119 Best Creative Writing Exercises for Authors in 2026

Write about a well-known scene from a popular story - but write it from a new perspective. Write about Romeo and Juliet's death from the perspective of the vial they drink from. Write about the scene where Bilbo finds the ring in¾The Hobbit from the perspective of the ring. Write about the ghost of Christmas Past taking Scrooge on a walk down memory lane from the perspective of the ghost. You get the idea.

Memorable characters are ones that mirror real people: their feelings, experiences, needs, and goals. Challenge yourself to get real with your character by first getting real with yourself. Grab a notebook and answer the following questions as they pertain to you:

• What emotion do you struggle with because you feel it so deeply?
• What type of situation makes you feel vulnerable or inadequate?
• What past mistake causes you the most regret?
• What core moral belief is so ingrained that you live it every day?

These questions require a deep look within and put us in touch with our authentic selves. This is what readers come to the page for, so answer these again, this time as your protagonist. When you finish, think about how you can incorporate some of these vulnerable moments into your story to show readers the deeper side of your character.

If you're feeling stuck or intimidated about how to start writing, take five minutes before you jump into your writing project to pen a love letter (or hate letter) to the blank page in front of you. It's surprising where words - any words - will lead you once you put them down.

We've all read about the grey autumn day, the crisp spring morning, the dewey summer evening. Flex your descriptive muscles by spending some time writing about your surroundings. Look for new, interesting, evocative ways to explain the world around you. For instance, instead of writing, "a breeze blew in through the open window, try, "papers fluttered in the gust that swept in through the window, throwing dust into the air like confetti."

The next time you're about to write a long passage of dialogue, show it from the perspective of a stranger watching your characters from afar. The stranger cannot hear what is being said; he can only observe their behaviors, appearances, and actions. You'd be surprised how much you can deduce about two people from just their body language.

Who are the three most unlikely people your protagonist would have dinner with? Why? Write the scene.

Write about the hero of your story going on the most mundane errand you can think of. Rely solely on the character to make the story interesting.

It is commonly known that a telephone directory might be the most boring text in the entire world. Here is your challenge: write a page of a telephone directory and figure out SOME way to make it interesting.

What is your story's hook? Analyze your opening scene and identify the implicit but specific question it encourages readers to ask. Is this question in the first paragraph or, better yet, the first line? How can you strengthen it?

Your protagonist has just made it into a New York Times headline. What does the headline say? Write down the reaction of your protagonist to hearing the news that day.