The apple tree had been there longer than the house. She had watched the road arrive one summer, a scar cut through the field that healed into habit. She had watched the fence lean and lean and finally give, the posts going dark with rot before they went down, the wire just lying there in the grass after. She did not mark these things. They happened, the way weather happened, the way the field went gold in August and grey in November and came back anyway.
The boy came breathless, always. Shoes off before he reached her, dropped in the grass without looking, climbing before he'd caught his breath. He had a particular spot — third fork, left branch — where he'd wedge himself with his chin on his knees and stay there until his mother's voice crossed the field. It came every evening at the same pitch, not angry, just tired, and he'd drop from branch to branch with the loose ease of a creature who had never once considered falling.
He ate her apples halfway and dropped the cores into the grass below. Wasps came. The cores went soft and dark and then disappeared. The following spring the grass came up greener in those spots, a deeper green, almost blue in certain light, and he never noticed, and she didn't need him to.
He told her things with his back against her bark, talking toward the sky the way children talk when they don't need an answer, just a place for the words to go. The boy from school who'd snapped his model plane on purpose, held it in both hands and broken it across his knee, looking straight at Oliver while he did it. His grandmother's hands, the way they smelled of rosewater and something underneath the rosewater that he couldn't name. How he wanted to be an explorer. Then a pilot. Then, one late afternoon in July, nothing in particular, and he'd gone quiet and watched a beetle navigate a root with the slow patience of a thing that has no choice but to be patient, and she'd let him watch, and the light moved through her canopy and crossed his face and moved on.
The summer he turned twelve, the shoes stayed at the field's edge less. She noticed. She didn't mark it.
He came back at sixteen and sat down hard, pulling grass out by the fist — not randomly but methodically, working left to right through a patch of it like a man clearing something that needed clearing. His jaw was set. His shoulders were up around his ears. After a long time he stopped and opened his hand and let the grass fall and sat there looking at nothing in particular until his breathing changed. He tilted his head back. Above him her canopy moved against a white August sky, the light breaking and re-breaking through the leaves in that way it does in high summer, green to gold to green, restless and indifferent.
He stayed like that for a while. When he finally stood, he reached up without looking and pulled an apple free and bit into it walking, not looking back, his shadow stretching long behind him across the dry grass. She watched him cross the field and go through the gate and disappear, and she was so full of apples that year the branches bowed, and the ones he hadn't taken swelled and dropped on their own and lay in the grass going soft in the September heat.
He came at twenty-three thinner than she'd seen him, the jaw set in a different way now, the way of someone who has practiced not asking for a long time and gotten good at it. He didn't look directly at her when he arrived. He walked a slow circle in the grass with his hands in his pockets, stopping once to look out across the field, then turned and looked at her branches, heavy and red.
He came back the next morning with a crate. And the morning after that. By the fifth morning she was lighter, her branches lifting incrementally in the early wind off the field, and the light reached further down through her than it had the week before, falling all the way to the root-humps in the grass, warming the dark ground there. She felt the lightness the way she felt the end of a long summer. Not loss, exactly. Relief. Like exhaling.
He brought a woman once. The woman walked with her arms crossed, her gaze on the ground in front of her feet, moving through the field as though it were something to get through. Oliver walked beside her talking, his hands moving the way they did when he was trying to explain something he didn't fully understand himself. At the old fence line the woman stopped and looked back toward the road, and something passed across her face, and she uncrossed her arms and crossed them again differently. They left before dark.
Oliver came back alone an hour later. The sky went through its changes — orange at the treeline, then rose, then that specific blue that arrives just before full dark and has no name in any language she knew. He sat at her roots and watched it happen without moving, and when the last of the light was gone he put his palm flat against her bark. He held it there.
Then he walked back across the field and she watched him until he was just a shape and then no shape at all, just the dark and the sound of the grass.
He was gone four winters. In the third, a storm came in from the northwest and took her largest branch. It fell into the snow and left a wound in her side where the wood showed pale and raw, the color of something new. She healed around it slowly, bark ridging up at the edges, thickening over months, and where the branch had been she now let in the eastern light every morning — a long shaft of it that reached all the way to her roots, warming the ground in a way it had never been warmed, and in spring the moss came up there, a particular soft green that hadn't been there before.
He came back in November. Both of them bare that time of year, stripped to their shapes, the field grey and the sky low and pewter, the kind of sky that makes no promises. He stood at the field's edge for a moment with his hands at his sides, just looking. Then he came across the grass slowly, and she saw that his hair had gone grey at the temples and he walked with the particular care of a man who has learned that ground is not always even.
