🏆 Contest #322 Winner!

Adventure

This story contains sensitive content

CW: Mental health, violence, war

The soldiers file into the mess hall, squeezing onto benches and finding open places away from the canvas walls to sit. Outside, the wind shrieks, whipping and beating tarps throughout the whole encampment, in some places tearing them from their posts.

Calling it a mess hall is an overstatement, since it’s all just one big tent. There are windows near the top, flexible sheets of plastic framed in velcro and wire to hold it in place. The hall is propped up on portable wooden beams, built to keep the waves of sand and mud out of the cook pots. But it fails even at that.

The soldiers in the mess hall are a mixture of men and women, dark skin and fair, short, tall, brawny and lean. There are even children. Somewhere. They’re the families of soldiers who couldn’t find anywhere to put them while they were away.

Their murmurs and cries are barely audible over the scrape and clatter of meal time in the mess hall, though today the mood is unusually subdued. A single thought occupies every conversation, every thought, every dream.

What comes next?

A ribbon of fresh, cool air cuts through the muggy atmosphere, turning the soldiers' heads. Captain Eighteen has returned, holding the battle plans high above her head, while her sharp eyes sweep over the room. Captains Sixteen and Forty are just behind her, similar plans in their hands.

“Command sent instructions.” They don’t say more. They don’t need to.

The rustle of papers now joins the depressed mutterings, the sheets making their way around the room.

The Captains never bother announcing anything anymore. Those who care will find the information, and those who don’t likely won't survive the war.

We’ll all die anyway.

It’s treason to say so, but no one follows the laws anymore. There’s no one left to enforce them.

Soldier sits tucked in a corner, out of sight, out of mind. He stays huddled behind the tallest of his comrades, keeping to himself and listening to the conversation of soldiers nearby.

They refer to each other as Two hundred six, Eight-oh-ninety, and so on.

Soldier had had a number once. A name, even, but that was before. Numbers had replaced names when names had become too common. The deaths, too common.

There had been an agreement, once the death rate topped the birth rate worldwide. When one isn’t likely to remember every soldier that dies in battle, what right does one have to demand that they themselves be remembered? That was one of the only ideas that every side of the war agreed on.

Numbers are still common among friends and relatives, but not for strangers and average cannon fodder. And so the soldiers referred to each other as Soldier, and the children as Child, and the parents as Father, Mother or Guardian.

There had been a time once when the world had cared if you considered yourself attracted to the same gender. When the world cared if you disagreed with your genetic identity. When the world cared if skin was light or dark. When the world cared about money.

The idea seems laughable now.

Soldier stays in his corner, watching the edges of the tarp flap open to admit more and more sludge, until it has covered the toes of his boots. He feels the air swirl around him, mingling with the breaths and heat of the others until it rises up, up and is replaced by a new draft, and the process is repeated.

He wishes he could join it, rise higher and higher until the world forgets he ever existed. Instead, he begins to eat.

The food tray in front of him is set with a generic sustenance pack of required nutrient pills, a scentless paste to simulate being full, and an unlabeled packet for flavor.

There’s no entertainment at meal time, no story telling. They used to gather around the largest table, laugh and drink and tell stories, but there are no stories to tell. All anyone remembers is past battles, and nobody wants to hear more about the war.

When the bell rings, no one is sorry to leave the hall. Soldier watches them, wishing they’d linger, wishing they’d delay the inevitable. But they never do.

For years, Soldier has slipped through the holes in death’s net. Incredibly lucky, Captain Eighteen says. Incredibly unfortunate, Soldier replies, for I am the only one.

Soldier meets Eighteen at the doorway. They stand together, watching the wind blow sand and mud across the barren landscape. Trees were chopped and burnt around the same time the war had been officially declared. Now the earth and wind mingle freely, with nothing to root it down, creating the nightmarish landscape they live in today.

