Circe’s Lament

Drama Fantasy Mystery

This story contains sensitive content

Written in response to: "Start or end your story in an empty, hidden, or locked room." as part of Whodunit?.

CW: Dark Themes and Mythic Violence

They say I did it. But how could I have? After all, I have been in this room the whole time.

Until moments ago, the door was locked from the outside. Now it hangs crooked behind the man who forced it open. The windows are narrow, letting in afternoon sunlight and a limited view of the courtyard, but nothing else. If I wish to see the sea, I must walk outside and down the path. Through the narrow openings come the smell of brine, the smoke from the courtyard fire, and the hiss of fat dripping over the hot stones beneath the roasting spit. My nymphs are murmuring among themselves as they work.

The room itself is very nice and spacious. Mosaics cover the floor and various cloths drape across the chairs. I wove them myself. An unfinished project sits on the loom in the corner. Nearby, a large bowl of broth is already half empty. Smaller bowls are drying on shelves, and various herbs hang from the rafters. A signet ring rests on the table by the nearest window, its crest catching the glimmering light. A folded scrap of paper is beneath it. I have yet to decide what to do with either. A lion growls in its sleep near the dying hearth, three wolves adjust their stances beside me, and twenty-two pigs stink up the far right side of the room.

The man in front of me has been staring ever since he entered without welcome. He has dark hair that has been made lighter with salt and time. Blood drips steadily from a cut on his cheek, and he wipes it away before placing his hand back on the hilt of his sword. In certain lights, some might even consider this type of man handsome. Unfortunately, the sun is currently hitting him just right. Naturally, he has also placed himself between me and the only exit. His eyes search my home quickly.

He is expecting a body, of course. Do not all good mysteries begin with one?

“I know what you did,” he says.

“Do you?” I lean back into my chair. “Excellent. Then this interrogation is unnecessary.”

“Interrogation?”

“How else would you describe this?”

“Where are my men?”

“Did they not arrive with you?” I ask. “That seems careless.”

“They entered this palace and never returned.”

I look around the room. “How mysterious…” One of the pigs huddles deeper into the corner.

“You were the last person to see them alive.”

“Was I?”

“Murderer!” he declares, as though he has finally reached both his verdict and the true reason for his arrival.

“Me? Little old me?” I gasp, widen my eyes like a doe, and press my hand to my heart. I know how this story is meant to look—a woman alone, an armed man, and a locked room. Women have been arriving on my shores for centuries carrying different versions of it. Husband. Father. King. The names all change, but the stories remain the same. When faced with a locked room and a mystery, somehow the woman inside is always blamed for what happened behind the door—no matter how impossible. How tiresome. I pout.

“Of course,” I say eventually. “Blame the helpless woman trapped all alone in a locked room. Typical.”

The man scoffs. “You are not helpless.”

“It is not very courteous to accuse.”

His grip tightens on the hilt until one of the wolves growls low and curls back its lip, baring its canines. He takes a slow step back, removes the sword from the scabbard, and places it against the wall. He then takes a long, deep breath.

“Twenty-two men disappeared after entering your home,” he says.

“How do you know this?”

“I do.”

“I see. Perhaps you should have warned them not to wander.”

“They were under my orders.”

“And they still ignored you?” I shake my head. “Not very good leadership, Captain.”

The pig closest to me snorts. “Do not be rude.” I point at it admonishingly.

The man’s eyes flick from the pig to me and back again. “You expect me to believe you had nothing to do with my men’s disappearance?”

“I expect very little of men.”

“So you deny harming them?”

“I deny murdering them.”

“That is not the same thing.”

“Perhaps you should ask better questions. Athena knows so far you haven’t.”

His jaw tightens. I seem to have struck a nerve.

“I would never kill a man,” I continue. “The gods would strike me down.”

“Your father and grandfather are among them. I highly doubt that.”

“You only further my claim.”

“You are a goddess.”

“That is very forward of you to say, but thank you. I have found my appearance to be striking to most men.”

My cheeks warm, though I am certain it is only from the heat coming from the courtyard fire and spit. I know he notices from the way his eyes are still lingering on my face. Irritating.

“That is not what I meant—”

“To think the gods would strike one of their own!”

“You know what I meant.”

“Do I? I find that men rarely understand what they mean. How should I—a woman—be expected to?”

