Pale Chic

Contemporary Drama Fiction

Written in response to: "Write a story with someone saying “I forgive…” or “I regret…”" as part of What We Carry.

The lady with long auburn ringlets had a sad, luminous face. She lived on the top floor of an apartment that was not quite a tower, though it felt like one. She had begun to think of herself as cursed. 

Trapped within walls of rented silence and wrapped in a blue silk dressing gown, she refused to look down at the rain-streaked reflections on the street below. Direct engagement confused her mind as much as her brand.

Months ago, she had glanced too long at the world outside and watched her engagement fall in real time. Her numbers drained away like colour from her skin.

Her only portal to a vibrant world was a cracked laptop screen. A tapestry of pixels where people lived enviable, happy lives: meeting friends, laughing into phones, pulling on clothes that ranged from skimpy to wildly adventurous before disappearing into the neon pulse of bars. She watched with a kind of intimacy. Her mind stayed aglow with lighting tricks and angles, waiting for pauses in laughter. She could always tell when joy had been reshot.

Still, a part of her longed to visit the sun-drenched cafés, to be carried by the river towards the city’s ancient castle beyond, a castle that had once entranced her. 

Until the memory of it scared her. She usually managed to scroll past that one.

With an unwanted birthday approaching, she longed to be rescued from her gloom.

He appeared on a Tuesday afternoon, an unexpected gift sent by the algorithm.

Her Sir Lancelot came complete with ten-day designer stubble and toned muscles, a curated feed, and thousands of devoted followers. A Tinder god promoting effortless adventure. Framed in high definition, he rode an Easy Rider motorcycle across a sleek digital landscape. A chiselled hero composed entirely of light.

“Hey there. It’s me,” he said. 

Her neck was getting a crick from spending hours at the screen, but she managed a faint smile. “Oh, hey.”

For a microsecond her pupils widened, but then a dot flashed in the corner of her screen, distracting her with the promise of its bleep.

Within her narrow rectangle, she sold her soul to calm mornings, gave out her own special yoga poses, silky sleep, and soothing beauty. Brands sent briefs written in the language of aspiration. A relatable goddess, her comments were endlessly scrolled: I wish I was you. I’ll die if you stop posting.

“No, don’t do that,” she replied automatically. “Life’s for living.” Yet she secretly wondered why she herself had never visited the cafés, the river, or many other places. 

Instead, she filmed them through other people’s lenses. Always slowed down, colour-graded, and softened. The castle now rose for her as content: solid, historic, and built from stones. Only she’d forgotten what it felt like to touch them.

She recognised the signs in him immediately: the careful casualness, the illusion of effortlessness. The algorithm clearly adored him. That meant she did too at first, at least professionally. He would test well.

“Can you hear me?” he asked, voice slightly out of sync with his easy smile.

“Yes,” she said. “I can hear you.”

“You don’t sound like someone who gets out much.”

She glanced anxiously at the oval mirror in her office-bedroom, then at the window. Rain slid down the glass in thin, nervous strips.

“I used to,” she said. “Before Pale Chic became trendy.”

He laughed. “Careful. There’s a fine line between Pale Chic and Deathly Ghost. Life’s for living. Maybe it’s time you broke the spell.”

Something real had slipped into his voice. They spoke often after that. At first he shared stories he thought she’d like to hear: danger without consequence, spontaneity rehearsed into charm. Then something more granular took over. Once, when she hesitated, he murmured, “Careful.”

She was almost offended, then laughed.

She kept listening, enchanted but wary. She feared speaking too honestly lest her metrics dip. When she softened her tone to the right cadence, the comments bloomed. Yet she was a lady half sick of shadows, suffering what analytics called burnout.

The night before her birthday, he acted boldly. He sent a picture.

Not the motorcycle or rainbow landscapes, but something quieter: a horse standing in the street below. Mane darkened, rain-damp, waiting patiently.

I’ll be waiting outside tomorrow, his message read. No filters. Just cold daylight.

Her hand hovered over the trackpad. 

