He waits until the remaining movement in her begins to recede. Not surrender. Not yet. Just the moment her shape seems to feel there is nowhere left to continue toward.
She stands at the counter with her hands against the granite: fingers spread, trying to leave a small trace of existence.
He doesn’t come closer. He gives her space.
“Try again,” he says.
The object still rests where she abandoned it. Dark surface. No invitation left in it.
She doesn’t recognize it and looks away.
Good.
That’s where it begins.
A minute passes. Or five. Even time knows it is redundant now.
She lifts her hand from the granite. Pale skin that fades fast.
Nothing keeps for long anymore.
She turns slightly, enough to catch him in the reflection of the window. Not his face. Only the remaining outline. Stillness held together by shape alone.
He is always still.
“I remember—”
The rest fails to remain.
The words feel unstable now, like stepping onto something already beginning to thin beneath her weight.
He tilts his head.
“Go on.”
She tries to reach for the remainder of the thought. A trace of warmth. A familiar drift. Something connected to scent, perhaps. Or sunlight. Or another version of staying.
It loosens before she can hold it.
Gone by the mind before it fully arrives.
“I…”
What follows never forms.
His expression shifts slightly. Not kindness. Not cruelty either. Just recognition.
“Exactly.”
She turns from the reflection.
The ambience around them appears unchanged. Same surfaces. Same dimness. Same faint fracture near the sink, though it seems less fixed than before.
It wasn’t there yesterday.
Or perhaps yesterday no longer holds its shape either.
She lowers herself toward it, touching the fracture with the edge of her nail. The surface still answers solidity. Still answers contact.
Good.
Something still remains where it should.
She presses harder. The nail folds slightly backward. A thin discomfort travels through her.
Something still answers.
She lets out a slow breath.
Not everything has gone quiet yet.
A subtle shift reaches her from behind him. The sound alone is enough to draw her back upward.
“You’re searching for proof,” he says. “That something exists outside the outline you still call yourself.”
No answer comes.
“Careful,” he says softly. “This is usually where things begin resisting.”
Usually.
The word lingers without settling anywhere fully.
She moves past him.
Not quickly. Not slowly either. Measured, as though some hidden part of her is still attempting to count what cannot be held onto anymore.
The passageway seems shorter now.
Or her sense of distance has begun loosening too.
Threshold. Shape. Turn.
It opens.
That’s different.
Something close to relief flickers through her. Small enough to disappear almost immediately.
She crosses through.
The next atrium waits in the same arrangement.
Same granite. Same reflection. Same quiet figure already resting against the frame ahead of her.
He doesn’t move.
Her hand still lingers behind her.
She turns.
The doorway has already withdrawn from the room.
Not hidden.
Not closed.
Simply no longer remaining.
Her fingers tighten around absence.
She inhales sharply. The air enters unevenly, like something resisting form.
“Where—”
What leaves her no longer sounds like her.
He watches carefully now. Focused not on her, but on the places where she seems least able to remain assembled.
“Try not to rush it,” he says.
Rush.
She tries to remember, the word doesn’t linger.
She moves back into the room she just entered. The enclosure she never fully left.
Her attention drifts quickly now. Granite. Reflection. Surface. His outline. Her own remaining shape.
Something has shifted.
Not dramatically.
Not enough to name.
Just enough.
She raises her left hand.
For a moment, recognition fails to reach it.
The outline remains correct. The movement still follows. But not immediately.
A slight delay.
Enough to begin loosening the last certainty from her.
She lowers it again. Faster this time.
It follows in slow motion.
“Better,” he says softly.
She looks at him fully now.
There is nothing remarkable in his face. That is what leaves so little to resist. Nothing fixed enough to oppose. Nothing solid enough to blame.
“Who are you?” she asks.
The question feels heavier than the remaining air between them.
He considers the question itself more carefully than the answer.
“Does it matter?” he asks.
“Yes.”
The word leaves quickly, as though some instinct still believes naming can preserve shape.
He nods slightly.
“Then not all of you is ready to thin out yet.”
She moves closer.
Not bravely.
Not unwillingly.
As if some quiet current between them has already begun deciding for her.
“If I know what you are—”
“You’ll place me,” he says gently. “And if you place me, you reduce me. And if you reduce me—”
The rest drifts away unfinished.
She waits.
Nothing settles into completion.
“Say it,” she whispers.
A slight shift crosses his expression again.
“No.”
The silence between them expands. Thickening into pressure rather than absence.
She feels it gathering inside her ears.
The instinct to fill it rises immediately. To press language against the growing weight before it closes entirely.
