Contemporary Drama Fiction

I died on a Tuesday in a country my children couldn't find on a map, and for three years, that was the truest thing about me. Now I'm standing in the snow outside my own kitchen window, watching my wife laugh at something another man said. My daughter is seven now. She was four the last time I held her. The man sitting in my chair just cut her meat the way I used to, diagonal strokes, the way she likes.

The cold doesn't touch me anymore. Not after thirty-one months in a cell where winter and summer felt the same. My boots sink into the fresh powder as I shift closer to the window, close enough to see the steam rising from their plates. Meatloaf tonight. Sarah's mother's recipe. She only makes it on Fridays.

Lucas passes the salt without being asked. Ten years old now, taller by a head than when I shipped out. He wears glasses. When did he start wearing glasses? The man, Tom Brennan according to the mailbox, ruffles my son's hair, and Lucas doesn't pull away. He grins instead, the gap between his front teeth still there but wider.

I remember that gap. The morning before my last deployment, Lucas asked if I was going to die. We were eating cereal at this same table, just the two of us while Sarah got Emma dressed upstairs. "Soldiers don't die, buddy," I told him. "We just go away for a while."

The lie tastes bitter now, watching him call another man Dad.

Sarah stands to clear the plates. She's softer than I remember, the sharp angles of grief smoothed into something peaceful. When she leans over to kiss Tom's forehead, her hand rests on his shoulder with the weight of habit, of years. She used to do that with me. Small touches throughout dinner. Anchors.

Emma pushes her vegetables around her plate. Still hates green beans, then. Some things stay sacred. Tom doesn't force her to eat them. He makes a joke instead, something that makes her giggle, covering her mouth with both hands the way she always did.

The way she did when I was her father.

They are whole. Complete. A family that learned to heal around my absence like skin closing over a wound. The proof sits right there in the warmth of their kitchen, in the easy rhythm of their Friday night. They don't need me. They don't even have a empty chair.

My pocket holds discharge papers, a crumpled photo of them I kept inside my boot for three years, and a bus ticket stub from Fort Campbell. Three weeks I've been back. Three weeks of sitting in a motel room eleven miles away, driving past at night, trying to find the courage to exist again. Tonight I finally walked up the driveway. Tonight I came to knock.

But watching them through the frosted glass, I understand something I couldn't from the street. My resurrection would be their catastrophe. Sarah would have to choose. The kids would have to reshape their world again. Tom, good man that he clearly is, would have to step aside from the life he built on my grave.

Is that love? To shatter their peace with my survival?

Snow collects on my shoulders while I watch them transition to dessert. Apple pie. Sarah never used to bake, but there it is, golden and perfect, steam curling from the slices. Tom serves it with vanilla ice cream that he lets Emma scoop herself. She makes a mess. Nobody minds.

The last dinner before deployment, I made spaghetti because it was Emma's favorite. Lucas twirled his fork wrong, splattering sauce on the wall. Sarah was already crying before the kids came to the table, though she tried to hide it behind her hair. Emma wouldn't eat. She kept asking when I'd be back. "Soon, Em-bear," I said. "Before you know it."

Another lie. They pile up like the snow at my feet.

Through the window, I watch Lucas help clear the table without being asked. He knows where everything goes, moving with the confidence of belonging. When did he become responsible? In my mind, he's still the boy who needed reminding to brush his teeth, who left his backpack by the door every morning until I carried it to the car for him.

Tom loads the dishwasher while Sarah wipes down the counter. They work in practiced synchronization. She hands him plates without looking. He knows to leave her grandmother's serving dish for her to hand-wash. These are the negotiations of years, the small surrenders that make a marriage.

I spent thirty-one months imagining this kitchen, this window, this moment. I never imagined I wouldn't be needed.

Emma excuses herself from the table and disappears upstairs. A minute later, her bedroom light flicks on. Second window from the left. The same room, though the curtains are different now. Purple instead of yellow. She's growing up. Seven years old and already developing her own taste, her own preferences that have nothing to do with me.

Sarah laughs at something Tom says, really laughs, throwing her head back. The sound is muffled through the glass but I know that laugh. It's the one she saved for Sunday mornings in bed, for inside jokes, for moments when her guard dropped completely. She's given that laugh to him now. It belongs in his collection of intimacies.

