North Brother Island

⭐️ Contest #324 Shortlist!

Fiction

Written in response to: "Start or end your story with a character looking out at a river, ocean, or the sea." as part of Sail Away with Lisa Edwards.

An old man, a young woman and a helmsman pulled up at the boat ramp, slick with East River slime. The short voyage had been a little rocky, this not really being a river but a saltwater estuary of conflicting tides.

A crow’s mile from Manhattan, the ghost island was sedately fragmenting, brick-by-brick, frame-by-frame, beneath a kudzo canopy.

They say it is now a bird sanctuary, a plumaged excuse for Parks and Recreation to sit on their backsides for rolling decades debating what to do with it. Few people were allowed there, but the old man was something big in P&R, and the young woman was his granddaughter. It opened doors, even when those doors were now mouldering in the ground cover.

‘Careful,’ he warned, extending a hand to the girl. ‘Slippy.’

The girl looked around and shuddered. She could see Hell Gate Bridge in the distance. Grandpa said Rikers island was just next door. The sun was of no particular mind, feeling both humid and yet elusive. The cubist city landscape was so close, and yet here, on the sandy foreshore, it seemed immediately unattainable. Like you could be left there forever and never speak to another living soul.

There was evidence of the wading bird in the narrow strip of white sand, but beyond their webbed impress, all else was quiet.

‘There are no critters here,’ said grandpa, reading her mind. ‘Nothing an omnivore would want to eat, unless they like kudzo. Funny how a Bronx rat can’t make it across, but a Japanese creeper has no trouble at all.’

‘Yeah, funny,’ said the girl, rolling her eyes. ‘What’s in the hamper, grandpa?’ She said it so it rhymed.

‘Something your grandmother put together by way of a picnic.’

‘Here?’

‘Yes, here.’ He stopped and looked at her. ‘C’mon. Take photographs. You were always so interested in it.’

‘Not old buildings,’ she protested. ‘They give me the heebies.’

’S’posed to,’ he said equably. ‘People love this stuff, and you’re privileged to get to see it.’

‘I suppose mother’s been talking to you.’

‘She has.’

‘And what does she say?’

‘She says you’re a pain in the ass. Now come on.’

The girl stood her ground. Spoiled. Petulant. The old man sighed.

‘She hasn’t changed,’ he said. ‘You have. You don’t understand what it’s like to parent a teenager. It’s a creeping terror. You’re been smoking that stink-weed, lying in bed all day, disrespecting her and everyone else around you. You’ve lost your charms, kiddo - and you need to get ‘em back. Things can happen to people, you know? All of a sudden. You won’t want to be spending the rest of your life regretting stuff, believe me.’

Betty’s camera was a digital made to look old-school. Grandpa tutted about that, until she told him it was so much easier to post on-line this way. Through the brief exchange, she was thinking of her art assignment and how good this material would be. Her thoughts hadn’t turned that way in a long time and Grandpa, seeing the inner workings, allowed himself a brief smile.

Just a little way ahead, where the coiling roots were already hazardous, they passed a corroded trash bin, eaten away like a shark had trespassed. It was this evidence of human occupation which unsettled the nerves, whispering to an instinctive fear of abandonment.

Grandpa had brought the plans so she could get a better feel for the original layout. He also showed her a series of photos from the days when it was once a Victorian sanitarium, a quarantine island, a place for recuperating vets, and then latterly, before it closed in 1963, a home for drug-addicted children. Outside one sagging shell, where lianas broke through the rafters, a 1950s fold-up chair with a bright orange seat sat expectantly in the shade. Betty took a photo of it. She said it was haunting, thinking that some poor kid would have once sat there, maybe drenched in the sweat of withdrawal, looking towards whatever passed for home.

‘Did it work for the kids?’ she asked.

‘Nope.’

Grandpa stopped abruptly, as was his habit, as if talking and walking were not ideal companions. ‘That’s why you don’t start down that road,’ he said.

‘Here.’ Grandpa unhooked the two hard hats hanging from his backpack and adjusted the red one to fit his granddaughter. ‘Go inside,’ he said. ‘But be careful.’ She was hesitant. He told her he’d be right behind her, just like always.

