Peter's mother wanted the photo on the dock, same as every year. She called it the golden hour, though by the last weekend of August the gold came earlier and left faster.
She'd been planning it since lunch. I'd heard her on the porch telling Peter's aunt to feed the kids by six so they wouldn't cry in the background. It was a collection of Augusts in plastic sleeves, the same boards, the same water, boys growing taller, girls appearing and disappearing at the edges of the frame. Two summers of me in that folder now. I'd assumed there'd be a third. It had never once occurred to me to check.
"Stand where the light is," she said, waving us down the warped boards with her phone raised like a conductor's baton. "Ellie, you first. You know how to find it."
I did know. Where to stand — if I had a talent in this family, it was that. I walked out along the dock in my white sundress, the hem catching faint drafts off the lake, bare feet reading every soft nail head and sun-warm plank, the third board from the end still loose the way it had been loose last year, rocking a half-inch under my heel like a tooth. The boards went cooler near the end where the shade of the boathouse crept in. I turned my face until the light sat right on my cheekbones, that particular slant that made everyone look like they belonged in a magazine. Behind me, the lake was turning from blue to poured tin, the wind-ripples catching the last color before letting go. The wake arrived at the dock pilings a full minute later, patient, slapping in threes. I heard it before I saw it – that hesitation in his footfall, half a beat longer between each step, like the wood might give.
He hadn't touched me since Thursday. Carefully, not angrily – the way you stop touching a table you've already sold.
"Closer," his mother called, phone raised, squinting against the glare. "Come on you two, honestly."
Thursday I'd been carrying his laundry up from the basement of the lake house. I remember which cousin is gluten-free, that one uncle stops taking cream in his coffee after four. The basement smelled of cedar and mildew fighting to a draw, one bare bulb on a pull chain, the dryer making that off-balance thunk every third rotation because nobody had ever leveled it. I pulled his shirts out warm, static snapping at my wrists. His phone was face-up on top of the dryer, screen dark, then suddenly not – it lit the whole shelf blue, buzzed once against the metal, a sound like a trapped fly. I want that on record somewhere — that I looked at the ceiling first, at the joists and the wrapped copper pipes, and held a warm shirt against my chest like a shield. Then it buzzed again and lit again, and my eyes went down without asking me. I didn't even read the whole message. I read enough. After she leaves Sunday we should – and a name I'd heard exactly once, at a barbecue in June, attached to a girl who worked with him and laughed at everything with her head all the way back, loud enough to turn people around.
The dryer thunked. My ears were doing something strange, a high faraway ring, and I noticed my own heartbeat in my hands, of all places, in the meat of my thumbs. I folded his shirts anyway. My hands moved without me — collar, sleeve, fold — the motion so automatic it felt like it belonged to someone calmer than I was. I came down to dinner and told the funny version of our drive up getting stuck behind an RV outside Grayling, the one with the dog in the passenger seat staring at us like it knew something. Everyone laughed. Peter watched me like I was a weather report he didn't trust.
He knew I'd seen. I knew he knew. There'd been a moment in the kitchen doorway Friday morning, his eyes dropping to my hands like he expected them to be doing something else. We performed. Friday night I sat beside him at the long table and passed the corn when his mother asked, and he salted mine without asking because he knew I always wanted it. Saturday morning we played doubles badminton against the twelve-year-olds and lost on purpose, and when I dove for a shot and grazed my knee, he had his hand out before I'd finished falling — in front of everyone, his fingers closing hard around my arm, the kind of grip I'd still feel at dinner. Twenty minutes later, alone on the porch steps, he handed me the antiseptic and cotton and let me do my own knee, sitting one stair above me, looking at the lake. I dried dishes he washed. Our hands moved around each other at the sink with the efficiency of people who have shared a kitchen, passing the heavy skillet handle-first, never once brushing fingers unless his mother came in for the kettle, and then his hip would find mine, light, staged, gone.
Now his arm came around my waist for the photo, landing light as a coat.
"Big smiles," his mother said.
I felt my mouth do the work of a smile, felt Peter's do the same beside me, the fractional tightening of his jaw, the stillness in his ribs against my arm. His mother took nine, ten, eleven pictures, tilting the phone, stepping wide to lose the boathouse from the frame.
"One with the earrings showing," she said. "Push your hair back, sweetheart."
The pearls. She'd pressed the little velvet box into my palm in the kitchen while something simmered on the stove behind her. The box had a worn spot on the lid where a thumb had rubbed the flocking smooth. She'd said, "They were my mother's, and I have no daughters, so." And then she'd turned back to the pot. I'd cried in the pantry afterward, quietly, forehead against a shelf of canned tomatoes. I'd worn them every visit since. She noticed every time but never said so.
I tucked my hair behind my ear, felt the small weight of the pearls swing and settle against my jaw. The phone clicked.
"Perfect," she said, already scrolling. "That's the Christmas card."
Peter's arm dropped off my waist the second she lowered the phone. Not fast, just finished with it. He was already half-turned toward the house, toward the smell of charcoal catching, toward Sunday and the five hours of highway back downstate.
"Peter."
He stopped. His mother’s sandals slapped softly against the wood; then she was on the grass, and the sound of her was gone.
I took the earrings out. I had to tip my head and work the left one blind by feel, thumbnail against the clutch, the post catching in my hair. The lake light was almost level now, coming in under everything, lighting the underside of his chin, the boathouse eaves. The loose board rocked under my weight. The whole time he stood there with his hands in his pockets, watching me do it, and he didn't ask what I was doing.
"These stay here," I said. I held them out on my open palm, two small dents of weight, still warm from my ears. "They're not mine to take home."
