119 Best Creative Writing Exercises for Authors in 2026

There are those who believe that there is a science to personality. Out of this belief developed some popular personality tests that are designed to help people learn more about their strengths and weaknesses. The biggest ones include: Myers Briggs, The Big Five, and the Enneagram Test.Try taking each of the above tests, but here's the twist: take them as if you were your character. Does it match up to what you had in mind? Do the results reveal anything new or surprising about your character's traits?

Your character's story has been Disney-fied. At what point in the arc does your protagonist break out into song - and what is that song about?

Flex the writing muscles in your brain by writing a short story that ONLY uses dialogue. For an extra challenge, introduce and juggle more than 3 characters throughout the course of this story.

Elegant writers use their material with economy. If they write a scene that introduces a character, they might slip in many other things that are also important, whether it's a detail about Character A's birthday, Character A's relationship with Character B, or the weather. In this exercise, write a paragraph of no more than 300 words and try to fit in ten subtle facts about your character into it, without being obvious about it.

Describe the same character twice. Once as the hero of a story and once as the antagonist.

Think of some information your readers will need to learn to understand the story. This could be technical information or character backstory. Now write an argument between two characters in which you use conflict to share this information.

Have you ever read or watched something with an ending that left you unfulfilled, unsatisfied, or frustrated? Now write a proper ending that fixes the story for yourself. Keep in mind the components of a narrative arc's resolution while you're doing so.

It's impossible not to put some of yourself and your own life into your writing. But when you're writing about characters who you don't share much in common with, it can be tricky to authentically capture their "voice" and point of view. To develop this skill, fill out this character profile and base it on yourself. Then fill out a second one and make it as different from your own as possible.

Your protagonist meets your villain for the first time - on a blind date. What happens?

Are you finding it difficult to get to know your fictional characters and/or differentiate them from yourself? Try this: Choose a character from your project and let her/him take a walk into a place you know well. Then describe this place from this character's perspective and ask yourself:

1. What does (or doesn't) s/he notice?
2. How does s/he feel about what she notices?What thoughts do the things s/he notices trigger in her/him? This can be memories, social critique, enjoyment or disgust etc.
3. How do your character's impressions of, and responses to, the place differ from yours?