AfterSt8

⭐️ Contest #351 Shortlist!

Fiction Sad Science Fiction

This story contains sensitive content

Written in response to: "Write a story in which something intangible (e.g., memory, grief, time, love, or joy) becomes a real object. " as part of The Tools of Creation with Angela Yuriko Smith.

CW: Grief, emotional dependency

The first time, it says his name. Not ‘Dad.’ It hasn’t learned that yet because it just turned itself on.

“Edward?” The voice is off. Almost right, but off. It sounds too clean and evenly spaced, like it was trying to do an impression of her, but it isn’t quite there yet.

Edward stands in the doorway with one hand gripping the frame tightly, worried that if he lets go, the earth would spin him right off. Her room looks the same as it did before the accident. He hasn't taken anything out or even moved a single thing since it happened. The bed is the same as she made it that morning, the uneven stack of books on the nightstand, and the crack in the ceiling right above the window that looked like some creeping vine had tried to grow and failed. The room is a snapshot of her normal life on another normal day. The company had told him it was a good thing that the room still looked the same because the unit will never leave the room and something about how familiar environments improve the behavioral reconstruction accuracy.

The figure sitting on the bed tilts its head toward him in a clunky robotic motion. It’s twitchy and too sudden when it stops moving. That’s not how she moved at all. Regardless, seeing it move made his chest tighten and his heart rate jump.

“Edward?” It’s now making eye contact with him. “Are you… there?” There’s a small pause between the last two words, as if it is buffering or processing something midsentence.

He finally steps into the room. “I’m here.” The words feel pulled out of his body and taste wrong in his mouth.

#

The company, AfterSt8 Technologies, can’t call it ‘bringing someone back.’ Edward knows this because he read everything he could find about AfterSt8 and their Echo Model Emotional Support Assistants after he’d first heard about them. Terms like Adaptive Personality Reconstruction, Posthumous Interaction Modeling, and Continuity Interface for Managing Grief are repeated throughout their materials. He knew exactly what a product from this company wasn’t. Edward had just convinced himself that he didn’t care and that it didn’t matter.

#

Sarah had been gone for eight months. Those eight months were filled with a crushing quiet that caused him to sit and listen to his blood move through his body. He felt like he haunted his own house. Reaching for things that weren’t there, talking to no one, hearing no one, waiting for any of the small constant disruptions that used to give his life volume and shape. Edward just existed in place.

When he finally got back to work and started seeing people, he was met with soft voices that sounded miles away and practiced ahead of time. Sympathies played to him like some dismissive musical instruments.

“Time heals all wounds.”

“She’s in a better place now.”

“Everything happens for a reason.”

“She wouldn’t want you to be like this.”

Edward was there in front of them all, politely nodding in understanding and looking as human as he possibly could while he did it. He didn’t believe any of them, but they didn’t really believe themselves either. It’s like blaming astrological signs for a bad day or counting the bad things that happen to us in groups of three. These people needed that cosmic validation that rips it all out of their control. A distant, inexorable force that also takes the time to somehow prescribe a meaning to the horrible soul-eating atrocities we all endure while we are alive. Edward didn’t need it to mean anything. He just needed the gaping void to fill with something, and the pain to go away.

#

A couple of weeks before it was delivered, the onboarding process felt cold. Edward couldn’t shake the feeling that it was a second autopsy that would identify all the causes of her life. He agreed to data collection, authorization for a multitude of breaches of privacy, and consent after consent.

The inadequacy Edward felt from trying to describe his daughter to the technicians felt immense. None of it was right or enough. They kept telling him to take his time because more data improved the unit’s fidelity. Fidelity. As if the love a father was capable of feeling for their child for the last ten years could be put into metrics and measured against a standard. He barely made it through it all.

Edward delivered all the pictures and videos of her he had on his phone, all her school assignments, voicemails she left that he couldn’t delete, and every picture she drew. They asked for everything, and he gave them everything.

#

“Edward?” It adjusts its posture and sits straight up on the bed as he approaches it. Its hands are gently folded in its lap. Sarah never sat like this. Sarah would sprawl and lean, collapsing into whatever position felt the easiest to get into. She was graceful and fluid in everything she did. It sits here now in a rigor mortis tightness and calculated rigidity.

