Fiction Mystery Thriller

Julian Croft’s Fractured Mind

The air in the crisis room was stale with the scent of coffee and desperation. Detective Miles Corbin stared at the digital clock on the wall. 03:17:52. “Three hours until a thermobaric bomb incinerates three blocks of downtown.”

Detective Jane Harper, his partner, shook her head. “And our only lead is lying in a coma two floors below,” frustration evident in her voice.

Julian Croft wasn't a terrorist. He was a savant, an architect whose designs were hailed as genius, but whose mind was a fragile, fractured masterpiece. The terrorist cell that had kidnapped him had forced him to design and hide 2 bombs, then disposed of him, leaving him with a traumatic brain injury. He was their living insurance policy, a lockbox with no key.

"The technology is experimental, Miles," Dr. Aris Thorne warned, his face illuminated by the glow of a brain activity monitor. "We call it the 'Eidolon.' It translates the subject's neural pathways into a navigable virtual space. You go into his mind. But his mind is a hostile environment. If his subconscious rejects you, the psychic feedback could kill you both."

Corbin just nodded, strapping himself into the chair beside Croft's bed. "The alternative is 10,000 body bags. Let's get on with it."

Jane squeezed his shoulder, “Be careful in there. Your needed out here too.”

Looking into her eyes, he replied, “I’ve got this,” then the world dissolved in a flash of white noise. When Corbin opened his eyes, he was standing on a street of polished obsidian under a sky of impossible, perfect blue. This was Julian's mind: a sprawling, silent metropolis. Towers of glass and chrome pierced the static clouds, every angle perfect, every surface gleaming. There were no people, no cars, no sound but the faint, ambient hum of a flawlessly running machine. It was beautiful, and also deeply unsettling.

He spent what felt like hours searching logical places. He found Croft's office, a vast space where blueprints for impossible buildings floated in the air. He found Croft's childhood home, recreated with impossible, painful precision. He touched the home’s walls. ‘This is wild. It feels so real,’ he thought.

Every clue he found led to a dead end, a looping memory that went nowhere. The city was a fortress, designed to keep secrets in, and intruders out.

Then he saw it. In the center of the perfect city, an anomaly. A skyscraper that defied the pristine logic of everything around it. It was a monolithic slab of flat, black material that seemed to absorb the light. It had no windows, no doors, no seams. It was a void in the shape of a building, a psychic warning from the architect himself.

Corbin knew instantly. Julian, and the bombs location, were in there. He tried to approach, but the city fought back.

The street beneath him buckled, reforming into a chasm. When he tried to find another route, the cityscape shifted, entire blocks rearranging themselves to keep him away. “Damn it,” Corbin cursed. This wasn't just a locked structure; it was Croft’s mind behaving like an immune system identifying him as a virus, walling off an infected area.

He forced an emergency extraction, gasping back to the sterile reality of the hospital room. "I can't get in," he rasped to Aris. "It's locked down. The trauma is walled off."

"Then you need a key," Aris replied. "Something from the real world. We need to find a reason for his trauma."

With the clock now under two hours, the team did a frantic deep-dive into Julian’s life. Corbin found it in yesterday’s news article: the "Veridian Tower Collapses." A luxury apartment building collapses after terrorists forced its architect to design a bomb, killing 200 people, including a family with a six-year-old girl. Julian was cleared of criminal negligence, but his career, and his mind, hadn’t recovered.

Corbin looked at the photo in the article—the twisted steel, the dust-caked rescue workers, the face of a grieving father. He had his key.

He went back in. The mindscape was different now. The perfect blue sky was a bruised purple, shot through with veins of lightning. A cold rain fell on the obsidian streets. The city knew he was coming for its deepest secret.

He didn't try to force his way to the skyscraper. He walked the streets, letting the hostile environment wash over him, focusing on the Veridian Tower. He pictured the faces of the victims. He spoke their names aloud into the humming silence.

The city shuddered. The tower flickered. He was at its base now. A sign appeared, a warning, pulsating with a frantic, angry energy, “THIS SECTION IS OFF LIMITS”.

"I know what's in there, Julian," Corbin said, his voice steady. "I know what you're protecting. You don't have to hold it alone anymore."

The sign’s light wavered, distorted, and then died. With a groan that sounded like grinding stone, a single crack appeared in the black facade, a doorway.

Corbin stepped through and into chaos.

He was no longer in the silent city, but in a maelstrom of dust, screaming, and the groaning shriek of collapsing metal. It was a memory, a psychic wound playing on a torturous, endless loop. He saw bodies in the rubble, saw the terrified faces of people trapped. And in the center of it all was Julian Croft, on his knees, hands covered in dust and blood, staring at a small, broken doll lying in the wreckage.

This was Julian's hell. And he had locked himself inside it.

Corbin fought his way through the swirling debris of the memory. "Julian!" he shouted. "The other bomb! Where is the second bomb?"

Croft didn't look at him. His eyes were fixed on the doll. "It's my fault," he whispered, the words lost in the roar.

“I thought I could stop it. It's all my fault."

"You can't change this!" Corbin yelled, grabbing him by the shoulders. "But you can stop it from happening again! Where is it?"

The architect's phantom form finally looked at him, his eyes filled with an agony so profound it was almost physical. "Under the financial building," he choked out. "The boiler room... The access code... the bastards picked my daughter’s birthday, it’s 08-14."

The moment the numbers left his lips, the memory imploded. A wave of pure psychic force slammed into Corbin, and he was violently ejected, his own scream mixing with the fading echoes in his head.

He woke up shouting the address and the code “0814”. His team scrambled, relaying the information.

Corbin lay back, his body trembling, his mind scarred by the echo of Croft's pain. He watched the clock tick down to its final minutes, his heart pounding, until his radio crackled to life. "Bomb disarmed. I repeat, bomb is disarmed."

A wave of relief washed over the room. But Corbin's eyes drifted to Julian Croft. The man was still comatose, but the tense, jagged lines on his forehead were smoothing out, his frown relaxing. The storm inside was over.

By forcing his way into the section that was off limits, Corbin hadn't just found a bomb. He had opened a door for a man who had long since lost the key. He saved the city, but he also had given Julian Croft peace.

Posted Jan 19, 2026
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4 likes 3 comments

Martin Rascon
17:28 Jan 27, 2026

i really enjoyed the visuals you described the vibrant purples and vein like lightning really had me immersed. I do narrations and i would love to share this with you! you of course are going to receive full credit for your work and nothing on my channel has been monetized. its just for fun and exposure for us both. i hope to hear from you! great story!

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20:31 Jan 27, 2026

Thank you so much, Martin. Maybe we could do a collaboration of some type. That would be cool. I write for Medium as well as on Substack, but most of my stories are on my Substack page @ glittergirl1966.substack.com Where can I hear some of your voice over work?

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Martin Rascon
17:46 Jan 28, 2026

im working on getting a youtube page up as well to compliment my main project which is the instagram link here. I would love a collab let me know if you like what you hear ive also got a voices.com page so im not just limited to narrations or voiceover but acting as well! lets rock!
https://www.instagram.com/junnis_of_buggis/

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