August 15th, Wednesday
9:45 PM
1923
You lay in bed, staring at the ceiling. Your mind flashes back to Bakari, as the burly white men drag him down the dark road. Tears slide down your pale cheeks, remembering how he cried out your name in his husky voice.
*****
“Are you sure nobody will see us here?” You asked Bakari after you had walked up to him. He didn’t respond.
For days, both of you had met up in the same place: a graveyard. The stones on the graves looked like they would tip over at any moment if a gentle breeze came by. This was the cemetery for black people, as one of the signs said. Since the government allowed segregation, the white and black people weren't even buried in the same place. You shook your head and sighed. The cold breeze made your arms feel chilly, and you rubbed them in hopes that you would be warmer.
"Are you absolutely sure nobody will find us meeting up here?" You asked and glanced at Bakari.
He shrugged and said, "I dunno. I heard from the other slaves that guards never come here."
"Hopefully not."
"Miss Cruz, I don't wanna put you in danger," Bakari said, avoiding your eyes. You knew he called you that because that was what he was used to, but you had told him that he didn't need to say that.
"Bakari, shush. I don’t care if I get into trouble,” you told him, your arms crossed “and stop with the Miss Cruz stuff.”
"If you say so."
"You know what, I do say so."
Suddenly, the ruffling of the leaves sounded very unnatural, and you knew somebody was there.
"Show yourself!" Bakari yelled, turning around and holding you behind him.
Two white men came out from behind the bushes around the cemetery and race towards Bakari, grabbed his arms, and held him to the ground. One of the men turned to you.
"Ma'am, this is your first warning. If you are caught near a black person again, we will confiscate all of your belongings." One of the men said, sounding like a robot with their politeness. You knew that they were only speaking that way because of your family's high status.
"Let him go," you told them in a warning tone, snarling at the men. The men stared at you in what looked like confusion, Bakari still in their arms. "Let him go!" You screamed again after a while.
"Sorry, Miss Cruz. We can't do that. He's black, and he can't be with you." one of the men apologized, his cold blue eyes glaring at you. You slap him in the face, your teeth bared.
"This is a cemetery for blacks! He can be here, he’s black." You declared, pointing to the sign.
The man you slapped felt the place where you hit him, and his mouth curved into a frown. "You ungrateful, rich bi-"
"Carson, shut up! We aren't supposed to disrespect them, remember?” The other man yelled, blocking you from Carson.
“Ugh! Fine,” Carson grumbled, flipping you off. You stuck out your tongue, grabbed Bakari’s arm, and tried to pull him away from those stupid men.
"Would you like one of us to escort you to your home?" The other guy asked, smiling fakely. “Just to be safe,” he said, pausing. “A black person might get you.”
You shook your head, glared at the men, and crossed your arms. "I can get home by myself."
*****
"Esperance, why don't you get a bit of fresh air? Forget about that stupid boy. What's his name... Bahari... whatever. Just forget about the stupid black boy!" Your mother yells. "We live in separate neighborhoods for a reason."
You roll your eyes, wiping the tears off of your face. "Fine, I'm going out for a walk."
"Not yet, missy. I'm not done talking!" Your mom exclaims, grabbing your arm as you pass by her in the kitchen. She leans against the plain, gray door frame of the kitchen. "You should be more like your sister. She doesn't go to where the poor black kids are."
"Enough, Mom!" You yell, biting your lip.
"You're lucky you aren't a slave, or I would give you a proper beating!" Your mom says, shaking her fist at you.
"Okay, see ya later!"
You grab your favorite burgundy coat and leave the house. When you stuff your hands inside the pockets of your coat, you discover a white scarf. Your eyes water as you hold it in your hands. You remember how, although she was poor, Bakari's mother bought supplies to make you a scarf because she thought you were a very sweet girl. Every day during the process of making the scarf you pleaded with her to let you subsidize and provide them with money and food.
As a prosperous and affluent white family living inside of the yellow lining, your family's reputation is important. If anyone else ever saw you giving to Bakari, everything of yours and your family's would be gone.
The people of the government have no mercy on people inside the redlining.
You think, shaking your head as images of Bakari's beautiful, big brown eyes pleaded with you. He was definitely an equitable man, but he was prejudiced when the topic switched to black rights.
"I don't understand why they treat us so wrongly." he would grumble, his arms crossed. "we're people too."
You agreed with him on that. Although you had been taught that whites were dominant and blacks... just weren't, you didn't believe that. You had secretly hung out with the black kids when you were a teen, even acted like one.
But now that he was with the government they were probably hurting and torturing him.
You clench your scarf more tightly.
Or maybe... just maybe... he's already dead.
You shake the thought away, knowing that Bakari wouldn't let that happen. He might've let the men drag him away, but he wouldn't let them kill him.
But in Levittown, you never know what might happen.
You see, someone standing many feet ahead of you, and lift your hand, which has the long black oil lamp your mother gave you. You thought he was dead, but there he is, right in the middle of the dark street, smiling urbanely at you.