He sat down at her roots on the cold earth and put his back against her and looked out at the field. A crow landed at the far edge and walked in that officious way crows walk, examining things, passing judgment. After a while it flew. Oliver watched it go. The cold came up through the ground and he sat in it anyway. "I don't know where I went," he said, to the field, to no one, his voice quiet and factual, the voice of a man reading something off a distant sign.
She held him the way roots hold soil. No event. No discussion. Just the slow press of bark against the back of his coat, and beneath them both her roots moving through the dark earth in directions no one could see, finding water where there should not have been water, pressing further and further still, unhurried, because that is what roots do, because there is no such thing as far enough.
He came back the following springs. And then he came with a boy — dark-haired, serious, who took his shoes off at her roots without being told and crouched over an ant navigating a root with the full gravity of someone for whom this was the most important thing happening in the world, which it was.
Then the boy stood and looked up into her canopy with his whole face open, and she let her best branches down. She was full of apples. He reached for one and bit into it standing there, juice on his chin, head tilted back, and the sweetness ran out of her like light through new leaves, like the first morning after a long winter, like something returned.
You must sign up or log in to submit a comment.
A story told from the standpoint of a tree. How brilliant! And so beautifully rendered -a steady and confident piece of writing! I love that it fits a few of the prompts, as well. Oliver makes for a great addition - a boy and a tree - and what I can only assume is Oliver’s son in the end. So lovely!
Reply
Thank you so much for this thoughtful comment. I especially appreciate you noticing how the story quietly touches several of the prompts at once.
Truly appreciate your careful reading.
Reply
I really love the unique perspective of the apple tree, which gives the narrative a timeless, gentle wisdom. I was touched by how you captured the passage of time and change through the tree's eyes. I also enjoyed how you described everything, from the landscape and the tree to the changing seasons; it was so vivid, and I could easily imagine being there. I like the ending because it felt hopeful and satisfying. Excellent work!
Reply
Thank you so much. I’m really happy the hopeful tone came through for you, because that became the emotional center of the story for me. At some point while writing, I realized I didn’t want the passage of time to feel purely tragic or diminishing.
And thank you for mentioning the seasons and landscape as well. I wanted the environment to quietly carry emotion alongside the characters rather than simply decorate the story. I truly appreciate your thoughtful reading.
Reply
You're welcome. You did it well.
Reply
A beautiful viewpoint expressed here. The tree seems to really care. This was a really enjoyable read. The larger gaps, when the tree did not see him, made me feel sad. I'm not sure if that was intended, but there seems to be a lot of subtle affection towards Oliver from the tree.
Reply
Thank you. That sadness was definitely intentional. The tree witnesses Oliver's life in fragments, so every absence becomes a reminder of time passing. I'm happy the affection came through — in many ways, the tree probably cares for him more consistently than anyone else in the story.
Reply
I really liked how you began and ended the story with Oliver as young boy and then his son. I have my own children, grandchildren and apple orchard. The trees do age and mark and record passed time. You've captured that feeling so well.
Reply
Thank you so much.
What a wonderful compliment. Trees seem to stand still, yet they quietly record entire lifetimes.
I'm especially touched that the story resonated with someone who has an orchard and has watched that passage of time firsthand.
Reply
Wonderful story by a tree. Beautifully written. As a child growing up in rural Ireland, I had trees as my best friend. It was a place to hide from my mother, a friend I told my inner secrets to, a play area when I invited my friends to climb up and play tag amongst the branches, etc., etc.
Reply
Thank you so much.
I love that. Trees seem to become part of our personal histories without us even noticing it. Reading about your childhood in rural Ireland, I can immediately see that tree standing there, quietly keeping your secrets.
Thank you for sharing such a lovely memory.
Reply
Beautiful. Touching. Emotional. Descriptive.
It reminds me of Ursula K. LaGuinn's story that also offers the perspective from a tree. I don't recall the title.
Since reading her story, I have witnessed trees differently. Now your story has added to that narrative. Thank you 🙏
Reply
Thank you so much.
Thankyou so much for your warm words.
Being mentioned alongside Ursula K. Le Guin is a compliment I don't take lightly.
And I think there is no greater praise for a story than hearing it changed the way someone looks at a living thing they thought they already understood.
Reply
this story is very reminiscent of the Giving Tree by Shel Silverstein.
Reply
Exactly! That's where the initial inspiration came from.
Reply
Such a heartfelt and beautifully written story Marjoleine. I love the relationship between the boy and the tree, both weathering and changing together with the seasons. A very clever tale told with your usual attention to detail and wonderful use of words. You are a spinner of tales Marjolein!
Reply
Thank you so much.
I love your phrase "weathering and changing together with the seasons." That captures exactly what I hoped the story would convey. Trees seem rooted in one place, yet they witness entire lives unfolding around them.
And "spinner of tales" may be one of the loveliest compliments a storyteller can receive. Thank you for that.
