The first thing I see is the hospital bracelet still on his wrist.
White plastic. Black letters. A barcode. The kind of thing you can’t argue with. You can argue with a person. You can argue with a text message. You can argue with silence.
You can’t argue with proof.
He stands in our hallway with a paper bag that has PHARMACY printed on it in loud red. His coat hangs off him. His eyes are dry. That scares me more than tears.
I don’t say welcome home.
I don’t say how are you.
Those are the words people use to make themselves feel useful.
I say, “Show me your hands.”
He blinks. Slow. Annoyed.
“I’m not—”
“Show me,” I repeat, and my voice snaps.
He lifts them. Palms open. Fingers spread. He’s trying to be normal about it, which makes me want to throw something.
No blood. No fresh cuts. Just the faint bruising where they taped a needle in. His nails are chewed down to nothing, raw crescents. He used to make fun of my cuticles. He used to tell me I was dramatic.
Now he stands there, returned to sender.
“Are you alone?” I ask.
He tilts his head. “What?”
“Were you discharged to me,” I say, “or did you escape?”
He gives a thin smile. “They don’t let you escape, Laura.”
He says my name as a challenge. As if I’m the one who needs supervision.
My throat tightens. I taste metal. I hate that my body reacts to him as if he’s a threat. He’s not a burglar. He’s not a stranger. He’s my roommate. The person whose coffee I’ve accidentally drunk for two years. The one who forgave me every time.
He walks past me, shoulders brushing mine. He smells of antiseptic and hospital soap that never fully rinses out.
The paper bag crinkles.
“Where’s your phone?” I ask, following him into the living room.
Coincidentally, his phone lights up.
“It’s Dave.” His voice sounds guilty. Defensive.
“Hey, Dave. How are you? Still married to chaos?”
He gives me a quick wink. A careless apology.
My roommate doesn’t speak for minutes. Dave loves small talk and gossip.
“Ha, you’d kill yourself over your cat ruining the couch? At least you’d have a reason. I didn’t. I still have plenty of pills left that’ll do the trick.”
“Make sure you take enough. Because there’s nothing more embarrassing than waking up and realizing you’re even more stupid than the attempt itself.”
I don’t think Dave can handle the joke. I can’t either.
I scan him from head to toe, looking for signs. I’m too flabbergasted to even ask about the cynicism.
He sets the bag on the coffee table with careful hands. He drops onto the couch, mouth tight, eyes fixed on the blank TV.
“Phone, please.” My voice is sharp, like an army lieutenant’s.
“In my pocket.”
“Give it to me.”
Now he really looks at me.
His face shifts. Something small. Something hostile.
“No.”
It lands in my chest.
I nod once. “Okay.”
That’s the part he won’t expect. He’s bracing for my lecture, my tears, my how could you, my don’t you do this to me.
Instead, I go to the kitchen.
My hands shake so hard I almost drop the glass. I fill it with water. I take two ibuprofen because my head is splitting. Then I put the bottle back and shove it behind the rice.
It’s ridiculous, hiding ibuprofen. It’s ridiculous, checking the knife drawer. My brain runs through our inventory as if we’re in a war zone.
Except we are. The enemy is invisible and it knows his name.
I walk back in with the water.
He watches my hands. Counting.
“Here,” I say, setting the glass on the table.
He doesn’t reach for it.
“You can’t just—” he starts.
“I’m going to say three things,” I cut in. “Then I’m going to stop talking. You can hate me later.”
His jaw tightens. He looks away. That’s permission.
“One: I’m not your nurse. I’m not your judge. I’m not your savior.” I swallow. “Two: I’m not leaving you alone tonight. Not because I don’t trust you. Because I don’t trust the part of you that got you to a hospital bed.”
His lips curl. “You mean the dramatic part.”
“I mean the sick part.” I keep my voice flat.
His eyes flash. He hates the word sick. Hurt is poetic. Hurt is tragic. Sick is paperwork.
“Three,” I say, “if you want me in this with you, you don’t get to make me guess. No disappearing. No locked doors. No ‘I’m fine’ when you’re not.”
He stares at the wall, searching for an exit in paint.
The refrigerator hums. The radiators click. My breathing sounds too loud.
Finally, he says, “You’re making it about you.”
There it is. The cleanest knife he owns.
“I’m making it about us,” I say. “Because I live here. Because I found you.”
His gaze drops to his hands.
His wrists.
The skin is rubbed raw. Not cut. Chafed. As if he fought with something soft that still won.
“I didn’t—” His voice breaks. He clears it. “I didn’t plan for you to find me.”
My heart bangs once, furious. Not at him. At timing. At the fact that I was in line buying coriander while he decided whether oxygen was optional.
“I know.”
He laughs. Brittle. “You don’t.”
I lean forward. “Tell me what you want me to know.”
“You’ll think it’s stupid.”
“I don’t care.”
“Yes, you do.”
He’s right. I do.
“Try me.”
He pulls the paper bag closer and reaches inside. I brace for razors. Pills. A note.
He pulls out a stapled packet. Discharge instructions. The kind of paper that kills slowly in waiting rooms and narrow offices.
He tosses it aside.
