“We Regret to Inform You There Will Be No Battle.”

Adventure Kids

Written in response to: "Write a story that goes against your reader’s expectations." as part of Tension, Twists, and Turns with WOW!.

The dragon was punctual.

At precisely noon, as the bell in the Ashbourne chapel rang its twelfth solemn note, a shadow passed over the village square. It was a vast, winged shadow—the sort that usually heralded doom, incineration, and at least one emotionally devastating monologue.

The villagers reacted accordingly.

Bread was dropped. A basket of turnips overturned. Three separate individuals shouted, “It’s happening!” though none specified what “it” was. Everyone seemed confident it involved fire.

The dragon descended in a controlled spiral and landed in the center of the square with surprising delicacy. Its claws touched the cobblestones as if mindful of municipal property damage. It folded its enormous wings with careful symmetry, like a performer taking a bow before the performance had begun.

The silence that followed trembled with expectation.

The dragon cleared its throat.

It was not a volcanic, rumbling roar. It was the sort of throat-clearing one might employ before addressing a moderately sized committee.

“Good afternoon,” it said.

Its voice carried, resonant but polite.

No one replied.

Several villagers were already weeping in an anticipatory fashion. Old Marta clutched her shawl and whispered, “I knew it would be on a Tuesday.”

The dragon blinked, then reached into a leather satchel strapped across its chest—a detail no one had noticed before—and withdrew a scroll sealed with a neat ribbon.

It adjusted a pair of small gold spectacles on its snout.

“I’m here regarding your extended warranty.”

The collective gasp faltered midway through becoming a scream.

“Your what?” asked Tomas the miller, who had been practicing a dramatic collapse and now found himself stuck halfway down.

“Your kingdom,” the dragon clarified. It unfurled the scroll, which rolled nearly to its talons. “Specifically, the structural integrity of your narrative protections. According to my records, your coverage under the Standard Heroic Intervention Plan expired at the end of last quarter.”

The villagers stared.

From behind the well, Sir Cedric of Ashbourne peeked out. He wore polished armor and the strained expression of a man who had rehearsed a speech about sacrifice and was now unsure where to insert it.

“Beast!” he shouted, because he felt it was expected. “I shall not let you ravage this—”

“Sir Cedric, yes,” the dragon interrupted, scanning the scroll. “You’re scheduled for a valorous but ultimately fatal confrontation at approximately twelve-oh-seven. Very moving. Inspires communal resilience. Tragic but narratively efficient.”

Sir Cedric froze. “Fatal?”

“Well, yes. You fall, but heroically. It’s all quite stirring.”

“I beg your pardon,” said Sir Cedric faintly.

A small figure pushed forward through the crowd: Anwen, the blacksmith’s daughter. Soot smudged her cheek, and she carried a hammer she did not know how to use in combat but held in a determined way.

“And me?” she demanded.

The dragon’s spectacles slid slightly as it consulted the scroll. “Ah. Yes. Upon witnessing Sir Cedric’s demise, you discover latent sorcerous abilities—fire-based, ironically—and avenge him in a climactic display of self-actualization.”

Anwen blinked. “I do?”

“You do.”

She considered this. “I wasn’t aware I had sorcerous abilities.”

“Few are,” the dragon said sympathetically. “That’s what makes it poignant.”

A long pause settled over the square.

“Wait,” said Tomas the miller slowly. “So you’re not going to burn us?”

The dragon looked genuinely perplexed. “Burn you? Gracious, no. Do you have any idea how much paperwork that generates? Environmental impact assessments, reconstruction montages, ballad revisions. The bards never get the details right.”

The crowd shifted uneasily. This was not aligning with their understanding of events. Dragons burned. Knights died. Daughters avenged. It was an ecosystem.

Sir Cedric straightened, attempting to reclaim momentum. “I challenge you, fiend, to single combat!”

The dragon winced. “You see, that’s exactly the sort of thing we need to discuss.”

