My name is Clayton Cordell, or at least that is my name now, but I just go by Clay.
I was born in Munich, to a family of German nobility in the year 1226, during the ascension of the Holy Roman Empire. I had a highly privileged upbringing, replete with household servants, riding lessons, trips abroad, and I attended the finest schools in Europe. Still, I was never truly happy then. I am still not happy now. Happiness is a fleeting and elusive thing that I can never seem to hold onto for very long.
I was knighted at the feet of Frederick II in the year 1248 and I fought in many battles in many places. My men named me Prinz der Witwen (Prince of Widows) for my skill with the blade. I left many wives sleeping in cold beds and many children without their fathers. My own father was very proud of my achievements and my widely renowned military legacy. I felt much differently about the things that I had done by the time I retired my sword and spurs when I was thirty one years old following a battlefield injury that almost took my life. I returned home to Munich to convalesce and after five months I was back on my feet again, but I was no longer the same man. My days as a warrior had reached an end.
A few months after I regained my health a group of travelling performers - troubadours, minstrels, jugglers, storytellers and the like - came to our city and as I had been deprived of entertainment for quite a long time I decided to attend the performance one night. I enjoyed the merriment and a few steins of ale but on my way back home as I walked through the park I encountered a man standing beneath a tall tree and that’s when everything changed.
First I travelled to Belgrade. This was not easy, and I found no answers there despite the things that I was told. From Belgrade I was advised to visit Konopiste Castle in Prague, but again I found no answers. My quest then took me to Dubrovnik and Brasalouspurc and Plovdiv, but I found nothing but liars and pretenders and those seeking favor from my family. I grew increasingly frustrated and desperate and eventually I returned to Munich.
That morning after the night that I went to see the travelling performers, when the first rays of the sun came shining through my window and reached my forearm, I felt a burning sensation and smoke began to rise from my skin. It was excruciating and I still have a faint scar there. I had no idea what was happening to me but I instinctively scrambled out of bed to lock the door to my bed chambers and then I ran into my windowless dressing room and closed the door behind me. There I stayed for the remainder of the day. I was fortunate in that my family was spending some time in Berlin so no one came to check on me. When the servants knocked on the door I shouted to them that I was sick and needed some rest and asked them to please leave me.
I spent that whole day just trying to understand what had happened to me and what I would tell my family when they returned. I ultimately decided on a plan that involved a story about an eye condition that I had contracted that made the sunlight incredibly painful to bear, likely the result of a blow to my skull during battle.
Then I sought out discreet meetings with people who might have some true knowledge of the dark and the arcane. At that time I very much believed that there must be some way to shed my affliction and return to my normal life. No one I spoke with in Germany could offer any direct help but I was guided to others in Eastern Europe who might possess the knowledge that I sought. Thus began my fruitless nocturnal travels to the cities that I listed previously.
When I left the darkness of my dressing room once the sun had set on that first day I was filled with a savage and ravenous hunger, but I understood that it was not food that I craved.
That hunger. It’s always there within me, like a black hole in the universe that is all-consuming and must be fed constantly. It is my only commandment. It is my one true God. I must bow before its altar every night.
Upon their return my family accepted the fiction of my eye condition - I told them that while they were there in Berlin I visited a doctor in Vienna who confirmed that this is a known malady with no cure - and I remained in my dark bedroom during the daytime hours. But I eventually realized that I was showing no signs of aging. As the years passed I watched the subtle changes taking place in the faces of my parents and siblings but apparently I was frozen in time. I could no longer use a mirror but this abnormality was commented on several times and I knew that I could stay there no longer. I left one night and never saw my family again.
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Right now I am sitting in my apartment in the Gramercy Park neighborhood of Manhattan. I have acquired a good deal of wealth from various sources over the years and I am able to live quite comfortably. New York is a city that thrives by night and I find it conducive to my needs. People mostly mind their own business. Still, I have to move to a new neighborhood every 2-3 years to avoid suspicion and the security cameras that are mounted everywhere now are making predation increasingly difficult. But I still have my ways. Those COVID face masks made things really simple for a while.
I am just charging up my iPhone and waiting for a call from Rosalie, the beautiful young Latina from Puerto Rico who I met on Tinder last week. We are planning to meet up at some trendy and well-reviewed new bar that recently opened in the East Village. I don’t really care about such things myself but I know that it can be a good way to set the hook with women like Rosalie who are out there online shopping for a viable husband and a better life. I'm sure she will arrive dressed to the nines. I prefer Latinas. They have a fantastic sense of style.
I have to satiate the hunger and I prefer women when I do so. Men have a distinctly different taste that I find most unpleasant. Naturally I have had to resort to it on countless occasions over the years - I have resorted to dogs and cats when necessary - but I have found ways to avoid it entirely now. These are better days. Well, nights.