‘Which building was this?’ she asked, gaping at the destruction within. Precious little was recognisable from the photos she’d just seen. Nature, she conceded, had a mulish way of reclaiming its own.

Grandpa consulted his plans.

‘Main office, I think. This island was coal-fired, so that huge chimney adjoining was to carry the smoke away. There’s another chimney, further inland, which adjoined the morgue. That’s a different kind of smoke.’

She was startled by the thought. In her adolescent mind only very old people died, and always at a sanitised remove.

‘People die, Betty. Especially in a sanitarium. Don’t shift anything,’ the old man warned. ‘Could be asbestos.’

She laughed. ‘This is a house of cards, grandpa. If I move just one thing it’s all going to come down.’

After an hour spent documenting the ruined blood-red structures, which stood out against the greenery like a kindergarten paintbox, they settled their backs against a tall, reaching tree and opened the hamper. Facing them was a rectangular building which grandpa assumed had been the main body of the sanitarium. Other smaller structures, with wraparound porches, had once been home to medical staff and their families. In its time it would have been beautiful. It would have held the damp wafer smell of the institution, but it could never have been accused of drab functionality.

Earlier they had walked across twin tennis courts, their surfaces broken up by deep and tenacious roots. They both agreed, in words unsatisfactory to the feeling, that it was somehow the saddest remnant of all. They could almost hear the revenant ghost of tennis balls sallying back and forth, the grunts of exertion and the shrieks of triumph.

The windows in the sanitarium block were broken. All the windows were broken elsewhere, but during the dappled pause beneath the tree canopy, Betty wondered aloud why that should be so.

‘Could be birds,’ said grandpa, but he doubted they were that stupid: to avoid the brick walls only to smash through the windows. ‘Illegal visitors, more likely,’ he said. The mention of human activity reminded him about the game wall. ’It’s just a poured concrete piece of whimsy the kids could smash their balls against.’

Betty smirked. Grandpa told her to grow up. ‘It’s got graffiti on it,’ he said. ‘Kids come here to do what they do, although how they get here is lost on me. Daddy’s rowboat, I suppose. Dangerous anyways.’

‘We need to find that wall,’ she said. ‘It'll look good for my project. Urban art in the wilderness ..’

Grandpa raised his eyebrows and smiled some more.

Here the birdsong was louder, though it bore a muffled quality lacking in the city types. Of course, nothing to stop them sitting in Manhattan trees, but this was home, the fledgling’s backstory, a place never out of sight or mind. They were waiting for crumbs, and the young woman and the old man obliged them.

They tripped over undergrowth and stood just feet away from the damp course of the building. ‘How many people do you think died here?’ she mused.

‘Countless,’ said grandpa. ‘And don’t forget the General Slocum in 1904. A pleasure steamer that burst into flames and finally sank just by the beach out front. 1,400 German-Americans going for a picnic on Long Island, God bless ‘em. Over a thousand souls died, women in long skirts, men in woollen suits, children, very few of them able to swim. Most of them washed ashore here, right where we moored. Seen photographs where they’re all lined up like a canning factory. It remains the biggest maritime disaster in US history, but people only talk of Titanic. They don’t remember this at all. No Astors or Guggenheims on board, I guess.’

‘I’ll do my research,’ she said, taking his arm. Her cheeks had bloomed roses. At this moment, in this strange and complicated place, there was scant evidence of the unholy wretch her mother complained of.

‘Good,’ he said. ‘But I’m not done with you yet.’

‘I’m always nice to you,’ she said.

‘Uh huh! Betty, children are always nice to their grandparents. They can smell the inheritance through the mothballs.’

They took a step back and walked a little deeper, where they found the wall with the graffiti tags. After a few shots, and varied studied angles, Betty considered herself done, mindful of her grandpa’s slowing steps and occasional breathlessness. And it occurred to her, a tugging revelation, that she was also thinking of someone else, of the boatman, waiting on the sand strip beneath the rotting gantry. Did he bring sandwiches?