It rolled up the scroll with a decisive flick.

“I can no longer, in good conscience, participate in this arrangement.”

Silence.

“What arrangement?” asked Old Marta.

“The recurring cycle of destruction and redemption,” the dragon replied. “I arrive. I devastate. A hero emerges. Growth occurs through adversity. It’s very tidy. But I’ve been doing it for centuries, and frankly, it’s exhausting.”

It sat down cross-legged in the square. The ground trembled, but not ominously—more in the way of a large creature attempting to be comfortable.

“I have interests,” the dragon continued. “I crochet. I compost. I’ve recently taken up landscape watercolor. Do you know how difficult it is to maintain artistic momentum when one is constantly being slain?”

“Slain?” Sir Cedric repeated weakly.

“Oh yes,” said the dragon. “It rarely sticks, of course. Contractual resurrection clauses. Still unpleasant.”

The villagers looked at one another. Something was unraveling, and it was not the dragon’s yarn.

From somewhere high above—beyond the blue of the sky, beyond even the drifting clouds—there was the faintest sensation of observation. A pressure. As though unseen eyes were waiting for the inevitable escalation.

The dragon lowered its voice.

“I’ve unionized.”

“With whom?” Tomas asked.

“Myself,” said the dragon. “I am now in negotiations.”

“For what?” Anwen demanded.

“For a revised narrative structure,” the dragon said. “One that does not require your knight to perish, your village to burn, or me to be metaphorically and literally stabbed for character development.”

Sir Cedric looked stricken. “But… that’s what I trained for.”

“I know,” the dragon said gently. “You’ve been very diligent. Your form is excellent. Your tragic backstory is sufficiently understated. But must it culminate in impalement?”

Sir Cedric hesitated.

He had always imagined the moment. The charge. The blaze. The final words, delivered with noble breathlessness. He had practiced them before a mirror.

“Tell my mother,” he murmured automatically.

The dragon raised an eyebrow ridge.

“—that I tried,” Sir Cedric finished, less confidently.

Anwen frowned. “And if he doesn’t die, I don’t get powers?”

“Not necessarily,” said the dragon. “You could attend evening classes.”

“In what?”

“Applied Sorcery for Beginners. Correspondence course. Very flexible.”

The idea hovered in the air like a cautious bird.

From above, the unseen pressure shifted impatiently.

The dragon reached into its satchel again and withdrew several quills and folded sheets of parchment.

“Here,” it said, distributing them carefully with the tip of one claw. “Let’s workshop this.”

No one moved.

“You’re serious,” Old Marta said slowly.

“Entirely.”

“What happens if we don’t follow the usual path?” Tomas asked.

The dragon tilted its head. “We’ll find out.”

That was the most frightening answer yet.

For generations, Ashbourne had known its role. It was a village of mild prosperity and periodic devastation. It produced sturdy heroes and inspirational rubble. Its tragedies were meaningful. Its recoveries were stirring.

Without catastrophe, what were they?

Sir Cedric looked at the blank parchment in his hands.

“What would you prefer?” the dragon asked him.

Sir Cedric opened his mouth to say something brave and self-sacrificing.

Instead, he heard himself say, “I wouldn’t mind surviving.”

The words felt treasonous.

But also relieving.

The dragon nodded and made a small approving sound.

“And you?” it asked Anwen.

She stared at her calloused palms. “I’d like to learn magic because I want to. Not because someone dies.”

“Radical,” the dragon murmured, scribbling notes.

Old Marta cleared her throat. “I’d like fewer goats in my garden.”

“Practical. I respect that.”

The villagers began to murmur among themselves. The murmurs grew into cautious suggestions.

“I’d like the mill repaired without dramatic symbolism,” Tomas said.

“I’ve always wanted to open a bakery,” Sir Cedric admitted, surprising himself. “But it seemed… insufficiently epic.”

“Epic is overrated,” the dragon said. “Have you tried sourdough?”