My phone rings.
“Hey, Baby! How you doing tonight? How did the meeting with your boss go today?”
Pause
“Oh, fuck yeah. Good for you! That’s great news. We have to celebrate. Do you still want to meet for drinks?”
Pause
“Cool. Does that new place Victoria down on Saint Mark’s still work for you?”
Pause
“Okay great. I can meet you there in about...an hour? Around seven o’clock?” (It’s early October and the sun fully sets here in New York shortly after 6:30 at this time of year.)
Pause
“Yeah, no worries. Just text me if you’re running late but otherwise I will get us a table. See you there. Should be fun.”
We hung up. I don't want to do this. I have to do this.
Some people want to live Forever. Maybe you are one, but I assure you that you do not want to live Forever. Forever is exhausting. Forever is haunting. Forever is a slave master or a fields overseer on a Mississippi plantation, whipping your back in a cotton field under the burning hot August sun. I despise Forever.
That's why I never turn my prey. I just finish them off and leave them wherever they are. It's better for them that way. It's merciful and maybe it even shows that I still have a thin shadow of my former humanity and grace somewhere within me, or perhaps just a faint memory of what it was once like to know such things. After all, I never asked for this.
But we all have to eat, don't we?
Next January will bring my eight hundredth birthday. Eight hundred years of torturous memories. Eight hundred years without sunlight. Eight hundred years of blood. Nothing ever changes for me. I am always and ever concerned with just one thing.
That hunger. It’s always there.
It's endless.
THE END
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I bet you are one of those sexy vampires, dude. Tom Cruise/Brad Pitt style. None of that Twilight trash.
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You can see what I look like in my profile pic. No one has ever gotten me confused with Tom Cruise or Brad Pitt, sorry to say.
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A clever disguise!
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An incredible story that depicts immortals struggles. Turns out, being able to live forever isn't all that is hyped to be. I love how after transition- Clay has compassion to not turn his prey and uphold his boundaries of a solitary hunter. Meanwhile, in contrast- when he was still a mortal, he was more brutal, and proud to have a high kill count, and a apropos title Prinz der Witwen. Now, he only kills to satiate his hunger, and somewhat learning to coexist with the rest of us. I guess he wouldn't have made it to 800, if he became reckless with his power. Loved this, thank you for sharing, Thomas!
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Thanks for reading my story, Akihiro. You definitely picked up on a the theme I was tying to put down there. Clay had to become a monster to learn compassion. And of course, the other major theme is the torturous nature of immortality at such a price. Growing to hate your own existence but not being able to do anything about it. Glad you liked this. I appreciate your kudos.
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Thomas, this one lingered. There’s a quiet tragedy that seeps through Clay’s voice, even when he’s just “charging up his iPhone” and talking Tinder. That line—“Forever is a slave master or a fields overseer on a Mississippi plantation, whipping your back in a cotton field under the burning hot August sun”—absolutely knocked me. It’s brutal, poetic, and so damn tired in a way only centuries of suffering could express.
I love how you keep the old-world nobility simmering just beneath the surface of his modern-day routine. Clay feels timeless, not just because of what he is, but because of how he carries the weight of it. The juxtaposition of Frederick II’s court and East Village cocktail bars is wild but seamless.
And honestly, the subtle horror in “I don’t want to do this. I have to do this.” hit harder than any scream could. Well done, man. This one haunts.
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MARY! MARY! Quite contrary! How does your garden grow? (There. That seems a little more innocuous than the unintentional Mary Queen of Scots beheading reference from last time. Sorry about that one. My bad.)
So obviously, the angst-ridden vampire trope is nothing new and that wasn't really what I was going for. It's clearly part of the character persona but the whole arc of the story was predicated on making that eight century time skip so we see how Clay has adapted and survived into our current times, even though he really has no desire to go on. Blood is his drug and he is hopelessly addicted. I thought that would fit the prompt. (Also, I'm kinda gay for vampires for some weird reason. I don't know why. You should check out "The Lesser Dead" and "The Suicide Motor Club" by Christopher Buehlman. Most badass vampire stories ever. Highly recommend the audiobook versions.)
Hope you and the chickens and cats and Chihuahuas and everyone else there is happy and well. As always, I really appreciate you reading my stories. Happy Thanksgiving! (Remember, it's all about turkey. Leave those fucking chickens alone! I already gave them my cell number and a burner phone. I've got their six.)
Btw, are you watching Vince Gilligan's new show "Pluribus"? Soooooo good. It's worth getting Apple TV even if you watch nothing else. Although "Your Friends And Neighbors" is also really good and people praise "Ted Lasso" but I just can't watch that show because soccer is un-American. (So funny how 190 countries around the world play "football" but here we call it soccer because we invented our own football and its about a million times more badass. We are so arrogant. But seriously, how many guys get heavily concussed in your average soccer game? I rest my case.)
