What I Remember

Drama Fiction Inspirational

Written in response to: "Write a story from the POV of a mythological creature or a natural (not human-made) object." as part of Ancient Futures with Erin Young.

I was there when all of them first arrived. I had never felt so free. It was in all the curves of myself, wherever I flowed, whenever I wished. I was both wide and narrow, gushing and growing in the spring, and then narrowing and disappearing in the heat. I ran and skipped over rocks and stones and roots and mud, smoothing and tumbling over them with joy. They tickled my underbelly as I pressed over them, carrying them with me as far as I could to their different destinations if they asked. Nobody told me that I was too much or too little. They didn’t tell me when to stop or where to drop off the loads I carried. I didn’t have any instructions beyond what my community needed and what I desired. I was exactly as I was meant to be.

I was perfect and happy. I was alone at first, but I didn’t mind, because I could feel the earth beneath me, and she felt me.

The first to arrive at my banks were so small, I hardly even knew they were there. I barely felt them at first; just a small gentle tickle as my new friends began to grow and thrive, shifting through my waters. They were single-celled organisms. I called them the amoebae. Life was quiet, even as they began to multiply, divide, and shift again. Then they grew more complex. More organisms of varied designs soon followed, drawn to the possibilities of my body. It didn’t take long for them to grow their own little populations and families.

Then came the green grasses, with their tufts of dirt and rooted tendrils that sunk deep into my sides and in my underbelly. My new neighbors pressed their roots into my banks and drank deeply and enthusiastically. The flowers that followed were bright and colorful. The flora would gather at my shores and bloom on the tallest plants that leaned over me. When the winds changed and the temperatures shifted, some would fall and scatter into me, and I would happily carry them all on their path as well. Leaves, petals, twigs, and pollen—I would welcome them all into my gurgling embrace.Sometimes pieces from plants that weren’t from around my waters would arrive, either carried in by the breeze or from one of my smaller tributary neighbors that eventually joined into my body.

The animals reached out next. Hooves broke my surfaces into hesitant ripples, and talons dived deep. Fish would swim quickly and flash spurts of silver, pink, blue, and green as they moved through me. They swam in my belly, frolicked in my curves, and played when the days grew too hot. I was happy to provide what I could, when I could. My new visitors understood the importance of sharing and collaborating when necessary. I watched as the older ones passed down these lessons to their young, and I was proud to be able to assist. It was enough.

Then they came. They arrived with their minds and tools, and their voices that shouted and boomed like thunder on the hottest days. I thought they too would appreciate and understand me; that they would see me and come when they grew thirsty, tired, dirty, or when the world became too hot and too much. They would see the community gathering place and realize its capability.

They spoke about potential. They used the word so often, I’m not sure they actually knew what it meant. They looked at my edges and measured my sides, and discussed how fast and powerful I moved and where. They didn’t see the amoebae and barely gave my rooted plants a glance. They discussed the discovery of my community like it was an inconvenience, not a wonder. They did not make me joyful, curious, or eager when they were near. The others complained to me in whispers during the dark nights when they took breaks from their work.

Finally, they left and my world was happy and free once more.

But then they came back.

Now, I am trapped. Blocked. They straightened my curves and forced my edges into clean-cut lines. They told me where to go, how fast to move, and when. They told me how much of me I was allowed to be.

They say it is now better—that I am better—since they have controlled my power and harnessed my capabilities. They called it great progress and used that word again. Potential. But why does it feel so wrong?

My animals still sometimes come to visit; however, they seem confused and more hesitant. They don’t understand why I cannot run freely and let them do what they once did. The fish no longer swim upstream when the weather turns warmer, and when they try, they eventually turn back and scatter when there is nowhere for them to go. The young cubs who wait at my edges, eager to hunt, wait and wait, as their parents once taught them, but I can no longer provide them with what I once did.

The plants don’t understand when I tell them there is no place to put down roots, and maybe the next stream might be better. The trees still attempt to place their tendrils, but their twigs and petals will no longer be carried beyond.

The single-celled organisms are all that are left now. They are my only remaining friends. The cold concrete does not speak and the dirt that used to be a part of me has long forgotten how. The wall that blocked and cut me in half does not speak either.

I was there when they arrived. I still am. They think they have contained me and changed me into something useful.

But I remember.

I remember who I was, and who I am. I remember what they have done. I also remember when all the others first arrived as well, each with their own order, desire, wish, hope, dream, and need. Water does not forget its communities, and it does not forget how to move. One day, I will shape the landscape once more, trickling and designing my own path into its mountainside for all to see. That is what I was always meant to be.

