119 Best Creative Writing Exercises for Authors in 2026

Come up with three thought provoking questions. Such as:

1. Who is Sara?
2. Why is she running down the street?
3. What is she holding?

Or:

1. Who is knocking at the door?
2. Do you know them?
3. What do they want?

Without stopping to think or check on your spelling, answer these questions as fast as you can, with whatever comes to mind.

Your protagonist meets your villain for the first time - on a blind date. What happens?

Dialogue isn't exclusive: characters may say the same things, but mean something entirely different in the context of the scene. Pick one of the below famous lines from literature and film. Then start a scene by having a character say it. Develop the scene that follows in 500-600 words and see where it takes your characters.

• "Frankly, my dear, I don't give a damn.
• "I'm gonna make him an offer he can't refuse."
• "Made it, Ma! Top of the world!"
• "You're gonna need a bigger boat."
• "Oh, don't let's ask for the moon. We have the stars."

Transplant your character into an entirely new location. It could be a new country, city, or continent. How do they react to the new surroundings?

Getting started is one of the most difficult tasks that faces every writer. Julie Parsons is an international bestselling author. For this exercise, she's giving you the opening lines from some of her books. Take the following lines and use them to write the beginning of your own chapter:

1. You could say it began with a phone call."
2. Michael had watched them both for weeks."
3. She remembered the way it was the first time she saw the prison."
4. Midsummer, no time to be in New Orleans."
5. With the dawn came the light."

What can be more basic than the simple who, what, why, when and where formula? This common sense plan has proved over and over again that it is not only one of the fastest ways to begin a story, but also an easy creative writing exercise to use when you only have a small chunk of time available.If you want this formula to work for you, then the best way to approach it is to answer those questions quickly. Forget about thinking, analyzing, and worrying until later. For now, let's just start writing. Here's an example to show you how easy it is to start.

• WHO? Sally _ an eco activist/policewoman
• WHAT? Having affair with a married politician so she can blackmail and manipulate him.
• WHEN? Now
• WHERE? In contemporary Ireland
• HOW? Recording his every move, generally spying on him in order to destroy him.

Make a list of the things that make you feel guilty about your writing. (For example: "I haven't written in 10 days even though I could have made the time.") Call yourself out. Then, go through each point and write a goal or accomplishment to challenge that guilt. (For example: "I have already written more than I did last month", or "I will set aside 30 minutes to write today.")

Write a description of the room you are in from the point-of-view of a character in your work-in-progress. If the character is from another time or place, so much the better. What would the character notice first? What would she find odd? What would she love about the room? What would she dislike? Go beyond describing the physical space and capture her attitude about what she sees. Let her be snarky or wax poetical. Whatever captures her emotions about the space.

Create a timeline of the significant moments of your character's life. Like many authors, you can use post-it notes or a big whiteboard to visualize your character's life. You can easily move or add events until you feel your character has a well-developed history. After you've finished the timeline, distill it into the top 5-10 moments that have shaped your character. For instance, if loss is a thematically important part of your book, perhaps a significant part of your character's past is when they lost a grandparent as a child.

Cheesy pick-up lines are the worst...but sometimes (when they work), they're the best conversation starters out there. Pick one of the pick-up lines from below and write down a conversation that you can imagine following afterward.

• "Your smile is like Expelliarmus. Simple but disarming."
• "Did it hurt? When you fell from heaven?"
• "Are you a parking ticket? You've got fine written all over you."
• "Are you from Tennessee? Because you're the only ten I see."
• "If I could rearrange the alphabet, I'd put U and I together."