Her heart knocked against her ribs. 

Outside, the picture would not resolve. The pixels refused to behave. The horse resisted becoming content.

She stood.

Unused to purpose, her lovely legs trembled. The floor felt cold, the air stale. As she opened the door, the curse struck: notifications stalled, numbers slipped, relevance loosened its grip.

Down the stairs, past the doorways of other sealed lives, she stepped out into the rain.

He was there.

Not carved from light. No designer stubble this time, just the honest shadow of a beard. His jacket was too thin for the weather, his shoulders ordinary, his smile uncertain.

The horse shifted, steam rising from its flanks, and deposited a pile of manure onto the asphalt.

There was no editing out a sound like that. It was the most honest thing she had seen in years. A belly laugh surged up, the kind that ruined complexions and undid weeks of composure.

“I regret every hour I spent in front of that glass,” she whispered into the damp air. “At least, I think I do.”

“Sorry, I didn’t quite catch that,” he said, turning.

“It’s not important.” She smiled sweetly.

For one terrible moment, she was tempted to retreat and redo her makeup. Gods were so much easier than men and filters were kinder than faces. She knew the mirror would forgive her instantly.

Instead, the curse dissolved into the gutter.

“Well,” he shrugged. “You may look like you’ve stepped out of a William Gibson style novel, but needs must.” He held out a slightly battered, but not yet drooping rose. “So pleased you made it.”

“I’ve never actually been on a horse,” she admitted.

“No problem.” He dismounted. “I’m still taking lessons myself.”

They walked. The horse followed at a respectful distance, hooves striking the pavement like a steady heartbeat. He talked about his job, his sister, how the algorithm had tried to pair him with a woman who owned six mad ferrets.

As smells returned, a weight lifted. 

At the riverbank, volunteers were clearing rubbish.

“You’re out collecting rubbish now?” she asked one, incredulous. 

“Somebody has to, love,” the woman replied.

At the water’s edge, she stopped. The river smelled raw and earthy. It was wide and brown, surging around its own thoughts, carrying branches and old leaves. Beyond it, the castle loomed. A solid place, turreted, built from stones worn smooth by memories. 

The last time she had stood here, she was a little girl clutching her father’s hand, tasting strawberry ice cream with a Flake. That was the last time she had seen him. When he reached out again, it was too late. She had learned to live without him.

She had built a castle of her own.

Her phone vibrated weakly in her pocket—a missed opportunity, a falling metric. The cost of looking directly.

He covered her hand. “You’ve got to admit, all this doesn’t fit on a screen very well.”

Her smile was real and unfiltered as something inside her unlocked. Inside the high-rise apartment, the mirror did not crack. It simply went dark.

She did not know what would become of her audience or her contracts. She only knew the river was real. Like the horse, the rain, and the man beside her.

Her eyes were tired, but they were open.

And the river kept flowing.

Posted Aug 28, 2026
Share:

You must sign up or log in to submit a comment.

21 likes 12 comments

Alex Merola
August 29, 2026 23:39

Helen, updating a classic fairy tale—specifically The Lady of Shalott — made for a great modern allegory. Descriptions like "a tapestry of pixels," "rented silence," and rain sliding down glass in "thin, nervous strips" are brilliant. The internal conflict between safety-in-isolation versus the raw, unedited pain and joy of real life speaks powerfully to modern anxieties about screen addiction. Thanks again for another great read.

Reply

Helen A Howard
August 30, 2026 09:03

Thank you Alex for noticing what I was trying to achieve in the story. Social isolation is frighteningly real.

Reply

Louise Chambers
September 01, 2026 16:01

A lovely tale for our time, with a sinister underbelly. Becoming a slave to algorithms and viewing the world through a cracked laptop screen is definitely unhealthy and unreal. Unfortunately it is possibly becoming the norm from many people. I know of friends’ teenagers that shut themselves away with online associates. Never meeting them in the flesh. Technology has a lot to answer for at times. AI is what scares me tho! The references to The Lady of Shalott really hit a nerve with me…I used to visit her painting by J.W. Waterhouse regularly in Tate Britain, London. It is my fav work of art in the world! She is so mesmerizing. I hope that now that your ‘lady’ has left her tower, she can begin to have a relationship with the real world! Thought provoking writing. Well done!

