Heart and Soul

Contemporary Drama

Written in response to: "Start or end your story with the sound of a heartbeat." as part of What Makes Us Human? with Susan Chang.

Heart and Soul

Thump thump…thump thump…thump thump

She was two before she was one. Piper believed, for a long time, that everyone lived this way.

That beneath the ordinary rhythm of breath and bone, there was always a second insistence. A companion pulse. Something just behind the first beat, arriving a fraction too late or too soon, like a thought you almost remember. It never aligned. It never corrected itself. It simply existed, layered, patient, certain of its place. She did not question it.

Children rarely question what has always been.

When she was small, she would lie awake and press her palm flat against her chest, feeling for it - one beat, then the echo. Or perhaps the echo came first. It was impossible to tell. She assumed it had always been there. Not just in her. In everything. No one told her otherwise.

Her mother worried over fevers, splinters, and the ordinary fragility of a child. Her father believed silence was a kind of protection. At checkups, when asked if anything felt wrong, Piper shook her head. Nothing hurt.

The truth was more difficult than pain. There was something inside her that did not belong to the language she possessed. So, she let it remain unnamed. She carried the inexplicable without demanding explanation. She had made a home for it.

The second heartbeat became not a symptom, but a presence. It did not quicken with fear or soften with comfort. It did not belong to her moods. It moved beside them, unaffected, steady in a way that felt almost… attentive.

As if it were listening.

Adolescence came, and with it the usual dissonances - growth that felt uneven, emotions that arrived too sharp, too quickly. But the rhythm inside her did not change. While her friends spoke of racing hearts and nervous flutters, Piper felt only the same layered rhythms.

Two pulses. Never synchronized. Yet never at odds.

During gym class, when others bent over, breathless and laughing, hands clutching their chests, Piper would pause, listening.

Her body worked. But something within it did not belong to exertion or exhaustion. It did not strain. It didn’t falter. It endured.

“You okay?” someone would ask.

“Fine,” she would say.

And she was. Mostly.

It wasn’t until she was twenty-five that anyone suggested otherwise.

The appointment was incidental, nearly forgotten. A fatigue that lingered just long enough to be inconvenient. Some shortness of breath. A doctor she had never seen before. A room that smelled faintly of antiseptic and something woodsy, as though it were trying to woo her.

“Take a deep breath,” he said.

The stethoscope touched her chest. Shifted. Paused.

“Again.”

She inhaled.

The silence that followed felt different from all the others she had known in exam rooms. It was not empty. It was crowded.

“What is it?” she asked.

He hesitated, then seemed to choose his words with care. “Have you ever been told you have an arrhythmia?”

She almost smiled. “No.”

“Ever noticed anything unusual about your heartbeat?”

She considered lying. Instead, she thought of all those nights, as far back as she could remember, listening in the dark.

“Yes,” she said. “But I thought it was normal.”

He nodded, though something in his expression suggested that word no longer applied.

“I’d like to run some tests.”

The tests multiplied, each one translating her body into images, lines, and data she couldn't read, but could feel their silent clinical judgment. When the doctor finally spoke, his explanation seemed both impossible and inevitable.

“You have two hearts.”

The sentence did not land all at once. It unfolded slowly, as though it had been waiting to be said.

“Two,” she repeated.

“Yes. Two distinct cardiac structures. Both fully functional.”

She exhaled. It should have felt like a revelation. Instead, it was sheer recognition.

“So, what does it mean?”

“It means,” he said carefully, “that your body is doing something we do not fully understand.”

She pressed her hand lightly to her chest. Two. Not one, divided. Not one altered. Two hearts.

A strange thought came to her then, uninvited and immovable:

They were there before I knew they were there, just waiting to be discovered.

“Am I in danger?” she asked.

The long pause before his answer told her more than the words themselves.

“Can I donate one?”

“We don’t know enough yet, so it's not possible.”

Awareness changed everything.

