My housemates are convinced our house is haunted.
I've lived here for 274 years and never noticed anything strange.
They've got evidence, if you don't look too close. The pipes knock because Len bled the radiators wrong and won't admit it. The cellar door won't latch; the sill under it rotted out in the 1890s. The cold spot on the landing is what limestone does in February. Bex's app beeps loudest near the fuse box. It's a fuse box.
The cellar stairs are worn into a trough, and the sixth step catches everybody's toe. Everybody.
"I K, M K," Bex read off the lintel, tracing the letters. "Seventeen forty-nine. Johannes and Margaretha Keim. I looked them up."
The M is me.
I died in the room over the kitchen in February of 1752, thirty-one years old, of something nobody had a name for yet. I'm not in the mood to explain it.
Pilar comes home from the hospital laundry at dawn. Shoes by the door, then twenty minutes in the keeping room before bed, hands in her lap. I sit with her. It's the only company I've ever had. Neither of us has ever said a word about it.
I'm not the haunting. I'm closer to the wallpaper.
In 274 years I've never moved so much as a spoon. Not on principle. It never came up.
***
The housemates notice plenty that isn't there. That February I noticed a sheet of paper on the refrigerator, under a magnet shaped like a propane tank. Len drives a propane truck.
Charming 1749 stone farmhouse. 9.2 acres. Sold as-is. Value primarily in land.
I read the last line four times.
I know what that means. The Reifsnyders were across the road. Old Reifsnyder stood at his upstairs window for a hundred fifty years. Never waved. I never waved back. It was enough to know he was there.
In 1961 a bulldozer came up the road. I watched. He didn't rise, didn't go toward any light. He just stopped, like a pilot light. One second there's a flame, then there's a smell, then there isn't even that.
Sixty-five years to think about him. Here's what I've got: nothing on the other side of a wrecking ball.
That night Len sat at the kitchen table with a calculator and a beer he never opened. The roof is forty thousand dollars. The taxes went up. He's thirty-four and tired all the way down.
I like Len. That's the worst of it. He's not wrong.
***
Dawn Shellenberger started bringing people on Saturdays.
The first were a young couple. The woman was pregnant, one hand parked on top of it. They climbed to the room over the kitchen.
My room.
"This could be the nursery," she said.
I told you I never moved a spoon. But I knew about cold the way you know how to swallow. You don't think about it until there's a reason.
I had a reason.
The temperature fell fifteen degrees, fast as a door swung open in January. Her breath came out in little clouds. The man talked about drafts and old stone. The woman looked at the window, then at the corner where my bed stood, and took his sleeve.
Four minutes and they were in the yard. He laughed. She got in the car and didn't.
I felt wonderful. That's the truth, and I won't dress it up.
Coming down the stairs, I reached for the name of the road my father's farm sat on. It wasn't there. A blank space, like a tooth gone from the front of a smile.
That's the arrangement. You push, you pay. Nobody gives you the rate till after.
***
The next Saturday brought a retired couple. The wife was the dangerous kind. She laid her palm flat on the summer beam, the one that's held this house up since before the Revolution.
"Oh, you poor thing," she said, soft, like to a horse. "Who's been taking care of you?"
Her kind would have kept it all. The trough stairs, the date stone, the sill that won't latch. She'd have loved this place to death.
I did it anyway.
The cellar door, the one that hasn't latched since the 1890s, latched. Hard. With her on the wrong side, in the dark, the sixth step waiting for her toe.
Her husband got her out, gray in the face. They left faster than the young couple.
Here's what I paid. My mother's voice. I know she had one. I know I'd know it if I heard it. That's all I can tell you now.
I'm ashamed of that door. I'm proud of that door. Both sit side by side, and I've had plenty of time to pound them into one, and they won't go.
Bex was thrilled. Her app finally earning its keep, beeping like a checkout lane. Len came home grimmer each weekend. And Pilar did what Pilar does. Shoes by the door, twenty minutes, hands in her lap.
I've taken to sitting closer.
***
The man who'd end it came on a Monday, not a Saturday.
Ford pickup, dusty to the door handles. Carhartt vest, a tablet in a rubber case. He never came inside.
He walked the property line with Dawn, and I could hear gravel popping under his boots clear back to the porch. He pointed at the road. He pointed at the fields. He thumbed his tablet and Dawn talked in her screen-door voice, and the two of them stood out by the fence posts where I could do nothing about either of them.
I've never been past the dooryard. That's not where I am. I end where the house ends.
He came to the door exactly once. I readied every trick I had. He stopped on the step. Reached up. Rapped the date stone with two knuckles, the way a man knocks on a melon.
"We'd keep that," he said. "Incorporate it into the clubhouse."
Incorporate. There's a word with a lot of bulldozer in it.
I tried him anyway. Pushing at him was like pushing at weather. He wasn't in me yet. A man on my step isn't in my house. I'm the house, out to the yard's edge and no farther.
It took me till dark to see what I'd been doing all spring.
The cold room worked on the pregnant woman, who'd have kept it. The door worked on the beam woman, who'd have kept everything. Every buyer I ran off would have loved it here. The man who'd take it down to the date stone and the dirt never needed to come inside at all.
I hadn't been defending the house.
I'd been clearing the field for him.