They made one more entry on their return, to a building with kitchen equipment in-situ, disguised beneath layers of guano. A canteen area where ailing people and later, troubled kids, perhaps took their meals.

‘Talking of kitchens,’ said grandpa, as they linked arms on their way to the shore. ‘Ever heard of Typhoid Mary?’

‘Of course,’ she told him. ‘Everyone has, especially now she’s a Marvel villain.’

‘I have no idea what you’re talking about,’ he grumbled, ‘but this is where she died.’

The girl stopped short and pursed her pearly lips. ‘Nooooo!’ Eyes wide.

‘Spent 26 of her 69 years incarcerated here.’

‘Poor woman,’ the girl said. ‘It wasn’t her fault.’

Grandpa held her back. He waved at the boatman, who seemed happy enough playing poker on his phone.

‘At first,’ he said, ‘it wasn’t Mary Mallon’s fault. She was asymptomatic, someone who must have contracted typhoid but didn’t feel a damned thing. It took an intrepid city official to track her down as the source. She went at him with a kitchen utensil when he asked her for a sample of her faeces. Hell of an Irish temper on her, by all accounts.’

‘In 1907 they rounded up some city enforcement types to pin her down and quarantine her here. She was furious the whole time. Wouldn’t accept that she was a typhoid carrier and that, as a consequence, she would have to be careful what she did and how she went about it. Three years later they let her out on the strict proviso that she could no longer be a cook. Told her that hundreds of people had suffered by her actions, and some had died.’

‘What happened after that?’

‘This is when Mary comes to deserve her bad reputation. After her release she did a spell in a launderette, but soon grew tired of that and went back to cooking, knowing what she knew. Other people started getting ill, and in 1915 she was re-incarcerated when they found her working in the kitchens of a maternity hospital. Plenty of people got sick and one nurse died. So straight back here she came, and they never let her out again. She had her chance and she blew it. However harsh that seems nowadays, she got what she deserved at the time. She knew she was a danger, and she ignored it. Thought everyone else was wrong, despite all the evidence to the contrary.’

‘Is this some lesson for me, grandpa?’

‘Yep. None of the other superspreaders were locked up like Mary because they did as they were told. Only she was. And she was locked up mostly because she was reckless, ignorant and lacked charm. Charm is what gets you through life, Betty, and you start with your own mother because, if you don’t, everything else is a sham. She doesn’t deserve your piquant brand of shit.’

***

The boat took its time fighting against the currents, but kept a steady course towards Barretta Point Park. To any bird circling overhead, aiming home from its day in the city, the scene below was tranquil. Just an old man with a young woman, leaning against his shoulder and smiling, with the air of a chastened sinner, against the stiffening breeze.

Posted Oct 10, 2025
Share:

You must sign up or log in to submit a comment.

45 likes 48 comments

Story Time
October 29, 2025 18:21

Great job, Rebecca. This really got me into the season. I thought the relationship was so strong and clearly defined. Wonderful.

Reply

Rebecca Hurst
October 30, 2025 15:05

Thank you, Story Time. I really appreciate them!

Reply

October 28, 2025 13:03

I like this story for its haunting feel, without depicting any horror. Well done, Rebecca! The relationship between the granddad and granddaughter reminds me of my own little trips into nature with my granddad.

Reply

Rebecca Hurst
October 30, 2025 15:58

Thank you, Liliya. Those are really nice comments, and I appreciate them.

Reply

Richard Ploetz
October 27, 2025 20:43

Excellent details - appreciate how you weave history with a personal story. As a long time East Villager I'm familiar with the General Slocum and North Brother Island. Very real story. Thanks.

Reply

Rebecca Hurst
October 30, 2025 16:00

Thanks Richard. I am glad you approve of its authenticiy all the way from the UK! I really appreciate your comments.