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Really enjoyed this one. It has a great mix of classic vampire lore and a more modern, grounded voice. Clay’s narration feels believable for someone who’s lived almost a millennium: tired, jaded, a bit snarky, and very matter-of-fact about horrifying things. I especially liked the contrast between his medieval past and his very 2020s problems (Tinder, face masks, security cameras). Those touches make the character feel fresh.
A few thoughts that I think might strengthen it:
- The early historical sections are atmospheric, but they’re quite dense. You might consider tightening them slightly or sprinkling in a few more specific, vivid details to keep the reader anchored in the time period.
- Clay’s voice is strongest whenever he’s blunt or darkly funny. You could lean into that even more in the middle section — it’s where he feels the most “alive,” ironically.
- The buildup to meeting Rosalie is great, and there’s a nice sense of dread. You might get even more tension if you add a small hint about what he actually does with his victims, or how he feels right before feeding — just a bit more sensory detail could make that moment sharper.
- The ending lands well. The repetition of the hunger ties everything together, though you could make the final lines even punchier by trimming a little.
Overall, this is a compelling character portrait with a strong voice and a really satisfying blend of old-world and modern horror. I’d absolutely read more of Clay’s “memoirs.”
P.S. Thanks for liking "The Light Between Strokes"
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Wow! Thanks so much for all the thoughtful feedback, Elizabeta. (I love your name btw. So cool.) I really appreciate the input. All great points and it’s always valuable to know how your writing lands for others. That’s a big part of improving your game I think. I mean, I know what I like but that’s only one side of the coin.
Thanks for taking the time to read and review this piece. Hope you are happy and well and enjoying a nice weekend. I will check out your latest tomorrow. Looking forward to it.
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Very nicely painted portrait of a tortured immortal. Thanks for sharing!
It made me think: Imagine if all vampires and other such immortals went the route of Phil Connors in Groundhog Day, and learned to play piano and how to dance and do medicine. True, it's not the same thing since time would be passing, but still. I guess it would still be easy to go the nihilistic route since what's the goal other than the art itself? Then again, what is it for any of us?
Welcome to my coffee-addled afternoon musings on existence.
Always nice to read a Wetzel joint! Cheers!
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Remember when the kid fell out of the tree and Phil caught him and he just runs off? YOU NEVER SAY THANK YOU!
If I was a vampire stuck in Punxsutawney like that I think I would just kill Ned Ryerson every single day. Dude was annoying. Bro, I am a vampire. I don’t need insurance but you have something on your neck. Just lean in for a second and let me take a look.
Thanks for reading T.K! Here’s a link to my version of Groundhog Day below. (Spoiler Alert: It is not a romcom, but I suspect you already knew that. I would write the worst romcoms ever. Boy meets girl. Girl doesn’t immediately fall madly in love with boy. There is some saucy banter. Boy stalks and kills girl in brutal fashion. The End. “Thank you for submitting your script to Paramount, Mister Wetzel. Don’t call us, we’ll call you.” They’re never gonna call.)
https://reedsy.com/short-story/ixx43v/
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🤣🤣🤣 Maybe A24? I'd go see it! And I'll be sure to check out Groundhog Slay, or whatever you called it.
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Nah. A24 is too classy. I’m thinking maybe Blumhouse. They do a lot of romcoms, right?
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Outstanding! You nailed the prompt!! I love authentic historical fiction. You had me from the beginning and took me somewhere completely unexpected. The bridge from past to present has just the right amount of creep factor. Excellent storytelling.
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Thank you kindly. I appreciate your time and kudos. I didn't see a way to do a twist ending reveal that the MC is a vampire while still writing a vampire story, so I just hid that shark for as long as I could and made the time skip the twist. Glad you enjoyed it.
Saw you are from New Orleans. Iwrote a crime story inspired by the styles of guys like Elmore Leonard and Cormac McCarthy that takes place in Louisiana and MIssissippi during Hurricane Camille in 1969. (It's just titled "Camille." Contest 267.) If you like that sort of stuff you can find it in my back catalog. Welcome to Reedsy, Brother.
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Thanks for the recommendation. I can remember Hurricane Camille, and I do like crime stories. New Orleans and the Gulf Coast are fertile ground for that kind of story. It sounds like an intriguing premise. Looking forward to reading it. Thanks again!!
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🦹Tasty date night.
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I assume they had Bloody Marys. I also assume that the check for two at a place like that is somewhere right around $250 (before tax & tip, of course) assuming no appetizers and one shared dessert. I would probably want to kill someone afterwards too.
Thanks for reading, Mary!
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