Tom catches her hand as she passes, pulls her close for a moment. Not passionate, just tender. The kind of touch that says everything is okay, we're okay, this life we've built is okay. Sarah melts into it, her body knowing his shape, fitting against him like she once fit against me.

They are not broken. They are not waiting. They have crafted a life that works, that brings laughter and apple pie and helping hands. A life where Lucas wears glasses and Emma has purple curtains and Sarah bakes now.

My boots are frozen to the ground. Ice crystals form in my beard. I force myself to step back from the window. One step. Then another. The snow breaks under my boot heel with a sound like a dry branch snapping—loud enough to stop my heart, but the laughter inside doesn't falter.

The decision makes itself. Love is not possession. Love is protection. Protecting them might mean protecting them from the earthquake of my return.

I turn from the window. Behind me, my footprints mark a path from the street to this spot, already filling with fresh snow. By morning, there will be no evidence I was ever here. Just another Friday night in their peaceful life.

My body knows cold now, finally, as if accepting what my mind has decided. The frozen air cuts through my jacket, finds the places where prison made me thin. I force my legs to move, one step, then two, away from the golden rectangle of their happiness.

They are young enough to keep healing. Emma won't remember me clearly in another five years. The specifics will blur: the sound of my voice, the way I threw her in the air, how I read stories with different voices for every character. Lucas is already more Tom's son than mine. He's learned to look a man in the eye when shaking hands from Tom. He's learned how to throw a baseball from Tom.

Sarah deserves the peace she's built. She mourned me properly, I'm sure. Eighteen months before she even considered dating, the discharge officer told me. She did everything right, everything I would have wanted. I cannot fault her for choosing life.

Three steps now. Four. Each one heavier than the last.

Then something catches my eye. Small tracks in the snow near the oak tree at the corner of the yard. Child-sized footprints, leading from the back door to the tree and returning. The path is worn deep, suggesting repetition. A ritual.

My heart hammers against my ribs as I approach the tree. There, tucked into a knothole at a child's height, protected from the weather by the trunk's angle, white paper stands out against dark bark.

My hands shake as I pull it free. The paper is folded into a small square, the way Emma used to fold her secret notes. Inside, crayon letters march crooked across the page:

Dear Daddy,

I know you come here at night. I see you from my window. I don't tell Mom because she crys when I talk about you. But I see you every time. Please come inside. I miss you so much.

Love, Emma

P.S. I saved your spot at the table.

The letter crumples in my fist. There are others, deeper in the knothole. Older. Weather-stained. How long has she been writing to me? How long has she known?

I look up from the letter, vision blurred, and turn toward the house. There, in the upstairs window, a small figure stands in the darkness, backlit by the soft glow of a nightlight. Emma. She's not surprised to see me looking. Her palm rests flat against the cold glass.

Slowly, deliberately, she points downward. Toward the front door.

She's been watching me watch them. All this time, I thought I was the ghost haunting their lives, but she's been waiting. Watching. Leaving letters for a father she never believed was dead.

My boots move before my mind decides. The path to the porch is short but feels like crossing between worlds. The motion sensor triggers. The porch light floods the space with sudden brightness. Behind me, my footprints already fill with new snow, erasing the man who stood at the window, the man who almost walked away.

Ten steps to the door. I can hear my breath, ragged and real. Through the frosted glass panel, movement inside. Small feet on stairs.

My daughter stands in the doorway, seven years old and ancient with waiting. She's barefoot despite the cold, still in her pajamas with unicorns on them. When she reaches for my hand, I understand that I haven't come home to reclaim my life. I've come home because she refused to let me stay dead.

"I knew you'd come back," she whispers. "I told them at school my daddy was just lost, not gone. Mrs. Peterson said I should talk to the counselor, but I knew."

Her hand is so small in mine. Behind her, I hear Sarah's voice calling from the kitchen, asking who's at the door. Footsteps approaching. The sound of my old life colliding with the new.

Emma squeezes my fingers. "It's okay," she says. "I'll tell them. I been practicing what to say."

