I Hate Cake

Drama Fiction Historical Fiction

Written in response to: "Write a story that includes the words “déjà vu” or “that didn’t happen.”" as part of Stranger than Fiction with Zack McDonald.

I hate cake.

I said it once when I was maybe six or seven. The frosting was too sweet and the colors far too bright for my liking as it sat in a neatly woven basket. The cake blade cut through so cleanly, and without a single trace remaining. The crumbs had stuck to my gloves, and I had to shake them off. I did not want them to leave any stains. I did not know that sentences could have a gift for traveling beyond your lips and taking on lives of their own. The tutors in the palace did not teach me that.

“That didn’t happen,” my old governess said years later, when the pamphlets began to circulate and cover the grounds of France.

Of course nobody believed her.

I had never said the other thing. Not about the cake. Not about bread. Not about the peasants. Not about anything. But it was a very useful sentence, and it fit so neatly.

I was in my quarters when the first of the pamphlets was brought to me.

“They are saying you told the people to eat cake,” the servant said carefully.

We had both known that hadn’t happened.

I was fourteen when I was brought to France. They called it good connections and peaceful relations. Nobody asked me if I wanted to go. Nobody asked me if I wanted France. Nobody asked France if they wanted me. They instead asked if I looked like a blooming flower. Flowers can easily wilt or be stamped out by angry mobs, I would learn.

I hate cake.

I thought foolishly that the pamphlet would vanish. I was very wrong. Instead, it multiplied faster than the rabbits in spring. The first became ten and ten became a hundred, and a hundred became a courtyard buried under soggy papers plastered on every available surface. The worst of them had drawings. In one particularly absurd version, I was eating slices of cake the size of my head, while sitting on a throne of starving peasants.

“That didn’t happen,” I said again when the servant brought me another. She nodded. The next time she showed me a whole stack before we threw them into the fire for warmth.

The drawings grew more frequent. There were fewer words on each. One week, I was laughing as I tossed cakes like treats to fat dogs. The next, I sat upon bread loaves with a cake scepter in my hand. I looked like I had conquered the kingdoms of dairy and dough. The drawings of the crowds changed too. The people grew skinnier with each new rendition, while I grew fatter and fatter. In one version, the cake and I were nearly the same size. Each one declared the statement to be the truth. The contradictions were at first amusing. How could they not be? Apparently I had said it from the balconies, loud enough that the people far outside the gates below could hear. They also claimed I had said it while taste-testing at a local bakery, as if I would wander into one unannounced and without guards. Somehow, I had also said it while at a gluttonous feast, stuffing my face. All of them absolutely certain. All at the same time.

I wondered once or twice which version was the most popular. The servants did not answer. Soon the detailed stories faded, and I thought the matter had finally passed. But my face—and the cake—remained. In a moment of candor, one of my ladies-in-waiting asked if the royal household should put out a statement. To deny it publicly and without interpretation, before the story could become something more permanent.

We looked outside together as the rain poured, and we realized I didn’t need to say anything. I was France, and France was whatever they needed it to be.

“That didn’t happen,” I would say again and again, and they laughed. At first, I had laughed too. That part did happen. Can you blame me? What kind of person could not distinguish bread from pastry? What kind of foolish queen would further suggest frosted treats when a nation lay starving with food shortages?

Somehow the whole of France knew for an absolute fact that I must have said it. Sworn testaments and claims of “I was there” sprouted up everywhere. I told a man with ink-stained hands that it was not true. He looked at me as if I had grown even more insane. History, as it turned out, does not require actual witnesses. Only the repetition.

I hate cake.

Such a small, delicious treat that can be passed so easily through small simple lips. Someone else, somewhere long before me, must have said those words. I think I remembered reading that once. That story existed long before I ever did. By the time they came for my son, it was far too late for me. I tried to hold true and stand tall, but he would eventually be taken from me as well.

The crowd is very loud today and very eager. They are ravenous. That part did happen. I see a wrinkled pamphlet fly by, and my own face stares back. The stage had been set, and the blades sharpened. A good blade can so easily cut through almost everything, leaving behind nothing but a flash of color and a clean slice. In that moment, I do not think of Austria or my missing silks or my already gone husband. I think of cake. How once the baker had tried to outshine all previous attempts and made one with too many tiers to count. It had shone above the court, in all its color and glamour—until it fell with a splat.

They said I had called out about cake. That didn’t happen. I kneel above the chopping block and close my eyes. Of all the words held and thrown against me, the only true ones were the shortest.

A basket is waiting next to the stage. The blade drops.

I hate cake.