Reply

Julie Iverson
October 27, 2025 18:58

Nice story and yet, so similar to mine, “Top Floor” submitted last month -from me, a grandparent, someone is sardonic, my main character Bets (Elizabeth) from me, the disappointments room where people were locked up. Take responsibility, Reedsy

Reply

Rebecca Hurst
October 27, 2025 21:02

What exactly are you implying, Julie? I have never read your story. You can either retract your remark that I have somehow plagerised your work, (which I submitted to the Wells Festival of Literature competition back in March of this year - it didn't win), or I shall make a complaint about your comment.
I can prove the date I submitted my story with a simple screen shot. It takes a certain level of arrogance to assume that anybody on Reedsy is copying someone else's stories. Jeez.

Reply

Carrie #1
October 26, 2025 23:39

I liked this.

Reply

Colin Smith
October 26, 2025 21:33

Nice, Rebecca! Congratulations on the shortlist.

Reply

Mary Butler
October 25, 2025 20:02

Congratulations! Great work! You just keep pumping out winners!!!

Reply

Kim Olson
October 25, 2025 11:10

Congratulations! Great work!

Reply

Yuliya Borodina
October 24, 2025 17:04

Congratulations! Well-deserved!❤️

Reply

Rebecca Hurst
October 25, 2025 08:27

Thank you so much, Yuliya.

Reply

John Rutherford
October 24, 2025 14:52

Congrats Rebecca

Reply

Rebecca Hurst
October 25, 2025 08:28

Thanks, John.

Reply

Helen A Howard
October 24, 2025 13:44

Congratulations, Rebecca. 🍷

Reply

Rebecca Hurst
October 25, 2025 08:30

Thanks old bean !

Reply

George Ruff
October 22, 2025 21:17

I very much enjoyed reading your story. Your ability to blend history into your writing is wonderful and provides the reader with an additional gift of important lessons from our past. Congratulations on a truly great story and thanks so much for sharing.

Reply

Allan Burgess
October 22, 2025 20:01

Remember hearing or reading about this place, don't remember where.
This is such a beautiful depiction of the hidden, bought to life in story, about life, death and growing.

Reply

Helen A Howard
October 19, 2025 09:37

Fantastic, Rebecca. You’ve created such atmosphere. Also, quite a learning curve for the granddaughter. Places that live on, somehow.

Reply

Rebecca Hurst
October 20, 2025 15:53

Thanks, Helen. Like you, I love my history, and it's always good to weave it into the present day.

Reply

Helen A Howard
October 20, 2025 16:06

I know. I love how you bring history to life! I particularly liked this one.

Reply

Yuliya Borodina
October 17, 2025 17:44

Wow. First, I've learned a lot and googled at least three things. Thank you! Second, you have a knack for vivid detail that makes your story so visual, it's almost a movie. Lastly, I appreciated the sprinked humor (the mothballs, haha).
Great work!

Reply

Rebecca Hurst
October 20, 2025 16:32

Thanks, Yuliya. I'm quite fond of this one myself!

Reply

Shirley Medhurst
October 16, 2025 13:47

Lovely tale with a truly atmospheric setting.

Reply

Rebecca Hurst
October 20, 2025 16:33

Thank you, Shirley. I appeciate that!

Reply

Ken Cartisano
October 16, 2025 06:35

Wow! What a wonderful story.
All true.
Amazing paragraph, that begins with:
Just a little way ahead, where the coiling roots were already hazardous,

Of course your stories are full of tantalizing phrases, expressions and sentences.

I was just complaining about how utterly British one of your previous stories sounded, and then I read this. A story so well described, it seems as though you've been there. (Your comments state that you haven't.) I was aware of Typhoid Mary, but not aware of her full circumstances. I never even heard of The General Slocum disaster, and I was born in New York City. I confess, my feeling of unfamiliarity with British culture was more than adequately compensated for the feeling of 'knowing' this place that you described so well. And it demonstrates the broad range of your talent. Which, I'm sorry to admit that, even though I'm a fan of yours, I still didn't appreciate until about 14 hours after I read this story. This story is divine.

Reply

Rebecca Hurst
October 18, 2025 20:34

Oh, Ken! That is a truly lovely comment. I haven't been keeping up so well with my reading, or responding to comments as much as I should - and I will catch up tomorrow, but this truly makes everything worthwhile.