The hallway light switches on. Sarah appears behind Emma, dish towel still in her hand. The towel drops. Her face goes white, then red, then white again. She makes a sound that isn't quite a word.

"Sarah," I say. Just that. Just her name.

Tom appears beside her. Lucas peers around the corner from the kitchen, curious. They all freeze, a family portrait interrupted by resurrection.

Emma tugs my hand. "I told you," she says to them, to all of them. "I told you he wasn't dead."

The snow keeps falling. The door stands open. Nobody moves.

Then Sarah steps forward.

Posted Dec 01, 2025
Share:

You must sign up or log in to submit a comment.

30 likes 16 comments

Tricia Shulist
06:59 Dec 08, 2025

Great story. I really liked the inner conflict of the nain character -- the back and forth. Thanks for sharing.

Reply

14:08 Dec 13, 2025

“I died on Tuesday “ that was one of the best starting lines I have read. thank you for your story I was trying to write a novel and your story had given me my much needed inspiration

Reply

Maisie Sutton
14:59 Dec 10, 2025

Beautiful story, Jim. I was so glad he went inside...life is complicated.

Reply

Rebecca Hurst
11:58 Dec 10, 2025

Brilliant, Jim.

Reply

Jay Moussa-Mann
20:11 Dec 09, 2025

The first sentence really caught me and I thoroughly enjoyed it. Gave me James Taylor’s Frozen Man vibes.

Reply

Saffron Roxanne
15:06 Dec 09, 2025

What a dilemma. I actually thought he was going to leave. So the ending was refreshing.

Great job! ❄️

Reply

Ginny Newland
17:38 Dec 08, 2025

Actually had chills run up my legs when he saw his daughter watching him from the window. Asked myself three times what I would do while reading, and had resolved that he was right to walk away. What an ending.

Reply

Kay Smith
19:19 Dec 04, 2025

"A family that learned to heal around my absence like skin closing over a wound."
-- Oof! I felt the pain in those words.
"Is that love? To shatter their peace with my survival?"
-- This one, too.
"My resurrection would be their catastrophe."
-- Are you trying to hurt me? lol.
"Another lie. They pile up like the snow at my feet."
-- I love it.
"...the small surrenders that make a marriage."
-- beautiful and so much truth there
"The specifics will blur: the sound of my voice, the way I threw her in the air, how I read stories with different voices for every character."
-- tears!

As usual, I love it! This captures so much... it clearly shows that children are wise beyond their years but still able to have space for Hope."
I was in tears as this man struggled.
This hit me right in The Feels.
Damn good!

Reply

Jim LaFleur
20:17 Dec 04, 2025

Stories are only alive when someone else feels them. Thank you, Kay!

Reply

Kay Smith
20:25 Dec 04, 2025

You're welcome! Always a pleasure to read your stories!

Reply

Pascale Marie
14:21 Dec 04, 2025

Amazing story, with so much heart and emotion, I did not expect it to end that way, I had already resigned myself to the fact that he wouldn’t go inside. Well done.

Reply

Mary Bendickson
03:43 Dec 04, 2025

Shattering! Soul touching!

Reply

George Ruff
14:29 Dec 02, 2025

As always your story is wonderful and a bit thought provoking which makes it great. Thanks so much for sharing. Your work is at a level we all hope to reach someday.

Reply

Jim LaFleur
16:47 Dec 02, 2025

Thank you, George. Your encouragement is what I need at this time!

Reply

Alexis Araneta
16:50 Dec 01, 2025

Jim, again, you and your heartfelt stories. This one's magic: the heartbreak in finding out that his family has seemingly moved on, the realisation that he didn't want to disturb their peace, and then the twist. It was all expertly done.

Funnily enough, I'm reading Khaled Hosseini's 'And the Mountains Echoed,' where the father of the protagonist tells an allegorical story about him deciding to let one of the children get adopted. The bit where that allegorical father has to leave his child behind came to mind as I was reading this.

Great work!

Reply

Jim LaFleur
17:26 Dec 01, 2025

Your words turned my story into a mirror I didn’t know I’d written. Thank you!

Reply

Reedsy | Default — Editors with Marker | 2024-05

Bring your publishing dreams to life

The world's best editors, designers, and marketers are on Reedsy. Come meet them.