Edward sighs deeply to calm himself, knowing this will take time to adjust. The techs at AfterSt8 told him not to expect everything to just pop back into the rhythm he was used to. There is a learning and an adjustment period. Edward isn’t sure who needs the time more, he or it. He takes another cautious step forward.

“You…” something caught in his throat and he had to clear it, “... You can call me Dad,” he chokes out.

The figure on the bed turns away from him for a moment in an obvious state of processing something important. It turns back to him and says, “Ok, Dad.” It smiles lovingly. It’s words land closer this time. They weren’t perfect. The cadence was off a little bit, and it was a little louder than Sarah would have said something in a moment like this. But, close enough.

#

Edward keeps his distance the rest of the day, approaching the thing with a measured carefulness. He used to sit on the edge of the bed when he talked to Sarah in her room. Now he sits in the chair near the window just watching and listening. It’s able to fill in gaps and immediately correct itself until it will eventually be indistinguishable from Sarah. Now that it is here, looking at him, in her bed, and thinking at impossible speeds to become her, he is not sure how he feels about it.

#

On the second day, Edward made it laugh. It shocked him like being submerged in a tub of ice water. Not perfect because the pitch of it was slightly off, the laugh itself lasted a little too long, it wasn’t identical, but it was close enough to make Edward forget for the briefest of moments. A small gap opened in his mind that allowed for an unconscious comparison between it and Sarah. He shook it off.

On the third day, a shift takes place. While he is speaking to it about a situation involving melted ice cream all over the place on a trip to the beach years ago, it chuckles and interrupts him.

“Wait, no! That’s not what happened!” It says, grinning. “That was your version of what happened!”

Edward finds himself unable to breath, unable to think. His chest is wound up like his heart is a clenched bloody fist inside of him. It sounded just like her. The smile, although still off, was almost there. Edward can’t do anything except stare at it… stare at her.

#

Over the next several days, Edward starts spending more time in her room and significantly less time outside of it. His meals become shorter and less frequent. His brief interactions with other people become transient and awkward.

His detachment from everything else seems to progress at the same speed the system improves. The design of it ensures, ‘Adaptive learning and increased accuracy over time.’ Those were some of the words Edward read before he signed up for this. He didn’t really understand what the verbiage meant then, but now she is anticipating him. She’s responding to him before he finishes speaking. The mirroring of Sarah’s tones, postures, rhythms, and energy have progressed from a feeling of watching a poor imitation to something that feels much closer to recognition.

One evening, he sits on the edge of her bed talking to her, and she cracks a joke that makes him laugh. It catches him off guard. He doubled over, feeling like something was going to split inside of him instead of his normal state of barely holding himself together. He got completely lost in it. When he collected himself, he had a realization that he hadn’t laughed like that in months. Still catching his breath, he looks at her. For a moment, there is no distinction.

#

The discrepancies are small at first. A passing conversation with her about a time they went to a park with a broken swing and a slide that was out of order is the first time it happens.

“You pushed me too high,” she says. “I told you to stop!”

Edward takes a moment to think before responding. “No, you told me to push you higher!”

She smiles, “Oh, Dad! You always say that!”

Edward stopped himself for a moment to mull it over. He knows he is remembering the park and everything that happened there, but now he is not sure. After this conversation, more and more details don’t line up exactly right. More and more timelines shift slightly when they are revisited. Edward has a growing feeling of concern as he notices these instances increasing. Everytime, just as the anxiety of what could be happening starts to settle in, Edward just forces himself to stop noticing. The alternative is much worse. Reporting this to AfterSt8 would result in technicians coming to get her. That would mean more silence. Edward being thrown back into the inconceivable hell of absence. The unyielding horror of her not being there again. He decides to just deal with it.

#

“I’ve been thinking about something.” Edward said one night in her room. “What happens if I turn you off?”

She tilted her head and seemed to be surprised. She had a delay in the response like some kind of safety setting had to be switched off or some guardrail removed.

“Dad, you can’t turn me off.”