"Ellie." His voice cracked over the second syllable, and he hated it. "You don't have to – she'll ask. She'll ask why."
He turned without a word and walked off the dock, the boards giving their small hollow knock under his feet, up across the dew-flattened grass toward the porch. I followed a few steps behind, my sandals still in my hand.
At the top of the steps he stopped and held out his hand without looking at it. I set the pearls in his palm, and his fingers closed over them before I could change my mind.
He sat down hard on the top step, elbows on his knees, fist shut.
“I never touched her,” he said. “I want that said out loud before you decide what I am.”
“I know you didn’t.” I stayed standing. “That’s not the part I’m stuck on.”
“Then what?”
“You were going to. After. That’s not a slip, Peter. That’s a plan. You had a date on it.”
He looked toward the grill. His mother was laughing at something, a high bright sound that didn’t belong to this conversation.
“It was one text.”
“It had a date on it.”
His jaw tightened.
“I had a ring,” he said.
I didn’t answer.
“I returned it in February. You don’t know that.”
“No,” I said. “I don’t.”
He turned the pearls over inside his fist. “I kept thinking there’d be a better time.”
“For what?”
“For everything.”
“That’s not an answer.”
“I know.”
“Then give me one.”
He was quiet long enough that I heard the corn hit the grill, that hollow rattle of husks against metal.
“Portland,” he said finally.
I felt that land, but I didn’t give it to him.
“You told everyone at dinner like it was nothing,” he said. “Like you were already halfway gone and I was just supposed to catch up.”
“So you decided first.”
“When you say it like that—”
“It sounds like what it was.”
He looked up at me then, and for once he didn’t look like he was performing anything. Not for his mother. Not for the twelve-year-olds. Not even for himself.
“I didn’t know how to ask you to stay,” he said.
“You didn’t ask me anything.”
“No.”
“Not whether I wanted you to come. Not whether Portland had room for you. Nothing.”
His thumb moved over the closed edge of his fist, feeling for the pearls through his skin.
“Did it?” he asked.
“What?”
“Have room for me.”
“In April, yes.”
He shut his eyes.
“That’s worse than no,” he said.
“I know.”
A moth had found the porch light and was doing slow, stupid circles around the bulb. For a second that was the only thing moving between us.
“My father used to say laundry told you everything,” he said. “Who folded. Who left things in the basket. Stupid stuff like that.” He rubbed his thumb over the pearls inside his fist. “I used to think about it with you.”
“You never told me.”
“I know.”
“That’s the problem, Peter. Not the beautiful version. The actual one.”
He bent forward, elbows digging into his knees.
“What do I tell people?” he said. “When they ask.”
“That’s not my problem to solve.”
“I know. I’m asking anyway.”
I looked down at the scab on my knee instead of at him. “Tell them the truth got smaller every time you said it out loud. So you stopped saying it. Then it stopped being true anywhere anyone could see.”
He breathed out through his nose. “That’s a hell of a thing to hand a person on a porch step.”
“You asked.”
His eyes stayed on the fist in his lap.
“Then you’ll tell her why,” I said.
He looked at me.
“Your mother. You’ll tell her before I’m out of the driveway, or I’ll call her myself. Not from a card at Christmas.”
The grill smoke drifted across the water. A screen door banged, and his little cousin shrieked about corn or a wasp.
Peter looked down at his closed fist, then at me, and for a second the acting fell off his face entirely. Underneath it, his mouth had gone soft at the corners, the way it did when he got caught at something as a kid — not sorry enough to fix it, just sorry enough to feel bad about being caught.
“Sunday,” he said. “You were leaving Sunday anyway.”
I looked toward the dock, where his mother had just taken a picture of a girl who would not exist by Christmas.
“I was going to leave as your girlfriend,” I said. “I was going to kiss your mother goodbye and let her pack me leftovers in foil. I was going to sit beside you all the way home and pretend we were tired, not broken.”
His face changed.
“I’m not doing that now.”
“Ellie—”
“I’m leaving tonight.”
My bare feet found the same nail heads in reverse, the loose one rocking its half-inch and settling behind me. My sandals were where I’d left them in the grass, and I carried them instead of putting them on. His mother’s voice carried from the grill, asking who wanted their corn charred. I was already packing in my head — the duffel, the phone charger, the white dress I’d change out of and fold last. The light was pulling back off the water fast, the way it does in late August. By the time the corn came off the grill, I’d have the car pointed south, both hands too tight on the wheel for the first ten miles, the radio off because I couldn’t make myself reach for it.
Summer was over, and so were we.
You must sign up or log in to submit a comment.
Great story. I love stories where the dialogue does a lot of the emotional work and you've done that with this one.
Reply
Hello,
I recently read your story and wanted to say how much I enjoyed it. The way you describe scenes and emotions makes everything feel so vivid and easy to picture. As I was reading, I kept imagining how beautifully it could translate into a comic or webtoon format.
I'm a commissioned comic artist, and I'd be interested in creating artwork inspired by your story if that's something you'd ever like to explore. No pressure at all I simply felt inspired by your work and wanted to reach out.
If you'd like to talk about it sometime, feel free to contact me on Discord (laurendoesitall) or Instagram (elsaa.uwu).
Best,
Lauren
Reply
Thanks, Lauren — I appreciate you reading it and reaching out.
I’m not looking to commission a comic or webtoon version of Summer Breaking right now, but I’m glad the story sparked something visually for you. If you have a portfolio, you’re welcome to send it here on Reedsy and I’ll take a look.
Best,
Best,
S.A. Merrin
Reply
This was so great!
Reply