This story contains themes of sexual violence, childbirth, and infant harm.
COIN TOSS
My enclosure is shrinking.
Once I could drift without touching its boundaries. Now the walls find me everywhere, curving against my back, my shoulders, the soles of my feet. I have no notion of how long I've been here, only that this place seemed endless and doesn’t anymore.
Beyond these walls, something tumbles over and over through the night accompanied by the metallic complaint of machines. Pipes knock. Rain worries against the windows like tiny fists. Every so often something rushes past outside, followed by a silence in which I can hear the beating that has accompanied me for as long as memory allows.
Mama calls the world beyond us the clothes place.
She has described it so often; I believe I know it. Silver machines with round glass doors like big, dark eyes. Plastic chairs beneath windows cloaked in black by night. Tables where people fold things. A machine that sells soap and another that steals quarters.
Most important, the clothes place is warm. So Mama comes here at night.
Sometimes she brings things that are already clean and feeds them into a dryer anyway, one quarter at a time. A few coins can buy an hour of warmth, perhaps enough hours to reach morning.
I understand cold only through Mama. My own closed space has always been warm, filled with darkness and the slow movement of liquid. Darkness comforts me because I have never known light.
The beating comforts me too. Sometimes it quickens when unfamiliar voices come near. Sometimes it trembles when Mama cries. At night it grows slow and deep, and I have learned to remain still because Mama is tired.
She doesn't know I do this. It is one of the few secrets I keep from her.
Mama has secrets too. Some have names.
Rent.
Stepdaddy.
Pastor.
Sin.
Shame.
I know the words by the silences that follow them.
I also know the man's voice. It belongs to one of my earliest memories, when I was so small my closed space felt like it had no boundaries.
“Well, ain't this a mess.”
Another woman answered him. Mama's older sister. “She’s only thirteen years old.”
“Nearly fourteen.”
“She was raped.”
“I understand the circumstances.”
“You saw what he did to her.”
“I took an oath to first do no harm.”
Then Mama's voice came, so small I almost didn't hear it.
“Please, doctor.”
The man spoke for a long time after that. Consequences. Responsibility. God's will.
Mama said nothing further.
Later she wrapped both arms around my enclosure and whispered apologies until she fell asleep.
That was when I first wondered whether I might be the mess.
Since then, I have tried to cause as little trouble as possible. When Mama sleeps, I stay quiet. When she cries, I listen. When her hand rests against the wall between us, I move toward it. Sometimes she laughs when I do, so I do it again.
Tonight Mama is reading aloud beneath a single buzzing light. She carries schoolbooks and pencils in a brown paper sack because she says she will go back someday. She will finish school and become somebody.
She reads to me about places people pass through on their way somewhere else. Waiting rooms. Railway stations. Doorways. Places not meant for remaining.
Mama stops reading and says, “I reckon that's us.”
The clothes place seems made for waiting, and Mama has been waiting here on many nights.
A buzzer sounds. She closes her book and rises, and my whole world tilts with her. Then she stops. The familiar beating changes, quickens.
“Oh.”
The walls close tighter around me. I wait for them to release. They do, but not completely.
“No.”
Mama takes several steps before they tighten again.
“No, no. Not here.”
I wonder why. Here is warm. Here is where Mama reads to me. Where we sleep sometimes. Here is where nobody asks questions.
The pressure returns deeper now, forcing me lower toward somewhere I’ve never been.
Mama cries out as coins scatter across the floor. She hurries somewhere as another tightening seizes us both, and something gives way. The warm liquid I've been suspended in rushes past me. What has always protected me becomes harder and less forgiving.
“Help!” Mama cries. “Somebody please help me!”
In the distance, something loud passes through the teeming rain and disappears. Then Mama is on the floor.
I don’t understand why the walls that held me safely for so long have turned against me, why Mama is crying, or why I am being forced toward an opening I never knew existed.
I resist.
Mama has taught me what lies outside. Hunger. Cold. People who hurt you. People who call you a mess. Once, when Mama thought no one but me could hear, she whispered, “I wish you could stay inside me forever.”
So I try. I fold myself smaller, but the walls squeeze harder.
Mama screams, and I push back.
“Please, Lord, help us.”
I no longer know if she wants me to stay.
After that, I can’t tell how much time passes. There’s only Mama's heartbeat, her crying, and the walls pushing me somewhere I don't want to go.
Eventually her voice changes. “Come on,” she shouts. “Please, baby. Come on.”
Baby. I know that word. Mama's sister had used it that day so long ago.
I understand the baby is innocent in all this, but so is my kid sister. She's still just a child herself.
The walls contract. Mama bears down. Something opens. Cold touches the top of my head.
I understand then that this is where my closed space ends. Beyond it is the clothes place. Beyond that is everything else.
I’m afraid.
Mama cries out once more, and the walls release me.
Light arrives before sight, followed by cold air and sounds that no longer have to pass through Mama before they reach me.