What had once been background became foreground. What had once been seamless now revealed its edges. She could feel them distinctly now - the two rhythms moving through her, not as one system, but as coexistence.

A year later, on a grey overcast morning, as her fatigue grew and her breathing shallowed, the call came.

A child. Seven years old. A congenital disability that had reached its limit. No donor. AB positive.

The words arranged themselves clinically, but beneath them was an urgency requiring no translation. All the tests on Piper's end had been done two-fold - she was a match.

Piper listened. And beneath her listening, the second heartbeat shifted - not faster, not louder, but present in a way she had never felt before.

She did not deliberate. She knew she couldn't continue to exist like this any longer.

“Yes,” she said. "Let's do this."

They explained the risks. Loss of one heart could destabilize the other. The body might reject the change. She might not survive the surgery.

She understood.

What she did not say was this: that the second heart had never felt entirely hers to keep. That giving it away felt less like a loss and more like a return.

The surgery lasted hours that no one could measure except in hopeful waiting. When it ended, the outcome was described in the simplest possible terms.

The child lived. Piper survived, too.

What they didn’t say was that something had ended for both Piper and the little girl. The child who had been expected to understand harsh realities no longer existed. She would return to an awaiting childhood.

But for Piper, she woke to a thinner, less nuanced world. Her hand moved instinctively to her chest.

Thump…thump.

Only one. Steady. Reliable. Entirely sufficient. And entirely alone.

At first, the absence was physical - a missing layer, a silence where there had always been accompaniment. But the deeper loss revealed itself gradually, in ways she could not have anticipated.

Memories did not vanish all at once. They receded. Her youth didn't disappear. It relocated.

Moments that had once felt vivid - the rhythm of rain against the roof, the cacophony of unexpected thunder, the musical rituals of small things, the way dancing shadows could suggest entire worlds - all became distant, as though they had belonged to someone she had once known rather than someone she had been.

The richness of it, the intrinsic interior life she had carried without question, was gone. She could remember facts. Events. Names. But the feeling of them - the depth, the quiet magic had left with the second heart. In its place was clarity. Functionality. Continuation. Singularity. Normalcy.

Months later, she met the child in a park.

The girl was smaller than Piper expected, her body still adjusting, her energy bright and uneven, a healing, beautiful child reclaiming herself.

“Thank you,” the girl said, pressing her hand to her chest as if she already understood something sacred lived inside her.

Piper nodded. “You’re very welcome.”

She searched for closure, for the sense that this exchange had resolved something. But what she felt instead was distance.

Not from the child. From herself.

Weeks later, in that same park, Piper watched. And finally understood.

The girl ran around, chasing something invisible - wind, perhaps, dandelion wisps, or simply playing to her own imagination. She spun in circles, giggling, her movements unstructured yet entirely certain. Piper knew it was no longer hers.

Her second heart had carried more than blood. Piper had not simply given away an organ. She had relinquished the part of herself that had inhabited her world.

The girl slowed, breathless, eyes bright with something Piper could no longer access.

For a moment, their gazes met. As Piper backed away, she understood- two hearts had existed long before she had even known she herself existed. They still did, but in separate vessels.

One heart had taught Piper how to be alive. The other, how to remain. She had been the place where, for 25 years, they had coexisted. But she was not at all certain which was which anymore. Her remaining heart seemed to slowly evolve and grow.

That night, she lay in bed and pressed her hand to her chest.

Thump…thump.

One heartbeat. Steady. Enough.

That hollow space was filling with each beat. It took shape. It had meaning. Purpose. She had not lost her childhood. She’d outlived it. And then, impossibly, she had given away those hard-wired experiences to a little girl.

Somewhere in the distance, she imagined that second rhythm - layered, patient, full of misunderstood knowledge waiting to reveal itself. She closed her eyes and listened to the single beat that remained within. It did not echo. It did not answer. But it steadfastly carried her forward with each breath. And somehow that was wholly gratifying. Existing as one.

