119 Best Creative Writing Exercises for Authors in 2026

The most important thing about dialogue in any story is that it must sound real. The next time you go outside, discreetly listen in on any conversation between two people (Person A and Person B) for five minutes. Observe everything about the way that they talk. Then go home and "fill in the blanks," using Person A and Person B's cadences and speech patterns to complete the conversation yourself.

Write a scene where your character is speaking to a complete stranger. Immediately after, write a scene where your character is speaking to a loved one. Notice how their behavior changes.

"It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains." So began Seth Grahame-Smith's book, Pride and Prejudice and Zombies, which (you guessed it) re-imagined Jane Austen's Pride and Prejudice in a world with zombies. Sometimes one big twist is all it takes to get you thinking about a story in a different way. How would the introduction of zombies shake things up in your world? How would it affect the relationships between your characters? How would it change priorities? Which parts of your world would stay the same, and which parts would be different? Detail this in a short story of 1,000-2,000 words.

What is your story's hook? Analyze your opening scene and identify the implicit but specific question it encourages readers to ask. Is this question in the first paragraph or, better yet, the first line? How can you strengthen it?

When writing emotion, it's easy to become stuck on how to express what the point-of-view character is experiencing. An exercise to try is to pull from your own memory if you feel comfortable doing so. Sit back in your chair, take a few calming breaths, and think back to a time where you experienced this same emotion. Carefully draw up the memory, thinking about the situation, the location, the people involved. Remember the sights, sounds, smells, textures, tastes.Now, pay attention to your body. Are you relaxed, or tense? Are your muscles tight? Is it easy to breathe, or do you feel restricted? Is your posture curling up, an attempt to hide, or are you twitchy all over and want to leap out of the chair? Make as many notes as you can, and when you go to write, use what you collected to give life to the character's experience.

This is Part I of an exercise that practices voice. Pick up a book written by an author that you admire. Absorb the voice in which they write. Now try writing a page of your own story, but in their voice.

Develop your characters by placing them in a situation where they are faced with a challenge. For conflict inspiration, look no further than these classic moral dilemmas (and, of course, analyze them from the perspective of your character). For an example of a moral dilemma, search "The Trolly Problem."

Getting started is one of the most difficult tasks that faces every writer. Julie Parsons is an international bestselling author. For this exercise, she's giving you the opening lines from some of her books. Take the following lines and use them to write the beginning of your own chapter:

1. You could say it began with a phone call."
2. Michael had watched them both for weeks."
3. She remembered the way it was the first time she saw the prison."
4. Midsummer, no time to be in New Orleans."
5. With the dawn came the light."

I recommend starting this exercise with a travel magazine packed with lots of interesting photos. Select an image that appeals to you. Now, write a short scene from the viewpoint of a character who has just arrived at this location and is seeing it for the first time. Describe the setting through the character's eyes, paying particular attention to the mood that this image evokes in you. Evoke this mood in your readers through the reactions of the character - look for sensory images!Now, write a second scene, with the same or a different character - and evoke just the OPPOSITE mood. If your castle seemed tranquil and romantic, set a scene in which the mood is menacing or sorrowful. If the image of that tropical beach made you feel relaxed and happy, create a scene in which, instead, it is causing your character to feel angry or anxious. Again, look for sensory details and impressions that will convince your reader and evoke that same mood through your words - regardless of what mood the picture alone might have evoked!

Pick up one of your favorite novels. Open it to a random page. Whatever chapter you land on, rewrite it your own way. Take it in a totally different direction than how it actually plays out in the book.