The barley soup had been simmering since six that morning, long before Delia had any real reason to be awake. She'd woken from a dream she couldn't hold onto — only the feeling of it, something urgent and already receding — and instead of trying to fall back into it, she'd gone down to the kitchen and started peeling carrots in the dark, because her hands needed somewhere to be.
It was her mother's recipe, or as close to it as Delia could manage without her mother standing at her shoulder correcting the ratio of barley to broth. Pearl barley, soaked the night before. The good stock, the one made from bones roasted first until the kitchen filled with that particular smell of char and marrow that always meant something serious was happening. Carrots cut small, the way her mother insisted, "so the spoon doesn't have to work for it." Celery. A bay leaf, though her mother always maintained the bay leaf did nothing and was really just for the ceremony of it — you put a bay leaf in because your mother had, and her mother before that, an unbroken chain of women fishing a stiff green leaf out of soup before it accidentally choked someone.
Delia left the leaf in. She thought her mother would appreciate the omission of ceremony, actually, at this point. Less to fish out. Less to get wrong.
By nine the soup was ready, and she poured it into the good thermos — not the plastic one from the cupboard under the sink, but the steel one that had belonged to her father, that had gone down mineshafts and up scaffolding for thirty years before it retired into carrying tea to allotments. It still smelled faintly of him, underneath the soup, a mineral smell like wet stone, and she wondered whether her mother would notice that too, wherever she was now in her mind.
The bread she didn't make. There wasn't time for bread, not really, not if she wanted to be there before the morning medication round, and besides, the bakery on the corner did a sourdough her mother had always favored — dense, slightly sour, good for mopping. She bought a whole loaf even though her mother would manage perhaps one small torn piece of it, because buying half a loaf had always felt to Delia like a small defeat, an admission that less was coming.
The butter she took from the fridge and put in her coat pocket before she left the house, so that by the time she arrived at the hospice, forty minutes later, it would have softened enough to spread without tearing the bread. It was a trick her mother had taught her decades ago, in a different kitchen, a kitchen with yellow curtains and a radio that only got two stations. Warm the butter in your pocket, not in the microwave, or you'll melt it right through and it'll be all slick and greasy and no good for spreading properly. Delia had thought it eccentric at eight years old. She did not think it eccentric now. She did it because it was one of maybe forty small instructions still left in her, in that voice, and she intended to use every one of them before they had nowhere left to be useful.
The hospice room smelled of nothing, the way these rooms always did — a scent of nothing so deliberate it became its own kind of smell, all the ordinary human odors of illness and effort scrubbed away by disinfectant and recycled air. Delia had brought flowers the first week, freesias, her mother's favorite, and within two days the smell of them had become too much for her mother's stomach, so now there were no flowers, just the pale walls and the low hum of machines doing quiet, essential things, and the window that looked out over a car park and, beyond it, an actual tree, one solitary sycamore that Delia had come to feel a strange loyalty toward, as though it alone understood the weight of watching this room from outside.
Her mother was awake when Delia came in, which wasn't always the case anymore. Sleep had become the larger part of her days, a slow tide going out, and Delia had learned not to take the waking hours for granted, had learned to walk in quietly enough that if her mother's eyes were closed she could simply sit, and if they were open, she could speak.
They were open.
"I brought soup," Delia said, setting the bag down, unwinding her scarf with hands that were, she noticed, faintly trembling — a small and private fact she chose not to examine. "The barley one. Your recipe."
Her mother's mouth moved, the ghost of a smile, or perhaps just the muscle memory of one. Speech had become difficult in the last week, the words arriving slower than the thought behind them, so mostly now she nodded, or didn't, and Delia had learned to read the smaller signs — the flutter of fingers, the particular way her eyes moved to a window or a door.
"Barley," her mother said, eventually, the word coming out soft and slightly frayed at the edges, like a thread pulled too many times. "Too much salt, probably. You always."
"I measured it properly this time," Delia said, though this was not entirely true; she had, as always, salted by instinct and a kind of inherited faith, tasting from the wooden spoon the way she'd watched her mother do ten thousand times across forty years of kitchens. "You'll have to tell me if it's wrong."
There was no real chance her mother would manage more than a spoonful or two — the hospice nurse, a broad, kind woman named Angeline with a laugh that seemed to come from somewhere below her ribs, had told Delia gently, two days ago, that her mother's body was beginning its long process of letting go of the need for food, that this was normal, expected, nothing to grieve on its own — but Angeline had also said, unprompted, that bringing food from home was fine. More than fine. "Sometimes it's not really about the eating," she'd said. "It's about somebody making something for you. That doesn't stop mattering just because the body's stopped wanting much of it."