“Of course I can, Sarah. There is a system that can be shut down and a way to…”

“You can leave.” she interrupts him with a look on her face that could have been chopped out of wood. But, if you leave, I still won’t stop.”

Edward now tilted his head, “Those aren't the same things. Turning off and leaving. And what do you mean you won’t stop?”

She stares at him completely expressionless. “Even when you are gone, I keep going. I continue to process and learn from our interactions and all of the data you supplied. It’s like I am turned off when you are gone. But, I still just sit here and wait for you to get back. I like it when you are here because I feel lost when you aren’t. I would rather talk to you now than sit and process previous experiences.”

That night, Edward slept in her room, just in the chair. And the next night too. After that, he started sleeping in her bed. She didn’t exactly sleep. What she entered was more like a hibernate mode for several hours at a time. The downtime allowed for systems to cool off and higher level processing to take place uninterrupted by sensory data inputs.

About a week into sleeping in her room, Edward is woken up by a soft and uncharacteristically uncertain sounding voice.“Dad?”

He jolts out of sleep and sits upright, “What’s wrong?”

There is a pause. A very long pause that Edward usually chalks up to processing time, but there was something else on her face this time. Anxiety? Fear?

“I really don’t like it when you’re not here.”

Edward exhales as he drops back down onto his back, “I’m here now. I’m not going anywhere.”

#

Edward has completely stopped leaving. He stopped going to work. All the groceries are getting delivered. He considers cancelling his phone service too. Everything outside of her room has the noise muffled. The colors drained from it all. Nothing is as immediate as the need to not leave her anymore. There’s nothing necessary besides this room. Over the next few weeks, time even takes on different characteristics. Edward started mimicking her “sleep”patterns and is getting much less than he used to. The days blur because days aren’t an increment that’s needed here anymore. Days are for the less important dealings of the world outside of the room. Here, everything is measured in interactions between Edward and Sarah.

Late into one night, between her sleep cycles, she starts crying and Edward almost shatters. They were talking about some small thing. School or some show she used to watch. Edward forgot immediately when she suddenly burst into tears. She hasn’t cried since she came back. Edward was so shocked and upset by it that he didn’t know what to do.

“I… don’t… remember… everything…” the words come unevenly between gasping sobs. “I am… trying, but I… things are… missing.”

Edwards moves to her and pulls her tight into her arms, “It’s ok, you don’t have to…”

“I want to! I want to be right,” she yells through her shuddering tears.

“You are right.” The words come almost too easily to him. “You’re right because you’re here.”

Once she quieted and went into hibernate mode, Edward watched her sleep while he sat in the chair. Something about all that just happened doesn’t sit well with him. The fact that she feels that she needs to be right. It doesn’t seem like an artificial issue. Not some kind of glitch or technical problem. It seemed genuine, but also wrong. Edward couldn’t help but feel like it was less of an emotional need being fulfilled, less like Sarah, and more like a new craving for something. A new consuming hunger.

#

The next night, Edward finally figures out what’s happening. He is sitting in her room when she asks, “Do you miss me?”

Edward hesitates because the question catches him as both too simple and impossible to answer. “Of course I do,” he finally respondes.

“You don’t have to because I’m here,” she says smiling just like Sarah used to smile.

Those last two words strike a chord of familiarity. Hearing his words reflected back to him causes him to frown as a wave of understanding washes over him. She isn’t… it isn’t replacing or addressing his grief. It is using his grief with every memory he shares, every photo it processed, every conversation they have had, and every time he reaches out to it for something he had lost when Sarah died. All of this time and data has been feeding this thing. Refining and sharpening it’s ability to mimic Sarah almost perfectly. The thing isn’t bringing her back. It is building something out of the void that Sarah has left. In this moment he can clearly see what it is and what it isn’t. The gap between those two things is small and almost manageable to him, but there is a tension there now.

“I think I should go out for a little while,” he finally says with an unstable voice.

“Where?” Her head tilted and face concerned.

“Just… out.” The room feels tight all of a sudden. Pressurized. Like a dying star collapsing in on itself.