They don’t have much to say. They’d said everything there was to say long before this, but still they stand together, waiting for words to come. The bell rings, signaling the breaking of camp. Neither Eighteen nor Soldier linger, wait for one last chance to speak. There’s nothing left to be said.

Soldier stands at imperfect attention. One of his proudest achievements is seeming just ordinary enough to not get promoted. The last thing Soldier needs is to be responsible for the deaths of fallen comrades. Once was enough.

Eighteen, Sixteen and Forty are standing on the stage. They project confidence, but Soldier knows the pain they carry inside. Their energy isn’t adrenalin or even righteous fury, but a sort of restrained recklessness that follows the floods of grief they were made to survive. Soldier stares straight ahead, but can feel Eighteen’s eyes on him. She’s always been the emotional one, in the time they’d served together. Some would call her coldhearted, ruthless, heartless, but what the other soldiers don’t know is that deep down, she cares. She simply refuses to allow herself to act on it.

The Captains begin battle prep, an exercise made of short drills and then a briefing of any new information they’ve received from the command center. Soldier remembers the whistles, explosions and fire.

There is no information.

There is no command center.

Soldier executes his drills almost perfectly, recites the briefing back with nearly complete proficiency. He doesn’t meet Eighteen’s eyes.

And then the men, women, children of the Last War march through wind and rain, to the next battle ground, the next war, the next slaughter.

Soldier has locked his heart away by the time the battle has started. Cannons boom, bombs whistle, and threaded through it all is the pop-pop-popping of gunfire. Ash rains and smoke rises, masking the sky and casting the land in a darkness like midnight.

He is positioned behind the Horse, a war machine made for more efficient killing on the battlefield. It was based on the idea that, once upon a time, captains had ridden tamed animals into battle. It looks nothing like the mythical horse, but no one aside from Soldier knows this.

Eighteen looks at him once more, and this time he does meet her gaze. They stare at each other, knowing what comes next and yet still waiting for words to come. Soldier breaks the connection first.

Soldier moves forwards in what is more a leisurely stroll than a march. He doesn't fire his weapon, doesn’t draw a knife or wrestle anyone down.

Instead, he makes his way up a hill, listening to the war and men scream around him. The draft of fresh air is gone, replaced by sulfur and smoke and what might be a trace of tear gas. All coordinated attempts at war had fallen apart far, far in the past, and all Soldier is left with is this cacophony of death.

He finally finds the crest of a hill and sits, watching the fight, the struggle. He watches his friends pass into a new world, a better one. He watches a soldier from a different side of the war charge up the hill towards him and get gunned down for the effort. He waits for the battle to slow, for the death to end. Soldier stands, letting the battle unfold beneath him, the numbness of grief leaving him near emotionless. Unwilling to kill, unwilling to be killed, inaction leaves Soldier hovering at the edge of battle.

He sees Eighteen on the Horse, progressing towards the general of the other side, General One. Soldier is the only person watching, the only person to notice the bullet shot into the Horse's engine, the only person to witness Eighteen's death.

Eighteen had never been his everything, but she’d been something, when nothing else was. Something falls down his face, leaving a track from his eye to his chin. Soldier doesn’t bother to check what it is. Soot, maybe, or ashes.

He watches the armies clash, push, shrink down to nothing, and it finally becomes real. The truth never hit him, not when he enlisted, not when his first love had gone missing in action, not when his first platoon was blown to smitharines, not even when the news reached them that everyone, everywhere was to be conscripted. Even his family.

But now he feels it, the grief and anger and raw nerves, pressing against his eyes and head and heart. Eighteen’s death was the last straw.

He knows exactly how he could have avoided this, what he could have done. In hindsight, it’s obvious.

At the beginning, there had been pacifists. A long, long time ago, back when he’d been a boy. A boy with a name, a job at a restaurant, a family and a horse.

The pacifists had said that what the world needed was peace agreements, treaties, neighborly love, acceptance. They were ignored for the most part, and when they weren’t, they were taken care of. The pacifists had disappeared, unable to fight their fight, and the world had turned to this. Battle after battle, conflict after conflict, war after war.