Posted Mar 06, 2026
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15 likes 10 comments

Natasha London
04:53 Mar 14, 2026

I think I've read this story three times now... and I love it more every time! I'm a huge fan of the voice and the concept; I could believe it, especially with the way modern media misconstrues things. It's quite logical to assume ours is not the only era with this flaw. It makes a person wonder about other famous historical quotes...
I appreciate the conciseness; there was no rambling in this story. My favorite parts were the disintegration from rumor to "absolute, cold hard facts" in the propaganda, and this paragraph:
I was fourteen when I was brought to France. They called it good connections and peaceful relations. Nobody asked me if I wanted to go. Nobody asked me if I wanted France. Nobody asked France if they wanted me. They instead asked if I looked like a blooming flower. Flowers can easily wilt or be stamped out by angry mobs, I would learn.
I just love your tone and style approaching this so, so much. You nailed the ending! Some endings make me want to applaud, and this is the top tier. Perfect.
Marie Antoinette's last words (if we're believing the historical narrative here, of course) were to apologize to her executioner for accidentally stepping on his foot. If that's not class, I don't know what is.

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Katherine Howell
00:01 Mar 28, 2026

Wow, this was such a lovely comment to read. Thank you so much! There’s really no greater joy as a writer than hearing someone wanted to read a story more than once, and that it held up (or even improved!) on the reread. I’m especially glad the ending worked for you—I went back and forth on it quite a few times before settling on the final image of the guillotine and that last “I hate cake.” It means a lot that it landed the way I hoped.
Thank you again for your incredibly kind words!!

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Marjolein Greebe
09:26 Mar 07, 2026

This is a striking piece with a strong narrative voice and a clever framing device. I especially liked the recurring line “That didn’t happen,” which works both as denial and as a quiet commentary on how history is constructed through repetition rather than truth. The imagery of the pamphlets multiplying and distorting her image is vivid and effective, showing how a myth grows until it replaces reality. The final return to “I hate cake” right before the blade falls is a sharp, ironic ending that ties the entire piece together beautifully.

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Katherine Howell
18:51 Mar 08, 2026

Thank you! I’m really glad the recurring “That didn’t happen” line worked for you. I wanted it to feel both like her personal denial and a comment on how simple repetition can turn into history, so I’m happy it came through that way. The pamphlets multiplying were one of my favorite images to write (as well as imagining the increasingly absurd things that might have been printed on them).

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Rebecca Lewis
17:32 Mar 06, 2026

I think this piece works well overall. The voice feels very consistent the whole way through, and it does sound like someone raised in royalty reflecting on everything after the fact. The tone stays calm and controlled even when things are spiraling around her, which I think fits the perspective well. One of the things I liked most was the way the cake line keeps coming back. Starting and ending with “I hate cake” gives the whole thing a nice circular feeling, and by the end the line feels heavier than it did at the start. That final moment where she says the only true words were the shortest ones is strong. The section about the pamphlets is also good. I like how the rumors get more exaggerated and ridiculous. The part where the drawings make the people skinnier is a sharp way of showing how propaganda works without needing to explain it. There are also some lines that are strong. “History, as it turned out, does not require actual witnesses. Only the repetition.” is a great line and my favorite in the piece. Though, I think it’s a solid story. The idea of someone being destroyed by a sentence they never said is compelling, and the way the rumor turns into something everyone “knows” feels very believable. The ending circles back to the opening too, which makes it feel complete.

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Katherine Howell
18:53 Mar 08, 2026

Thank you for such a thoughtful and thorough read and comment! I wanted the “I hate cake” line to mean something just a little different each time it appeared, and by the end to carry a completely different weight from the beginning. Knowing that landed is really great to hear.

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Theo Elderman
18:33 Mar 12, 2026

I found the start difficult to follow at first, but once I got to the famous quote, it all locked into place. I found the descriptions of the pamphlets, described as if she had done the things they depicted, quite enjoyable. The continued usage of the quote, "That didn't happen" helped to give breaking points for the audience while the tension would continue to build. I like how the starting lines referencing the basket and the blades foreshadowed the ending. When I went back up to the top after finishing the first read-through, I caught the bookending. It was quite an enjoyable read. You should be proud.

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Katherine Howell
22:47 Mar 12, 2026

Thank you so much! I’m glad the delayed recognition worked for you and that the opening took on a different meaning once the identity became clear. I hoped the story would feel slightly disorienting at first, like a memory, and then “lock into place” as the historical context built. It really means a lot that you went back and caught both the bookending and the foreshadowing after finishing the story.

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Jennifer Goodwin
16:27 Mar 08, 2026

I just watched a documentary on Marie Antoinette. Knowing how she held her composure, even at the end, after her son was taken away and she was taken later from her daughter and put in a cell where she was watched and humiliated 24/7, made this piece stand out to me. I like how you used “I hate cake” and “that didn’t happen” as the story progressed. I also love history so of course I enjoyed this piece.

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Katherine Howell
19:00 Mar 08, 2026

Thank you! Marie is such a fascinating person in history, especially with all the mythos surrounding her. This story was partly inspired by the fact that the famous cake quote likely actually came from Jean-Jacques Rousseau's "Confessions" rather than from her directly, yet so many people still attribute it to her.

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