Stars
I am dying beneath a sky that does not care.
The stars above Verantis are unfamiliar. Cold. Indifferent. They have seen countless deaths and will see countless more. Mine is nothing special.
My father traced the constellations of Levine Prime for me when I was seven. I look up now and see nothing I recognize.
I lie where my legs finally stopped working, two hundred feet past the compound wall, and stare up at them. Blood pools beneath me. Warm at first. Cooling now.
The ancestral blade lies beside me, still clutched in fingers that no longer have the strength to hold it. Moonlight catches the obsidian edge, gleaming like a crack in the dark.
Seven generations of craftsmen on Levine Prime shaped this steel. My father’s hands. His father’s before him. Weapons forged to protect the innocent. That was the family purpose, the legacy passed down alongside the blade itself.
I looked at the forge and decided it wasn’t enough.
The pain is fading now, replaced by a numbness that creeps inward from my extremities. I recognize the signs. I have seen them in others.
I always wondered what it looked like from the inside.
This is where I die, I think.
The thought holds no fear. That surprises me. I expected something. Regret, resistance, the animal refusal that keeps wounded things fighting past reason. There is none of that. Only a strange stillness, the way a room goes quiet after someone is gone.
Perhaps that is what I took from forty-three people. Not just their lives. Their last moments of stillness.
This is fitting.
I close my eyes.
The faces rise in the darkness behind my lids. All the lives I took. All the breaths I stopped. They look at me with eyes that hold no accusation. Only patience. They have been waiting for me.
Forty-three.
The children’s faces cut through. Brown eyes. Wet with tears.
They don’t hold.
Darkness closes back in.
And in the deepening, the memory surfaces, uninvited, unhurried, the way memory comes when there is no longer anything to hold it back.
The forty-fourth was supposed to be simple.
* * *
Compound
The mission parameters are straightforward. The target is a political dissident in the Verantis district. No witnesses.
I do not ask why this dissident needs to die.
I come over the compound wall at the third hour, between patrol rotations. Two guards at the east courtyard. Eight-minute cycles. I have six.
The first guard never sees me. I come up behind him like smoke, one hand over his mouth, the blade sliding through the gap between helmet and collar. He stiffens. Sags. I lower him into the shadows and keep moving.
The second guard is more alert. He hears it. A whisper of cloth, a displacement of air. He starts to turn. He is too slow. They are always too slow.
I count breaths. Measure steps. Become the shadow between heartbeats.
The Shakarige Clan offered power. Prestige. A purpose larger than the forge. I took everything they offered and gave them everything they asked.
Two more guards in the courtyard. Conversation. Bored. They die without knowing I am there.
Somewhere deeper in the compound, a child laughs. Brief. Sleepy. The sound travels down the corridor and is gone.
I feel nothing. That is the point. Feeling is a variable. Variables create errors. The Shakarige burned the feeling out of me years ago.
The blade whispers through flesh, and I move on.
Inside the compound, the corridors are dim. I go straight toward the residences. Two guards at an intersection. I take them together. Blade in the first, nerve strike to the second. The first dies. The second will wake in an hour with a headache and no memory of what happened.
I could have killed him. It would have been cleaner.
I didn’t.
Forty-three. I remember every face. Every breath that stopped. The Shakarige told me that would pass. It hadn’t. I had learned to carry them instead. Names I’d never known, expressions frozen at the moment of understanding. They were the only company I kept.
I tell myself the mercy is tactical. Conserving energy. Avoiding unnecessary noise.
I tell myself many things in those days.
The target’s quarters are at the end of the hall. Simple door. No additional security. They didn’t think anyone would get this far.
I check my chronometer. Six minutes until patrol rotation.
More than enough time.
I put my hand on the door and push it open.
* * *
Residence
The room is small. After the compound’s wealth, the guards, the security, the high walls, I had expected something grander.
Instead I find a simple space. A bed against one wall. A desk covered in papers. A window overlooking the city lights below.
And a man. Reading a story to two children.
A boy. Maybe seven years old. Dark hair, dark eyes.
A girl. Younger. Five, perhaps.
The man sees me in the doorway. Sees the blade in my hand. He pulls the children closer and meets my gaze with the calm of a man who has already accepted his death.
“Please.” His voice steady despite everything. “Just me.”