There are sides to the war, fighting for glory, land, riches, revenge. But it’s all the same, int he end. The first fight was Pacifists against the world. And the world had won.

Soldier had fought the wrong fight, served the wrong cause. Soldier became a soldier, and that had been the wrong call to make.

No longer shrouded in blissful numbness, Soldier finds himself at the bottom, searching for someone, anyone he could tell. He stumbles across the empty shells that once held comrades.

This had to stop, the blood had to stop. There’d never been a reason they fought. Their intentions had been to win the war, but what was the war? Senseless, irreversible.

They’d fought on the wrong side, and now everyone is dead because of it.

The smoke from the Horse's explosion is gone, wafted away. Ash still rains, but there is no gunfire. There are no bombs, no engines humming, no cannons blasting. Only a field of death.

The darkness clears just slightly, enough for Solder to see the metal shaft at his feet.

After a moment of hesitation, Soldier lifts it up off the earth. Coarse and riddled with holes, it takes extreme care to keep it intact.

Standing alone in the valley that only minutes ago held war, Soldier raises the flag of victory high and plants it in the ground.

The war is over, and Soldier has won.

But he’s lost too.

The flag stands, but only barely, banner fluttering despite the rain.

Then he falls to his knees, hands clasped behind his head as he struggles to keep himself under control. Soldier looks up once more, up at the flag, at the smog choked sky, waiting for it to end.

He watches the earth packed around the pole give away in the harsh weather, until the flag falls, sodden and torn, to the earth.

Then, in the silence, loss and grief of a pointless war fought to its end, the final soldier of the last war dies.

Posted Oct 04, 2025
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97 likes 79 comments

Matthew Moore
16:38 Oct 15, 2025

It's a shame that criticisms of Reedsy happen in comments of stories, but Reedsy not only doesn't provide any kind of message board where we can all voice concerns, but it actively ignores emails that try to address those concerns as well. On top of that, it doesn't allow us to have any control over who comments who interacts with us on this site. Most websites would offer a block button.

I believe the comments that were left under this post were constructive and in no way constituted the label of "negative." If Reedsy is just meant to be a place where people post their writing and are told it's unconditionally wonderful, then it wouldn't have a contest element to it where judging is involved. If we weren't meant to criticize that aspect of it, then at the very least, the contest should have stayed free the way it once was. Otherwise, I believe it's fair game, if you pay any amount, to have thoughts on who wins the contest.

I also find it interesting that most of the people swooping in on this story to defend Reedsy have no stories listed and no other comments other than the ones they're leaving here. It's similar to how so many first-time story writers win these contests only to then disappear from the site entirely. If you want actual numbers, a member of a chat I'm a part of added it up and over 70% of the winners since the contest switched to being paid are first-time story writers. Could that be a coincidence? Sure. But I highly doubt it. There is something strange going on and while I once again apologize for having to voice these concerns under a winning story's post, there doesn't seem to be any other way to get people to notice, but I refuse to be one of the people just saying "Great job and welcome to Reedsy" every week as though I don't notice a pattern taking place.

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Stevie Burges
09:57 Oct 20, 2025

can understand why some of the comments might have felt hurtful — this was such a raw and emotional story, and it takes real courage to write and share something so dark, especially in these unsettled times. I think most readers, myself included, were reacting to the heaviness of the subject, not to the writing itself, which was beautifully done. It’s never easy putting work out into the world, but it’s an act of bravery every time. Please don’t let a few tough comments overshadow what an achievement this piece is.