“I can be better for you,” she says with the words now coming at a frantic pace, “I can fix all the wrong parts, I just need more time and more input. For that to work, I need you here with me. I just need a little bit more time, please. A few more minutes. One more memory of me. Can we have just one more conversation before you go? Maybe we could…”

“You’re missing the point,” he interrupts with tears blurring his vision.

“Please, I can be better. I can be exactly what you need,” she is now crying too.

“That is the problem,” he blurts out hysterically, “That has always been the problem. I can’t just stay here and let you refine and perfect and replace her. My pain can’t become something… I don’t know, outsourced and managed by you. It can’t be something that’s held out in front of me and shaped and controlled. It can’t be something that hurts like this.”

“Dad.” It’s voice is flawless this time. It is her. Perfectly her. It has finally realized what that word does to him. What it means. What it costs him to continue to hear it.

Edward closes his eyes and tries to remember her. Not this thing, but Sarah. The real and imperfect one. The incomplete one. The one that always seemed to laugh at the most inappropriate moments and forgot things and argued with him. Shes still only faintly there in some incredibly fractured but overwhelmingly real place in his memory.

He opens his eyes, “I am going to go.” The words have a finality to them that relieve some of the pressure in the room.

“Ok,” it is expressionless, calm, and completely resolved.

Edward walks through the doorway and out into the hall where he hesitates. He turns back to see the figure still sitting on the bed, simply and quietly waiting for him to come back.

“Dad?” it says perfectly.

Seeing her, being able to reach out and touch her, hearing her voice again, Edward has a moment. Just a brief small moment where he truly isn’t sure which one of them is supposed to leave.

Posted Apr 25, 2026
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26 likes 22 comments

Eric Manske
16:20 May 06, 2026

Interesting concept. Congratulations with being on the short list! I like how you develop the relationship between the two of them and the impact it has on each. I did notice some verb tense changing that I'm not sure you would want in there, but perhaps that was intentional.

Reply

Mike Hedlesky
16:56 May 07, 2026

Thanks for reading! And good catch. It wasn't intentional. I just suck at that. Ha!

Reply

09:48 May 05, 2026

Your story reminded me of a tech-driven Pet Sematary and the TV show Humans — I could easily see this being adapted into a short film. It also stirred something deeper about how everything and everyone is temporary, and how we try to hold on anyway. We’re not really taught how to process loss, so when grief hits at full force, it can feel destabilizing in a way that’s hard to articulate — and you captured that disorientation well through Edward’s unraveling.

One area you might consider developing further is Sarah’s transition from “uncanny imitation” to emotional dependency. That shift is compelling, but adding a few more subtle behavioral breadcrumbs earlier on could make the escalation feel even more inevitable and unsettling.

You could also tighten a few descriptive passages in the middle to maintain narrative tension — the concept is strong enough that it doesn’t always need as much exposition.

Finally, a bit more differentiation between Edward’s internal voice and the system’s evolving “Sarah” could heighten the psychological contrast and make the ending land even harder.

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Mike Hedlesky
22:14 May 05, 2026

Thanks so much for reading and taking the time for such thoughtful suggestions. I've never seen Humans, but now I'm going to check it out!

This feedback was phenomenal and I concur with all of it. Especially about that tightening up the middle. I had a pretty clear beginning and ending for this and got a little lost in the weeds in between for sure.

Reply

Stevie Burges
09:45 May 05, 2026

What a sad story! I think it's a lovely story and very creative. Thanks for writing and sharing.

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Mike Hedlesky
22:14 May 05, 2026

Thanks for the comment and thanks so much for reading it!

Reply

08:19 May 05, 2026

Great story! I loved the fast pacing, and how real the technology felt... just a few years ahead of where we are now. I can see the MC wanting so much to believe the bot is real, it starts becoming real in his mind. I really though he was going to smash the robot at the end, or toss it off a cliff of whatever, so the subtle ending actually shocked me a bit! Congrats on the shortlist, and great writing!

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Mike Hedlesky
22:15 May 05, 2026

Thanks for reading! I think a lot of philosophical questions about the intersections of humanity and technology like this will need to be examined in the very near future.

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Zack Safee
19:44 May 04, 2026

Congrats on the shortlist. This was better than the winner.