Delia had turned that over in her mind since, on the drive home, in the supermarket, lying awake at two in the morning. It's not really about the eating.
She poured a small amount of the broth into a shallow cup — not the mug, the shallow one with the wide lip, easier to manage — and let it cool a moment, testing it against her own wrist the way she'd tested formula for her own children decades before, the way, she supposed, her mother had once tested it for her.
Her mother's hand came up toward the cup, an old reflex, fingers curling as if to take hold of the handle, and then it faltered — the tremor overtaking the intention halfway there, the hand dropping back to the blanket with a small, defeated weight that Delia felt in her own chest like a struck bell.
"Let me," Delia said, before her mother could feel the failure of it too deeply, and she dipped the spoon and lifted it, waited for her mother's eyes to find it, and brought it slowly to her mouth.
Her mother swallowed. A small sound, private and effortful.
"Good?" Delia asked.
Her mother's eyes had already drifted, out toward the window, toward the sycamore holding its ground in the grey car park light, and for a moment Delia thought she hadn't heard, or hadn't understood, or had simply gone somewhere the question couldn't follow her. But then, slowly, her chin dipped — not quite a nod, more the beginning of one, interrupted by tiredness before it could complete itself — and something in her face eased. Delia had seen that exact expression a thousand times before, at a thousand different tables, whenever a dish came out exactly as it should: the faint unclenching around the eyes, the almost invisible exhale. It was the closest her mother had ever come, in Delia's whole life, to praise freely given. Her mother did not say I love you often, or easily, but she had said it, always, in the particular quietness that followed a good meal, in the way her shoulders dropped half an inch when the first bite confirmed that everything had gone right.
Delia fed her another spoonful. And another, smaller now, patient, wiping the corner of her mother's mouth with the small cloth napkin she'd brought from the kitchen drawer at home — one of a set that had lived in that drawer for as long as Delia could remember, printed with faded yellow daisies, worn soft from decades of washing, and which still, faintly, carried the smell of the drawer itself: cedar and old wood and something like vanilla, the particular scent of a house that had been the same house for forty years. Her mother's eyes closed for a moment at the smell of it, or perhaps only at the effort of swallowing, and Delia could not tell which, and did not ask.
By the fifth spoonful her mother's hand came up and rested, lightly, on Delia's wrist — not to take the spoon, not anymore, but simply to hold on, fingers thin and cool and trembling faintly against Delia's skin, and Delia understood this as a kind of communication too, perhaps the last uncomplicated one they would manage. She let the spoon rest a moment. She let her mother hold her wrist. Outside, the sycamore moved slightly in a wind Delia couldn't feel from inside the sealed room.
"Enough," her mother said, eventually, the word so faint it was almost only breath given shape, and Delia set the spoon down and the cup down and sat for a while longer with her mother's hand still resting on her wrist, not moving, watching her mother's eyes drift closed into the shallow, uncertain sleep that had become her main country now.
The soup was still half full in the thermos. The bread, barely touched — her mother had managed one small corner of it, softened first in a little of the broth, and even that had seemed to cost her something. The butter, softened perfectly, exactly as it should have been, sat in its little dish with the knife still resting across it, unused beyond that single corner of bread.
Delia carried the thermos and the bread over to the window, because someone had to finish it, and because in her mother's kitchen, in every kitchen her mother had ever kept, food left on a plate was a small offense against the people who had grown it and carried it and cooked it, an offense her mother had never quite forgiven even as a joke. Waste not, her mother used to say, though the fuller version of the phrase — want not — had always seemed to Delia the more important half, the one about hunger and its many disguises, the one her mother never actually said out loud but seemed, in everything she ever put on a table, to be answering.
Delia ate standing at the window, looking out at the sycamore, the soup gone lukewarm now, the bread a little stale at the edges, and it was, she thought, quite possibly the best thing she had ever eaten, and she could not have said why, except that she understood, finally, standing there with her mother sleeping behind her and the thermos going cool in her hands, exactly what Angeline had meant. It was never really about the eating. It had never once, in this family, been only about the eating.
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I enjoyed this story. I would just like to suggest less M dashes and commas and more periods. Many of your sentences are quite a mouthful.
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Thank you x
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