The clothes place is too large. I choke and cry. Mama does too. She trembles and laughs while I squeeze my eyes shut against the light as her hands find me. She does something with scissors from her pencil case and a clothespin she finds under the folding table. For a while we lie together on the floor.
“Oh. Look at you.” Her voice sounds strange without walls between us. But I know it.
She gathers me against her chest, and there it is again, faint and racing beneath her skin, the steady beat. I settle.
“You know me,” Mama whispers.
I do.
She wraps me in an old towel from a laundry cart. It's thin, and I shiver.
“No.” Mama rubs my back. “I won't let you be cold.”
She is shivering too. Her dress is wet, and something dark spreads beneath her across the tile floor. For a while she holds me against her chest. No one comes.
Eventually Mama gets to her feet and carefully carries me toward the windows. The road is empty. She looks at the door, then at me, then toward the machines. The dryer has stopped turning.
Mama carries me to it and opens the round glass door. Warm air touches my face. She closes her eyes and stands there for a moment, bracing herself.
Then she removes the clothes one by one. A blouse. A dress. Underwear. Socks. The pale pink sweater someone once told her was pretty. Each piece is warm. Mama wraps the sweater around me.
She reaches into the empty drum and presses her palm against the metal.
“Still warm.”
Then she lines the curved bottom with the towel and folds the soft sweater around my sides. She gently puts me inside the closed space. The drum fits me much like the walls did, although this new enclosure smells of detergent and hot cotton instead of Mama.
She crouches before the open dryer. For the first time, I see her face clearly. I know her. Not her eyes, mouth, or nose. Just her.
I become still because I know how to do that.
Mama stands. She sways and catches herself against the machine. There is red on her hands. She glances toward the front door. Then back at me.
I wait inside the warm drum.
Mama carefully gathers her school things from the floor and slides them into the brown paper sack. She puts her tattered coat on, but after a few steps, she stops. She reaches into her pocket, and her fingers emerge closed around something. She opens them. A quarter rests in her palm.
I don’t know what a quarter is. I know only that Mama has fed them to the machines all night and warmth has always followed. Mama looks at the coin. Then at me.
For a long time, neither of us moves. I begin to cry. Mama comes to me immediately.
“I'm right here, baby girl.” She bends and kisses my forehead. Tears roll down her face.
When she straightens, the quarter is still between her fingers.
Outside, the rain is thinning. The black glass has begun to turn gray. The laundromat is empty but Mama and me.
Her clothes place. My closed space.
Mama raises her hand toward the machine. Overhead lights flicker, and the room disappears. For a moment there is only darkness. I’m no longer frightened because darkness is the first thing I ever knew.
Somewhere beyond my enclosure comes the small metallic sound of a coin falling into place.
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I think we were riding the same wavelength this week. I started and DNF'd a laundromat story, in which the narrator describes the sound of a washing machine as an "embryonic swish."
I'm so glad to see that particular parallel in your hands. Though the teen mother in the story uses the laundromat for warmth, the parallels between the washing machines and the womb in which a baby learns stillness for her mother are evident.
And man, that stillness hurt to read about. It felt like a bit of a bait and switch- I wondered if you were foreshadowing a still birth until the very end. Terrible in the best way (I swear, a compliment!).
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Thank you so much! It is bizarre that we had similar thoughts on this particular prompt. Honestly, I had no idea where it was going until the last sentence, and I wanted to leave it up to the reader to decide whether she actually flips on the dryer. Thank you so much, as always, for your kind words. x
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The trauma in this is so intense. Rape, violence, and the fear of what come next. The laundry dryer/womb parallel was original and brilliant! I mourn for those with such traumatic lives. Great storytelling!
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Thank you so much, Scott! x
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The equation of water, light, and warmth and the enclosed space both mentally and physically is intensely portrayed in the launderette. The teenage mother sees it as a place of safety. In her own mind she is doing the right thing, but in reality she is deeply disturbed and desperately needs help and support after what she’s endured. A powerful, harrowing and unforgettable story. It raises many questions and lingers long after reading.
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Thank you so much, Helen! x
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Great job tackling such a brutal topic. My three daughters are 18, 17, and 16, so this hit home. You managed to write about one of the worst things a person can do, yet also show how much people can overcome.
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What a tragic story. You tell this challenging story from the fetus's point of view well.
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Thank you so much for the read and comment! x
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Good job.I tried this POV once. I like to see people approach telling a story from a POV that has limited knowledge and language. I think you found a nice balance between showing what was new, unfamiliar, or known from the inside. Yours was able to still give emotion to the unborn still processing. In my version, the baby spoke in fragments. The voices heard in inside were described as vibrations of different tones, that werent understand but the reader could. I had POV switch to outside the womb, anytime a doctor, or boyfriend touched her belly.