"Bakari?!" You exclaim, squinting at the figure. "Bakari, is that you?" You call, running towards him.
As the figure comes into view, you see Bakari's bulky frame. On his body are welts and bruises.
An image comes to mind. Bakari coming out from a bright room with beautiful designs. His body was covered in bruises and slaps, but his wide smile shone through all of that. He winced in pain, but his smile was genuine.
"I missed you so much," you exclaim, running into Bakari's arms.
I don't care if anyone finds out!
"I know you did." Bakari teases, grinning.
"Oh, shut up, and let me hug you," you tell him, shaking your head and grinning.
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Hi Raquel - what an important story. I wasn't sure of the time period, but after reading the comments, I gather that you are weaving the story among different time periods and that is such a interesting and original idea. And important, as I said before, to really shine a light on how prejudice and racism, sadly, continues through the ages. I'm a new writer and hesitate to give much of a critique, but I guess the only thing I would suggest would be making the female character more convinced that Bakari had been killed. That way, when he appears, it would be more dramatic. Then again, maybe you specifically wanted the female character to believe that Bakari would overcome the violence - and her seeing him again is an important confirmation of her belief. I'm kind of rambling and thinking out loud now. But I was really impressed with your story and look forward to reading more from you!
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Thank you so much! They only reason I haven't put out a story yet is because I've been working on a story with my friend Emalyn. And I have a lot of ideas for the prompts, I can't decide on one! :P
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Really wonderful story!
But I just wonder, is colour still an issue nowadays? (you have written in your comment below the answer, 1600-1950)
I have seen movies on issues like this but first time reading such an issue
Enjoyed it :-)
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Color used to be a serious issue in those times. Nowadays, it still is, but it isn't so serious and sometimes it isn't... clear. I kind of wanted to do a serious story on an issue from the past, but for history you have to look at it through a neutral point of view, because there are many sides to history.
Anyways, thank you for reading and I'm glad you enjoyed! :)
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You did a really good job with second person POV. It was effortless.
Thanks for writing!
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Thank you! It's definitely not effortless, lol. The second person point of view is actually one of my favorite.
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Raquel, I like the way you used the second person narrative to give closeness to a period in history that is still relevant in today's America. I'm glad the story has a good ending and Bakari is alive.
You asked in another comment/reply how to improve on your dialogue. So, for example, you can strip back a little: 'The other man yelled, blocking you from Carson.' You don't need 'yelled', it's clear he's not whispering. You use 'yell' in at least four places and it's not needed, neither is 'exclaimed.'
Keep writing stories like this:-)
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Okay, thank you for the suggestions! I appreciate that you read my story. :)
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Yours is a beautiful example to learn use of second person narration from. I loved it Raquel. Keep it up. I love the content of your plot. This was a delightful read and it would be an absolute honour to have you check out even one of my stories. Wow. I loved the whole of it😘😍
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Thank you so much! I will totally check your stories out! :D
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Great job. I love how relatable this concept is to what is happening right now. The story was really well written. Second person point of view can be really hard to do, but you totally pulled it off.
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Thank you! I appreciate it!
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You’re welcome. ;)
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I'm not a huge fan of romance but I enjoyed this one. It was something new and fresh. It was a really good read and you wrote it beautifully.
Sincerely,
A.
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Thank you so much for reading, I greatly appreciate it! :)
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Of course! You're a great writer with a lot of potential!
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Thank you, and same to you! I loved the story you wrote for the last week's prompt!
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Thanks and your welcome!
Your friend,
A.
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Nice, I really liked it!
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Thank you! :)
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This was a very good read and I enjoyed it very much. There were some minor issues with it though, like the placement of the commas in a few places. For example, "You see, someone standing". I don't think the comma was really necessary. Definitely doesn't ruin the story. I also liked how you turned it into historical fiction-I love this genre. 😊😊
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Wait, what? Oof, that was an accident! Of course, people don't put commas there! Yikes! Lol, sorry about that! Thank you!
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No need to apologize... Anytime 😊😊
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👏👏👏👏
~Ⓐⓔⓡⓘⓝ
(ℙ.𝕊. 𝕨𝕠𝕦𝕝𝕕 𝕪𝕠𝕦 𝕞𝕚𝕟𝕕 𝕔𝕙𝕖𝕔𝕜𝕚𝕟𝕘 𝕠𝕦𝕥 𝕞𝕪 𝕞𝕠𝕤𝕥 𝕣𝕖𝕔𝕖𝕟𝕥 𝕤𝕥𝕠𝕣𝕪? 𝕋𝕙𝕒𝕟𝕜𝕤!
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Sure, Aerin! Thanks! :)
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Thanks! 😄
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I liked the use of the 2nd person and the ending! Thoroughly enjoyed reading it!
