Content warning: offensive, hurtful insults; language; talk of violence
I'm beginning to worry about Danny. His behavior is becoming more erratic. For a time, I thought maybe he was just another angry young man, but he seems to be taking a darker turn.
In hindsight, maybe the signs have been there for a while. His disagreement with the server, for instance, feels more than quirky now. He was, after all, having lunch with his mother. His mother. It was ridiculous, really; the server refilled his mother's iced tea without asking, and that triggers...what?...triggers something in him. He told the server she should've asked before refilling; fair enough. The server was apologetic: "sorry, sir, you're right, I shouldn't assume," that kind of thing. But he was really, genuinely angry about it, and the anger persisted.
Whatever I thought of it at the time, it's clear that wasn't an isolated event. There were other things after that, things which taken by themselves might not mean much, but taken together might very well form a pattern. Snapping at the poor checkout clerk in the SaveMore store, or demanding to see a manager at the home improvement big-box because something he wanted was out of stock.
The trouble at the pharmacy was a clear escalation. He believes the pharmacist gave him "a look" as she rang up his anti-anxiety meds. "What does that look mean, huh? How dare you judge me. Do I need to speak to your manager?" Again, the other side of this was apologies and apparent submissiveness, but that wasn't enough. He stomped angrily through the rest of the day, slamming doors, banging pots, and yelling at the TV news at home.
Ben's his oldest friend; they've known each other since grade school. Not that either of them--Ben or Danny--were, or are, angels. Mostly the incidents weren't too serious: ding-dong-ditch, windows soaped at the house of someone they considered a mutual enemy, a bit of minor shoplifting, mostly candy. They hit a low-point when Ben's parents were out of town. They were fourteen, and decided to take a joyride in the family car. That one ended when a tree mysteriously leapt out in front of them, as they told each other later, to mutual belly laughs. There were cuts and bruises, but they escaped any police involvement, somehow. By tenth grade, they knew how to get booze when they wanted it, which was too often.
Ben has been noticing changes for a few months; he told his wife, Ginny, about some of the incidents. He told her Danny's behavior was becoming angrier, more hostile. He used the word "frightening," in fact.
But Ben hasn't told her, at least not yet, about Danny's outbursts at him. Danny has always had a bit of a temper, but their squabbles, even if sometimes sharp, were always quickly patched up. If they had harsh words at mid-day, by dinner they were back to being old friends.
After work a few weeks ago, they were having a few beers in Danny's car before he dropped Ben at home. They were laughing hard at something; Ben absent-mindedly clapped his hands, and sloshed most of his beer onto the car seat. Danny went ballistic. He called Ben a "careless pig," and a "fat slob;" he said things about Ben's mother. He calmed down quickly, and even managed a weak, half-hearted apology, but the incident left Ben uneasy. He's been trying to keep just a bit of distance from Danny since then.
Things have gotten worse quickly in the last week, since the environmental protesters showed up. I wouldn't have thought their demonstrations outside the small factory where Danny and Ben work would've affected anyone much. It's a small plant, making agricultural chemicals, mostly herbicides and some fertilizers. Public anger at a company can sometimes result in a bit of a bump up in employee loyalty--"us versus them," so to speak. Some angry interactions between employees and the protesters were certainly expected.
Danny, though, has reacted very strongly, and very, very unexpectedly. He seems to be drawn to the young woman leading the protest group; fair enough, they're about the same age, he's single, she's attractive in what might be called an "earthy" way.
But Danny seems smitten. Worse, he's enthralled, obsessed even. Ben's been worried about Danny's potential interactions with the group, given his recent temper outbursts, but Danny just stared at the group for the first day or two. Soon enough, he approached the young woman, Dawn. When Ben saw this, he hurried to intercede; he was sure there would be an altercation.
Instead, he found the two engaged in a civil, even respectful, conversation. Danny asked her why, or what, exactly, she was protesting. She started with an earful about dangerous chemicals that can stay in the environment for decades, and went on from there.
Ben protested, which was also a bit unexpected. Danny is the fiery one, Ben more the go-along-to-get-along one. But Ben was angry; he used the phrase "ignorant bullshit" more than once. It's a quite surprising Danny didn't jump in to back him up, but the shocker is what came next: Ben called the woman a "stupid bitch," and Danny wheeled on him, grabbed him with both hands, and half-pushed, half-dragged him away. "Look, you fucking moron," he started, and it went downhill from there.
After that, Ben reminded himself to keep his distance from Danny, whatever the circumstances. But two days later, on Friday, the end of the workweek, Danny approached him.
"We've got to do something about this place," he said, gesturing at the factory. "It's poisoning the land, it's killing animals, it's probably even killing people." Ben stood in shocked silence. "I want to figure out a way to shut the place down. I know some things about the General Manager, I can get him thrown out. I think I can figure a way to get the documents they keep locked up, I can bring the whole thing down." He paused and wiped his mouth. "I did some dark-web research on arson. If it comes to it, well..." He trailed off. "You with me?"
Ben was not with him, and told him so.