***
Thursday the offer came. Len read it at the kitchen table, twice, moving his lips the second time. Forty over what Dawn had guessed, he said. Bex cried a little, which surprised everybody, Bex most of all, and said her grandpop's place had sat three years waiting on the estate. Nobody had an answer for her.
Pilar came home at dawn. Shoes by the door, same as always. But she didn't sit her twenty minutes. She stood in the doorway of the keeping room like a woman memorizing it.
"Well," she said, and went to bed.
I sat in the room over the kitchen and did my sums.
Doors don't stop a sale. Cold doesn't stop a sale.
A house isn't sold by a house. It's sold by a man.
And a man has to be alive to sign.
***
It rained the Sunday after, a real soaker, and at two in the morning the sump pump alarm went off in the cellar.
That sound could wake the dead. It's an old joke. I'll thank you to let it stand.
I'd had three days to talk myself out of Thursday's sums, and I hadn't managed it. I kept telling myself something would turn up. Another buyer. A miracle. A recession.
The alarm settled it. It said now.
Len came down from his room in a T-shirt and boots, flashlight in one hand, rubbing his chest with the other, the way a man does when his heart's been waking him up lately. The cellar door stood open, same as always. Trough stairs going down into the dark.
He went down past the sixth step, and I stood at the top and let him by. I want that on the record.
He thumped the pump's float with the heel of his hand. It caught, ran, went dry, caught again. He stood in the racket, patient, half asleep, the only man for the job.
That's who I was watching. Keep that in mind.
He fixed the sash cord on Pilar's window in January so her curtain would stay up. He salts the porch steps when ice is coming, nobody asking. He leaves the hall light burning for Bex when she closes at Tractor Supply. Thirty-four and tired all the way down. The whole house runs on him, and he thinks he's just the man who pays the roof bill.
I told myself he was killing himself anyhow, the worry of this place, year on year. That was me dressing it up. Men live to ninety on worry and coffee.
All he had to do was climb back up to bed. Next Thursday he'd sign. Come spring the machines would come, and I'd go out the way the Reifsnyder man went.
The sixth step. I told you it catches everybody.
No music for this part. I'll say it plain.
He started up, one hand on the wall. I don't have hands for pushing. I did the thing I'd learned to do, into the middle of him, at the sixth step. Cold, sudden, in the chest. The way a man seizes when his heart forgets its business for one second.
He went down the stone trough the way water does.
Here's what I paid. Johannes's face. I knew the price going in. I'd spent a road and a voice, and I knew what was left in the purse. I keep my own name because it's cut in stone over the door. Nothing holds his face. There was a looking glass, once. You can guess how that went.
I'd like to tell you I hesitated.
***
Pilar came home at dawn. Rain still on her. Shoes off by the door, the way she always does.
Then she heard the pump, still going, down in the dark.
I want to tell you I looked away. She stood at that door a long time. Then she went down the trough stairs, one hand on each side, into the dark where Len lay.
That's my punishment, if you want to know. The gentle one pays.
Pilar was gone in two days. She left the shoes. Bex held out a week, then went to her sister's. She'll tell this story at parties the rest of her life and get it mostly right.
The sale died in probate. Bex had that part right. Houses sit a long time here. The Reifsnyders' sat forty.
Len is in the keeping room now. Stands where Pilar used to sit, most evenings. He says the house feels wrong.
"What's the matter with this old place?" he asked me. Nobody asks me anything, so I noticed.
I told him what I'll tell you. I've lived here two hundred and seventy-four years and never noticed anything strange.
He'll come around. We've got the time.
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Jim, this is one outstanding ghost story. Margaretha is now my favorite ghost. I can sympathize with her after all: she pays dearly with her father’s road name, her mother’s voice; the memory of the face of her husband Johannes. I think that's a lot for her to sacrifice in order to keep the house from strangers especially after 274 years. 🤔 Your writing is so on the money. You waste no space by repetition, or long expository prose. Brilliant story from a brilliant writer. Thanks so much for another great read.
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Thanks, Alex. Comments like this give me incentive to keep writing.
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Such a freaky story, Jim! How do you do it every week! The inner dialogue is spot on and I was riveted throughout. I want to say so much more but don’t want to give anything away. Brilliant take on this particular prompt!
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Thanks, Elizabeth! Getting inside the head of someone who has been haunting the same floorboards for two hundred years is a strange headspace to spend a week in.
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There are many things I could write about this story but the part that resonated with me most was the cost of Margaretha's haunting. It isn't just costing her energy... it's erasing her! With every act, she loses the things that tie her to her humanity. . family, home, and her past. Sad how Margaretha becomes increasingly hollowed out, which makes the ending all the more tragic!!
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I really liked how you handled the prompt and used Margaretha as the narrator. Her voice was distinct, weary, and laced with quiet wisdom. Her empathy for the living and her internal conflict about intervening made her feel human and relatable, even in her ghostly state. I also enjoyed the subtle humor. Her dry, understated wit lightened the story, contrasting with the deep sadness and loneliness she experienced as a ghost. The ending was chilling and powerful. I liked how you handled Len's death, focusing on the quiet aftermath and Margaretha’s internal response rather than sensationalizing the event. Great work!
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Thank you again, Veronika! Comments like yours keep me motivated to write.
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You're welcome, Jim.
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