“What have you done to my men?” he asks.

“Men were fashioned in the gods’ image. Would it not be foolish to kill one merely because he is mortal rather than immortal?” My hand strokes the nearest wolf’s back. “Animals, on the other hand…”

“And those are separate?”

“Of course.”

The pig nearest me snorts again before nudging my chair hard with its head.

“Precisely,” I respond to it.

The man raises an eyebrow and eyes the pig a second time. “Do you always converse with livestock?”

“When the alternative is less intelligent.” I scratch one of the other wolves behind its ears until it gives a contented howl. “Where is the other one?”

“What other one?”

“The man who remained outside. He did not accept my hospitality.” I shake my head. “Quite rude, you know.”

“Eurylochus?”

“He has a name?”

“Of course he does—”

“I suppose even shades had identities once,” I muse.

“He is not dead,” the man argues.

“Then his lack of manners is even more inexcusable,” I counter.

“He left to warn me.”

“Warn you?” I gasp. “About what?” I gesture around the room. “What dangers are around us that I need to heed?”

His gaze moves carefully from the lion to the wolves, and at last, to the pigs.

“Ah,” I say. “Yes. That.” The pig nearest to me then squeals indignantly and nudges my hand. I push it away. “Hypocritical? Hardly. Do not speak in that manner. You had eaten half your bowl before I came back.”

The man goes still, his attention focusing on the pig that squealed. But this time he takes a step closer and kneels to get a good look. Around its neck is a red cloth I forgot to remove, and a scar outlines one of its eyes. It’s almost impossible to miss. I wait. Three. Two. One…

“Polites?” the man asks.

The pig lifts both ears and clops its hooves in excitement. The others begin squealing in what I can only describe as jubilation and race in circles across the mosaics.

“Hush,” I tell them. “It took him long enough to recognize you. I would hardly celebrate.”

“What did you do?” The man stands back up and turns to look at me directly.

“At last. A better question.”

“You will turn them back.”

“Turn?”

“Change. Change them back. Now.”

“That wasn’t a question,” I say, almost disappointed.

“Circe.”

He knows my name, but I did not give it to him. I rise from my chair. “Away with the pretense, I see. And you must be the great and clever Odysseus.”

One of the other pigs squeals. “Do not be rude,” I tell it. “Can you not see we are having a conversation?”

“These are men,” Odysseus says.

“They were men,” I correct him.

“Change them back,” he repeats. Then, through teeth gritted so tightly I can hear them creak, he adds, “Please.”

“Thank you.” I immediately walk towards the table beneath the window, where a prepared bowl waits. All it needs is the final ingredient and an incantation. The pigs rush at my feet, squealing and shoving each other aside for a taste.

I chide them. “Patience. Patience. You were greedy enough as men. Becoming swine has clearly taught you nothing. If it weren’t for your captain, I would consider keeping you this way.”

I drop the final herb into the bowl and begin stirring.

“So you finally admit it,” Odysseus declares. “You did do this.”

“Very well. If it means so much to you, yes. I confess.” I continue stirring, making sure every last fragment of the herb is broken apart and dissolved. “I transformed your men.”

“But you didn’t kill them.”

“I have told you that since the beginning of this conversation.”

“You also said you were helpless.”

“Facts may be more or less true in certain lights. I would think the man who devised the wooden horse would know this. Are you a sacker of cities or the conqueror of Troy’s great citadel?”

His voice becomes sharper, and I hear him retrieve the sword. I ignore it. “How do you know about the horse?”

“Do not all men know the tale by now? Your deeds have been sung on every shore and carried in every mouth.”

“Troy is many a mile from this island.”

“Stories travel farther than ships, and much faster.” I glance towards the empty bowls drying on the shelves. “And men really like to talk when they are hungry. Even more so when they wish to impress.”

“Who are these men? Who told you?”

“All kinds from all over. A soldier who claimed he was the first to breach the walls. A merchant who swore the horse was twice the size of my palace and that he had sold the very wood used to build it. A sailor who said you were as tall and broad as Agamemnon, and with hair as golden as Heracles or Paris.”

“I do not have golden hair.”

“Clearly.” I glance in his direction. “But I think I do not mind this version.”

“What else have you heard?”

“Enough. I know that heroes rarely appear as they do in the songs. But perhaps you have proven me wrong.”

