the relationships between your characters? How would it change priorities? Which parts of your world would stay the same, and which parts would be different? Detail this in a short story of 1,000-2,000 words.

Moments of crises force characters to act without thinking, revealing things that might not have been previously obvious. Now imagine that there has been a blazing fire in your protagonist's house. What are the three things that your protagonist would unthinkingly grab as he or she breaks for the door? In 500-1,000 words, put this scene and its aftermath down on paper.

Set a timer and start free-writing from one of your character's perspectives. Try to really get inside their head - what do they want, what ticks them off, what do they feel passionate about? Are they writing in a diary, telling a story to a friend, or dictating a formal letter?

Make a list of the things that make you feel guilty about your writing. (For example: "I haven't written in 10 days even though I could have made the time.") Call yourself out. Then, go through each point and write a goal or accomplishment to challenge that guilt. (For example: "I have already written more than I did last month", or "I will set aside 30 minutes to write today.")

"Patience is something you admire in the driver behind, but not in one ahead" _ Bill McGlashen. Your protagonist is one or the other. Pick one, and roll with it. Go!

Here is your challenge: for the next week, collect fun names. I've collected them for years in a little notebook - from obituaries, news stories, random lists, and spam. Spam is great for funny names.Then go through your notebook, choose a name, and write a short character sketch based off that name. It's amazing how the names make the characters come to life and start moving the story in fun directions you never expected.

Your protagonist has been asked to showcase a little-known, unusual talent at a community fair's talent contest. Begin on stage and show not only the performer but also the crowd's reaction to this talent unveiling.

Select a scene that involves 2-3 characters. Write a paragraph from the point of one character. Now write the same interaction from another character's point of view. For example: your paragraph could involve the point of view of a convenience store clerk contrasted with a customer's point of view of the same incident.