Instead, she keeps her mouth closed.
Holds.
One second.
Two.
Three—
Something in the space loosens.
Not visibly.
Not violently.
Just enough for the array of things to begin softening at the edges.
His attention flickers toward her mouth.
There.
A response.
Small.
But undeniable.
She holds her breath.
Remains still.
Let's nothing leave her.
The silence changes texture.
At last, it no longer belongs entirely to him.
A small correction passes through his posture.
Barely noticeable.
Still, she sees it.
“Careful,” he says quietly.
No answer follows.
The remaining tightness inside her grows sharper now. The urge to cough, gasp, interrupt the pressure gathering around her—
Overwhelming.
Instead she counts.
Not numbers.
Something softer than numbers.
A rhythm already beginning to drift beyond recognition.
Hold.
Hold.
Hold—
The faint pulse near her wrist flickers once.
Twice.
Then steadier.
He steps nearer.
Not enough to touch.
Only enough to become more present than the room around him.
“You think this is control,” he says softly. “It isn’t.”
She keeps her attention resting on him.
Not resisting.
Not surrendering.
Simply remaining.
“If you continue speaking,” he says, “you keep returning to yourself.”
A pause.
“And that becomes heavier each time.”
Something inside her shifts at the words.
Not fear.
Something closer to recognition without memory attached to it.
She almost answers.
Almost.
The forming word reaches her mouth—
Then recedes again before becoming sound.
Silence returns.
He watches.
Waits.
Strangely, she cannot tell whether he is waiting for her to remain or finally allowing her to go.
The enclosure hums faintly. Or perhaps the sound belongs to whatever still moves inside her.
Her thoughts begin thinning at the edges. Names loosen first. Then places. Then the small details once responsible for holding everything together.
Something about laughter.
A table near a window.
A hand resting over hers.
Gone by the wind before she can reach it fully.
She sways slightly.
Corrects.
Still here.
Still—
“I’m sorry,” he says softly.
The words arrive strangely. Too clean to belong entirely to this place. Too human to remain untouched by it.
Even gravity seemed ready to let go.
She reaches once more toward the granite, fingertips pressing against the cold surface as though solidity itself might still ask her to remain a little longer.
Her hand answers first.
Not violently.
Not completely.
Its outline begins loosening at the edges, tiny fragments of something softer than matter drifting soundlessly into the faintest movement in the air while he watches her with the quiet tenderness reserved for things already halfway beyond returning.
She looks at it without fear now.
As though some exhausted part of her finally senses that nothing is being taken from her.
Only released.
“It’s alright,” he says softly. “Matter doesn’t matter anymore.”
Outside, the darkness remains perfectly still while her shape effloresces into light-struck dust, drifting into the void.
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Marjolein, this is such a controlled and haunting piece.
It is not an easy story, but I mean that as a compliment. It asks the reader to enter a space where names, objects, rooms, memory, and even the body begin to lose their edges. What impressed me most is how patiently the story commits to that process of thinning.
Two moments, in particular, feel like the whole piece held between them:
“He watches carefully now. Focused not on her, but on the places where she seems least able to remain assembled.”
For me, that is where the story becomes especially unsettling and precise.
And then the final image, where the tension releases visually, but not comfortably. There is beauty in it, yes, but also something very dark: a letting go that may be peace, or may simply be the last form of erasure.
Everything between those two moments feels like process in the best sense: the gradual loosening of language, body, memory, and resistance until dissolution becomes almost physically imaginable.
A quiet, beautifully sustained meditation on identity, form, and the unsettling edge between release and disappearance.
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This is such a generous and perceptive reading — thank you.
You really pinpointed the core tension I was trying to hold onto: whether what’s happening is release, transcendence, erasure, mercy… or something much darker wearing the shape of peace. I never wanted the story to fully answer that question.
And I’m especially glad you noticed the “thinning” process itself. Much of the revision process became about gradually stripping solidity away from everything: memory, language, objects, orientation, even time and bodily certainty. I wanted the reader to feel that slow destabilization almost physically by the end.
Your observation about the story committing patiently to that process means a lot to me.
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I really like how you explored the themes of identity and letting go in such a poetic, subtle way. It's a great way to handle the prompt. I also enjoyed the protagonist’s struggle and the emotional depth in this story. Great work!
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Thank you so much. I really wanted the “letting go” aspect to feel gradual and almost seductive rather than dramatic or frightening.
I’m very happy the emotional struggle still came through beneath all the abstraction and atmosphere. Truly appreciate you taking the time to read and comment!
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If you'd like to support this story, please also hit the like button ;-)
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You're welcome. You did it well.