Reply
I am at a loss for words. The stillness of a tree-- the journey of growth, longing, and returning to home. The ache of the tree--- as if it has a heart. And then full circle with the boy. Lovely.
Reply
Thank you so much.
What touched me most about your comment is that you felt the tree's ache. That was always the challenge: to make something rooted and silent feel alive enough for the reader to care.
And yes, I wanted the story to come full circle. Some journeys take us far away, only to bring us back to where we began.
Thank you for reading so thoughtfully.
Reply
zi am at a loss for words. The stillness of a tree-- the journey of growth, longing, and returning to home. The ache of the tree--- as if it has a heart. And then full circle with the boy. Lovely.
Reply
Oh, my. This story touched me deeply. What a thoughtful, delicate rendering of the meaning of place and the connection to it. I absolutely loved the pacing and emotional restraint of this piece. The tree doesn't pity Oliver, or judge him, or try to 'fix' things; she just offers a quiet, inevitable presence. Your use of seasonal imagery to mark the passage of Oliver's life is stunning. The detail of Oliver at twenty-three, with the jaw of someone 'who has practiced not asking for a long time,' is such a heartbreakingly precise piece of characterization, and the way the tree heals around her broken branch to let in new light perfectly mirrors Oliver's own quiet healing. The final scene, bringing it full circle with a new boy and new apples, left me incredibly moved. A wonderful, subtle story.
Reply
Thank you so much.
I’m especially touched that you mentioned the tree’s presence. I never wanted her to fix Oliver’s life, only to witness it.
And the fact that those small details stayed with you means more than I can say
Reply
Oh, my. This story touched me deeply. What a thoughtful, delicate rendering of the meaning of place and the connection to it. Your use of seasonal imagery to mark the passage of Oliver's life is stunning. The tree doesn't pity Oliver, or judge, or try to 'fix' things; she just offers a quiet, inevitable presence. And the way the tree heals around her broken branch to let in new light perfectly mirrors Oliver's own quiet healing. The detail of Oliver at twenty-three, with the jaw of someone 'who has practiced not asking for a long time,' is such a heartbreakingly precise piece of characterization. The final scene, bringing it full circle with a new boy and new apples, left me incredibly moved. Truly beautiful work.
Reply
Wow, the imagery in this one was quite beautiful. The way the tree dug her roots deeper through the connection to him was a heartwarming detail. Thanks for sharing
Reply
Thank you so much.
It's good to hear that detail resonated with you. I liked the idea that the connection wasn't one-sided—that Oliver shaped the tree just as much as the tree shaped Oliver.
Thanks for reading.
Reply
Thank you for inviting me over to read this. Gobsmackingly beautiful writing that has made me 1) want to go out and hug the first tree I see, 2) write more, in the hope of one day achieving this level of excellence.
Reply
Thank you so much.
If my story made you want to hug a tree, I've done more for the environment than I ever expected. 😄
And as for the writing—keep writing. Every writer whose work you admire started exactly the same way.
Reply
However, your credentials speak for themselves. :-))))))))))
Reply
This story gave me flashbacks to the good old days, when my brother and I attempted to conquer the heights of an old tree infront of our then home. Your story made me feel 9 again. Thank you.
Reply
Thank you. It's wonderful to hear that the story brought back memories of climbing trees with your brother.
As writers, we can only hope a story stays with someone long enough to reconnect them with a moment like that.
Thank you for sharing.
Reply
The challenge of a tree narrator is making the reader forget they're reading a tree. You pulled that off remarkably well.
I especially liked the gradual growth of the bond between the tree and Oliver. The final return felt inevitable in the best possible way.
Thanks for sharing
Reply
Thank you so much. A tree narrator was definitely a gamble, so I'm delighted to hear you eventually forgot you were reading a tree.
I'm also happy the ending worked for you. Oliver's return was always the destination; everything else was about making that moment feel inevitable.
Thanks for reading.
Reply
I have never read a story like this before. Very interesting and touching about the tree and the boy. I was hooked from beginning to end. Thanks for sharing.
Reply
Thank you for your kind words. Really appreciated.
Reply
Lovely way of showing action. A beautiful piece and you have written about one of my favourite subjects. Trees give us so much — without asking anything in return. Well done.
Reply
I'm always happy with your comments Helen. Thanks!
Reply
This was excellent! This reads like it was written by a seasoned writer in full control of the tone they were going for. It actually gave me a Tolstoy vibe. You have another follower now.
Reply
Thank you! The Tolstoy comparison is wildly generous, but I'll happily take the compliment.
Writing from a tree's perspective felt like a risky idea when I started, so I'm glad the voice worked for you.
And thanks for the follow—always nice to meet another writer on here.
Reply
Just beautiful!
Reply
Thank you!
Reply