119 Best Creative Writing Exercises for Authors in 2026

"It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains." So began Seth Grahame-Smith's book, Pride and Prejudice and Zombies, which (you guessed it) re-imagined Jane Austen's Pride and Prejudice in a world with zombies. Sometimes one big twist is all it takes to get you thinking about a story in a different way. How would the introduction of zombies shake things up in your world? How would it affect the relationships between your characters? How would it change priorities? Which parts of your world would stay the same, and which parts would be different? Detail this in a short story of 1,000-2,000 words.

As a visual reference, select a box that has dimensions under 12X12 inches. Tape the box closed. Set the box in front of you. Write a story or poem based on what is inside the box.

"There are two types of people: those that talk the talk and those that walk the walk. People who walk the walk sometimes talk the talk but most times they don't talk at all, 'cause they walkin'. Now, people who talk the talk, when it comes time for them to walk the walk, you know what they do? They talk people like me into walkin' for them," said Key in the 2005 film Hustle and Flow. Which of these two types are your characters? Write down an exchange between two of your characters that confronts this very difference between them.

Write a pivotal scene in your novel from a different character's POV. For instance: at a funeral, you may have written the grieving widow's thoughts and feelings. Write about that funeral from the deceased husband's POV, the eldest son's, or the step-sister's.

Choose a character and think of ways they'd react to things that happened during your (the writer's) day. Use your experiences, think how you reacted, and then how your character would have reacted. Possible events: cut off in traffic, caught in the rain, missed an important meeting, lost a valuable item.

Further chip away at your character and establish how they present themselves to others by imagining how they would briefly describe themselves in the following situations:

1. In a job interview
2. On a first date
3. Catching up with an old friend
4. Flirting with someone at a party
5. In their twitter bio
6. At the border between the US and Mexico

A few well-chosen words can create a strong sense of place which adds a rich dimension to your story. It draws your reader right in, as if they were in the room with your characters.Choose one of the following places and describe it using ALL of your five senses (touch, taste, sight, smell, hearing). In fiction, you won't usually use all five, but limbering up your storytelling this way will help you show rather than tell the story:

1. A market in the South of France
2. A teenage bedroom
3. A pub
4. A hairdresser's salon
5. The souk in Marrakesh
6. A stately home
7. A garden

Elegant writers use their material with economy. If they write a scene that introduces a character, they might slip in many other things that are also important, whether it's a detail about Character A's birthday, Character A's relationship with Character B, or the weather. In this exercise, write a paragraph of no more than 300 words and try to fit in ten subtle facts about your character into it, without being obvious about it.

Your protagonist has just made it into a New York Times headline. What does the headline say? Write down the reaction of your protagonist to hearing the news that day.

Here is your challenge: for the next week, collect fun names. I've collected them for years in a little notebook - from obituaries, news stories, random lists, and spam. Spam is great for funny names.Then go through your notebook, choose a name, and write a short character sketch based off that name. It's amazing how the names make the characters come to life and start moving the story in fun directions you never expected.