“I have heard that witches are foul creatures. Perhaps we are both wrong,” he says.

I finally lift the bowl and murmur the proper words, turning the liquid bright blue. I then throw it over the pigs and watch as they slowly elongate back into twenty-two crouching naked men. Hooves split and turn into hands and feet, snouts draw back into mouths, and tails curl inwards and then vanish altogether. For a moment it looks like they wish to threaten me with violence, but then another of my wolves bares its teeth. Odysseus turns to face me once more.

“Then you are innocent.”

“Of your men. Yes,” I say.

He narrows his eyes and wipes his brow as another wave of heat blows in through the windows from the roasting spit. He suddenly reaches for the signet ring on the table as a metallic glint catches his eye. It has the crest of a king on one side.

“This isn’t one of my men’s.”

“No. It belonged to another guest.”

“Where is he?”

“Gone.”

“He left without it?”

“He changed his mind so quickly.”

Odysseus next picks up the scrap of paper that had been under the ring. The lines are still clear as day: Deliver the witch. Her island and magic will be yours.

“I trusted him,” I say.

He had arrived weaving a story about being hunted by a greater power, claiming vehemently my island was his only sanctuary. He had said that he feared for his life after denying a great king his wish. For all my power, I had fallen for it. I had heard that story many times over—just never from a man.

“You believed him?” Odysseus asks.

“For about an hour.”

“What happened when you discovered the truth?”

“When I discovered his betrayal?” I look towards the courtyard, where the spit slowly continues to revolve. Odysseus moves closer to the narrow window and angles his head for a better look out of it. The boar’s skin is now crackling and bubbling above the fire. One of my nymphs rotates the handle slowly while another brushes more herbs and oils across its back. It will be ready soon.

One of Odysseus’s men retches onto my mosaics.

“You said you would never kill a man. You said that you hadn’t,” Odysseus says.

“I did not. I would not.”

“You said you had been in this room the entire time.”

“I have.”

His gaze moves to the broken door before returning to the courtyard. I can see him beginning to figure it out—why the door was locked, and why there was never a body to find.

“He locked you inside.”

“He believed it would keep me here while he went to summon his king.”

“He must have arrived after my men had already entered—”

“And accepted my gracious hospitality. Correct. They were far less troublesome by then.”

“Your nymphs killed him.”

“They prepared him.”

Odysseus shifts his attention to the large, half-empty bowl of broth.

“The broth.”

“Yes. He was very hungry.”

“It was poisoned.”

“The broth was perfectly safe when he ate it.”

He turns to me slowly. “When he was a man.”

I smile. The tales did not do his intelligence justice.

“You transformed him from here.”

I shrug. “The spell was already inside him once he ate. All it needed was the words. He should have realized distance would not matter.”

Fat strikes the hot stones again, and Odysseus’s attention returns once more to the boar rotating upon the spit.

He is cleverer than most. Perhaps I will let him stay a little while longer.

“Animals,” I remind him, “are entirely separate.”

Posted Jul 23, 2026
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23 likes 27 comments

The Old Izbushka
July 26, 2026 20:19

That was dark in all the best ways possible! The “boar rotating upon the spit” was a twist I did not see coming, and it elevated the story into something unforgettable. Hope it tasted good :) The way the reveal unfolded really was shocking and seemed like it was just destined to happen also. Great story, and agree that Circe's confidence really made this story a great read!

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Katherine Howell
July 31, 2026 18:59

Thank you! I’m so glad the boar twist landed and this felt dark in all the best ways! Once I came up with that final technicality, I began working backward to determine how the betrayal could have happened and what clues would make the reveal feel inevitable in hindsight. And yes, Circe would probably insist it tasted excellent! :)

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Eric Manske
August 03, 2026 18:06

This story is one of the top stories in the Fantasy genre for this contest. Congrats! Fun story, and timely, given the release of the movie. Nice work!

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Katherine Howell
August 03, 2026 18:18

Thank you very much! I’m so glad you enjoyed it. And yes, it’s certainly a good time for myth lovers everywhere!

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Helen A Howard
August 02, 2026 09:14

I love this! Witty, observant, dry and dark. For me, an inspiring piece. Made me want to dip into the classics. Well done.

