The Amber Room

Horror Speculative Suspense

Written in response to: "Set your story in a place that has lost all color." as part of Better in Color.

Her daughter had never seen color. She had never been taught what amber was. So someone needed to explain to Nessa Galloway why every crayon in Isla's box was worn to a nub, every single color, except the gray one, which had never been touched. Not once. Not ever. As if the child already knew the world had enough of that.

Isla sat on the floor, working on something new. Her tongue poked out the side of her mouth the way it always did when she concentrated. The drawing was facing away from Nessa, but she could see the movements: deliberate, architectural, nothing like the scribbles other eight-year-olds made.

The kettle whistled. Nessa poured water over a chamomile teabag. Outside, Edinburgh moved in its shades of gray, the identical seventeen shades every human being on Earth had seen since the Wednesday in February nine years ago when the world lost all ability to see in color. CAVE Syndrome, the scientists called it. Chiropteran Achromatopsia Visual Effect. Bat vision. The motion-sensitive, monochromatic sight that had replaced human color perception overnight, as if someone had flipped a switch in every brain simultaneously.

Nessa had been pregnant when it happened. Thirty-four weeks, alone, sleeping on her side because her back hurt and her life had already fallen apart before the world decided to join her.

"Mum," Isla said. "I finished."

Nessa crossed the small kitchen in four steps. The flat smelled like turpentine because she'd been cleaning brushes earlier, back when she still pretended she might paint and find work again, might be someone other than a former art therapist whose entire specialty had been rendered professionally irrelevant the moment humanity lost the ability to process color and images the way trauma therapists needed them to.

She looked down at the drawing.

Amber walls. A floor made of something that looked like inlaid bone, flawlessly rendered. A room Isla had drawn five hundred times before, maybe more, always with the same proportions and impossible detail.

Always in color.

Not approximations. Not the gray-scale variations an eight-year-old born into a colorless world should produce. Actual color. Vibrant, living color that Isla had no reference for, no concept of, and no possible way to know.

But this drawing had something new.

A door.

In the door, a man.

Beside the lock, drawn in a shade Nessa had never seen in any crayon box she'd ever owned, was a key.

And in the corner, in Isla's careful handwriting, a date.

Tomorrow.

"Who is he?" Nessa asked. Her voice came out level. The mug in her hand was shaking.

Isla looked up. Her eyes were gray, like everyone's eyes now. "The one who's been waiting," she said.

The buzzer rang.

Nessa kept the chain on. Through the gap, the man on the landing looked ageless in the way certain Europeans looked ageless, somewhere between forty and four hundred, with the kind of face that belonged in a museum portrait. Even in seventeen shades of gray, his skin registered wrong. Too pale.

"Ms. Galloway?" His accent was hard to place. "My name is Dr. Tavish McKean. I'm a researcher with the Rainbow Memory Institute. I apologize for arriving unannounced."

"Then don't," Nessa said.

He smiled, but it looked practiced. "I've been tracking a neurological anomaly. Children born after the color loss who appear to access residual color memory through mechanisms we don't yet understand. Your daughter's name came up in our research."

Nessa's hand tightened on the door. "How?"

"Her nursery school submitted drawings to a developmental study three years ago. A common cognitive assessment. But Isla's work was flagged because—"

"No."

"Ms. Galloway—"

"My daughter isn't an anomaly." The words came out stronger than she meant them. "She's eight. Whatever study you're running, find someone else's child."

McKean reached into his coat. Nessa's breath caught, but he only pulled out an expensive-looking light-colored card. No institute name, no address. Just a phone number that looked hand-engraved.

"If you change your mind," he said.

She took the card because refusing it felt like confirming something she wasn't ready to confirm. He turned and walked down the stairs without looking back. His shoes made no sound on the concrete steps, and Nessa realized he'd never once tried to step past the threshold and had kept himself exactly at the edge the entire time. She closed the door, threw the bolt, and crossed back to the kitchen, where Isla sat exactly where she'd left her, crayon in hand.