No witnesses.
I raise the blade.
Forty-three times before. All ended with this same motion. The mechanics are simple. Angle of entry, depth of penetration, the twist that ensures the wound will not close. I could do it in my sleep. Have done it in my sleep, in the dreams that come less often now that I have learned to stop dreaming.
The boy’s eyes meet mine.
He looks at me and sees death. Sees the end of everything he knows.
I stand frozen. Blade raised. Muscles locked in a position they have held forty-three times before. But this time something is different.
The girl makes a sound. A whimper that barely qualifies as noise.
And the blade trembles in my grip.
This blade was forged to protect those who cannot protect themselves.
My father’s voice. Distant. Faded. But present.
You carry our purpose, Silas. Our legacy. Guard it well.
I had not guarded it. I had betrayed it. Twisted it into something unrecognizable. And now I stand over two children with that same blade raised, ready to add to the betrayal.
I lower the blade.
The man’s eyes widen.
I should say something. Run. Disappear before someone else comes.
I don’t get the chance.
Pain explodes through my side. White-hot, blinding, the specific agony of steel sliding between ribs. I hadn’t heard the bodyguard. Hadn’t sensed his approach. I had been so focused on the children, on the blade, on the war inside my own skull.
Sloppy. Fatal.
I spin on instinct, the ancestral blade coming up even as blood pours from the wound. The bodyguard is big, professional, already recovering from his lunge and raising his weapon for a second strike.
He is good. I am better.
Even wounded. Even bleeding. Even with everything I believe in shattering around me.
The Shakarige made me into a weapon. Weapons don’t stop functioning because they’re damaged.
I slip his strike by millimeters, let his momentum carry him past me, and open his leg with a backhand cut that paints the wall red.
He falls.
I fall with him.
My knees hit the floor. Blood soaks through my armor, pooling beneath me. Too much, too fast.
Alarms begin to wail somewhere in the compound.
I try to stand. Make it halfway. Fall again.
Get up, I tell myself. Move. Survive.
The Shakarige burned many things out of me. But not the will to live.
I grab the blade. Force myself upright. Plasma fire tears through the room and I go out the window rather than through it.
* * *
Courtyard
I land in the courtyard below and don’t stop moving.
Pain is a variable. Control it.
Open ground between me and the wall. Twenty feet. I have covered that distance a thousand times in training, could do it in seconds under normal circumstances.
These are not normal circumstances.
I activate the stealth field generator. Thirty seconds of invisibility. I run.
Make it ten feet before my leg buckles. The wound has done something to my core stability. I stumble, catch myself, keep moving.
The stealth field flickers. Failing.
The wall looms above me.
The stealth field dies.
“There! By the wall!”
I don’t look back. I jump, catch the top of the wall, pull myself up with arms that scream in protest. Something tears in my shoulder. I ignore it.
Over the wall. Into the darkness beyond.
I land badly. Roll. Come up on one knee with the blade ready. No one follows. Not yet. They will search the compound first, try to understand what happened. That gives me time.
Not much. But some.
I move.
The city sprawls below the compound, lights glittering like false stars. I head away from them, toward the industrial district, toward the shadows where a bleeding man can disappear.
I make it maybe two hundred feet before my legs stop working.
The collapse is not dramatic. No final lunge, no desperate reach for safety. My body simply stops. The blood loss has finally exceeded what even Shakarige conditioning can compensate for.
I hit the dirt. Try to rise. Fail.
Above me, the constellations my father traced. I still cannot find a single one.
* * *
Commander
Footsteps.
The sound reaches me from very far away, muffled by blood loss and the encroaching void. Boots on dirt. Multiple sets. Moving with the disciplined cadence of soldiers, not the scattered urgency of compound guards.
Different.
I try to open my eyes. Manage a fraction. Shadows moving against the stars.
“Got something here.” A man’s voice. Professional. Wary. “Still breathing, barely.”
The footsteps stop. Someone kneels beside me. I feel hands on my throat, checking for pulse.
“Stars above.” A low whistle. “That’s a lot of blood. How is he even alive?”
“He’s Shakarige.” Another voice. “Look at the blade. The armor. Clan assassin.”
Silence. The kind that weighs decisions.
“We should leave him. Let the clan deal with their own. They don’t take kindly to outside interference.”