I hit the like button before I commented. Or at least I have the story marked as "liked," and it's visible in my Library, so it should be okay.
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You're right. I didn't give it a good enough look. 🤔
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It’s okay. No worries.
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Your prose thins the world so gently I didn’t notice myself holding my breath. Thank you!
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Your oneliner (meant in the best possible way) always makes me think: How does he come up with it ;-))
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Interesting perspective on having the choice to let go. For this MC, the choice is hard at first, until she forgets why. For some people the harder choice would be to stay.
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Thanks Marty,
And yes, for some people the choice to stay could be the harder part.
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A place of shapelessness and isolation, but ultimately it gradually allows her to move towards acceptance.
Somehow, an emotional piece without being overly emotional - if that makes sense. It brought me close to tears in its rendition of what loss actually involves. If felt like the symbolic and actual dissolving of matter. Quietly devastating because at the end of the day, humans tend not want to let go of the rhythm of life, until they absolutely have to. Depending on a person’s point of view, loss feels like the tragedy of life. A fading heartbreak which nevertheless must be faced. Literally letting go of gravity.
Beautifully done. Made even stronger by not being overwritten.
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This is such a thoughtful reading of it — thank you.
You captured exactly the tension I hoped for: the quiet resistance between wanting release and wanting to remain assembled a little longer. “Humans tend not to want to let go of the rhythm of life until they absolutely have to” is beautifully phrased. And I’m especially glad the restraint worked for you, because overwriting this piece would have broken the atmosphere instantly.
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Another story that meant something big.
"Matter doesn't matter anymore" That really stuck with me.
Thanks for telling this story, I now see how you meant when you advised me not to overexplain and repeat. I love the way I get to learn from you story after story.
Thanks for the great prompt!!
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That genuinely means a lot to me — thank you.
And yes, exactly that: once readers already *feel* the atmosphere or emotion, repeating it usually weakens it instead of strengthening it. I’m really glad that line stayed with you.
Also love hearing that the stories themselves are becoming part of the conversation about craft. That’s probably the nicest compliment a writer can get.
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Am glad you feel honored.
I'm not sure if I'll write this week but for the next prompt I'll be sure to do my best and imply what I've learnt from it
Thanks so much by the way.
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If you'd like to support this story, please also hit the like button ;-)
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Epic, Marjolein! It was as if an intricate contemporary dance was about moments before crossing over. He comes, not holding an intimidating Scythe, but allowing her to 'let go' at her own pace. I also loved how each singular word and sentence is sequenced in slowing heartbeat-like rhythm. It's hauntingly beautiful. Thank you for sharing!
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What a beautiful interpretation — thank you so much.
I really love that you experienced it almost as a dance, because rhythm and gradual surrender were very intentional in this piece. I never wanted him to feel cruel or threatening, more like a quiet presence waiting for her to stop fighting the inevitable.
And I’m especially happy the heartbeat-like pacing came through for you. That means a lot.
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You truly are an inspirational writer, Marjolein! Each story is so vastly different; they're short stories, and yet you paint/create incredible worlds that seem to continue way after the final sentence. Looking forward to more of your creations!
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That honestly means so much coming from you, Akihiro. Your stories always carry such humanity and emotional sincerity that praise from you feels incredibly genuine.
And I think one of the greatest compliments a writer can receive is exactly what you described: that the world continues a little beyond the final sentence.
Thank you, truly. Your kindness and openness are deeply appreciated.
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This story truly trusts the reader. Reading it gives the sense that one needs to unpack their experience, which is itself a mark of remarkable writing. What I felt while reading was that innate human impulse to cling to memory and sensation—to tighten our grip on something, anything, to reassure ourselves that we are still here. As her reality thins, the prose thins with it, and the effect is visceral, like standing in a room slowly losing air. Nothingness becomes less an absence than something gently offered, an invitation—quietly moving beyond an existential framing of loss into something more permissive and still. This story is really well written.
“Matter doesn’t matter anymore.” A devastatingly precise line. Thank you for this story.
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Thank you. This is such a thoughtful read.
You articulated something I was trying very consciously to do: let the prose itself slowly lose solidity alongside her reality.
I wanted the language to feel less fixed, less material, as the story progressed.
Your line about nothingness becoming “something gently offered” genuinely stayed with me. That’s very close to the emotional undercurrent I was reaching for while writing it.
And I’m especially glad the “Matter doesn’t matter anymore” line landed for you.
That sentence arrived very late in the process, but suddenly felt inevitable once the story found its final shape.
Really appreciated this comment
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