"Okay, chicken-shit. If you're thinking about turning me in, remember I know where you live, and I know the skeletons in your closet, too. Would Ginny want to know all the things you got up to before you met her, you think? Look at you and your stupid fat face, you don't have the balls..." And so on. And on, and on, and on.
So what do I do about this? What can I do? Danny is my creation, after all. I wrote his backstory, all of it, though not all of it appears in the current draft, of course. Far too much detail. I brought him into being, quirks, faults, big, sloppy grin, all of it. Then I turned him loose, with some ideas about where he would go, figuratively speaking, and what he would do once he's there.
And now I've lost control. My agent wants to see another couple chapters ASAP, and I just don't know how to get Danny back onto the arc I imagined: I don't know how to fix the trouble with Danny.
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I enjoyed how quietly you set up the real problem here, Richard. I spent most of the story assuming Danny’s escalating behaviour was the story, so the reveal that the narrator is his increasingly exasperated author genuinely shifted the ground underneath it. What I especially liked is that Danny doesn’t simply “come alive” — he starts making choices that are actually more interesting and complicated than the arc his creator planned for him. There’s something very recognisable in that for anyone who has ever had a character stubbornly refuse to cooperate! And that final admission, “I’ve lost control,” made me smile. Clever use of the unreliable narrator prompt
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Many thanks for the feedback, Marjolein! I appreciate your feeling that the choices Danny made actually made him "more interesting and complicated." I've heard many, many times that a good story requires conflict, but I sometimes find it difficult to bring conflict into the stories I imagine. The idea that it makes characters better, not worse, will give me some motivation to push a bit more on it.
Thanks again!
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This was such a fun twist! I loved the direction you took and found it a clever, genuinely fun take on a character taking on a life of his own. I often think of the relationship between characters and their authors, and how each influences the other, so I found this to be both entertaining and intriguing! Great writing!
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I just didn’t see the ending coming…Danny seemed to be spiraling and then you find out the narrator is losing control of their creation. Frankenstein’s monster! Excellent twist!
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Thanks, Louise! I like the comparison to Frankenstein's monster - I hadn't thought of it that way, but it fits wonderfully. Now all I need is a prompt that says "write a story about a character going totally out of control, nutty, destructive, and unlikeable" and I'll be all set...
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Ha!! You got me. I was thinking something was seriously wrong with Danny, wondering about his outbursts and threatening comments, only to laugh when I realized the narrator is actually Danny’s author! NICE meta-fiction twist, especially because the author himself loses control at the end. It makes me wonder if they are actually mirroring one another?? :).
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Thanks, Mr. Iz (hope that's not too presumptuous).
I've written enough of these little prompt-based stories now to know that I'm not always sure where the characters will go once I get them sliding along.
I'm sure there are people who know much more than I about the relationship (if one can call it that) between a writer and the characters they've created. It seems to me that a character must, in some way, be a part of the writer. Maybe that's self-evident; to think otherwise, one would have to believe some force OUTSIDE the writer influenced the character for some reason; that's a hard sell for me.
In a story like this, it gets even weirder: I'm the creator both of the writer/narrator and the characters he created. One could conclude that if he's lost control of Danny, then I've lost control of him (the narrator/writer).
Oh great, now I have a headache. Maybe I'll create a character who can lull me to sleep...
P.S.-anyone who wants to respond to this by telling me I don't know the first thing about it is most welcome to do so; I'm always pleasantly shocked when it turns out I DO know what I'm talking about, and have long experience being told I've missed the point entirely.
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I am Mr. Iz.... your guess is spot on :). Like you, I often find characters ending up in places I least imagine, and as you so eloquently put it, they are reflections of our own lives. Most of my stories even the prison one are drawn from things I’ve seen and people I’ve met; I don’t conjure them out of thin air. I really enjoyed reading your reflections, especially the way you wrestled with that strange dance between writer, narrator, and character. And yes… I’d love to create a character who could lull me to sleep :).
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I really liked how you developed Danny's character. His gradual transformation from someone with a quick temper to a person consumed by anger and paranoia felt authentic and unsettling. The way you portrayed his strained friendships and growing obsession with the protesters made his unraveling believable and compelling.
The twist revealing the narrator as Danny’s creator was a brilliant surprise. Shifting from Danny’s turmoil to the writer’s own struggle with his creation was clever and thought-provoking. Great work!
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Your feedback is always welcome, Veronika! Glad you enjoyed how the story developed. I'm not sure if this truly meets the definition of "unreliable narrator", but I'm hoping the twist at the end qualifies.
I have to admit, after years of being in a job where one of my frequent tasks was to write documents that were absolutely clear (AND RELIABLE), and constantly trying to prevent any possibility of mis-interpretation, this prompt was a challenge for me. It took me a while to get into the headspace of speaking with a voice that can't quite be trusted.
As I've re-read this, I think there might be some other arguments for "unreliable narrator": I not sure the narrator/writer has a grasp of who Danny and Ben really are. He was "surprised" not only at Danny's behavior, but with some of Ben's...
Thanks again for your thoughts!
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You're welcome. You handled it well. I think all authors are a little unreliable, especially when we write fiction. We basically tell things that never happened, which, by definition, can be a little unreliable. So I think using the author as the narrator fits the prompt well.
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