Would you mind checking my recent story, "A Very, Very Dark Green"? Thank you :)
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Thank you, Deborah! I'm happy that you liked the story! Sure, I'll check out your story, no problem!
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I'm glad you asked me to read your story - I really enjoyed this.
I wasn't too sure what era it was set in though or if it was a 'fictional' society???
I thought in some parts it seemed historical/factual yet other parts felt very modern...?
I also wondered about "smiling urbanely" - not quite sure what you meant by that here....
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Thank you for reading, Shirley!
Urbanely means: (of a person) courteous and refined in manner.
The date that the story took place was 1923, a time where racism was still a very serious thing.
Hopefully you found this helpful, have a nice day/night! :)
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Beautiful, especially the last line.
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Aww, thank you so much! I tried! ;)
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Hi Raquel! Here to give some (hopefully helpful) feedback, as requested. I’ll go fairly deep but let me know if it’s too much and I’ll chill out a bit if you want me to review any future stories!
Firstly, axe the author’s note. Put it in either as a comment on here or a note on your bio but never put author’s notes in your stories (the judges really don’t like them).
There are some really lovely bits in this. I like the underlying theme that racism is wrong and that everybody is equal - I think that comes through very strongly. There were a few bits that didn’t quite sit right with the theme though. You say at one point that she ‘even acted like them’, which is a pretty clear statement that there is a difference - black and white people behave differently. I’m not sure this fits. Bakari calling her ‘Ms Cruz’ also doesn’t fit with their relationship. I get that you’re trying to reference the slave/owner dynamic but I think they’re likely to be past that if they’re in a romantic relationship.
I like the relationship she has with the mother - that difference in opinion on the status of black people seems realistic and it gives a bit more context to the depth of feeling that other characters might have.
One piece of advice I got about dialogue from someone else on here that I find very useful and use each time is to read it out loud in character. If it sounds off or unrealistic, you should be able to hear it. Some of your dialogue didn’t flow the way you wanted it to and that might help.
The section about the scarf was lovely and it really set up the relationships that the protagonist has. I really liked that but.
One grammar note for speech where a sentence is interrupted.
“Capital letter then comma,” said Person. “A full stop and new capital letter if the sentence is new.”
Or
“Capital letter then comma,” said Person, “comma and no capital letter if the sentence has been interrupted.”
So
“I don’t care if I get into trouble,” you told him, your arms crossed, “and stop with the Ms Cruz stuff.”
Or
“Just to be safe,” he said, pausing. “A black person might get you.”
Hopefully this was helpful and not too disheartening! Let me know if was too much or if it was useful 😊
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Thank you, Laura! I really appreciate all the feedback, you don't know how much this means to me!
:)
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You’re very welcome! Was it too much or is that the level that you were hoping for?
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No, you're good, because that was exactly what I wanted! Harsh but realistic advice.
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Oh good! Happy to help in the future - just drop me a comment.
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Now I know, thank you (once again - I love saying 'thank you').
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Hey, you asked me to read your story so here I am.
Very well written and I like the way how you end it. Great job. ❤
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Thank you, Khizra!
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Great work! I love the intensity, dialogue, and effort. I also like the second person you used; it's not easy to do that!
I have a little feedback, I hope you read it.
1- There's a past and present tense confusions, I make them ALL the time. Sometimes you write present tense verbs, like "lay" and "flashes," and other times you write past tense - "asked" and "yelled." Don't worry, I make the same mistake all the time.
2- A sentence in your dialogue: ""Just to be safe." He said." It should be "'Just to be safe,' he said."
And another: "'Just forget about the stupid black boy.' Your mother yells." It should be "'Just forget about the stupid black boy,' your mother yells/yelled." Or "'Just forget about the stupid black boy!' Your mother yells/yelled."
Other than that, I really love it! Thank you for sharing your submission.
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Thank you, Rosa! I appreciate your feedback, and I'm glad you told me! Honestly, I really like the second-person point of view.
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Your welcome! C:
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:)
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I agree, but you wrote it wrong. (To Rosa)
"'Just to be safe.' He said."*
I love this story too; your effort and description is great! (To Raquel, love your name by the way!)
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(To Kendra) Thank you so much! I appreciate it.
:)
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Beautiful, Raquel! I loved the last line so much. :)
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Thank you, Rhondalise! I really appreciate you commenting!
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Fascinating presentation of the prompt. Sad to see how much things have changed and how much they haven't. Thanks for sharing.
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Thank you so much, Katherine! 😁
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I love this, Raquel! Great job! :)
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Thank you so much, Sofia! ;)
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Yeah, I was taking an online class of racial segregation, and because there was redlining, blacks and whites couldn't be in the same neighborhood, so my characters both snuck into the green part (which is basically the border). Thank you, Waverley!
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Ok I have read so much historical fiction on Reedsy this week, but this one stands out to me (ofc, everyone's stories are wonderful). I like the element of racism, and the time period as well. The use of second person is great! I also loved the pacing and characters. A great read.
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