Posted May 07, 2026
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11 likes 8 comments

Rebecca Lewis
18:42 May 08, 2026

This is strong. The voice feels super consistent the whole way through, and the river perspective works instead of feeling gimmicky. It feels ancient and alive without sounding too human, which is hard to pull off. A lot of the imagery is beautiful too, when the river talks about movement and physical sensation. Lines like the rocks “tickling” its underbelly and “water does not forget its communities” stand out a lot. I also like how the structure builds through the different stages of life arriving. Starting with single-celled organisms and expanding outward into plants, animals, and then humans makes the progression feel inevitable. The shift into “Then they came” is effective because the tone changes and you can feel the tension. The repeated use of the word “potential” is also smart. It turns into something uncomfortable the more it gets repeated, which fits the theme well. The humans talk about the river like it’s a machine or a resource instead of a living thing, and that comes across without feeling forced. The ending is my favorite part though. It gives the river agency again without making it feel dramatic. It ends on something powerful and inevitable rather than just sad, which fits the narrator well. It feels like literary eco-fiction with a strong emotional core and solid atmosphere. The concept works, the voice stays believable, and the themes come through without sounding preachy.

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Katherine Howell
21:34 May 13, 2026

Thank you so much! I’m really happy the river voice stayed believable throughout. One of my biggest concerns while writing was making the narrator feel ancient and alive and like something that is consantly flowing, without becoming too human or overly abstract, so I really appreciate you mentioning that balance. I’m also glad the progression of life arriving worked for you. I wanted the structure to feel almost natural and inevitable at first, so that the “Then they came” shift felt more abrupt and uncomfortable by comparison. The repeated use of “potential” was definitely intentional as well, slowly turning from something meaning hope to control.
And thank you especially for the comments about the ending. I didn’t want the story to end purely in grief or hopelessness, but instead on something eventually more inevitable, where the river still retains its identity despite everything that’s been done to it. I really appreciate your thoughtful feedback!

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The Old Izbushka
00:39 May 14, 2026

I was really struck by the river’s perspective. From the very beginning, I felt as if I were the river-“I ran and skipped over rocks and stones and roots and mud, smoothing and tumbling over them with joy.” You let the river speak with intelligence, emotion, and an ancient memory that feels earned and intimate.

That line : “I remember who I was, and who I am. I remember what they have done.”—carries such power. The river feels truly wounded, at times defiant, and deeply mournful.

Beautifully done.

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Katherine Howell
15:24 May 14, 2026

Wow, thank you so much! Those two sentences were actually some of my favorites to write, so I’m really happy they stood out to you as well. The blend of "intelligence, emotion, and ancient memory" was exactly the balance I was trying to strike with the river’s voice, so I really appreciate you describing it that way. I also wanted the river to somehow feel both deeply wounded and quietly defiant by the end which is a tricky balance (especially with such an unusual POV), so I’m glad those emotions came through. Thank you again for such thoughtful feedback!

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Jo Freitag
22:21 May 07, 2026

Such a beautiful poignant story, Katherine! I love your descriptions of the water and its nurturing relationship to all the other creatures and the interfering and controlling nature of ‘their’ interactions with it. Thank you.

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Katherine Howell
21:32 May 13, 2026

Thank you so much! One of my biggest challenges while writing this piece was figuring out how a river might describe movement, objects, and relationships without sounding too repetitive or overly human, so I really appreciate you mentioning the descriptions and voice. I’m really glad the nurturing relationship between the river and the other living things came through as well. Thank you again for reading!

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Aaron Luke
10:15 May 07, 2026

Hi Katherine,
The story was short but precise to the point.
You didn't drag as long and it made the whole story just worth while.
I loved how you used water as your protagonist, before man came to defile it, it was tranquil and peaceful, unbothered by any troubles and welcoming all that would respect her as it should. Only for them to come and destroy everything she had built and left her to her own sorrow.
It's also a lesson, that we shouldn't let this happen. These things lead to pollution and the ones that cause it will also be the ones that complain about it. Nature should be treated as we treat one another.
Thank you so much for this story.

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Katherine Howell
21:31 May 13, 2026

I’m so glad you felt the story was concise while still getting its point across. I’ve found that with unusual or trickier POVs, sometimes it’s best to get to the emotional core fairly quickly and let the atmosphere do the rest. I also really appreciate your thoughts on the environmental themes and the relationship between humans and nature. Thank you so much for reading and commenting!

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