119 Best Creative Writing Exercises for Authors in 2026

Sometimes in order to get over writer's block, you simply need to put word down after word. Keeping this in mind, set the timer to 15 minutes. Start writing whatever comes to your mind until time's up. Then do it again - but, this time, write stream-of-consciousness from the perspective of your protagonist.

Dialogue isn't exclusive: characters may say the same things, but mean something entirely different in the context of the scene. Pick one of the below famous lines from literature and film. Then start a scene by having a character say it. Develop the scene that follows in 500-600 words and see where it takes your characters.

• "Frankly, my dear, I don't give a damn.
• "I'm gonna make him an offer he can't refuse."
• "Made it, Ma! Top of the world!"
• "You're gonna need a bigger boat."
• "Oh, don't let's ask for the moon. We have the stars."

Your protagonist opens a purse or a desk drawer and finds three objects. By the end of your piece there's only one item left. What happens to the other two?

This exercise encourages you to write a complete story using very few words, and helps you learn how to avoid overwriting. When undertaking this exercise, it's essential to edit your work carefully. Strip out anything unnecessary and make every word count. Here's how it works:

1. Take any novel from your bookshelf
2. Turn to page 9
3. Take the 9th word from the 9th line on the page
4. Use that word to start a story
5. Write a story that is exactly 81 words long
6. If you're feeling particularly clever, use 9 sentences that are 9 words long

You can also feel free to visit this website and submit your story to the 81 word writing challenge.

Write a short story of whatever topic you'd like, but make sure that somewhere in there, you include this line: "I can't believe that you stabbed me with a knitting needle."

Your protagonist has just been bequeathed $5 million dollars. The money came from an anonymous benefactor who wants your protagonist to donate all of it to five charities. How does your protagonist react? In a short story, write down what would happen next.

The most important thing about dialogue in any story is that it must sound real. The next time you go outside, discreetly listen in on any conversation between two people (Person A and Person B) for five minutes. Observe everything about the way that they talk. Then go home and "fill in the blanks," using Person A and Person B's cadences and speech patterns to complete the conversation yourself.

It's impossible not to put some of yourself and your own life into your writing. But when you're writing about characters who you don't share much in common with, it can be tricky to authentically capture their "voice" and point of view. To develop this skill, fill out this character profile and base it on yourself. Then fill out a second one and make it as different from your own as possible.

"It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains." So began Seth Grahame-Smith's book, Pride and Prejudice and Zombies, which (you guessed it) re-imagined Jane Austen's Pride and Prejudice in a world with zombies. Sometimes one big twist is all it takes to get you thinking about a story in a different way. How would the introduction of zombies shake things up in your world? How would it affect the relationships between your characters? How would it change priorities? Which parts of your world would stay the same, and which parts would be different? Detail this in a short story of 1,000-2,000 words.

Choose a place you've never been to. (If you have a map, you can close your eyes and pick a random spot for an extra challenge!) Do some research and try to learn everything you can about that location and make it the setting for the next scene you write. Try to include as many details as possible to make it seem like you've actually been there. For example, what does it smell like? What kind of people would you see there? What is the climate like?