The pairing of clothes place: closed place, with the warmth, I lowers the readers guard for the ending to come in stronger. Having a POV describe their own birth seems like a one of the harder challenges a person could take on in writing, The title, does strong work, giving an extra layer, that might recontextualize what weve read.
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Thank you so much for the read and comments! Means so much! x
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Np. Impressive results history. GL.
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Thank you!
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It's so heart-wrenching to read the perspective of an unborn child in the womb of a young victim of abuse. Nobody asked for this, and both children navigate on their own the best they could- to find some sort of safety, or a place to belong. I found the title, the metaphorical connection to the laundromat, and the developing senses (light/darkness/warmth/cold/sounds) to be so powerful. I wish for a happy ending for them both, but under the circumstances, it's difficult to ponder the outcome. Like the title, it's a coin toss. Thank you for sharing such a gripping story, Elizabeth.
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Thank you so very much, Akihiro - means a lot coming from you. x
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This is so interesting. I wrote a short story from the POV of a baby a while back, too lol. This was an interesting story, and harrowing. I hope our little baby protagonist lived! You could really feel the love between her and the mama. Great job with the descriptions!
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Thank you so much! I honestly had no idea how this would end until the last sentence, and I left it open-ended and up to the readers' interpretation. I'd love to read your story from a baby's POV. I am sure there will be a prompt down the road where it will fit perfectly! I really appreciate the read and comments! x
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Elizabeth, The basic comfort that the baby was drawn to from mother to baby. All taken place in that unlikely cold setting and yet still warm. Well done.
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Thank you! x
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Elizabeth,
Spent decades working hospitals, much on the High Risk Delivery Team. Having seen what I've seen can't this story provided a real gut punch. 12 posted stories, 2 weekly wins and 2 Short lists? Sure seems like you can write a little. -M
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Awww - thank you so much. Not sure what capacity you work(ed) in healthcare, but thank you for your caring service. I am so honored that this resonated with you. I have been an OB nurse in my past and have six children. (5 boys - I am obviously insane at this point 😱) This was a tough one to write - a gut punch for me as well, as I had no clue where I was going with it until that last sentence. Thank you so much for your kind support. x
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Thanks to you for your service as well. I was an RT. Head of the bed. CV-19 was fun! Retired 18 months ago.
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Wow CV 19 as an RT - you deserve a nice, relaxing retirement!
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Sad but life in its basic state. A young woman who is pregnant through no fault of her own.
Well written and a great analogy between the laundered and the womb.
Who ever said life was fair?
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Thank you so much! x
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Elizabeth, This is such a creative story. You always manage to use so few words to say so much. The perspective of an unborn child of rape being born in a laundromat setting is nothing but brilliant. Thanks again for a great read.
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Thanks, Alex - means a lot! x
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Oh, Elizabeth, this is a brilliant story. The writing is so strong and rich, of course. But there were two things that really stood out to me.....first, how you gave us such a very clear picture of the struggling young mother without ever saying she is a struggling young mother...and second, the clothes space / closed space. I did not catch that until you identified it and wow....makes me want to go back and read it again. What a strong and satisfying piece of writing!
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Wow - thank you so much! Glad you got it! x
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The way you anchored that entire perspective shift from the womb to the dryer drum was pure brilliance.
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Thank you, Jim! x
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Brutal!! But incredibly well written. Heartbreaking for both mom and baby. And that last scene... I was just praying that dryer wouldn’t kick on!! Sad.. this stuff happens all the time.
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I was praying it wouldn't be started either! I had no choice in my mind but to leave it up to the reader. Thank you so much TOI - means so much coming from you. x
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You’re welcome! And by the way, I loved that the story was told from the baby’s POV. Such a powerful choice.
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This was— I don’t even have words for it. It’s going to sit with me for a while.
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Thank you- I think? 🤔 you gave it a “like” so I take that as a positive sign. x
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All positive things. it’s beautifully written. It’s just very much like getting the wind knocked out of you. Just trying to imagine writing this. I wrote a longer piece a while ago, it started from a prompt here but turned into 9k words, anyhoo, the story led me to a murder scene from the killers perspective. Trying to write that was a truly difficult but It doesn’t have a modicum of the weight your piece has. This is what writing has over film overwhelmingly. The subject matter would be heavy in any medium but the writing puts me in her place. That’s a totally different place to be than just watching it happen. You made me feel it happen. Pardon my paragraph
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I love your paragraph very much! An incredible compliment...x
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This was haunting. The choice to tell it from the baby’s perspective worked incredibly well, especially because she understands so much of Mama’s world only through tone and silence. “I know the words by the silences that follow them” was such a strong line. I also loved how the idea of an enclosure changes throughout the story—the womb is safety, then the dryer briefly becomes another warm little world, until that final quarter completely changes what the reader understands it might become. And ending on the sound of the coin dropping without telling us exactly what happens next was brutal. Really powerful piece.
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Thank you so very much, Keith! x
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