Then he reaches in again and pulls out a plastic sleeve.
Inside: socks.
Gray. Thin at the heel. Rubber grips on the bottom.
“They gave me these,” he says. “For suicide watch.”
I stare.
“They don’t let you have shoelaces. They don’t let you have a pen. They don’t let you have anything that could be used.” He wipes his face hard. “So they give you socks.”
Tears spill down his cheeks.
“Did you try to hurt yourself there?” I ask.
He shakes his head.
“Good.”
He flinches at the approval.
“I felt ridiculous,” he whispers. “A toddler. An animal.”
“What happened?”
“I ran out of explanations.”
“For what?”
“For why I was still here.” His jaw tightens. “Nothing bad happened. That’s the problem. No fight. No debt. No diagnosis. I woke up. I brushed my teeth. I answered emails.” A short laugh. “I ordered dish soap.”
I wait.
“I kept expecting a reason. Something tragic enough to justify it. Something I could point at.” His fingers twist in the socks. “There wasn’t one. It was just maintenance. Existing. Over and over.”
He looks up, furious at himself.
“I didn’t want to die. I just didn’t want another thirty years of Tuesdays.”
The sentence settles between us.
He stares at the socks again. “I thought I’d feel something. Relief. Peace. Fear.” His mouth twists. “I felt annoyed.”
Not despair.
Annoyed.
“And then you came home and said my name.” His voice shrinks. “And I remember thinking, oh no.”
Because being found means surviving.
“They told me I have to make a safety plan,” he says.
The phrase sounds corporate. Something you’d present in a meeting about ladder regulations.
“They asked me to list warning signs.”
“What are yours?”
“You’re not going to let this be normal, are you?”
“I’m going to let you be alive. Normal can wait.”
He reaches for the water.
“I don’t want to be a problem,” he says quietly.
The words hit something old in me.
“You’re a problem,” I say. “So am I. The rent is a problem. The mold is a problem. You’re not special.”
A startled huff escapes him.
Then his face collapses.
“I can’t do this again,” he says. “I can’t go back there. I can’t have you—”
He stops.
“I need something from you,” I say.
He looks up.
“Not a promise. Something practical.”
“What?”
“Tonight, you sleep in the living room. Tomorrow we lock up what needs locking up. We tell someone qualified. We make this boring and official.”
“You want to tell on me.”
“I want backup.”
“You’re going to hate me.”
“I already hated you,” I say. “When I found you. I hated you because I had to pull your weight with my hands. Because strangers took over. Because you left me holding your body. And I still don’t want you dead.”
His eyes fill.
“I’m sorry,” he whispers.
“Thank you for saying that.”
His shoulders shake. Not cinematic grief. Just a body failing under pressure.
I grab the spare blanket and toss it to him. He clutches it.
“Give me your phone.”
He hesitates. Then hands it over.
I set it face down.
I take out my own.
I tap a name.
Lena.
Upstairs. A nurse. Steady hands. No panic.
He sees the name. “Laura, don’t—”
“I’m not asking.”
I call.
“Hey. It’s Laura downstairs. I need you to come over. Now.”
He watches me. Breathing uneven.
He mouths, please don’t leave.
I don’t.
I sit on the floor in front of him, close enough that our knees touch. Close enough that if he tips forward, he won’t fall far.
I don’t hold his hand. I don’t offer poetry.
I stay.
Footsteps on the stairs.
He straightens before the knock.
He wipes his face with the back of his hand. Not to hide the tears. To be seen clearly.
When the door opens, he doesn’t look at the floor.
“Hi,” he says. “I’m the problem.”
A beat.
“I think I want help.”
The word help doesn’t sound dramatic.
It sounds deliberate.
For now, that’s enough.
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Marjolein- wow. This genuinely moved me to tears. I'm sitting here, wondering if I should hold them back as I always have or not. This story was so incredibly good. You've left me speechless, which is such a hard thing to do. This was storytelling, and you have a knack for that. Really. When Laura calls Lena, and he admits that he needs help (which is insanely hard to do, especially in his case), that was a really powerful moment. You don't yell the diagnosis or anything, you just let it sit there, and that's really, really nice. What he did, or at least what he tried to do, isn't plastered onto him on one of those "Hello, my name is..." stickers or anything. What you wrote here was devastating in its heart, and you perfectly captured these feelings. Especially when someone you love does this, or tries to, it can be hard, but I think you really put it into a sort of beautiful almost poetry-like, but not poetry at the same time. If I can offer a bit of a suggestion (trying this out!), sometimes the lines of the characters feel like they were specifically written for a story. The characters are beautifully written in themselves, but you could make this piece even stronger by tightening up the dialogue and making them sound more real to life. For example, maybe including a quite morbid joke by the man. Otherwise, everything else is just beautiful. I really cannot tell you how much I loved this story. It might be my favorite one by you so far! Great job, and as always, excellent work!
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Hazel, this means a lot — thank you.
I’m really glad the restraint came through; I tried to keep everything as matter-of-fact as possible and let the weight sit underneath rather than on top.
And your note on dialogue is fair — I kept it slightly controlled on purpose, though he does sneak in a fairly morbid joke on the phone… which probably says more about him than anything else.
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