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Anna Bowles

Anna Bowles - Editor

London, United Kingdom

I have 10+ years' experience working on children's and YA fiction and non-fiction at UK publishers including Hachette and HarperCollins.

Overview

Reviews (4)

During my decade of experience as an in-house editor, I worked on top children's commercial fiction series such as Rainbow Magic and Beast Quest, becoming a commissioning editor at Hachette before going freelance in early 2015. Since then, as well as taking on individual clients, I have continued to copy-edit for Hachette and HarperCollins, working on high-profile authors such as David Walliams, Babette Cole and Holly Smale. I've also been involved in the fiction publishing side of dozens of brands, from Winnie-the-Pooh to Wallace and Gromit, meaning that I can offer clients the benefit of my extensive experience in developing and working with characters.

I'm a published writer as well as an editor, having written for the Secret Kingdom series, and my agent Jenny Savill of Andrew Nurnberg is currently subbing my first YA novel to publishers. So I know just how hard it is on your side of the desk!

On the non-fiction side, I spent for four years as a commissioning editor at Carlton Books and Octopus, creating quality children's reference material on subjects from space to ponies.



Services
Languages
English (UK)
Fiction
Children's - Middle Grade Children's Picture Books Classics Dystopian Fantasy Humor & Comedy Young Adult & Teen
Non-Fiction
Children's Books (Non-Fiction) History Publishing

Work experience

Freelance

N/A

April, 2015 – Present (almost 2 years)

I have been freelancing since April 2015, as well as having freelanced previously from 2008 to 2011. In addition to individual authors, my recent clients include HarperCollins, Penguin Random House, Scholastic and various divisions of Hachette.

Commissioning Editor, non-fiction and brands

Octopus (Hachette)

December, 2013 – April, 2015 (over 1 year)

Senior Editor

Carlton Books

December, 2011 – December, 2013 (almost 2 years)

Managing Editor, fiction

Orchard (Hachette)

November, 2010 – December, 2011 (about 1 year)

Editor, fiction and brands

Egmont

December, 2005 – June, 2008 (over 2 years)

Portfolio (7 selected works)

2: Unicorn Valley (Secret Kingdom)

Rosie Banks

Unicorn Valley

Unicorn Valley

Winnie-the-Pooh: Return to the Hundred Acre Wood (Winnie-the-Pooh - Classic Editions)

David Benedictus

A sequel to A A Milne's original 'Winnie-the-Pooh' stories. It takes you back to the Hundred Acre Wood for more adventures.

A sequel to A A Milne's original 'Winnie-the-Pooh' stories. It takes you back to the Hundred Acre Wood for more adventures.

Rupert Bear Annual 2009

Stuart Trotter

Angelica the Angel Fairy (Rainbow Magic)

Daisy Meadows

Angelica the Angel Fairy

Angelica the Angel Fairy

Futureworld: Tomorrow's Technology Today

Joel Levy

Where will we be in 2025? This book reveals the technology that's in prototype today, and will be commonplace tomorrow. Whether it's flying cars, space tourism, nanobots or airships, it reveals an exciting and totally real vision of a future that is almost within our grasp.

Where will we be in 2025? This book reveals the technology that's in prototype today, and will be commonplace tomorrow. Whether it's flying cars, space tourism, nanobots or airships, it reveals an exciting and totally real vision of a future that is almost within our grasp.

Dirty Rotten Vikings

J.M. Sertori

Who was vicious, who was vile and who was just very, very bad - or just mad? Discover what the Vikings were really like and what they got up to, and learn whether they really were that rotten. These colourful books are packed with the fun and grossness kids love, and also the real historical facts that parents and teachers want them reading. A half-illustrated, half-photographic approach creat... read more

Who was vicious, who was vile and who was just very, very bad - or just mad? Discover what the Vikings were really like and what they got up to, and learn whether they really were that rotten. These colourful books are packed with the fun and grossness kids love, and also the real historical facts that parents and teachers want them reading. A half-illustrated, half-photographic approach creat... read more

The Nature Creativity Book

Moira Butterfield

The Nature Creativity Book An introduction to the natural world, with added art paper, stencils, games and foldout sticker scenes to complete. With conservation and recycling as its underlying messages, it covers the world's amazing landscapes and creatures, including the nature to be found outside our own doors. Full description

The Nature Creativity Book An introduction to the natural world, with added art paper, stencils, games and foldout sticker scenes to complete. With conservation and recycling as its underlying messages, it covers the world's amazing landscapes and creatures, including the nature to be found outside our own doors. Full description

Anna has 4 reviews

Professionalism
Quality
Value
Communication

Nick Light

This was my first Reedsy experience and I was really impressed. Anna was prompt and efficient and gave me a report on my MS that was insightful, focussed, comprehensive and very helpful. In discussion of the report she helped me put together a re-write plan that I felt was achievable and that would meet the requirements of the brief I had constructed based on her feedback and our discussion. Ov...

Nick Light, December 2016


Christine Camp

Thank you Anna for your exceptional work, communication and patience. I hope to work with you again in the future.

Christine Camp, December 2016


Topher Allen

Anna is an absolute professional. She went above and beyond what I asked for because that's what my project needed. Her thoroughness and enthusiasm are invaluable and her knowledge of the industry really shows through in her detailed reports. You won't be disappointed.

Topher Allen, October 2016


Nick Light

This was my first collaboration on Reedsy and I was knocked out by how much I got out of it. Anna was quick, thorough and insightful, bringing not only her experience as a professional editor, but also her own view as a writer of teen fiction to bear in the project. As a result I have a much clearer view of (a) what a publisher will want from a book like mine (b) some plot issues in my MS that ...

Nick Light, October 2016

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