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Katherine Howell
August 02, 2026 18:30

Wow, that is such a compliment. Thank you! I’m really happy it made you want to dip into the classics. One of my favorite things about reimagining mythology is the hope that it might send someone back to the original stories with renewed interest and fresh eyes.

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Rebecca Lewis
July 26, 2026 22:12

I think this is strong. The biggest thing that stood out to me is how confident the writing feels. It knows what kind of story it wants to tell, and it never wavers. The combination of a locked-room mystery, Greek mythology, and dry humor is a fun mix, and I think it works well. Circe carries this piece. She has a distinct voice that's witty, smug, ancient, and dangerous without feeling over-the-top. A lot of her lines made me smile because they feel like something only this version of Circe would say. Lines like "I expect very little of men," "Perhaps you should ask better questions," and "Animals, on the other hand..." do a great job of showing her personality. I also liked how fair the mystery is. Looking back, every clue is there from the beginning. The locked door, the roasting spit, the broth, the signet ring, the note, Circe saying she didn't kill anyone. None of it feels like the story is hiding information from the reader. Instead, it lets us make the wrong assumptions, which makes the reveal feel earned instead of forced. The pig reveal is my favorite moment. The little countdown before Odysseus recognizes Polites is great, and I love how the pigs start celebrating. It's funny, but it also keeps her characterization consistent. I also liked Odysseus here. He's observant enough that he pieces everything together, and once he stops making assumptions, he starts asking the right questions. That gradual shift makes him feel intelligent instead of just serving as someone for Circe to explain everything to. The final reveal with the roasted guest is clever too. The line, "The broth was perfectly safe when he ate it," followed by, "When he was a man," is the strongest reveal in the chapter. It reframes everything that came before it. I think this is a strong piece. The voice is memorable, the mystery is clever without cheating, and the dialogue is entertaining. I'd put it somewhere around an 8.5 or 9 out of 10 as it is now.

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Katherine Howell
July 31, 2026 18:46

Thank you so much for such a thoughtful comment! I’m especially glad the mystery felt fair and that Odysseus came across as intelligent rather than simply being there for Circe to explain everything to. I wanted it to feel genuinely mysterious on a first read while still having every clue in place. The earliest version was much closer to a direct retelling, with the boar added only as a final-line twist. Once I began asking how the betrayal had actually happened and what clues would make that reveal feel earned, the second mystery developed from there. I wanted the story to work both as an homage to the original Circe episode and as a new locked-room mystery, using readers’ familiarity with the myth—and the assumptions that come with it—as part of the misdirection. And yes, the countdown to Polites’s recognition and the pigs' celebration were far too funny in my head not to include, so I'm glad they were funny to you too! Thank you again!

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Marjolein Greebe
July 25, 2026 14:51

Hi,

I really enjoyed Circe’s sharp, playful voice and the way she tells the truth while carefully controlling what Odysseus understands. Their dialogue is witty, and the pigs’ reactions add great humour.

The second reveal is wonderfully dark: Circe did not kill a man because he was no longer a man when he died. Smart, funny, and deliciously sinister.

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Katherine Howell
July 31, 2026 18:49

Thank you! I'm so glad Circe’s voice and the dark technicality worked for you. I had a lot of fun letting her tell the exact truth while carefully controlling what Odysseus—and hopefully the reader—understood.

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Belladona Vulpa
August 05, 2026 18:58

I love mythology & humour, and this was a great mix of both! At the end of the day, mythology itself is told, changed, and retold. I was amused by this version from Circe's POV, showing men as predictable, trying to impress and tell different tales about Troy.
Of moments that made me laugh: "When the alternative is less intelligent.” and about the sailor describing the hair and the height of Odysseus “I do not have golden hair.”“Clearly.”, Nothing mentioned about his short physique, but Circe's sarcasm implied it. Loved the detail!

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Katherine Howell
August 07, 2026 19:20

Thank you! I love adding little humorous snippets to my stories, so knowing which ones actually made someone laugh is always wonderful feedback. And I completely agree that mythology has always been told, changed, and retold, which is part of what makes it so much fun to play with.