Posted Apr 04, 2026
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24 likes 28 comments

Alexis Araneta
13:54 Apr 04, 2026

Elizabeth, this is enchanting. I adore the rich imagery of two hearts living in a person. Very unique. Of course, the emotional resonance of this one is divine. Incredible!

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Elizabeth Hoban
13:57 Apr 04, 2026

Thank you so much, as always, for your lovely comments. x

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Keba Ghardt
02:36 Apr 11, 2026

This is a very plain, reserved voice for you, fitting the subject beautifully. The absence/presence really makes itself felt in the things you do not say. A rich and layered concept in your sentimental repertoire.

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Elizabeth Hoban
18:02 Apr 11, 2026

Wow-thank you, Keba. I have become a very doom and gloom writer on Reedsy because this site seems to like that - so that you picked up a less negative feel is so astute. I appreciate your time and comments immensely, as always! x

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Keba Ghardt
13:46 Apr 12, 2026

Word; you know your audience. But it's a treat to see your range :)

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Simon Puder
20:55 Apr 09, 2026

I liked it. I don't mean to be.. mean, or rude, or something with this comment, but the story development felt kind of surreal for me, but i like that, and i think it really works that way..! Maybe you meant it that way.. anyway, i am very much looking forward to reading more of your stories. I really appreciate your, sort of, conceptual nuance that you express in your sentences. I try and have a sensitivity to that myself, and i admire that when i see it.. ha, anyway; thanks for writing this.

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Elizabeth Hoban
21:44 Apr 09, 2026

I very much appreciate your thoughtful comments. It’s was meant to be a bit surreal bc people don’t typically survive being born with two hearts -it’s a real occurrence but surviving past infancy is extremely rare. I’m so glad you picked up on the existential mood. Thank you. 🙏🏻

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Simon Puder
05:52 Apr 10, 2026

Wow! That is a nice parallel!! I actually didn't know that that was a real thing!

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Alex Merola
17:15 Apr 09, 2026

Excellent emotional storytelling. The ticking clock is a great effect. I wonder, though, if Sarah hasn't lost as much as she gave since she lived with the double heart for so long-a companion gone?

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Elizabeth Hoban
19:05 Apr 09, 2026

Yes - you got it! Thank you for your kind comments. x

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Bre Wilson
02:11 Apr 07, 2026

What a fun story! It flows so well like poetry and it makes me want to read everything you write!

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Elizabeth Hoban
02:19 Apr 07, 2026

Thank you, Bre! I appreciate you. x

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Scott Speck
21:37 Apr 06, 2026

What an incredible, original story! It felt so real - her realization that something was different. And then her courage in donating, no one knowing if this would affect the remaining heart. And watching the little girl live and whirl! Magical story telling!!

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Elizabeth Hoban
21:40 Apr 06, 2026

Aww - thank you so much, Scott! x

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Katherine Howell
19:02 Apr 06, 2026

This was an absolutely wonderful and wholesome story about the power of the heart—both literally and figuratively. I loved the repeated use of thump…thump… and how its meaning subtly shifted as the story progressed. It was also such an interesting take on arrhythmia—wouldn’t the world be so much easier if everyone had an extra heart they could give? The idea of that lingering, almost phantom absence at the end was especially powerful, even though Piper didn’t initially know she had something to miss. I also really appreciated how the story unfolded naturally; we discovered everything alongside Piper, rather than through a heavy "explanation dump." A beautiful piece, truly filled with heart and soul!