Reply

Helen A Howard
September 01, 2026 16:32

Hi Louise,
I’m so pleased you liked my modern version of the Lady Of Shallot, and even better that you found it thought-provoking. Wonderful that you saw the famous picture at the Tate and that it is your favourite work of art.

Reply

Helen A Howard
September 01, 2026 16:32

Hi Louise,
I’m so pleased you liked my modern version of the Lady Of Shallot even better that you found it thought-provoking. Wonderful that you saw the famous picture at the Tate and that it is your favourite work of art.

Reply

The Old Izbushka
August 31, 2026 21:57

It’s heartbreaking to see how many people end up revolving their lives around metrics and engagement, forgetting the richness of a real life beyond the screen and its endless pixels. You capture her descent into isolation so vividly... and once someone is pulled into that abyss, it truly is quicksand. I have seen how people can become so Isolated that it really takes small steps for them to engage the world once again.

I especially love how the horse and the man help her confront that emptiness and guide her back toward the beauty of an imperfect reality, away from all the bells and whistles of social media, that had really buried her personally. Really shows how authentic reality, even when messy, will always be best.

Reply

Helen A Howard
September 01, 2026 16:08

It really is hard to keep a balance, and for those who’ve never known any different, even harder. It is not good to be socially isolated. Thanks for reading.

Reply

Marjolein Greebe
August 31, 2026 17:06

The horse manure was the perfect choice. Up to that point, almost everything in her life has been curated, softened, framed or filtered — and then reality literally drops something ugly, physical and completely uneditable in front of her. Making that the thing that finally gets a genuine belly laugh out of her was both funny and strangely moving.

Reply

Helen A Howard
September 01, 2026 07:04

Thank you.
She needed a good belly laugh. I don’t know where the horse manure idea came from, but it was certainly grounding.

Reply

JF Bacon
August 30, 2026 07:29

Hi Helen, I really enjoyed this. Great language like, 'filters were kinder than faces' and I love the constant subtle references to tech/screens but you could also find in fairy tales, like, 'something inside of her unlocked,' 'the horse resisted becoming content'. I also like the contrast once she leaves her 'castle', she sees the horse's manure, the gutter, a raw river, volunteers collecting rubbish... life outside isn't pretty, but it's real. Great work!

Reply

Helen A Howard
August 31, 2026 07:43

Thank you.
I’m glad you liked the contrasts here.

Reply

Kraak Head
September 02, 2026 21:25

“Broken things take up too much space,” Love it!! your story quietly spends the rest of its time disproving this line. The globe comes back whole, but Tom doesn’t magically recover and Karen’s life doesn’t suddenly become easy; what changes is what she decides is still worth carrying. I also liked the man in black for that reason. He isn’t really offering her destruction so much as the temptation to stop hoping altogether. That makes her refusal feel much more meaningful than a simple choice to keep a magical object.

Reply

Aaron Luke
September 02, 2026 20:54

Great story Mrs. Helen,
I was a bit confused but was able to catch on. It was nice to see how people just take a break from their devices and decide to show up, to show their true selves, It was nice in the sense that she was able to forego the fear she went through and feel happy over the things they surrounding her

Reply

Lena Mirren
September 02, 2026 00:44

I thought this story was incredibly delightful! I laughed so hard in spots... (there was no editing out a sound like that... lol).
Wonderfully written. :-)

Reply

Liza Mischel
September 01, 2026 21:03

I really enjoyed the way the screen became her mirror and curated influence became its own kind of tower. The horse immediately ruining the cinematic moment was hilarious and exactly the dose of reality she needed 😂 Great read!

Reply

RBE | Illustrated Short Stories | 2024-06

Bring your short stories to life

Fuse character, story, and conflict with tools in Reedsy Studio. All for free.