Reply

Avery Sparks
October 15, 2025 18:03

As ever, perfectly judged bite comes out just at the write time to dig its teeth in just as you've been lulled by the stillness of the place, the writing. Really enjoyed something about a "poured concrete bit of whimsy", and the hints at grandpa's experiences and what authority that might bestow upon him.

Reply

Rebecca Hurst
October 20, 2025 16:49

Thanks, Avery. Wonderful comments, which in my mind is as much of a skill as actually writing a story!

Reply

Kelsey R Davis
October 14, 2025 18:21

I just loved your first few lines, they always draw me in in such a hypnotic way. This piece has much to praise, but I really liked the pacing for you. And of course, that atmospheric theme the prompt beckoned you delivered on. :)

Reply

Rebecca Hurst
October 16, 2025 19:25

Thanks, Kelsey. I really appreciate your comments. I'm quite fond of this little story myself, so I am so glad you liked it!

Reply

Kelsey R Davis
October 25, 2025 18:56

I’m so glad this story got you the credit you deserved for it Rebecca - especially knowing it was one you were fond of! (Bonkers and bittersweet that lesser one won this time, but all joking aside, congrats to you.)

Reply

Rebecca Hurst
October 25, 2025 19:23

To be honest, Kelsey, being a Brit, I didnt understand a word of that winning story, but there you go! Thank you so much for your encouragement. It means the world, as you will know yourself.

Reply

Mary Bendickson
October 14, 2025 02:02

Never heard of this place so got a history lesson.

Reply

Rebecca Hurst
October 16, 2025 19:19

Yes, I read about in in National Geographic or something along those lines. The photos were so haunting.
Thanks for reading, Mary. Good wishes to you, as always.

Reply

Mary Bendickson
October 24, 2025 14:05

Congrats on the well deserved shortlist.🎉 Missed the other two this week so will still need to read. But two familiar names this time is tops.😊

Reply

Rebecca Hurst
October 25, 2025 08:30

Thanks, Mary!

Reply

Alexis Araneta
October 12, 2025 15:17

Loved the atmospheric feel of this, plus the vivid descriptions. Unfortunately for grandpa, though, he went the preachy route, which is a top-notch way to get a teenager to do the opposite. Hahahaha! Great work!

Reply

Rebecca Hurst
October 13, 2025 11:39

Ahh, you think Grandpa is preachy! Go and sit on the naughty step, Alexis!
Thanks, as ever Alexis, for your kind comments.

Reply

James Scott
October 12, 2025 11:03

An afternoon outdoors with some wisdom from a grandparent could cure plenty of teenagers I reckon! Great story with the environment and history mirroring the characters purposes.

Reply

Rebecca Hurst
October 13, 2025 11:35

Thanks, James. I really appreciate your comments.

Reply

James Scott
October 25, 2025 02:47

Yay! Congratulations on the shortlist!

Reply

Rebecca Hurst
October 25, 2025 08:24

Thanks, mate!

Reply

Keba Ghardt
October 10, 2025 17:39

Such a layered contemplation of knowing you shouldn't, but doing it anyway. The setting of the ruins overgrown with an invasive non-native, a kitchen splashed with guano and Mary Mallon lore, and yet the graffiti is what doesn't belong. Someone rich enough for permission to trespass having contempt for both the kids with daddy's rowboat and the classist sensationalism of the Titanic. Even the island's static existence at the bottom of everyone's priority list. Maybe Betty and her anachronistic camera have figured out where she's supposed to be, but I'm intrigued by this liminal space.
You're probably sick of my references, but this reminded me of Tarkovsky's 'Stalker'

Reply

Rebecca Hurst
October 13, 2025 11:14

I never tire of your references, Keba. Quite the opposite. I find your curiosity about life and the artists who have contributed to it, in however grand or small a part, a validation of drawing breath.

Reply

Keba Ghardt
October 25, 2025 21:20

Congratulations! Whenever your work is highlighted, I'm excited for new eyes to adore you as much as I do :)

Reply

RBE | Illustrated Short Stories | 2024-06

Bring your short stories to life

Fuse character, story, and conflict with tools in Reedsy Studio. All for free.