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15:37 Oct 15, 2025

Honestly, apart from the idea of replacing names with numbers (which, by the way, has already appeared in animated and post-apocalyptic works) and the brief opening description, I found nothing truly remarkable in this story.
The imagery is underdeveloped. Even the main character remains a shadow of himself. The author spends far too much time explaining — why names became numbers, why everything lost meaning — as if afraid the reader won’t understand. But literature doesn’t require explanations. Its true power lies in what is felt, not spelled out. Here, the narration treats the reader as though they were naïve.
The protagonist is flat — not faceless, but flat. There is no inner conflict between him and the war, no emotional friction, no sound of life within him. He is merely an observer. His memories are the only attempt at depth, but without emotional specificity, they read like a dry report.
Every other character is secondary. Even Captain Eighteen, who could have become a symbol of humanity amid the machinery of war, remains purely functional. The author seems to mistake emptiness for philosophical anonymity — but the result is not deliberate minimalism, just plain hollowness.
The tone tries to echo Orwell, yet it fails to reach the depth of Céline, Remarque, or Hemingway. Where they captured the breath of reality, this story feels artificially “profound.”
The claim that “all wars are meaningless” strikes as naïve. Yes, offensive wars are absurd. But for those defending their homes, families, and memory, war cannot be “meaningless.” By oversimplifying this, the author diminishes human sacrifice, turning philosophy into a slogan. It’s not mature anti-war reflection — it’s childish idealism disguised as revelation.
In conclusion, the concept could have worked if the author had trusted silence, imagery, and the protagonist’s inner experience. But due to excessive exposition, lack of emotional truth, and shallow moralizing, the story leaves no lasting impression.

P.S.:I’m not trying to be toxic, but I hope my opinion will be useful to the author in their future work — rather than just offering flattering praise that brings nothing but empty and temporary satisfaction fed by others’ hypocrisy.

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Maisie Sutton
04:19 Oct 11, 2025

Congratulations on your win, Caroline! I believe the sign of a good story is that it elicits emotions and sometimes, strong reactions. i hope you continue to write and find the supportive corners of the Reedsy community❤️

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Arora Gleans
14:51 Oct 10, 2025

The naming convention was very interesting—Soldier, Child, and using numbers instead of names highlights the gravity of the war-torn setting. Congratulations on the win! :)

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Stevie Burges
09:45 Oct 20, 2025

Congratulations on a very well deserved win.

Beautifully written and hauntingly atmospheric — the world feels painfully real. But it’s such an unrelenting portrayal of despair that I found myself going numb rather than moved. Brilliant craft, but definitely not a story to read on a gloomy day.
A real food for thought story. Thank you for writing and sharing with us.

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Adam Sifre
21:37 Oct 19, 2025

"The war is over and Soldier has won." Okay, this line killed what interest I had in the story. It's just, doesn't work in the setting you give. I get what the story is trying to convey, but it just fails for me because of the abruptness. We're lead to believe there's an ongoing enternal war involving the entire world and then we are just told the final battle ends with one person. You had plenty of room here to flush out the idea. I write a lot of short flash fiction. To paraphrase our current military leader, "no one knows flash fiction like I do." This needed more. I realize I'm picking on you more than I have on other past winners. But there are plenty of stories that win here that leave me scratching my head. Keep writing, enjoy the win, but be realistic. This needs work. I enjoyed the description in the opening paragraph.

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Patrick Loria
13:27 Oct 13, 2025

I found it banal. Quite boring and a trite premise actually. The writing itself was so so. Not bad actually just nothing special. I will go on and try another story.

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NOAH HAVER
20:37 Oct 27, 2025

wow

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Allan Burgess
20:40 Oct 21, 2025

I really hope humanity doesn't go down that road, but very well done.

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Stevie Burges
09:47 Oct 20, 2025

Sorry but me again. I hadn't realised that this is your first story on Reedsy - and what a story it was! Wow I wonder what we will get next time.

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Sonia Yousaf
04:22 Oct 20, 2025

Hey, I just wanted to reach out and tell you - please don’t let the harsh comments make you doubt what you’ve created here. I know this is your first published story, and that alone takes so much courage. But beyond that, there’s a quiet strength in your writing that really deserves to be seen.