Drawing.

The man in the doorway had McKean's face.

"Isla," Nessa's voice scraped out. "When did you draw him?"

"Before," Isla said.

"Before what?"

"Before he came."

---

That night, Nessa stood at Isla's bedroom door and watched her daughter sleep. The drawing from earlier sat on the kitchen table where she'd left it, weighted down by a coffee mug that said Edinburgh Castle on the side in letters no one could read anymore because the glaze had been red.

In the drawing, McKean stood in the doorway of the amber room.

And Nessa, rendered in Isla's precise hand, stood behind him.

Holding the key.

---

The road didn't appear on her phone's map, but it was there in Isla's drawings, rendered across forty different pages spanning six years. Nessa had laid them out on the floor at three in the morning, after two hours of staring at the ceiling and pretending sleep was something that might still happen. The drawings formed a map. Not symbolic. Literal. Turn-by-turn directions from their flat to a place fourteen kilometers south that shouldn't exist.

She'd left Isla with Mrs. Khatri downstairs. Told her she had a job interview, which was a lie.

The manor house was condemned. Someone had spraypainted UNSAFE across the plywood covering the entrance, but the plywood had rotted through on one side, enough for Nessa to slip past. Inside, the air was warmer than it should be. Not by much. Just enough to register wrong.

The stairs down were exactly where Isla had drawn them.

Nessa descended into darkness that gradually, impossibly, brightened. No light source she could identify. Just illumination blooming from nowhere, the way things glowed in fever dreams.

The door at the bottom was oak, old, and carved with symbols she didn't recognize.

It opened when she touched it.

Color.

Every shade stolen from the world nine years ago, contained, alive in the amber walls. The light didn't just illuminate. It saturated, pouring into the room like something liquid and golden and impossibly warm. The air smelled like nothing Nessa could name, something between parchment and the smell of pigment itself. Her vision stuttered, her brain trying to process wavelengths it hadn't registered in nearly a decade, and for a moment, she thought she might be sick or faint. Nessa's knees buckled. She caught herself against the doorframe, and the wood under her palm was warm and smooth and the color of honey, actual honey, the golden amber she'd forgotten existed. And then she was crying. She hadn't cried in eight years, not once, not since Isla's father left, not even on the Wednesday the world went gray.

"You came," McKean said behind her.

Nessa spun. He stood in the doorway she'd just entered, blocking it. She should have been terrified. Should have run. Instead, she laughed, sharp and humorless, because of course she'd walked into a room with one exit and let a stranger close it behind her.

"What is this?" Her voice steadied. Therapist voice. The one she'd used with patients who'd done terrible things for reasons they couldn't articulate.

"A vault," McKean said.

"For what?"

"Everything the world lost." He stepped into the room but kept to the edges where the light was dimmest. The amber glow caught his face, and Nessa saw, for the first time, how old he was. Not his skin. His eyes. Behind him, the glossy amber wall reflected the carved door, the inlaid floor, and Nessa herself. It did not reflect McKean. "I put it here."

"You caused CAVE Syndrome."

"I caused survival." His accent shifted, became something older than Scotland, older than English. "The color loss wasn't theft, Ms. Galloway. It was camouflage."

"What else did it change?" Nessa asked.

McKean touched the amber wall. "Human blood chemistry. Hemoglobin markers. Made you invisible to what hunts by color. Made you less nourishing to other things as well."

Outside, above them, something creaked.

Small steps on rotted floorboards.

Isla stood at the top of the stairs holding her drawing. She descended with the calm of someone entering a familiar room. At the bottom, she looked at the amber walls and said, "I've been here before."

McKean's expression shifted.

"You're the one who's afraid," Isla said.

Nessa stepped between them, but Isla was right. McKean held himself like someone who'd been standing guard far too long.

"How long?" Nessa asked.

"A thousand years. Give or take."