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Nicoletta Glod
July 31, 2026 02:42

This take on a classic took a very different path, a bit darker, if I may say so. It was written with wit and a composition that strongly led to the new final. In the original, there were 3 themes, but Circe ultimately changes from a dangerous sorceress into a wise guide, illustrating that enemies can sometimes become teachers. Just a personal note: I prefer the original. The men become pigs partly because the spell reveals how easily human reason can be overwhelmed by appetite and carelessness.
Wisdom over force: Odysseus succeeds not through strength alone, but by accepting help from Hermes and using intelligence.
Growth: Circe changes from a dangerous sorceress into a wise guide, illustrating that enemies can sometimes become teachers.

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Katherine Howell
July 31, 2026 19:05

Thank you for reading and for sharing your perspective! I’m happy you enjoyed the wit and felt that the composition strongly led to the ending. I approached this as a reimagining of the familiar Circe story, with an additional betrayal mystery woven through it to answer the prompt while also exploring themes of guilt, perception, and carefully chosen language. I appreciate your thoughts on the original.

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July 29, 2026 05:19

I really enjoyed the atmosphere you created and the sharp, witty, tension-filled dialogue between Circe and Odysseus. I also liked how you reimagined the myth of Circe and Odysseus. Circe’s voice was strong and distinctive, making her an incredibly compelling character. The subtle humor, clever twists, and your exploration of themes like power and perception were handled very well. Great work!

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Katherine Howell
July 31, 2026 18:50

Thank you so much! I’m really happy the combination of atmosphere, humor, and tension worked for you. Power and perception were both themes I wanted to explore, especially through the gap between what Circe says and what Odysseus initially assumes. I was hoping the twists would come across as clever rather than gimmicky, so I especially appreciate that feedback!

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August 01, 2026 08:46

You're welcome. You handled it well.

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Akihiro Moroto
July 28, 2026 21:26

I love how the familiar Greek story that took place on Aeaea between Odysseus and Circe, deepened in this way. The week's prompt is interwoven perfectly. Really fantastic. Thank you for sharing, Katherine!

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Katherine Howell
July 31, 2026 18:53

Thank you! I really enjoyed weaving the new mystery with the familiar episode of their encounter, so to hear it was "interwoven perfeectly" is such a compliment! I loved the idea that readers' knowledge of the myth could become part of the misdirection, allowing the prompt to deepen the existing story rather than simply replace it.

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Aaron Luke
July 28, 2026 17:50

Wow, this story is nice.
Glad you made this from greek mythology especially after the odyssey hit theaters. I loved how you depicted Odysseus' wit and how he got to know Circe as easily. And the conversation of what there ideals truly are and where they fall. Great story overall.

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Katherine Howell
July 31, 2026 18:55

Thank you! I’m especially glad Odysseus’s wit came through. It was important to me that he solve the mystery by observing the clues, reconsidering his assumptions, and asking better questions rather than simply overpowering Circe, since his intelligence is such a central part of his character in the myths. I’m happy you loved their conversation!

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Louise Chambers
July 27, 2026 12:12

I loved the tone of Circe’s voice. It was confident and humorous at the same time. The story is so well told and had me enthralled from the first lines. I also think you handled the dialogue skillfully, it was punchy and propelled the story along to the end. I really enjoyed reading this so thank you!

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Katherine Howell
July 31, 2026 18:57

Thank you so much! Circe’s voice was definitely one of the most enjoyable parts to write, so I appreciate hearing her confidence and humor came through. I also really appreciate your comment about the dialogue. I wanted their exchange to propel the mystery forward without ever losing the tension between them!

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Jo Freitag
July 27, 2026 04:12

I love Circe's voice - so witty and smug!
All the evidence is there to be seen if put together in the right way.
The dark end reveal confirms that she tells the truth about not killing men - but Animals are entirely separate.
A very entertaining read.

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Katherine Howell
July 31, 2026 18:58

Thank you! I’m glad the clues felt fair and visible in hindsight. I wanted Circe to tell the truth throughout while still allowing Odysseus—and the reader—to arrange that truth incorrectly until her final reminder of her distinction between men and animals. It was fun exploring how much power clever wordplay can have when everyone else supplies the wrong assumptions.

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Jim LaFleur
July 26, 2026 19:38

The technicality with the boar on the spit was delightfully dark. Circe’s sharp, unapologetic confidence made this an absolute joy to read!

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Katherine Howell
July 31, 2026 19:00

Thank you! “Delightfully dark” is exactly what I was hoping for. Circe’s unapologetic confidence made this particular story equally a joy to write!

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