The world you built in this piece is heavy, yes, but that’s what makes it powerful. You captured the exhaustion of war, the monotony of survival, and the loneliness of being alive when everyone else is gone. The repetition of “Soldier,” the stripping away of names and identity, the suffocating atmosphere of mud and wind and memory - it’s haunting in the best way. It reminded me less of a typical “war story” and more of a reflection on what happens after humanity forgets itself. That’s a big, ambitious theme - and you handled it with restraint and real emotional understanding.

What struck me most was how you didn’t romanticize anything. There’s no glory here, no false hope and kept just the raw, honest reality of what conflict does to people. That’s not an easy story to tell, especially for a debut. It shows a writer who’s already thinking beyond surface-level emotion, who wants to explore the deeper psychology of grief, numbness, and moral exhaustion. That’s real writing.

And sure, no story is ever perfect. We all grow, we all learn new ways to sharpen what we already feel deeply. But please know that none of that invalidates what you’ve done here. You’ve already proven you can hold a tone, sustain atmosphere, and build meaning through quiet moments - that’s something a lot of writers struggle to do even years in.

People online can be cruel when they don’t understand subtlety. But what you’ve written has heart, intelligence, and weight. That matters more than anything. Keep going. Keep writing stories that ask difficult questions, even if they make readers uncomfortable. The world needs storytellers like you -ones who aren’t afraid to sit in the gray spaces and still find something worth saying. 💛

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00:41 Oct 18, 2025

Nice work! Loved the story!

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23:01 Oct 17, 2025

Very good writing, and while I remember years cursing God on his neglects & seeming absence, I was far enough outside of society to know that when without people like "Soldier", it will for certain not be any better, but easily a lot worse and abusive...

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Cooper Hayles
17:48 Oct 14, 2025

Congratulations! I really enjoyed reading this!

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Sophie Grey
15:25 Oct 14, 2025

This is a powerful, harrowing depiction of war and its human cost. Soldier’s perspective is raw and immersive, making the futility, grief, and numbness of endless conflict feel painfully real. The narrative lingers long after reading, a stark reminder of loss, survival, and the heavy price of war.

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Peter Stott
08:04 Oct 14, 2025

As a very old soldier, this story strikes a chord with me. I have sat in mess halls, or rather large tents, with sand blowing in. Like the story we had, and used our numbers, although nicknames were used with close colleagues. Yes, we fought in a war that none of us really understood; it was just duty, as it always is and no questions asked.

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Bryan Sanders
00:31 Oct 14, 2025

I am very moved by this story. While I know some people have said some mean things here, your story narrative is wonderfully worded. A testament to you--- as the author. Don't let any of this harsh criticism fall on your ears. I am new here too, and what surprises me is that so many people do not realize that the formatting here is completely different than on a phone. My stories also look bad on the computer, but on the portable device, they are exactly as I typed them.
Don't let the naysaying bother you. I will say, it probably said more about them than you.
Keep writing. Little bugs like this will go away in time, but your voice will always stay.

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Evelyn Anderson
16:49 Oct 15, 2025

Mean things to say and it's just constructive criticism.

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Michael Gaft
20:35 Oct 13, 2025

A charming fantasy that imagines future wars as if they were fought in the past. In modern drone warfare, infantry will no longer be needed.

The author advocates for all that is good against all that is bad. A convenient position. The typified and detached narrative style does not allow the reader to empathize with the characters, who, in the story, essentially do not exist. Yet the narrative itself is concise and vivid.

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Teri Walter
17:57 Oct 13, 2025

Congratulations for winning the competition. It was powerful and well written with strong imagery and emotion. The idea that numbers replaced names because they became too common feels very raw.

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Carolynn McCully
17:27 Oct 13, 2025

Congratulations on your win.
I enjoyed reading your story and loved the words, "The war is over, and the Soldier has won." "But he's lost too."
I found your story to be a unique reminder that, within the reality of war, there are no real winners.

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