"What's hunting us?"

"I don't know what it is. Only what it does." McKean stepped further from the light. "It came during the Renaissance when Europe was drowning in color. Something that tracks humans by the way their brains process color perception."

"How many died?"

"Thirty percent before it was satisfied."

Isla walked past both of them and touched the wall. The room hummed. Nessa felt it in her sternum.

"This holds the record," McKean said. "What was lost. What happens if color returns unprepared."

"And my daughter?" Nessa's voice went flat.

"I left a door open. She found it, walked through it in her sleep. I thought she was preparation."

Isla went still.

"It's outside," she whispered.

McKean's face drained. "That's impossible. Without the color signal—"

"I'm the signal." Isla turned. Her gray eyes were wet. "I was never the backup. I was always what it followed home."

The words landed like stones. Above them, wood creaked. Not settling. Movement.

Nessa grabbed Isla's hand and pulled her toward the stairs. McKean didn't follow. He stayed in the amber room with his vigil, and Nessa didn't ask what he intended because she already knew. At the top of the stairs, through the gap in the plywood, she saw the window.

Something stood there. Not a face. Just presence, patient and aware.

She ran.

The cold air hit her face after the vault's warm air. Broken concrete stretched fifty meters to the car. Nessa's hands shook as she fought with her keys, dropped them, retrieved them, and got the door open. Shoved Isla into the passenger seat.

The engine turned over.

Beside her, Isla pulled something from her jacket.

The gray crayon. The one she'd never touched in eight years.

"Mum," Isla said. Small voice. "Tell me what to draw."

Nessa looked at her daughter. At the crayon in her small hand. At the window behind them where something watched with patience older than hunger.

"Everything gray," Nessa whispered. "Draw everything gray."

Isla uncapped the crayon.

She drew on the back of her own drawing, covering the impossible colors she'd spent eight years rendering. Methodical strokes. Gray over amber. Gray over every shade the world had lost. Making herself ordinary.

The thing at the window turned away.

Not defeated. Just searching for a signal it could no longer find.

Ordinary, it turned out, was the best camouflage there is.

Posted Apr 27, 2026
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10 likes 6 comments

Jane Davidson
21:30 May 06, 2026

It's a beautifully told.story. because I have a very literal mind, I have a problem with the fact that Nessa sees the colours that Isla draws (and perhaps the teacher did too). It would make a great visual story, where Nessa sees that Isla draws with colour's because she sees that all but one of the crayons is used.

I love the last line. Yes, of course it is.

Reply

Marty B
23:25 Apr 30, 2026

A world of gray seems so terrible, and all to fight a monster.
I appreciated the build up, and the exposition that unfolded throughout the story.

Thanks!

Reply

Pascale Marie
11:08 Apr 30, 2026

This has an eerie, sci fi feel to it. I find Isla really creepy! I enjoyed how you made use of colours in your descriptions.

Reply

Marjolein Greebe
17:54 Apr 27, 2026

Jim, this one stayed with me.

That opening image with the untouched gray crayon? Instantly unsettling, and it keeps paying off all the way to the end. I loved how you let the world-building unfold through small, precise details instead of exposition—especially the shift from “mystery” to something much larger and older without ever losing control of the scene.

Isla is fantastic. The calm certainty, the drawings, the way she becomes both the key and the threat, it’s handled so cleanly. And that final reversal? Ordinary as camouflage—that’s the kind of line that lingers.

If I had one small push: I’d maybe heighten the moment just before the reveal (“I’m the signal”) by giving us half a beat more resistance or denial from Nessa. Not more explanation—just a flicker of disbelief to make the drop hit even harder.

Really strong piece!!

Reply

Jim LaFleur
18:54 Apr 27, 2026

Your note about that half‑beat before the reveal is gold. I feel it too. Thank you for reading this closely.

Reply

Marjolein Greebe
11:31 May 04, 2026

You're welcome :-)

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