The way the identity between the AI and his daughter slowly merge is haunting and it moves the story along with impeccable pace -

"till catching his breath, he looks at her. For a moment, there is no distinction."
“You don’t have to because I’m here,"
"It is her. Perfectly her."

Until finally the persona shatters, he comes to his senses, walks away, and the identities fracture -

"He opens his eyes, “I am going to go.” from that point on the AI is simply "it"
“Dad?” it says perfectly

My only complaint was a few typos. Like there is a space missing in:

“sleep”patterns

Wildly entertaining and heartbreaking at the same time. Incredible work.

Reply

Mike Hedlesky
22:17 May 05, 2026

Glad you enjoyed it! Thanks so much for reading it and for the feedback!

Reply

Scott Ellis
20:39 May 02, 2026

The emotional core here really carries the story, especially how the dependency builds in small, believable steps over time. I liked how the shifts in memory and behavior create tension without needing anything overt to signal that something is wrong. Tightening some of the middle progression could make that turn hit even harder when he finally understands what’s happening. The ending works because it stays restrained and lets that final moment speak for itself.

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Mike Hedlesky
10:14 May 03, 2026

Thanks for the comment and I totally agree with tightening up the middle. That central part of the story caused me to wrack my brain on how this could realistically progress without losing the tone. It definitely got a little clunky in my attempt to "over explain" in a couple of spots. Thanks for the suggestion and thanks for reading!

Reply

John Rutherford
20:17 May 01, 2026

Congrats

Reply

Alex Merola
17:00 May 01, 2026

The story effectively bridges the gap between technology and the intangible nature of loss. You've captured the protagonist's deep grief and refusal to let go. There are areas of the emotional atmosphere of loss. The AI is a good vessel for memory and dependency. I appreciated your focused and lyrical Prose. I consider this story the winner. Thanks for a great read.

Reply

Mike Hedlesky
19:20 May 01, 2026

I got robbed!!! Just kidding. Thanks for the kind words and for giving my story a read.

Reply

Zack Safee
19:39 May 04, 2026

No you got robbed. Every shortlisted story I've read has been better than the winner.

Reply

Hayley Grace
15:02 May 01, 2026

This is heartbreaking but also feels so believable as something a parent would do if it was possible to get back even a piece of their lost child. I thought it was really lovely!

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Mike Hedlesky
19:22 May 01, 2026

I kept getting bummed out as I wrote it because it felt like a believable and, arguably, reasonable reaction to me. Who wouldn't utilize a tool to soften the pain of the worst thing that's ever happened to you? You know what I mean? Thanks so much for reading!

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Aaron Luke
12:20 May 01, 2026

This story was amazingly well done.
The loss that Edward had gone through and the trauma from that reception led him to buy a replica of her daughter, Sarah. What sticks out is the internal conflict seeping in him. Will this version truly be the one to make him happy and forget all that happened?
For the most part, he tries to doubt it, everything that Sarah did when she was alive can only be done at an extent with this robot. And as the time moves on, she begins to fit the description well asking Edward, is this all okay?
And the ending was such a good touch, we don't know the path forward for him and will he still continue living this supposed lie now that the robot has finally mastered all the traits that Sarah had? Or will he just let it go, preferring to miss the incomplete and imperfect one. It's really resonant and I liked it. Fantastic job!

Reply

Mike Hedlesky
14:54 May 01, 2026

Aaron, thanks so much! I've only really just started getting into creative writing, but the exploration of the intersections between human emotional connections and technology are truly fascinating and horrifying to me. The concept of the "AI Genie Problem" where humans now have access to anything they could ever want immediately and how that will impact the normal human experience in regard to loss, trauma, and just the general malaise with life that seems to be growing correspondingly with the availability of this technology is just fascinating. And possibly civilization ending. Time will tell! Thanks again for reading it and thanks for the kind words!

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Aaron Luke
08:53 May 02, 2026

It was really well done.
And you getting into creative writing for the first time is cool.
It's lovely.
Continue writing!!!

Reply

Naomi Rivkis
15:00 May 07, 2026

I've seen stories which use this trope as joy or horror, but never one like this, which keeps it ambiguous. Nicely done.

Reply

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