119 Best Creative Writing Exercises for Authors in 2026

Sometimes in order to get over writer's block, you simply need to put word down after word. Keeping this in mind, set the timer to 15 minutes. Start writing whatever comes to your mind until time's up. Then do it again - but, this time, write stream-of-consciousness from the perspective of your protagonist.

Sometimes a bad case of writer's block boils down to a broken connection between you and your protagonist, and the solution can be a change of scenery. Not for you - for your character! Writing prompts are a good way to get the creative juices flowing and can help you clear out the block so your character can continue down your story's path. For a weekly supply of fresh writing prompts, head here: reedsy.com/writing

Choose a random occupation, a random personality trait, and the trait's opposite. Now, outline a train of events that explains how a person of your chosen occupation changes from having the random trait to having its opposite. Let's take, for example: "martial arts teacher," "shy," and "confident." What would make a shy martial arts teacher change into a confident one?Care for a double challenge? Try plotting the opposite path, too: a confident martial arts teacher turns into a shy person. What would cause that? Experiment with unusual occupations and traits to challenge yourself. Find a collection of traits for download at the end of this article.

If you haven't already, write a rough synopsis of where your story might be headed. If you already have a pretty good idea of this, but feel stuck trying to get there, try writing a brief "alternate timeline" of the story you have in mind. Are there fixed, important events that happen in your story? What would happen if your characters made different decisions in those crucial moments?

Your protagonist has just made it into a New York Times headline. What does the headline say? Write down the reaction of your protagonist to hearing the news that day.

Your protagonist's name is called. They approach the stool, where an old and tattered hat lies. They put on the hat. They will next hear one of four words called out: Ravenclaw, Gryffindor, Slytherin, or Hufflepuff. Which one is it? Write down the reasons detailing why.

Write a presidential speech about why your country needs more ice cream.

Think of writer's block as a symptom, not a condition that can't be remedied. When we're stuck and can't get to our creative work, there's usually a reason - and therefore a way to move forward.If you're experiencing a block and can't seem to work on your novel, try the following:

1. Close your eyes, take a few deep breaths. Connect.
2. How do you feel?
3. Nervous because you're coming up on a tough scene?
4. Starting to wonder why you embarked on this project?
5. Bored with sticking to your thorough outline and not wanting to admit it?

Feel what you're feeling without attaching or rationalizing or arguing. Now, refocus on your breath. Imagine gentle snow or waves. When you're calm inside, grab a notebook and pen (computers can amplify pressure instead of opening room for free scribbling) and write without stopping for three minutes, starting with the prompt, "I'm not blocked becauseÄ" After that, go for another three minutes, using, "The path back to my writing looks likeÄ" Let yourself go. Let your hand tell you whatever you need to hear.

What does your character want most? Now consider what he needs most. Is what he wants preventing him from gaining what he needs? Or will he have to find what he wants before he can achieve what he needs?

When writing emotion, it's easy to become stuck on how to express what the point-of-view character is experiencing. An exercise to try is to pull from your own memory if you feel comfortable doing so. Sit back in your chair, take a few calming breaths, and think back to a time where you experienced this same emotion. Carefully draw up the memory, thinking about the situation, the location, the people involved. Remember the sights, sounds, smells, textures, tastes.Now, pay attention to your body. Are you relaxed, or tense? Are your muscles tight? Is it easy to breathe, or do you feel restricted? Is your posture curling up, an attempt to hide, or are you twitchy all over and want to leap out of the chair? Make as many notes as you can, and when you go to write, use what you collected to give life to the character's experience.