“He’ll be dead in ten minutes anyway. Save us the trouble.”
Then a woman’s voice. Certain as gravity. Not loud, but absolute.
“No. We take him.”
“Commander—”
“Lina.”
“On it, boss.”
Hands grip my arms, my legs. Pain flares through the numbness as they lift me. I try to open my eyes further, try to see the face that belongs to that voice.
Fragments. Light hair. Smaller than I had expected.
She looks at me like I am a puzzle she intends to solve.
“Compound sent a distress call. You had the shot.” Her voice is quiet now, musing. More to herself than to me. “And you didn’t take it.”
I try to speak. To explain. To tell her about the children, about the blade, about the forty-three that haunted me and the two I could not add to their number. Nothing comes out.
The soldiers carry me somewhere. Every step sends fresh agony through my wounds. I want to tell them to mind the blade, to not leave it behind in the dirt.
The blade. My father’s blade.
“His weapon.” The commander’s voice, sharp now. “Bring it.”
* * *
Ship
I wake to white light and the smell of antiseptic.
Memory returns in fragments. The compound. The children. The blade that wouldn’t fall. The bodyguard. The escape. The blood.
The woman’s voice: No. We take him.
I turn my head. It costs me. Fresh pain flares through my side, my shoulder, a dozen other places I had forgotten were wounded. But I need to see.
The blade lies on a table beside the bed. Someone has cleaned it. The obsidian edge gleams in the medical bay’s light, free of blood, waiting.
In a chair against the far wall, a woman watches me.
Eyes that give nothing. And everything away.
A commander’s insignia rests on her uniform. Core Republic military.
“You’re awake.” Statement, not question. “Good. Lina wasn’t sure you would be.”
I try to speak. My throat is dry, my voice a rasp.
She rises, crosses to a side table, pours water into a cup. Brings it to me.
“You’re aboard my ship,” she says.
I drink. The water is cold and clean and the most precious thing I have ever tasted.
She returns to her chair. Waits.
When I find my voice, it is barely a whisper. “Why?”
She leans back, crosses her arms. “I’ve seen a lot of assassins in my career. Shakarige, independent operators, government black ops. They all have one thing in common. When they’re on mission, they complete the mission. It’s what they’re trained for. It’s all they know.”
She pauses. Her eyes never leave mine.
“But you didn’t.”
I say nothing. There is nothing to say.
She leans forward. “Why?”
I don’t answer.
“The children.” She sits back.
My eyes go to the blade on the table.
“I have forty-three assassinations with that blade.” The words come slowly, dragged up from somewhere I had buried years ago. “It was never meant for killing. I ignored that. For too long.”
She studies me for a moment, then nods.
She stands. Moves toward the door. Pauses at the threshold. “But not forty-four.”
The door closes behind her.
The blade lies beside me. I pick it up. Hold it in my hands. Seven generations of craftsmen shaped this steel, poured their skill and their purpose into every fold of metal.
The Shakarige have a name for what comes next.
The Path of Redress.
For every life taken in darkness, one must be saved in light.
I might fail. Probably will. The scales might never balance. The blade might never be clean.
The mathematics are simple. The execution will take a lifetime.
Forty-three debts.
But not forty-four.
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Hi Scott, congratulations on a brilliantly crafted story. I guess this is a part of the longer work you mention in your bio? I hope so, although it also stands alone so well. I love the short sentences that mirror the action sequences and the man's mind so well. Genuinely engrossing.
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Thank you, Luella. That means a lot! You guessed right. This is a backstory for Silas, one of the main characters in my upcoming novel Shadows Over Earth. Another story in the same universe, Open Hands, follows a different character from the same book. Glad it held up on its own.
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I like the action and the internal monologue of the assassin. It reminds me of a Brandon Sanderson scene.
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Thanks, Marty! Brandon Sanderson is about as high a compliment as it gets. I’m glad the internal monologue worked for you. Plot can carry a reader through a scene, but internal conflict is what makes them stay. I wanted the reader trapped in Silas’s head as the mission unraveled around him. He’s always trying to stay controlled and calculated, even while everything underneath is spiraling. Really appreciate you taking the time to read and comment.
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I agree 100% that internal conflict is a driver. Keep writing!
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