The sky flickered.

It was subtle at first, like heat haze. Then a ripple, as though the blue itself were a thin curtain being tugged.

Somewhere beyond perception, a reader shifted in their chair.

Where was the rising tension? The swelling score? The gathering storm?

The dragon felt the pressure and looked upward.

“We are renegotiating,” it said firmly, to no one visible.

The flickering intensified, then steadied.

The villagers bent over their parchment.

Sir Cedric wrote, slowly at first, then with growing conviction. He described a small shop with warm light and shelves of bread. He described early mornings not spent polishing armor but kneading dough. He described being known not for dying beautifully but for cinnamon rolls.

Anwen wrote of lessons by lantern light. Of sparks coaxed from her own fingertips without rage. Of summoning warmth for the joy of it, not the vengeance.

Old Marta drafted a comprehensive goat containment strategy.

The dragon watched, something like hope glowing behind its spectacles.

Time passed.

No one burned.

No one charged.

The unseen pressure lessened.

The air grew lighter.

Over the following weeks, Ashbourne did not become a legend. It did not produce a ballad of fire and steel.

Instead, it changed in smaller ways.

Sir Cedric opened his bakery. It was called “The Golden Crust,” which he acknowledged sounded faintly heroic but felt appropriate. The first time he handed a loaf to Old Marta and she declared it “worth surviving for,” he experienced a triumph no battlefield could have provided.

Anwen enrolled in Applied Sorcery for Beginners. The lessons were tedious at times. There were diagrams. There were essays. There was a practical exam involving controlled candle-lighting. She passed.

The dragon visited weekly, not as a threat but as a consultant.

It helped reinforce the mill using principles of sustainable enchantment. It advised on composting techniques. It held a watercolor exhibition that was politely attended.

Occasionally, a traveler would arrive expecting to find the infamous Dragon of Ashbourne—the terror, the scourge, the inciting incident.

Instead, they found a thriving, unremarkable village.

“No epic battle?” one bard asked, disappointed.

“No,” said Sir Cedric, dusted with flour.

“No tragic sacrifice?”

“Not today.”

The bard left, muttering about marketability.

High above, the sky remained calm.

There was no final twist.

No revelation that the dragon had orchestrated this peace as part of a more sinister plan.

No hidden hunger.

No betrayal.

The dragon did not relapse into destruction.

Sir Cedric did not secretly long for martyrdom.

Anwen did not discover she was the Chosen One.

They lived.

They argued about bread density. They debated zoning regulations. They celebrated modest festivals that did not hinge on survival.

Years passed.

The dragon grew older.

One evening, it sat in the square, watching the sunset bleed gentle colors across the sky it had once been expected to darken with smoke.

“You never did burn us,” Anwen said, now a capable sorceress whose magic warmed hearths and coaxed seedlings from soil.

“No,” the dragon agreed.

“Do you regret it?”

The dragon considered.

“I regret many things,” it said. “I regret the centuries spent mistaking destruction for purpose. I regret the knights who believed their only value lay in dying. But this? No.”

Sir Cedric emerged from his bakery carrying a fresh loaf. He handed a piece to the dragon, who accepted it delicately.

“It’s good,” the dragon said.

“Thank you,” Sir Cedric replied.

The sun dipped lower.

Somewhere, perhaps, a reader still waited for catastrophe. For proof that peace was naïve. For the inevitable correction.

It did not come.

The dragon eventually retired.

Not slain.

Not redeemed.

Simply finished.

It left its spectacles to Anwen and its watercolor brushes to Sir Cedric, who found he quite enjoyed painting sunrises before dawn.

Ashbourne did not become famous.

It became content.

And if you are still waiting—for the fire, for the roar, for the noble death that justifies the fear—

You will be disappointed.

Nothing exploded.

No one was sacrificed to meaning.

They lived, stubbornly and without spectacle.

And that, in the end, was the most unexpected thing of all.

Posted Feb 24, 2026
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