119 Best Creative Writing Exercises for Authors in 2026

"Gossip, as usual, was one-third right and two-thirds wrong," wrote L.M. Montgomery. Improvise a gossipy dialogue between two characters (Character A and Character B) about your protagonist (Character C). If these fractions are followed, what do Character A and Character B get right about your protagonist - and what do they get wrong?

If you have 5 minutes, prep for your outlining by making a list of lists. This could include:

• 5 possible endings for your book
• 5 twists
• 5 possible subplots
• 5 ways the subplots could tie into the main plot
• 5 ways the character could grow
• 5 surprising things that we could learn about a character
• 5 ways to add some unexpected elements to the book (humor, suspense, sadness, fear)
• 5 ways to describe the main setting/another setting

Your protagonist has just been bequeathed $5 million dollars. The money came from an anonymous benefactor who wants your protagonist to donate all of it to five charities. How does your protagonist react? In a short story, write down what would happen next.

A stranger walks into the general store and buys a hammer, a hatchet, some rope, and an apple. What does he do with them?

Write a description of the room you are in from the point-of-view of a character in your work-in-progress. If the character is from another time or place, so much the better. What would the character notice first? What would she find odd? What would she love about the room? What would she dislike? Go beyond describing the physical space and capture her attitude about what she sees. Let her be snarky or wax poetical. Whatever captures her emotions about the space.

Have you ever read or watched something with an ending that left you unfulfilled, unsatisfied, or frustrated? Now write a proper ending that fixes the story for yourself. Keep in mind the components of a narrative arc's resolution while you're doing so.

We've all read about the grey autumn day, the crisp spring morning, the dewey summer evening. Flex your descriptive muscles by spending some time writing about your surroundings. Look for new, interesting, evocative ways to explain the world around you. For instance, instead of writing, "a breeze blew in through the open window, try, "papers fluttered in the gust that swept in through the window, throwing dust into the air like confetti."

Second-person point of view is an intimate way of looking at a character's thoughts. As an exercise, take a scene from the book you're writing. Choose a character, and then re-write the scene entirely from a second-person POV, noticing what details shift because of this perspective change.

It is commonly known that a telephone directory might be the most boring text in the entire world. Here is your challenge: write a page of a telephone directory and figure out SOME way to make it interesting.

Write a list of random, free-association words. For creative writing, list ten words across ten columns. Then go to each column and add nine more words so that the result is ten columns and ten rows, a total of one hundred words. Just reading the list and noticing the creative leaps your mind has made may surprise you. If you like, continue the exercise by using all one hundred words in a short fiction piece. For poetry, select the words that suggest a common theme.