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Elizabeth Hoban
21:27 Apr 06, 2026

Thank you so much for such a kind review, x

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Shardsof Orbs
15:47 Apr 06, 2026

She gave something presicios to her away, without realizing it. Yet the the other child, get's o experiance the hardship and beauty, she already faced, while the heart still belonged to her. Belonging, or rather missing that, as a sturcture, a feeling, a beating, with memories and feelings - you show, that a heart carries and evelops all these things. Maybe her other heart will eventually help her get acces to what she once lost, now that it's working fully on it' own. The way you built this story, makes it feel like, the events are meant to happen, like their inevitabol. You, too followed the prompt to a T. Very well done! Thanks for sharing

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Elizabeth Hoban
17:53 Apr 06, 2026

Thank you so much for your kind critique! x

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Jim LaFleur
06:59 Apr 06, 2026

That second heartbeat… it glowed. 👍👍

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Elizabeth Hoban
09:39 Apr 06, 2026

Thank you, Jim!

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Helen A Howard
10:13 Apr 05, 2026

She has lost something that was part of her. And for that, she must grieve. In return for a remarkable gift to a little girl, a period of adjustment. The feeling of being singular. I love the idea that the heart is not simply an organ, but part of her hard-wired experiences which she has given away. She will to learn to exist in a new way - as one with one heart.
A remarkable story. For me, the heart isn’t merely an organ but more like the seat of personality and inner life. A bit like the ancient Egyptian concept of the heart being the soul. Sacred. An incredible concept and great take on the prompt.

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Elizabeth Hoban
12:38 Apr 05, 2026

Thank you so much! I am so pleased you clearly "got it" - x

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Timz Maye
09:39 Apr 05, 2026

This is absolutely stunning!! And such an interesting, unique concept. I am glad Piper started to feel more complete, what a lovely ending x

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Elizabeth Hoban
12:36 Apr 05, 2026

Thank you! x

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Marjolein Greebe
08:34 Apr 05, 2026

This story stood out to me for its restraint and clarity of concept. The idea of a second heartbeat evolving from something physical into something almost metaphysical is handled with remarkable control. You never over-explain it, which allows the reader to experience the realization alongside Piper rather than being guided toward it.

What works especially well is the consistency of tone. The prose mirrors the duality at the heart of the story—calm, measured, but always carrying something just beneath the surface. Lines like “The silence that followed… was not empty. It was crowded.” are doing a lot of quiet work, and they land.

The central turn—the donation—is strong not because it is dramatic, but because it feels inevitable. That inevitability is earned. You’ve seeded the idea early on that the second heart was never entirely hers, so when she gives it away, it reads less as sacrifice and more as completion.

The final section is where the story becomes something more than its premise. The loss of “interiority” instead of just memory is a smart and subtle choice. You’re not dealing in sentimentality, but in structure—the architecture of experience—which elevates the piece.

If I had one small note, it would be that a few phrases lean slightly toward abstraction in the later paragraphs (“architecture of childhood,” “longer story,” “something else”). They fit thematically, but trimming or grounding one or two of them in something more concrete could sharpen the emotional impact even further.

Overall, this is a controlled, intelligent piece that trusts both its concept and its reader. It doesn’t try to impress—it simply unfolds. And that confidence works in its favor.

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Elizabeth Hoban
12:35 Apr 05, 2026

You give the absolute best critiques! If there were a prize for that, you'd win every week, hands down. You were so spot on - I was so fortunate to still be able to edit, and because I very much value your suggestions, I did some quick editing, and voila! You have elevated my story, so thank you from the bottom of my heart! x

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Hazel Swiger
12:57 Apr 04, 2026

Elizabeth- this story was actually so sweet. You made me smile. I hadn't heard of arrhythmia, so I learned something by reading this! I really loved that donating one of her hearts to the child made Piper feel somewhat whole, that really moved me. The storytelling in this piece was very compelling. Although, I wonder if 'Heart and Soul' was supposed to be the title? Both titles (if that one was supposed to be one) work very well. Great job & excellent work as always, Elizabeth!

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Elizabeth Hoban
13:59 Apr 04, 2026

I am so happy you pointed that out - it was clearly an error, and I was able to fix it in time - thank you for your keen eye - I am grateful! x

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